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Página 941 de 950

  • Linguagens

    Inglês

    Texto 2:

    Are LED lights making us ill?

    By Lucy Jones


    Over the last decade, much of Europe and the US have changed the way they illuminate city and town streets. They have replaced high-energy sodium bulbs (the warmer, yellow ones) with energy-saving LED bulbs (with a blue light emitting diode, which can feel harsh in comparison). As well as street lights, most of us are exposed to blue light through smartphones, computers, TVs, and in the home.

    The World Journal of Biological Psychiatry published a paper that warned of the potential effects of LED lighting on mental illness. It raised concerns about the influence of blue light on sleep, other circadian-mediated symptoms, use of digital healthcare apps and devices, and the higher sensitivity of teenagers to blue light. Specifically, the researchers are concerned about the relationship between light exposure and the occurrence of manic and mixed symptoms in bipolar disorder, having adverse effects on manic states and the sleep-wake cycle. For example, the use of smartphones or computers by those people before bed could have a bad effect on their sleep, circadian rhythms and health.

    Studies of the impact of blue light on healthy adults show it inhibits melatonin secretion which disrupts sleep and can affect quality of life, physical and mental health and susceptibility to illness.

    Previous studies of sleep disorders in children and adolescents show a clear and consistent relationship between sleep disorders and frequency of digital device usage.

    Currently, the National Sleep Foundation guidelines suggest not using technology 30 minutes before bed and removing technology for the bedroom. However, there are currently no specific guidelines for people with an underlying mental illness or sensitivity to circadian disruption.

    As LED technology has rapidly spread across the globe, the focus has been on the visual element and the energysaving element. Now, scientists, health professionals and the LED industry are working to minimise the blue light in LEDs and create customisable lights that won’t harm those suffering from psychiatric disorders.

    Disponível em https://www.bbcearth.com/blog/?article=are-led-lights-making-us-ill Acessado em 22/10/2018


    A rápida substituição de lâmpadas comuns por lâmpadas de LED em todos os setores e locais tiveram duas razões principais: a visual e a economia de energia. Porém, importantes estudos estão investigando se há consequências deste uso para a saúde. Assim, de acordo com o texto, é possível dizer que:

    Escolha uma alternativa para a questão fe9bb118-1b
  • Linguagens

    Inglês

    Texto 3:

    Born Too Soon in a Country at War. Their Only Hope? This Clinic. By Kassie Bracken and Megan Special August 27, 2018


    The baby girl has stopped breathing. She was born prematurely and is only 3 weeks old. Her mother, Restina Boniface, took her to the only public neonatal clinic in South Sudan. The country is one of the toughest places in the world for newborns with health problems to survive. Ten feet away sits a donated respiratory machine that could save the baby. But lacking a critical part, it goes unused. The doctor tries to resuscitate the baby for several minutes. Finally, she begins breathing on her own. One in 10 babies brought to this clinic will die, most from treatable conditions. But many mothers have nowhere else to go.

    South Sudan, the world’s youngest nation, is in the midst of a humanitarian crisis. A brutal civil war has drained the economy. As hospitals closed, doctors were forced to flee. Inside the clinic, many babies remain nameless. Their mothers know they may not make it. “Our mothers here, they come for help,” said Rose Tongan, a pediatrician. “And you pity them. You can’t do anything.” Electricity cuts out for days at a time. There is no formula for the premature babies, no lab for blood tests, no facility for X-rays. There are no beds for breast-feeding mothers. They must sleep outside, where they are at risk of infection and vulnerable to assault. “I feel like: What can I do?” Dr. Tongan said.

    Hellen Sitima’s 3-day-old daughter is sick. “When we get home, then that’s the time to name the baby,” she says. Dr. Tongan has no access to lab tests, but she determines that Ms. Sitima’s baby has a respiratory infection. The infection clears, and Ms. Sitima takes her daughter home. She names her Gift.

    Disponível em https://www.nytimes.com/interactive/2018/08/28/multimedia/ south-sudan-babies.html. Acessado em 22/10/2018


    O texto relata a situação crítica em que se encontram hospitais no Sudão do Sul e de alguns pacientes que deles precisam para sobreviver. Assim sendo, assinale a alternativa que corresponde ao lido:

    Escolha uma alternativa para a questão fe9edacf-1b
  • Linguagens

    Inglês

    Education for Sustainable Development

    Imagem da questão de Inglês, UNESP 2021, Interpretação de texto | Reading comprehension
    Projects from Botswana, Brazil and Germany win UNESCO-Japan prize on Education for Sustainable Development.


        With a world population of 7 billion people and limited natural resources, we, as individuals and societies, need to learn to live together sustainably. We need to take action responsibly based on the understanding that what we do today can have implications on the lives of people and the planet in future. Education for Sustainable Development empowers people to change the way they think and work towards a sustainable future.
        UNESCO aims to improve access to quality education on sustainable development at all levels and in all social contexts, to transform society by reorienting education and help people develop knowledge, skills, values and behaviours needed for sustainable development. It is about including sustainable development issues, such as climate change and biodiversity into teaching and learning. Individuals are encouraged to be responsible actors who resolve challenges, respect cultural diversity and contribute to creating a more sustainable world.

    (https://en.unesco.org. Adaptado.)
    According to the second paragraph, one of sustainable development initiatives to be tackled by education should be to
    Escolha uma alternativa para a questão fea0cd21-6a
  • Linguagens

    Inglês

    Texto 4:

    Venezuelan official suggests migrant crisis is staged to undermine government

    Diosdado Cabello implied that photos and news of refugees fleeing through South America on foot are fake as the UN warns the situation is nearing a ‘crisis moment’

    Tom Phillips Latin America correspondent


    Venezuela’s number two official has suggested his country’s escalating migration crisis – described by the United Nations as one of the worst in Latin American history – is being staged as part of a rightwing ruse to undermine his government.

    Speaking at a congress of the ruling United Social party this week, Diosdado Cabello implied that images of Venezuelans fleeing through South America on foot had been manufactured. “It’s as if it was: ‘Lights, camera, action!’ It is a campaign against our country – a campaign of extraordinary dimensions,” Cabello added.

    The UN estimates 2.3 million Venezuelans have fled since 2015 with Colombia expecting 2 million more to follow by 2020. That would mean 4.3 million people – 14% of Venezuela’s population – had left. Last week, the UN’s migration agency warned the mass migration is nearing a “crisis moment” comparable to events involving refugees in the Mediterranean. Many of those now heading into neighbouring countries such as Brazil and Colombia are so impoverished they do so on foot.


    Imagem da questão de Inglês, UNESPAR 2018, Interpretação de texto | Reading comprehension

    The UN estimates 2.3 million Venezuelans have fled since 2015 with Colombia expecting 2 million more to follow by 2020. Photograph: Evelin Rosas/EPA

    On Tuesday, Venezuelan state media trumpeted the “repatriation” of 89 migrants who had reportedly been flown home from Peru free of charge after suffering exploitation abroad.

    Disponível em https://www.theguardian.com/world/2018/aug/28/venezuela-diosdado-cabello-refugee-footage-fake. Acessado em 22/10/2018


    O jornal The Guardian retrata um problema social vivido, sobretudo, em 2018, pelos venezuelanos. Com base no texto lido, aponte a alternativa que retrata mais adequadamente a posição do governo da Venezuela sobre o assunto:

    Escolha uma alternativa para a questão fea21591-1b
  • Linguagens

    Inglês

    Education for Sustainable Development

    Figura 1 de 2 da questão de Inglês, UNESP 2021, Interpretação de texto | Reading comprehension
    Projects from Botswana, Brazil and Germany win UNESCO-Japan prize on Education for Sustainable Development.


        With a world population of 7 billion people and limited natural resources, we, as individuals and societies, need to learn to live together sustainably. We need to take action responsibly based on the understanding that what we do today can have implications on the lives of people and the planet in future. Education for Sustainable Development empowers people to change the way they think and work towards a sustainable future.
        UNESCO aims to improve access to quality education on sustainable development at all levels and in all social contexts, to transform society by reorienting education and help people develop knowledge, skills, values and behaviours needed for sustainable development. It is about including sustainable development issues, such as climate change and biodiversity into teaching and learning. Individuals are encouraged to be responsible actors who resolve challenges, respect cultural diversity and contribute to creating a more sustainable world.

    (https://en.unesco.org. Adaptado.)
    Figura 2 de 2 da questão de Inglês, UNESP 2021, Interpretação de texto | Reading comprehension


    O cartum dialoga com o seguinte trecho do texto “Education for Sustainable Development”:
    Escolha uma alternativa para a questão fea527b8-6a
  • Linguagens

    Inglês

    Imagem da questão de Inglês, UNESPAR 2018, Interpretação de texto | Reading comprehension


    Mafalda, personagem famosa por seu pensamento crítico, discute um tema de grande importância para o mundo. Aponte a alternativa que melhor explica o contido na tirinha lida.

    Escolha uma alternativa para a questão fea55883-1b
  • Linguagens

    Inglês

    A brief survey of the short story part 47: Machado de Assis
    Still neglected by English readers, the Brazilian writer is one of the very greatest of the early modern era

    The Brazilian Joaquim Maria Machado de Assis is, to English-language readers, perhaps the most obscure of world literature’s great short-story writers. Producing work between 1869 and 1908, Machado wrote nine novels and more than 200 hundred stories, more than 60 of the latter appearing after 1880. This date marks the point at which Machado metamorphosed from a writer of romantic trifles into a master of psychological realism, seemingly overnight. The Brazilian poet and critic Augusto Meyer compared the shift to the one between Herman Melville’s earlier works and Moby-Dick.
    The evolutionary leap is unquestionable, although the precise reasons for it are unclear. Indeed, many uncertainties surround the biography of Machado, who was an intensely private person. Perhaps it’s no surprise that such a man should create a body of work that prizes the puzzle above the certainty. Meyer called ambiguity Machado’s most prominent theme and the translators Jake Schmitt and Lorie Ishimatsu agree, seeing it as being “in part the result of his subjective, relativistic world view, in which truth and reality, which are never absolutes, can only be approximated; no character relationships are stable, no issues are clear-cut, and the nature of everything is tenuous.” Machado writes with pleasurable clarity – he worked as a journalist for a time – but the straightforwardness of his stories is a camouflage for less obvious, more troubling cargo.
    (...)
    Machado’s most recent English translator, John Gledson, says the difficulty of translating him is capturing the right balance of distance, understanding and sympathy. Trapdoors to the unexpected open constantly in his work, from the sadism of “The Hidden Cause”, or the bleak violence of “Father versus Mother”, to the subtle play of what Michael Wood terms his “quiet, complicated humour”. Reading him prompts thoughts of so many different writers that he can only be unique. Poe’s chilling shadow falls across “The Hidden Cause” and “The Fortune-Teller”. “The Alienist” glitters with Swiftian satire. Machado’s shrewd, even devious work with the point of view of his narrators positions him alongside Henry James. Numerous stories anticipate the moral ambiguity of Chekhov’s mature work, in particular “A Singular Occurrence”. Machado’s literary mapping of Rio reaches back to the St Petersburg of Gogol and Dostoevsky, and anticipates the Dublin of Joyce. Finally, some of his more obviously strange works (nearly all of it is strange to some degree, which is part of its brilliance) evoke Borges and Kafka. Given all this, it’s little wonder that writer and critic Kevin Jackson would feel confident enough to claim that Machado “invented literary modernity, sui generis”.
    (...)
    At its most pessimistic, as at the conclusion of “Dona Paula”, all pleasure lies in a past that proves impossible to meaningfully access.
    This conception of a hollow, unreal present tied to a genuine but obliterated past finds a binary in Machado’s interest in the duality of the self, and the exploration of characters whose outer and inner personae differ radically. In “The Diplomat” this idea is expressed through the description of a man’s unexpressed passion for a friend’s daughter. In “A Famous Man” a hugely successful composer of polkas is wracked by his inability to compose ‘serious’ music. But it is in an earlier treatment of this theme, 1882’s “The Mirror”, that Machado captures the phenomenon most memorably. Alone in a desolate plantation house, Jacobina, a sub-lieutenant in the National Guard, finds his reflection growing dimmer and less distinct. The only way to bring it back into focus, and thus cling to reality, is to spend a period several hours each day standing before the mirror in his uniform. Jacobina steps out of this strange, haunting story to take his place alongside Chekhov’s Dmitri Gurov and Joyce’s Gabriel Conroy, men whose fatally divided selves leave them trapped in a limbo between their public and private personae. Just as the characters belong together, so do their creators; writing about Machado in 2002 Michael Wood complained, “Everyone who reads him thinks he is a master, but who reads him, and who has heard of him?” Not nearly so many as he deserves.
    Quotations from the stories are translated by John Gledson, Jack Schmitt and Lorie Ishimatsu.
    Source:POWER, Chris,The Guardian, Books Blog, Posted by Chris Power on Friday 1 March 2013 15.28 GMT http://www.theguardian.com/books/booksblog/2013/mar/01/survey-short-story-machado (Adapted) Access November, 2014

    The noun ‘shift’ on the first paragraph was used by
    Escolha uma alternativa para a questão fea5aea2-e7
  • Linguagens

    Português

    Em 01/09/2016, o portal UOL fez uma publicação sobre o afastamento definitivo de Dilma Rousseff da Presidência da República do Brasil, com o título: “Sem Dilma, país deve melhorar, mas analistas preveem desemprego e impostos”. Alguns dias depois, a página do Facebook “Caneta Desmanipuladora” publicou uma captura de tela da manchete, retirando palavras com o intuito de dar outra perspectiva ao que estava escrito:


    Imagem da questão de Português, UNESPAR 2018, Interpretação de Textos


    Em relação ao post adaptado da página do Facebook “Caneta Desmanipuladora”, é correto afirmar que a “desmanipulação” (exclusão da sequencia “... país deve melhorar, mas...”) mostra que:


    I. Há uma inversão da informação pela opinião, especialmente com o uso da frase “deve melhorar”, o que pode transmitir uma sensação de amadorismo na coleta e divulgação da informação, demonstrando não só a opinião dos especialistas econômicos, mas também a opinião da jornalista e do meio de comunicação;

    II. Não se pode confirmar nenhuma manipulação na manchete reproduzida, visto que os autores da “Caneta Desmanipuladora” inserem, ao lado, um comentário assumindo que “Essa não conseguimos nem explicar...”;

    III. A manchete original do Portal UOL pode ser tomada como exemplo de que durante o processo de criação e desenvolvimento de uma notícia são levados em consideração os chamados valores/notícia, que dizem respeito ao conteúdo, ao produto informativo, ao público e à concorrência. Em consequência disso, a organização do trabalho determina a chamada “linha editorial” de como deve ser noticiado um determinado acontecimento para o seu público, o que nunca é feito de forma isenta e completamente imparcial.


    Estão CORRETAS:

    Escolha uma alternativa para a questão fea8ad6f-1b
  • Linguagens

    Inglês

    A brief survey of the short story part 47: Machado de Assis
    Still neglected by English readers, the Brazilian writer is one of the very greatest of the early modern era

    The Brazilian Joaquim Maria Machado de Assis is, to English-language readers, perhaps the most obscure of world literature’s great short-story writers. Producing work between 1869 and 1908, Machado wrote nine novels and more than 200 hundred stories, more than 60 of the latter appearing after 1880. This date marks the point at which Machado metamorphosed from a writer of romantic trifles into a master of psychological realism, seemingly overnight. The Brazilian poet and critic Augusto Meyer compared the shift to the one between Herman Melville’s earlier works and Moby-Dick.
    The evolutionary leap is unquestionable, although the precise reasons for it are unclear. Indeed, many uncertainties surround the biography of Machado, who was an intensely private person. Perhaps it’s no surprise that such a man should create a body of work that prizes the puzzle above the certainty. Meyer called ambiguity Machado’s most prominent theme and the translators Jake Schmitt and Lorie Ishimatsu agree, seeing it as being “in part the result of his subjective, relativistic world view, in which truth and reality, which are never absolutes, can only be approximated; no character relationships are stable, no issues are clear-cut, and the nature of everything is tenuous.” Machado writes with pleasurable clarity – he worked as a journalist for a time – but the straightforwardness of his stories is a camouflage for less obvious, more troubling cargo.
    (...)
    Machado’s most recent English translator, John Gledson, says the difficulty of translating him is capturing the right balance of distance, understanding and sympathy. Trapdoors to the unexpected open constantly in his work, from the sadism of “The Hidden Cause”, or the bleak violence of “Father versus Mother”, to the subtle play of what Michael Wood terms his “quiet, complicated humour”. Reading him prompts thoughts of so many different writers that he can only be unique. Poe’s chilling shadow falls across “The Hidden Cause” and “The Fortune-Teller”. “The Alienist” glitters with Swiftian satire. Machado’s shrewd, even devious work with the point of view of his narrators positions him alongside Henry James. Numerous stories anticipate the moral ambiguity of Chekhov’s mature work, in particular “A Singular Occurrence”. Machado’s literary mapping of Rio reaches back to the St Petersburg of Gogol and Dostoevsky, and anticipates the Dublin of Joyce. Finally, some of his more obviously strange works (nearly all of it is strange to some degree, which is part of its brilliance) evoke Borges and Kafka. Given all this, it’s little wonder that writer and critic Kevin Jackson would feel confident enough to claim that Machado “invented literary modernity, sui generis”.
    (...)
    At its most pessimistic, as at the conclusion of “Dona Paula”, all pleasure lies in a past that proves impossible to meaningfully access.
    This conception of a hollow, unreal present tied to a genuine but obliterated past finds a binary in Machado’s interest in the duality of the self, and the exploration of characters whose outer and inner personae differ radically. In “The Diplomat” this idea is expressed through the description of a man’s unexpressed passion for a friend’s daughter. In “A Famous Man” a hugely successful composer of polkas is wracked by his inability to compose ‘serious’ music. But it is in an earlier treatment of this theme, 1882’s “The Mirror”, that Machado captures the phenomenon most memorably. Alone in a desolate plantation house, Jacobina, a sub-lieutenant in the National Guard, finds his reflection growing dimmer and less distinct. The only way to bring it back into focus, and thus cling to reality, is to spend a period several hours each day standing before the mirror in his uniform. Jacobina steps out of this strange, haunting story to take his place alongside Chekhov’s Dmitri Gurov and Joyce’s Gabriel Conroy, men whose fatally divided selves leave them trapped in a limbo between their public and private personae. Just as the characters belong together, so do their creators; writing about Machado in 2002 Michael Wood complained, “Everyone who reads him thinks he is a master, but who reads him, and who has heard of him?” Not nearly so many as he deserves.
    Quotations from the stories are translated by John Gledson, Jack Schmitt and Lorie Ishimatsu.
    Source:POWER, Chris,The Guardian, Books Blog, Posted by Chris Power on Friday 1 March 2013 15.28 GMT http://www.theguardian.com/books/booksblog/2013/mar/01/survey-short-story-machado (Adapted) Access November, 2014

    Augusto Meyer, Jake Schmitt and Lorie Ishimatsu
    Escolha uma alternativa para a questão fea90aa1-e7
  • Linguagens

    Inglês

    Analise o cartum.


    Imagem da questão de Inglês, UNESP 2021, Interpretação de texto | Reading comprehension


    A fala do personagem

    Escolha uma alternativa para a questão feab55eb-6a
  • Linguagens

    Português

    “D E C Ú B I T O: do latim decumbere, jazer. Uma linguagem jornalística anacrônica, encontrável sobretudo na crônica policial, insiste na substituição de termos mais simples por vocábulos de uso mais raro. Assim, mãe é genitora, hospital é nosocômio, e a vítima de acidente ou morte é encontrada em decúbito, e não deitada. Se estava de bruços, escrevem que estava em decúbito ventral; se estava deitada de lado, dizem que foi encontrada em decúbito lateral. Alguns, mais excêntricos, encontrando a suposta vítima em pé, dizem que a encontraram em posição ortostática. Uma das razões desta prática é o fato de historicamente o analfabetismo ser a maior reserva brasileira e o domínio da escrita servir não para esclarecer o público, mas para ostentar saber e confundir os leitores, em nome de uma suposta precisão de linguagem.”

    (Verbete retirado de SILVA, Deonísio da. A vida íntima das palavras: origens e curiosidades da língua portuguesa. São Paulo: Editora Arx, 2002, pg. 135)


    Em relação ao descrito no verbete acima, está INCORRETO afirmar que:

    Escolha uma alternativa para a questão feac0cff-1b
  • Linguagens

    Inglês

    A brief survey of the short story part 47: Machado de Assis
    Still neglected by English readers, the Brazilian writer is one of the very greatest of the early modern era

    The Brazilian Joaquim Maria Machado de Assis is, to English-language readers, perhaps the most obscure of world literature’s great short-story writers. Producing work between 1869 and 1908, Machado wrote nine novels and more than 200 hundred stories, more than 60 of the latter appearing after 1880. This date marks the point at which Machado metamorphosed from a writer of romantic trifles into a master of psychological realism, seemingly overnight. The Brazilian poet and critic Augusto Meyer compared the shift to the one between Herman Melville’s earlier works and Moby-Dick.
    The evolutionary leap is unquestionable, although the precise reasons for it are unclear. Indeed, many uncertainties surround the biography of Machado, who was an intensely private person. Perhaps it’s no surprise that such a man should create a body of work that prizes the puzzle above the certainty. Meyer called ambiguity Machado’s most prominent theme and the translators Jake Schmitt and Lorie Ishimatsu agree, seeing it as being “in part the result of his subjective, relativistic world view, in which truth and reality, which are never absolutes, can only be approximated; no character relationships are stable, no issues are clear-cut, and the nature of everything is tenuous.” Machado writes with pleasurable clarity – he worked as a journalist for a time – but the straightforwardness of his stories is a camouflage for less obvious, more troubling cargo.
    (...)
    Machado’s most recent English translator, John Gledson, says the difficulty of translating him is capturing the right balance of distance, understanding and sympathy. Trapdoors to the unexpected open constantly in his work, from the sadism of “The Hidden Cause”, or the bleak violence of “Father versus Mother”, to the subtle play of what Michael Wood terms his “quiet, complicated humour”. Reading him prompts thoughts of so many different writers that he can only be unique. Poe’s chilling shadow falls across “The Hidden Cause” and “The Fortune-Teller”. “The Alienist” glitters with Swiftian satire. Machado’s shrewd, even devious work with the point of view of his narrators positions him alongside Henry James. Numerous stories anticipate the moral ambiguity of Chekhov’s mature work, in particular “A Singular Occurrence”. Machado’s literary mapping of Rio reaches back to the St Petersburg of Gogol and Dostoevsky, and anticipates the Dublin of Joyce. Finally, some of his more obviously strange works (nearly all of it is strange to some degree, which is part of its brilliance) evoke Borges and Kafka. Given all this, it’s little wonder that writer and critic Kevin Jackson would feel confident enough to claim that Machado “invented literary modernity, sui generis”.
    (...)
    At its most pessimistic, as at the conclusion of “Dona Paula”, all pleasure lies in a past that proves impossible to meaningfully access.
    This conception of a hollow, unreal present tied to a genuine but obliterated past finds a binary in Machado’s interest in the duality of the self, and the exploration of characters whose outer and inner personae differ radically. In “The Diplomat” this idea is expressed through the description of a man’s unexpressed passion for a friend’s daughter. In “A Famous Man” a hugely successful composer of polkas is wracked by his inability to compose ‘serious’ music. But it is in an earlier treatment of this theme, 1882’s “The Mirror”, that Machado captures the phenomenon most memorably. Alone in a desolate plantation house, Jacobina, a sub-lieutenant in the National Guard, finds his reflection growing dimmer and less distinct. The only way to bring it back into focus, and thus cling to reality, is to spend a period several hours each day standing before the mirror in his uniform. Jacobina steps out of this strange, haunting story to take his place alongside Chekhov’s Dmitri Gurov and Joyce’s Gabriel Conroy, men whose fatally divided selves leave them trapped in a limbo between their public and private personae. Just as the characters belong together, so do their creators; writing about Machado in 2002 Michael Wood complained, “Everyone who reads him thinks he is a master, but who reads him, and who has heard of him?” Not nearly so many as he deserves.
    Quotations from the stories are translated by John Gledson, Jack Schmitt and Lorie Ishimatsu.
    Source:POWER, Chris,The Guardian, Books Blog, Posted by Chris Power on Friday 1 March 2013 15.28 GMT http://www.theguardian.com/books/booksblog/2013/mar/01/survey-short-story-machado (Adapted) Access November, 2014

    On the post, the phenomenon described as to have been captured most memorably by Machado
    Escolha uma alternativa para a questão feacd1a0-e7
  • Linguagens

    Português

    Imagem da questão de Português, UNESPAR 2018, Análise sintática


    No contexto deste post, o slogan de campanha de Donald Trump à presidência dos Estados Unidos (“Faça a América grande de novo!”) e a imagem destacando a etiqueta de procedência de uma peça de gravata de coleção assinada pelo mesmo Donald Trump (“Made in China”/”Hecho en China” = Feito na China) expressam uma relação de:

    Escolha uma alternativa para a questão feaf9a7f-1b
  • Linguagens

    Inglês

    Imagem da questão de Inglês, UNESP 2021, Interpretação de texto | Reading comprehension

    *TV and/or radio

         Three-quarters of the world’s children live in countries where classrooms are closed. As lockdowns ease, schools should be among the first places to reopen. Children seem to be less likely than adults to catch covid-19. And the costs of closure are staggering: in the lost productivity of home schooling parents; and, far more important, in the damage done to children by lost learning. The costs fall most heavily on the youngest, who among other things miss out on picking up social and emotional skills; and on the less welloff, who are less likely to attend online lessons and who may be missing meals as well as classes. West African children whose schools were closed during the Ebola epidemic in 2014 are still paying the price.

    (www.economist.com, 01.05.2020. Adaptado.)
    The chart shows that the average share of population connected to internet
    Escolha uma alternativa para a questão feb0b085-6a
  • Linguagens

    Português

    TEXTO:

    Figura 1 de 2 da questão de Português, UNICENTRO 2010, Interpretação de Textos

    Figura 2 de 2 da questão de Português, UNICENTRO 2010, Interpretação de Textos

    MORIN, Edgar. Amor, poesia, sabedoria. São Paulo: Bertrand Brasil,

    2003, Prefácio. Adaptado. Não paginado.

    Do ponto de vista temático, o texto põe em destaque
    Escolha uma alternativa para a questão feb15126-b0
  • Linguagens

    Inglês

    A brief survey of the short story part 47: Machado de Assis
    Still neglected by English readers, the Brazilian writer is one of the very greatest of the early modern era

    The Brazilian Joaquim Maria Machado de Assis is, to English-language readers, perhaps the most obscure of world literature’s great short-story writers. Producing work between 1869 and 1908, Machado wrote nine novels and more than 200 hundred stories, more than 60 of the latter appearing after 1880. This date marks the point at which Machado metamorphosed from a writer of romantic trifles into a master of psychological realism, seemingly overnight. The Brazilian poet and critic Augusto Meyer compared the shift to the one between Herman Melville’s earlier works and Moby-Dick.
    The evolutionary leap is unquestionable, although the precise reasons for it are unclear. Indeed, many uncertainties surround the biography of Machado, who was an intensely private person. Perhaps it’s no surprise that such a man should create a body of work that prizes the puzzle above the certainty. Meyer called ambiguity Machado’s most prominent theme and the translators Jake Schmitt and Lorie Ishimatsu agree, seeing it as being “in part the result of his subjective, relativistic world view, in which truth and reality, which are never absolutes, can only be approximated; no character relationships are stable, no issues are clear-cut, and the nature of everything is tenuous.” Machado writes with pleasurable clarity – he worked as a journalist for a time – but the straightforwardness of his stories is a camouflage for less obvious, more troubling cargo.
    (...)
    Machado’s most recent English translator, John Gledson, says the difficulty of translating him is capturing the right balance of distance, understanding and sympathy. Trapdoors to the unexpected open constantly in his work, from the sadism of “The Hidden Cause”, or the bleak violence of “Father versus Mother”, to the subtle play of what Michael Wood terms his “quiet, complicated humour”. Reading him prompts thoughts of so many different writers that he can only be unique. Poe’s chilling shadow falls across “The Hidden Cause” and “The Fortune-Teller”. “The Alienist” glitters with Swiftian satire. Machado’s shrewd, even devious work with the point of view of his narrators positions him alongside Henry James. Numerous stories anticipate the moral ambiguity of Chekhov’s mature work, in particular “A Singular Occurrence”. Machado’s literary mapping of Rio reaches back to the St Petersburg of Gogol and Dostoevsky, and anticipates the Dublin of Joyce. Finally, some of his more obviously strange works (nearly all of it is strange to some degree, which is part of its brilliance) evoke Borges and Kafka. Given all this, it’s little wonder that writer and critic Kevin Jackson would feel confident enough to claim that Machado “invented literary modernity, sui generis”.
    (...)
    At its most pessimistic, as at the conclusion of “Dona Paula”, all pleasure lies in a past that proves impossible to meaningfully access.
    This conception of a hollow, unreal present tied to a genuine but obliterated past finds a binary in Machado’s interest in the duality of the self, and the exploration of characters whose outer and inner personae differ radically. In “The Diplomat” this idea is expressed through the description of a man’s unexpressed passion for a friend’s daughter. In “A Famous Man” a hugely successful composer of polkas is wracked by his inability to compose ‘serious’ music. But it is in an earlier treatment of this theme, 1882’s “The Mirror”, that Machado captures the phenomenon most memorably. Alone in a desolate plantation house, Jacobina, a sub-lieutenant in the National Guard, finds his reflection growing dimmer and less distinct. The only way to bring it back into focus, and thus cling to reality, is to spend a period several hours each day standing before the mirror in his uniform. Jacobina steps out of this strange, haunting story to take his place alongside Chekhov’s Dmitri Gurov and Joyce’s Gabriel Conroy, men whose fatally divided selves leave them trapped in a limbo between their public and private personae. Just as the characters belong together, so do their creators; writing about Machado in 2002 Michael Wood complained, “Everyone who reads him thinks he is a master, but who reads him, and who has heard of him?” Not nearly so many as he deserves.
    Quotations from the stories are translated by John Gledson, Jack Schmitt and Lorie Ishimatsu.
    Source:POWER, Chris,The Guardian, Books Blog, Posted by Chris Power on Friday 1 March 2013 15.28 GMT http://www.theguardian.com/books/booksblog/2013/mar/01/survey-short-story-machado (Adapted) Access November, 2014

    The references to other writers on the text were, for Chris Power,
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  • Linguagens

    Português

    Imagem da questão de Português, UNESPAR 2018, Interpretação de Textos

    Em relação ao texto acima, é correto afirmar:


    I. Trata-se de notícia que relata resultados de uma pesquisa sobre acesso à internet e hábitos de navegação de empregadas domésticas mensalistas e diaristas da Grande São Paulo;

    II. “Auto censura” e “medo de pedir”, são apresentados como sinônimos dentre as principais razões apontadas pelas domésticas para não ter acesso à senha do Wi-Fi do local de trabalho;

    III. A pesquisa da InterLab mencionada na matéria constatou que a maioria das diaristas não adicionou os empregadores nas redes sociais.


    Estão CORRETAS:

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  • Linguagens

    Inglês

    Imagem da questão de Inglês, UNESP 2021, Interpretação de texto | Reading comprehension

    *TV and/or radio

         Three-quarters of the world’s children live in countries where classrooms are closed. As lockdowns ease, schools should be among the first places to reopen. Children seem to be less likely than adults to catch covid-19. And the costs of closure are staggering: in the lost productivity of home schooling parents; and, far more important, in the damage done to children by lost learning. The costs fall most heavily on the youngest, who among other things miss out on picking up social and emotional skills; and on the less welloff, who are less likely to attend online lessons and who may be missing meals as well as classes. West African children whose schools were closed during the Ebola epidemic in 2014 are still paying the price.

    (www.economist.com, 01.05.2020. Adaptado.)
    De acordo com o texto, o fechamento das escolas devido à pandemia de covid-19 prejudicou, principalmente,
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  • Linguagens

    Inglês

    A brief survey of the short story part 47: Machado de Assis
    Still neglected by English readers, the Brazilian writer is one of the very greatest of the early modern era

    The Brazilian Joaquim Maria Machado de Assis is, to English-language readers, perhaps the most obscure of world literature’s great short-story writers. Producing work between 1869 and 1908, Machado wrote nine novels and more than 200 hundred stories, more than 60 of the latter appearing after 1880. This date marks the point at which Machado metamorphosed from a writer of romantic trifles into a master of psychological realism, seemingly overnight. The Brazilian poet and critic Augusto Meyer compared the shift to the one between Herman Melville’s earlier works and Moby-Dick.
    The evolutionary leap is unquestionable, although the precise reasons for it are unclear. Indeed, many uncertainties surround the biography of Machado, who was an intensely private person. Perhaps it’s no surprise that such a man should create a body of work that prizes the puzzle above the certainty. Meyer called ambiguity Machado’s most prominent theme and the translators Jake Schmitt and Lorie Ishimatsu agree, seeing it as being “in part the result of his subjective, relativistic world view, in which truth and reality, which are never absolutes, can only be approximated; no character relationships are stable, no issues are clear-cut, and the nature of everything is tenuous.” Machado writes with pleasurable clarity – he worked as a journalist for a time – but the straightforwardness of his stories is a camouflage for less obvious, more troubling cargo.
    (...)
    Machado’s most recent English translator, John Gledson, says the difficulty of translating him is capturing the right balance of distance, understanding and sympathy. Trapdoors to the unexpected open constantly in his work, from the sadism of “The Hidden Cause”, or the bleak violence of “Father versus Mother”, to the subtle play of what Michael Wood terms his “quiet, complicated humour”. Reading him prompts thoughts of so many different writers that he can only be unique. Poe’s chilling shadow falls across “The Hidden Cause” and “The Fortune-Teller”. “The Alienist” glitters with Swiftian satire. Machado’s shrewd, even devious work with the point of view of his narrators positions him alongside Henry James. Numerous stories anticipate the moral ambiguity of Chekhov’s mature work, in particular “A Singular Occurrence”. Machado’s literary mapping of Rio reaches back to the St Petersburg of Gogol and Dostoevsky, and anticipates the Dublin of Joyce. Finally, some of his more obviously strange works (nearly all of it is strange to some degree, which is part of its brilliance) evoke Borges and Kafka. Given all this, it’s little wonder that writer and critic Kevin Jackson would feel confident enough to claim that Machado “invented literary modernity, sui generis”.
    (...)
    At its most pessimistic, as at the conclusion of “Dona Paula”, all pleasure lies in a past that proves impossible to meaningfully access.
    This conception of a hollow, unreal present tied to a genuine but obliterated past finds a binary in Machado’s interest in the duality of the self, and the exploration of characters whose outer and inner personae differ radically. In “The Diplomat” this idea is expressed through the description of a man’s unexpressed passion for a friend’s daughter. In “A Famous Man” a hugely successful composer of polkas is wracked by his inability to compose ‘serious’ music. But it is in an earlier treatment of this theme, 1882’s “The Mirror”, that Machado captures the phenomenon most memorably. Alone in a desolate plantation house, Jacobina, a sub-lieutenant in the National Guard, finds his reflection growing dimmer and less distinct. The only way to bring it back into focus, and thus cling to reality, is to spend a period several hours each day standing before the mirror in his uniform. Jacobina steps out of this strange, haunting story to take his place alongside Chekhov’s Dmitri Gurov and Joyce’s Gabriel Conroy, men whose fatally divided selves leave them trapped in a limbo between their public and private personae. Just as the characters belong together, so do their creators; writing about Machado in 2002 Michael Wood complained, “Everyone who reads him thinks he is a master, but who reads him, and who has heard of him?” Not nearly so many as he deserves.
    Quotations from the stories are translated by John Gledson, Jack Schmitt and Lorie Ishimatsu.
    Source:POWER, Chris,The Guardian, Books Blog, Posted by Chris Power on Friday 1 March 2013 15.28 GMT http://www.theguardian.com/books/booksblog/2013/mar/01/survey-short-story-machado (Adapted) Access November, 2014

    An attribute of Machado’s work seen on the post is:
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  • Linguagens

    Português

    TEXTO:

    Figura 1 de 2 da questão de Português, UNICENTRO 2010, Interpretação de Textos

    Figura 2 de 2 da questão de Português, UNICENTRO 2010, Interpretação de Textos

    MORIN, Edgar. Amor, poesia, sabedoria. São Paulo: Bertrand Brasil,

    2003, Prefácio. Adaptado. Não paginado.

    Da leitura do texto, pode-se concluir que
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