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Questões: Universidade Estadual do Ceará (UECE) — com gabarito

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Resultados: 1.586 questões

Página 13 de 80

  • Linguagens

    Inglês

    T E X T


    I Used to Fear Being a Nobody. Then I Left

    Social Media.


    By Bianca Brooks


    “What’s happening?”

         I stare blankly at the little box as I try to think of something clever for my first tweet. I settle on what’s at the top of my mind: “My only #fear is being a nobody.” How could I know this exchange would begin a dialogue that would continue nearly every day for the next nine years of my life?

         I began using Twitter in 2010 as a newly minted high school freshman. Though it began as a hub for my quirky adolescent thoughts, over the years it became an archive of my emotional and intellectual voice — a kind of virtual display for the evolution of my politics and artistic identity. But after nine years, it was time to close the archive. My wanting to share my every waking thought became eclipsed by a desire for an increasingly rare commodity — a private life.

         Though I thought disappearing from social media would be as simple as logging off, my refusal to post anything caused a bit of a stir among my small but loyal following. I began to receive emails from strangers asking me where I had gone and when I would return. One message read: “Not to be over familiar, but you have to come back eventually. You’re a writer after all. How will we read your writing?” Another follower inquired, “Where will you go?” 

         The truth is I have not gone anywhere. I am, in fact, more present than ever

         Over time, I have begun to sense these messages reveal more than a lack of respect for privacy. I realize that to many millennials, a life without a social media presence is not simply a private life; it is no life at all: We possess a widespread, genuine fear of obscurity.

         When I consider the near-decade I have spent on social media, this worry makes sense. As with many in my generation, Twitter was my entry into conversations happening on a global scale; long before my byline graced any publication, tweeting was how I felt a part of the world. Twitter functions much like an echo chamber dependent on likes and retweets, and gaining notoriety is as easy as finding someone to agree with you. For years I poured my opinions, musings and outrage onto my timeline, believing I held an indispensable place in a vital sociopolitical experiment. 

         But these passionate, public observations were born of more than just a desire to speak my mind — I was measuring my individual worth in constant visibility. Implicit in my follower’s question “Where will you go?” is the resounding question “How will we know where you’ve gone?” Privacy is considered a small exchange for the security of being well known and well liked. 

         After all, a private life boasts no location markers or story updates. The idea that the happenings of our lives would be constrained to our immediate families, friends and real-life communities is akin to social death in a world measured by followers, views, likes and shares.

         I grow weary when I think of this as the new normal for what is considered to be a fruitful personal life. Social media is no longer a mere public extension of our private socialization; it has become a replacement for it. What happens to our humanity when we relegate our real lives to props for the performance of our virtual ones? 

         For one, a predominantly online existence can lull us into a dubious sense of having enacted concrete change, simply because of a tweet or Instagram post. As “hashtag activism” has obscured longstanding traditions of assembly and protest, there’s concern that a failure to transition from the keyboard to in-person organization will effectively stall or kill the momentum of political movements. (See: Occupy Wall Street.) 

         The sanctity of our most intimate experiences is also diminished. My grandfather Charles Shaw — a notable musician whose wisdoms and jazz scene tales I often shared on Twitter — passed away last year. Rather than take adequate time to privately mourn the loss of his giant influence in my life alongside those who loved him most, I quickly posted a lengthy tribute to him to my followers. At the time I thought, “How will they remember him if I don’t acknowledge his passing?”

         Perhaps at the root of this anxiety over being forgotten is an urgent question of how one ought to form a legacy; with the rise of automation, a widening wealth gap and an unstable political climate, it is easy to feel unimportant. It is almost as if the world is too big and we are much too small to excel in it in any meaningful way. We feel we need as many people as possible to witness our lives, so as not to be left out of a story that is being written too fast by people much more significant than ourselves.

         “The secret of a full life is to live and relate to others as if they might not be there tomorrow, as if you might not be there tomorrow,” the writer Anais Nin said. “This feeling has become a rarity, and rarer every day now that we have reached a hastier and more superficial rhythm, now that we believe we are in touch with a greater amount of people. This is the illusion which might cheat us of being in touch deeply with the one breathing next to us.”

         I think of those words and at once any fear of obscurity is eclipsed by much deeper ones — the fear of forgoing the sacred moments of life, of never learning to be completely alone, of not bearing witness to the incredible lives of those who surround me.

         I observe the world around me. It is big and moving fast. “What’s happening?” I think to myself. 

         I’m just beginning to find out. 


    From:www.nytimes.com/Oct. 1, 2019

    As a concluding note, the author acknowledges that, after leaving social media, she
    Escolha uma alternativa para a questão ce6eeac5-b8
  • Linguagens

    Inglês

    T E X T


    I Used to Fear Being a Nobody. Then I Left

    Social Media.


    By Bianca Brooks


    “What’s happening?”

         I stare blankly at the little box as I try to think of something clever for my first tweet. I settle on what’s at the top of my mind: “My only #fear is being a nobody.” How could I know this exchange would begin a dialogue that would continue nearly every day for the next nine years of my life?

         I began using Twitter in 2010 as a newly minted high school freshman. Though it began as a hub for my quirky adolescent thoughts, over the years it became an archive of my emotional and intellectual voice — a kind of virtual display for the evolution of my politics and artistic identity. But after nine years, it was time to close the archive. My wanting to share my every waking thought became eclipsed by a desire for an increasingly rare commodity — a private life.

         Though I thought disappearing from social media would be as simple as logging off, my refusal to post anything caused a bit of a stir among my small but loyal following. I began to receive emails from strangers asking me where I had gone and when I would return. One message read: “Not to be over familiar, but you have to come back eventually. You’re a writer after all. How will we read your writing?” Another follower inquired, “Where will you go?” 

         The truth is I have not gone anywhere. I am, in fact, more present than ever

         Over time, I have begun to sense these messages reveal more than a lack of respect for privacy. I realize that to many millennials, a life without a social media presence is not simply a private life; it is no life at all: We possess a widespread, genuine fear of obscurity.

         When I consider the near-decade I have spent on social media, this worry makes sense. As with many in my generation, Twitter was my entry into conversations happening on a global scale; long before my byline graced any publication, tweeting was how I felt a part of the world. Twitter functions much like an echo chamber dependent on likes and retweets, and gaining notoriety is as easy as finding someone to agree with you. For years I poured my opinions, musings and outrage onto my timeline, believing I held an indispensable place in a vital sociopolitical experiment. 

         But these passionate, public observations were born of more than just a desire to speak my mind — I was measuring my individual worth in constant visibility. Implicit in my follower’s question “Where will you go?” is the resounding question “How will we know where you’ve gone?” Privacy is considered a small exchange for the security of being well known and well liked. 

         After all, a private life boasts no location markers or story updates. The idea that the happenings of our lives would be constrained to our immediate families, friends and real-life communities is akin to social death in a world measured by followers, views, likes and shares.

         I grow weary when I think of this as the new normal for what is considered to be a fruitful personal life. Social media is no longer a mere public extension of our private socialization; it has become a replacement for it. What happens to our humanity when we relegate our real lives to props for the performance of our virtual ones? 

         For one, a predominantly online existence can lull us into a dubious sense of having enacted concrete change, simply because of a tweet or Instagram post. As “hashtag activism” has obscured longstanding traditions of assembly and protest, there’s concern that a failure to transition from the keyboard to in-person organization will effectively stall or kill the momentum of political movements. (See: Occupy Wall Street.) 

         The sanctity of our most intimate experiences is also diminished. My grandfather Charles Shaw — a notable musician whose wisdoms and jazz scene tales I often shared on Twitter — passed away last year. Rather than take adequate time to privately mourn the loss of his giant influence in my life alongside those who loved him most, I quickly posted a lengthy tribute to him to my followers. At the time I thought, “How will they remember him if I don’t acknowledge his passing?”

         Perhaps at the root of this anxiety over being forgotten is an urgent question of how one ought to form a legacy; with the rise of automation, a widening wealth gap and an unstable political climate, it is easy to feel unimportant. It is almost as if the world is too big and we are much too small to excel in it in any meaningful way. We feel we need as many people as possible to witness our lives, so as not to be left out of a story that is being written too fast by people much more significant than ourselves.

         “The secret of a full life is to live and relate to others as if they might not be there tomorrow, as if you might not be there tomorrow,” the writer Anais Nin said. “This feeling has become a rarity, and rarer every day now that we have reached a hastier and more superficial rhythm, now that we believe we are in touch with a greater amount of people. This is the illusion which might cheat us of being in touch deeply with the one breathing next to us.”

         I think of those words and at once any fear of obscurity is eclipsed by much deeper ones — the fear of forgoing the sacred moments of life, of never learning to be completely alone, of not bearing witness to the incredible lives of those who surround me.

         I observe the world around me. It is big and moving fast. “What’s happening?” I think to myself. 

         I’m just beginning to find out. 


    From:www.nytimes.com/Oct. 1, 2019

    Considering the idea of living a “full life”, Bianca Brooks believes that the fast and superficial rhythm of today’s reality may prevent us from
    Escolha uma alternativa para a questão ce6bf18e-b8
  • Linguagens

    Inglês

    T E X T


    I Used to Fear Being a Nobody. Then I Left

    Social Media.


    By Bianca Brooks


    “What’s happening?”

         I stare blankly at the little box as I try to think of something clever for my first tweet. I settle on what’s at the top of my mind: “My only #fear is being a nobody.” How could I know this exchange would begin a dialogue that would continue nearly every day for the next nine years of my life?

         I began using Twitter in 2010 as a newly minted high school freshman. Though it began as a hub for my quirky adolescent thoughts, over the years it became an archive of my emotional and intellectual voice — a kind of virtual display for the evolution of my politics and artistic identity. But after nine years, it was time to close the archive. My wanting to share my every waking thought became eclipsed by a desire for an increasingly rare commodity — a private life.

         Though I thought disappearing from social media would be as simple as logging off, my refusal to post anything caused a bit of a stir among my small but loyal following. I began to receive emails from strangers asking me where I had gone and when I would return. One message read: “Not to be over familiar, but you have to come back eventually. You’re a writer after all. How will we read your writing?” Another follower inquired, “Where will you go?” 

         The truth is I have not gone anywhere. I am, in fact, more present than ever

         Over time, I have begun to sense these messages reveal more than a lack of respect for privacy. I realize that to many millennials, a life without a social media presence is not simply a private life; it is no life at all: We possess a widespread, genuine fear of obscurity.

         When I consider the near-decade I have spent on social media, this worry makes sense. As with many in my generation, Twitter was my entry into conversations happening on a global scale; long before my byline graced any publication, tweeting was how I felt a part of the world. Twitter functions much like an echo chamber dependent on likes and retweets, and gaining notoriety is as easy as finding someone to agree with you. For years I poured my opinions, musings and outrage onto my timeline, believing I held an indispensable place in a vital sociopolitical experiment. 

         But these passionate, public observations were born of more than just a desire to speak my mind — I was measuring my individual worth in constant visibility. Implicit in my follower’s question “Where will you go?” is the resounding question “How will we know where you’ve gone?” Privacy is considered a small exchange for the security of being well known and well liked. 

         After all, a private life boasts no location markers or story updates. The idea that the happenings of our lives would be constrained to our immediate families, friends and real-life communities is akin to social death in a world measured by followers, views, likes and shares.

         I grow weary when I think of this as the new normal for what is considered to be a fruitful personal life. Social media is no longer a mere public extension of our private socialization; it has become a replacement for it. What happens to our humanity when we relegate our real lives to props for the performance of our virtual ones? 

         For one, a predominantly online existence can lull us into a dubious sense of having enacted concrete change, simply because of a tweet or Instagram post. As “hashtag activism” has obscured longstanding traditions of assembly and protest, there’s concern that a failure to transition from the keyboard to in-person organization will effectively stall or kill the momentum of political movements. (See: Occupy Wall Street.) 

         The sanctity of our most intimate experiences is also diminished. My grandfather Charles Shaw — a notable musician whose wisdoms and jazz scene tales I often shared on Twitter — passed away last year. Rather than take adequate time to privately mourn the loss of his giant influence in my life alongside those who loved him most, I quickly posted a lengthy tribute to him to my followers. At the time I thought, “How will they remember him if I don’t acknowledge his passing?”

         Perhaps at the root of this anxiety over being forgotten is an urgent question of how one ought to form a legacy; with the rise of automation, a widening wealth gap and an unstable political climate, it is easy to feel unimportant. It is almost as if the world is too big and we are much too small to excel in it in any meaningful way. We feel we need as many people as possible to witness our lives, so as not to be left out of a story that is being written too fast by people much more significant than ourselves.

         “The secret of a full life is to live and relate to others as if they might not be there tomorrow, as if you might not be there tomorrow,” the writer Anais Nin said. “This feeling has become a rarity, and rarer every day now that we have reached a hastier and more superficial rhythm, now that we believe we are in touch with a greater amount of people. This is the illusion which might cheat us of being in touch deeply with the one breathing next to us.”

         I think of those words and at once any fear of obscurity is eclipsed by much deeper ones — the fear of forgoing the sacred moments of life, of never learning to be completely alone, of not bearing witness to the incredible lives of those who surround me.

         I observe the world around me. It is big and moving fast. “What’s happening?” I think to myself. 

         I’m just beginning to find out. 


    From:www.nytimes.com/Oct. 1, 2019

    For the author herself, Twitter was the platform for important things in her life, including the
    Escolha uma alternativa para a questão ce600458-b8
  • Linguagens

    Português

    Figura 1 de 2 da questão de Português, UECE 2019, Interpretação de Textos

    Figura 2 de 2 da questão de Português, UECE 2019, Interpretação de Textos


    CAMPANERUT, Camila. Obras de Monteiro Lobato entram

    para domínio público. Brasília: Ministério da Cidadania,

    2019. Disponível em: http://cultura.gov.br/obras-de-

    monteiro-lobato-entram-para-dominio-publico/. Acesso em:

    30/08/2019.

    O texto 1 defende um ponto de vista e, para isso, apresenta fatos e opiniões. Sobre esse aspecto, assinale a opção que se apresenta como opinião utilizada para defender o ponto de vista do autor.
    Escolha uma alternativa para a questão cd7e2531-b8
  • Linguagens

    Português

    Figura 1 de 2 da questão de Português, UECE 2019, Interpretação de Textos

    Figura 2 de 2 da questão de Português, UECE 2019, Interpretação de Textos


    CAMPANERUT, Camila. Obras de Monteiro Lobato entram

    para domínio público. Brasília: Ministério da Cidadania,

    2019. Disponível em: http://cultura.gov.br/obras-de-

    monteiro-lobato-entram-para-dominio-publico/. Acesso em:

    30/08/2019.

    Desde 1º de janeiro de 2019, não há mais necessidade de pedir autorização para utilizar as obras de Monteiro Lobato, porque
    Escolha uma alternativa para a questão cd7b7737-b8
  • Linguagens

    Português

    Figura 1 de 2 da questão de Português, UECE 2019, Interpretação de Textos

    Figura 2 de 2 da questão de Português, UECE 2019, Interpretação de Textos

    Com base no texto 4, é INCORRETO afirmar que
    Escolha uma alternativa para a questão cb9f1070-9c
  • Linguagens

    Português

    Figura 1 de 2 da questão de Português, UECE 2019, Interpretação de Textos

    Figura 2 de 2 da questão de Português, UECE 2019, Interpretação de Textos

    O texto 4, o miniconto do pseudônimo Sebastião Jones, intitulado Não Espere Pelo Fim, tem como propósito principal
    Escolha uma alternativa para a questão cb9b238f-9c
  • Linguagens

    Português

    Figura 1 de 2 da questão de Português, UECE 2019, Coesão e coerência

    Figura 2 de 2 da questão de Português, UECE 2019, Coesão e coerência

    Uma forma de retomar fragmentos, ao longo do texto, é usar expressões que apresentam uma paráfrase para resumir o que se precede ou sucede. Considerando esse aspecto, no trecho “[...] um incidente que recorda com divertida emoção” (linhas 108-109), a expressão sublinhada refere-se ao
    Escolha uma alternativa para a questão cb96b6b2-9c
  • Linguagens

    Português

    Figura 1 de 4 da questão de Português, UECE 2019, Interpretação de Textos

    Figura 2 de 4 da questão de Português, UECE 2019, Interpretação de Textos

    Figura 3 de 4 da questão de Português, UECE 2019, Interpretação de Textos

    Figura 4 de 4 da questão de Português, UECE 2019, Interpretação de Textos

    A entrevista marca-se como uma das formas de obtenção de fontes para notícias e reportagens a partir dos dados e argumentos expostos pelo(a) entrevistado(a). Em relação ao texto 2, é correto afirmar que a tese expressa pelo infectologista sobre os motivos da permanência das doenças provocadas pelo mosquito Aedes aegypt corresponde
    Escolha uma alternativa para a questão cb80164c-9c
  • Linguagens

    Português

    Figura 1 de 2 da questão de Português, UECE 2019, Funções da Linguagem: emotiva, apelativa, referencial, metalinguística, fática e poética.

    Figura 2 de 2 da questão de Português, UECE 2019, Funções da Linguagem: emotiva, apelativa, referencial, metalinguística, fática e poética.

    Sobre as funções da linguagem do texto 1, é correto afirmar que predomina
    Escolha uma alternativa para a questão cb736bcb-9c
  • Linguagens

    Espanhol

    Imagem da questão de Espanhol, UECE 2018, Acentuação e suas regras | Acentos y sus reglas
    La palabra “chimpancés” (línea 03) lleva tilde porque es aguda acabada en “s”. Apunta la opción abajo que contiene otra palabra aguda que también debe llevar tilde.
    Escolha uma alternativa para a questão c210a9be-02
  • Linguagens

    Espanhol

    Imagem da questão de Espanhol, UECE 2018, Interpretação de Texto | Comprensión de Lectura
    El segundo párrafo nos dice todavía que los “homo erectus”
    Escolha uma alternativa para a questão c1fc45e7-02
  • Linguagens

    Espanhol

    Imagem da questão de Espanhol, UECE 2018, Interpretação de Texto | Comprensión de Lectura
    Después de la lectura del texto podemos decir que el fuego
    Escolha uma alternativa para a questão c1e9ff69-02
  • Linguagens

    Português

    Figura 1 de 2 da questão de Português, UECE 2018, Análise sintática

    Figura 2 de 2 da questão de Português, UECE 2018, Análise sintática


    PAES, José Paulo. Prosas seguidas de Odes

    mínimas. São Paulo, Cia. das Letras, 1992.

    A relação sintático-semântica estabelecida entre os períodos do enunciado “Vendam logo esta casa, ela está cheia de fantasmas” (linhas 84-85) é
    Escolha uma alternativa para a questão 81bca575-02
  • Linguagens

    Português

    Figura 1 de 2 da questão de Português, UECE 2018, Interpretação de Textos

    Figura 2 de 2 da questão de Português, UECE 2018, Interpretação de Textos


    PAES, José Paulo. Prosas seguidas de Odes

    mínimas. São Paulo, Cia. das Letras, 1992.

    A ordem para vender a casa aparece indicada no início - “Vendam logo esta casa” (linha 84) - e no final do poema – “Deixem o menino dormir, mas vendam a casa, vendam-na depressa” (linhas 105- 106). O uso repetido deste enunciado se justifica pelo fato de o poeta
    Escolha uma alternativa para a questão 81b224d9-02
  • Linguagens

    Português

    Figura 1 de 4 da questão de Português, UECE 2018, Gêneros Textuais

     Figura 2 de 4 da questão de Português, UECE 2018, Gêneros Textuais

     Figura 3 de 4 da questão de Português, UECE 2018, Gêneros Textuais

    Figura 4 de 4 da questão de Português, UECE 2018, Gêneros Textuais

    VERÍSSIMO, Luís Fernando. Exigências da vida

    moderna. Disponível em:

    http://www.refletirpararefletir.com.br/4-cronicas-de-luis-fernando-verissimo. Acesso: 22.06.2018.

    Ao discorrer sobre o gênero crônica, Antônio Cândido, estudioso da literatura, afirma que “Ela é amiga da verdade e da poesia nas suas formas mais diretas e também nas suas formas mais fantásticas, sobretudo porque quase sempre utiliza o humor” (1992, p.13-14). O tom humorístico marca a linguagem de Veríssimo ao longo de toda a crônica Exigências da vida moderna. O humor NÃO se mostra evidente em
    Escolha uma alternativa para a questão 81866c86-02
  • Linguagens

    Inglês

                                             T E X T


                              Can you learn in your sleep?


          Sleep is known to be crucial for learning and memory formation. What's more, scientists have even managed to pick out specific memories and consolidate them during sleep. However, the exact mechanisms behind this were unknown — until now.

          Those among us who grew up with the popular cartoon "Dexter's Laboratory" might remember the famous episode wherein Dexter's trying to learn French overnight. He creates a device that helps him to learn in his sleep by playing French phrases to him. Of course, since the show is a comedy, Dexter's record gets stuck on the phrase "Omelette du fromage" and the next day he's incapable of saying anything else. This is, of course, a problem that puts him through a series of hilarious situations.

          The idea that we can learn in our sleep has captivated the minds of artists and scientists alike; the possibility that one day we could all drastically improve our productivity by learning in our sleep is very appealing. But could such a scenario ever become a reality?

          New research seems to suggest so, and scientists in general are moving closer to understanding precisely what goes on in the brain when we sleep and how the restful state affects learning and memory formation.

          For instance, previous studies have shown that non-rapid eye movement (non-REM) sleep — or dreamless sleep — is crucial for consolidating memories. It has also been shown that sleep spindles, or sudden spikes in oscillatory brain activity that can be seen on an electroencephalogram (EEG) during the second stage of non-REM sleep, are key for this memory consolidation. Scientists were also able to specifically target certain memories and reactivate, or strengthen, them by using auditory cues.

          However, the mechanism behind such achievements remained mysterious until now. Researchers were also unaware if such mechanisms would help with memorizing new information.

          Therefore, a team of researchers set out to investigate. Scott Cairney, from the University of York in the United Kingdom, co-led the research with Bernhard Staresina, who works at the University of Birmingham, also in the U.K. Their findings were published in the journal Current Biology.

          Cairney explains the motivation for the research, saying, "We are quite certain that memories are reactivated in the brain during sleep, but we don't know the neural processes that underpin this phenomenon." "Sleep spindles," he continues, "have been linked to the benefits of sleep for memory in previous research, so we wanted to investigate whether these brain waves mediate reactivation. If they support memory reactivation, we further reasoned that it could be possible to decipher memory signals at the time that these spindles took place."

          To test their hypotheses, Cairney and his colleagues asked 46 participants "to learn associations between words and pictures of objects or scenes before a nap." Afterward, some of the participants took a 90-minute nap, whereas others stayed awake. To those who napped, "Half of the words were [...] replayed during the nap to trigger the reactivation of the newly learned picture memories," explains Cairney.

          "When the participants woke after a good period of sleep," he says, "we presented them again with the words and asked them to recall the object and scene pictures. We found that their memory was better for the pictures that were connected to the words that were presented in sleep, compared to those words that weren't," Cairney reports.

          Using an EEG machine, the researchers were also able to see that playing the associated words to reactivate memories triggered sleep spindles in the participants' brains. More specifically, the EEG sleep spindle patterns "told" the researchers whether the participants were processing memories related to objects or memories related to scenes.

          "Our data suggest that spindles facilitate processing of relevant memory features during sleep and that this process boosts memory consolidation," says Staresina. "While it has been shown previously," he continues, "that targeted memory reactivation can boost memory consolidation during sleep, we now show that sleep spindles might represent the key underlying mechanism."

          Cairney adds, "When you are awake you learn new things, but when you are asleep you refine them, making it easier to retrieve them and apply them correctly when you need them the most. This is important for how we learn but also for how we might help retain healthy brain functions."

          Staresina suggests that this newly gained knowledge could lead to effective strategies for boosting memory while sleeping.

          So, though learning things from scratch à la "Dexter's Lab" may take a while to become a reality, we can safely say that our brains continue to learn while we sleep, and that researchers just got a lot closer to understanding why this happens.

                                    From: https://www.medicalnewstoday.com/articles/Mar/2018

    The novelty of the research mentioned in the text is related to the
    Escolha uma alternativa para a questão 1a8a9c3c-fa
  • Linguagens

    Português

    Imagem da questão de Português, UECE 2018, Figuras de Linguagem

    Analisando o verso do poema “forneces braços para o senhor burguês” (linha 69), a figura de linguagem que aí se destaca é
    Escolha uma alternativa para a questão 199eb564-fa