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Página 42 de 80

  • Linguagens

    Inglês

    TEXT



        RIO DE JANEIRO — Pope Francis on Thursday delivered some of his most politically provocative remarks since his papacy began this year, hopping from his popemobile to walk through a slum in this city before urging young people to fight against corruption, a leading grievance behind the huge street protests that shook dozens of Brazilian cities in June.
        “Do not grow accustomed to evil, but defeat it,” Francis said at the favela, or slum, of Varginha, in an area that has commonly been known here as the Gaza Strip for its gun battles and drug trafficking in the past. “Do not lose trust, do not allow your hope to be extinguished,” he added, acknowledging that it was common for some to “grow disillusioned with news of corruption.”
        By singling out corruption in a folksy visit to a Brazilian favela on his first trip abroad as pope, Francis, an Argentine-born Jesuit, emphasized his aim to refocus the Roman Catholic Church on the neglected margins of society, especially in Brazil and other parts of Latin America where the popularity of evangelical churches has surged among the poor in recent decades.
        In a nod to the Brazilian political authorities who have warmly welcomed him, Francis also praised the government’s antipoverty programs and did not specifically mention the anti-establishment protests in Brazil. But he did critique Rio de Janeiro’s so-called pacification project in the city’s slums, in which security forces assert control over lawless areas.
        “No amount of pacification will be able to last, nor will harmony and happiness be attained in a society that ignores, pushes to the margins or excludes a part of itself,” the pope said in Varginha, a slum that has recently been subjected to pacification. In a remark that could resonate in Latin America and in the United States, which is also grappling with the widening disparity between the haves and the have-nots, Francis said that a society “impoverishes itself” by perpetuating such inequality.
        Care for the poor and marginalized is an integral part of Catholic teaching, and a concern of many popes and encyclicals, including those by Francis’ predecessor, Benedict XVI. But Francis has made it a hallmark of his young papacy, telling journalists in Rome days after his election, “How I would like a church that is poor and for the poor.” He has demonstrated that ideal by living relatively humbly as pope: in a communal guesthouse rather than the opulent papal apartment, wearing a pectoral cross of iron instead of gold, flying commercial. He recently told priests that they should not drive fancy cars, and he has traveled around Rio this week in a compact Fiat.
        “He is helping to wake people up,” said Natalia Morais, 21, a nursing student from Minas Gerais State who traveled to Rio to see the pope as part of World Youth Day, a conference attended by hundreds of thousands of Catholic youth. “When the pope talks, political leaders listen, and that’s what’s needed in Brazil, where our protests are about their corruption,” Ms. Morais said.
        Reaching beyond Brazil, Francis told Argentines who came here for the conference that “the church must be taken into the streets” in a struggle against complacency. “Stir things up, cause confounding, but do not diminish faith in Jesus Christ,” he said in Spanish.
        In each of Francis’ public appearances, he has been accorded a rock-star reception. On an uncommonly cold and rainy morning, hundreds of residents lined the narrow, muddy sidewalks of the Varginha favela to glimpse the first pope from the Americas, who obliged by stopping often to touch and bless people.
        Many onlookers had made their own shirts to commemorate the event, with a photo of Francis. Others draped themselves in Brazilian flags and waved banners bearing his image. Residents darted in and out of their homes, checking their televisions and radios to learn the pope’s whereabouts and calling the information out to their neighbors standing on wet rooftops to get a better view.
        Sônia Curato, 48, a manicurist, said the pope’s visit was different from that of other leaders. “Politicians come all the time. They make promises and leave,” she said. “He is a very simple person. You can tell that. He has charisma. He speaks to the people, doesn’t like going around in an armored car.”


    By Simon Romero and Taylor Barnes
    Published: July 25, 2013
    www.nytimes.com

    Pope Francis’ optimism could be seen in Varginha, where he told people to
    Escolha uma alternativa para a questão 86ed567b-c6
  • Linguagens

    Português

    TEXTO II

    PORTÃO

    Imagem da questão de Português, UECE 2013, Flexão verbal de modo (indicativo, subjuntivo, imperativo)

    ANDRADE, Carlos Drummond de. In: Carlos Drummond de Andrade: Poesia e Prosa. Editora Nova Aguilar:1988. p. 506-507.
    Considere as seguintes afirmações sobre os dois versos finais.

    I. A separação desses dois versos em uma estrofe é um recurso que enfatiza as ideias de exclusão, parcialidade e preconceito presentes no poema.

    II. Os dois versos constituem um enunciado que expressa uma afirmação de valor individual ou particular.

    III. Esse enunciado apresenta a estrutura linguística do axioma (máxima, provérbio, anexim): é breve, expressa um conceito sobre a realidade, tem o objetivo de ensinar e emprega o presente do indicativo.


    Está correto o que se afirma apenas em
    Escolha uma alternativa para a questão 8621d281-c6
  • Linguagens

    Português

    Prezado candidato, o texto 1 desta prova foi extraído de uma crônica de Affonso Romano de Sant’Anna, cronista e poeta mineiro. Professor universitário e jornalista, escreveu para os maiores jornais do País. “Com uma produção diversificada e consistente, pensa o Brasil e a cultura do seu tempo, e se destaca como teórico, como poeta, como cronista, como professor, como administrador cultural e como jornalista.”


    TEXTO I

    Porta de colégio 

    Imagem da questão de Português, UECE 2013, Concordância verbal, Concordância nominal


    SANT’ANNA, Affonso Romano de. Affonso Romano de Sant’Anna: seleção e prefácio de Letícia Malard. Coleção Melhores Crônicas. p. 64-66.
    Observe a concordância verbal que se dá no trecho seguinte: “um ou outro já transou droga” (linha 17). Nesse trecho,


    I. o “ou” indica exclusão.

    II. a concordância poderia ser feita no plural: um ou outro já transaram droga.

    III. a ação do verbo transar refere-se tanto a um quanto a outro.


    Estão corretas as complementações contidas em
    Escolha uma alternativa para a questão 8606f6c2-c6
  • Linguagens

    Português

    Prezado candidato, o texto 1 desta prova foi extraído de uma crônica de Affonso Romano de Sant’Anna, cronista e poeta mineiro. Professor universitário e jornalista, escreveu para os maiores jornais do País. “Com uma produção diversificada e consistente, pensa o Brasil e a cultura do seu tempo, e se destaca como teórico, como poeta, como cronista, como professor, como administrador cultural e como jornalista.”


    TEXTO I

    Porta de colégio 

    Imagem da questão de Português, UECE 2013, Coesão e coerência


    SANT’ANNA, Affonso Romano de. Affonso Romano de Sant’Anna: seleção e prefácio de Letícia Malard. Coleção Melhores Crônicas. p. 64-66.
    Atente para o que se diz sobre as expressões referenciais seguintes: esses meninos e meninas (linha 23) e aquele/a (linhas 25, 28, 29 e 32).

    I. Todas essas expressões retomam individualmente o que foi mencionado de maneira geral no trecho das linhas 7, 8 e 9.

    II. Enquanto a expressão da linha 23 se refere ao que foi dito (anáfora), todas as outras se referem ao que vai ser dito (catáfora).

    III. A expressão aquele (ali) presentifica a cena enunciativa.


    Está correto o que se afirma em 
    Escolha uma alternativa para a questão 85ee6de7-c6
  • Linguagens

    Português

    Prezado candidato, o texto 1 desta prova foi extraído de uma crônica de Affonso Romano de Sant’Anna, cronista e poeta mineiro. Professor universitário e jornalista, escreveu para os maiores jornais do País. “Com uma produção diversificada e consistente, pensa o Brasil e a cultura do seu tempo, e se destaca como teórico, como poeta, como cronista, como professor, como administrador cultural e como jornalista.”


    TEXTO I

    Porta de colégio 

    Imagem da questão de Português, UECE 2013, Interpretação de Textos


    SANT’ANNA, Affonso Romano de. Affonso Romano de Sant’Anna: seleção e prefácio de Letícia Malard. Coleção Melhores Crônicas. p. 64-66.
    Marque com V o que for verdadeiro e com F o que for falso, em relação à crônica “Porta de colégio”.


    ( ) O cronista introduz a ideia núcleo do texto logo nas três primeiras linhas e o faz por meio de uma analogia.

    ( ) No quarto parágrafo, o enunciador responde à pergunta retórica feita no terceiro, empregando o advérbio interrogativo onde. As respostas, no entanto, não correspondem às respostas que se dariam a uma pergunta feita com o advérbio onde. Na pergunta correspondente a essas respostas, deveria constar algo como “Que acontecerá” ou “Como estarão”, não onde.

    ( ) O vocábulo clima (linha 6) e o vocábulo atmosfera (linha 11) não poderiam intercambiar suas ocorrências no texto sem prejuízo do sentido.

    ( ) No parágrafo 5 (linhas 37-45), o cronista faz alusão a um conto infantil, para mostrar como os adolescentes só têm segurança dentro da escola.

    ( ) Os assaltos do “lobo feroz” (linha 40), corresponderiam, no mundo moderno, ao estupro, ao latrocínio, ao homicídio, ao tráfico de crianças e de mulheres, à venda de drogas, em suma, aos perigos da vida moderna.


    Está correta a seguinte sequência de cima para baixo:
    Escolha uma alternativa para a questão 85e83b7d-c6
  • Linguagens

    Português

    Prezado candidato, o texto 1 desta prova foi extraído de uma crônica de Affonso Romano de Sant’Anna, cronista e poeta mineiro. Professor universitário e jornalista, escreveu para os maiores jornais do País. “Com uma produção diversificada e consistente, pensa o Brasil e a cultura do seu tempo, e se destaca como teórico, como poeta, como cronista, como professor, como administrador cultural e como jornalista.”


    TEXTO I

    Porta de colégio 

    Imagem da questão de Português, UECE 2013, Gêneros Textuais


    SANT’ANNA, Affonso Romano de. Affonso Romano de Sant’Anna: seleção e prefácio de Letícia Malard. Coleção Melhores Crônicas. p. 64-66.
    A crônica é um gênero, digamos, aberto. Dentro dessa rubrica cabem vários conceitos. As quatro opções abaixo apresentam características de crônica, mas só uma expressa as características apresentadas pelo texto de Sant’Anna. Assinale essa opção.
    Escolha uma alternativa para a questão 85e0f9f9-c6
  • Linguagens

    Inglês

    TEXT

         BRASÍLIA — Brazil’s highest court has long viewed itself as a bastion of manners and formality. Justices call one another “Your Excellency,” dress in billowing robes and wrap each utterance in grandiloquence, as if little had changed from the era when marquises and dukes held sway from their vast plantations.
         In one televised feud, Mr. Barbosa questioned another justice about whether he would even be on the court had he not been appointed by his cousin, a former president impeached in 1992. With another justice, Mr. Barbosa rebuked him over what the chief justice considered his condescending tone, telling him he was not his “capanga,” a term describing a hired thug. 
          In one of his most scathing comments, Mr. Barbosa, the high court’s first and only black justice, took on the entire legal system of Brazil — where it is still remarkably rare for politicians to ever spend time in prison, even after being convicted of crimes — contending that the mentality of judges was “conservative, pro-status-quo and pro-impunity.”
         “I have a temperament that doesn’t adapt well to politics,” Mr. Barbosa, 58, said in a recent interview in his quarters here in the Supreme Federal Tribunal, a modernist landmark designed by the architect Oscar Niemeyer. “It’s because I speak my mind so much.” 
         His acknowledged lack of tact notwithstanding, he is the driving force behind a series of socially liberal and establishment-shaking rulings, turning Brazil’s highest court — and him in particular — into a newfound political power and the subject of popular fascination. 
       The court’s recent rulings include a unanimous decision upholding the University of Brasília’s admissions policies aimed at increasing the number of black and indigenous students, opening the way for one of the Western Hemisphere’s most sweeping affirmative action laws for higher education. 
         In another move, Mr. Barbosa used his sway as chief justice and president of the panel overseeing Brazil’s judiciary to effectively legalize same-sex marriage across the country. And in an anticorruption crusade, he is overseeing the precedent-setting trial of senior political figures in the governing Workers Party for their roles in a vast vote-buying scheme.
       Ascending to Brazil’s high court, much less pushing the institution to assert its independence, long seemed out of reach for Mr. Barbosa, the eldest of eight children raised in Paracatu, an impoverished city in Minas Gerais State, where his father worked as a bricklayer.  
        But his prominence — not just on the court, but in the streets as well — is so well established that masks with his face were sold for Carnival, amateur musicians have composed songs about his handling of the corruption trial and posted them on YouTube, and demonstrators during the huge street protests that shook the nation this year told pollsters that Mr. Barbosa was one of their top choices for president in next year’s elections.
         While the protests have subsided since their height in June, the political tumult they set off persists. The race for president, once considered a shoo-in for the incumbent, Dilma Rousseff, is now up in the air, with Mr. Barbosa — who is now so much in the public eye that gossip columnists are following his romance with a woman in her 20s — repeatedly saying he will not run. “I’m not a candidate for anything,” he says. 
         But the same public glare that has turned him into a celebrity has singed him as well. While he has won widespread admiration for his guidance of the high court, Mr. Barbosa, like almost every other prominent political figure in Brazil, has recently come under scrutiny. And for someone accustomed to criticizing the so-called supersalaries awarded to some members of Brazil’s legal system, the revelations have put Mr. Barbosa on the defensive. 
         One report in the Brazilian news media described how he received about $180,000 in payments for untaken leaves of absence during his 19 years as a public prosecutor. (Such payments are common in some areas of Brazil’s large public bureaucracy.) Another noted that he bought an apartment in Miami through a limited liability company, suggesting an effort to pay less taxes on the property. In statements, Mr. Barbosa contends that he has done nothing wrong. 
         In a country where a majority of people now define themselves as black or of mixed race — but where blacks remain remarkably rare in the highest echelons of political institutions and corporations — Mr. Barbosa’s trajectory and abrupt manner have elicited both widespread admiration and a fair amount of resistance. 
         As a teenager, Mr. Barbosa moved to the capital, Brasília, finding work as a janitor in a courtroom. Against the odds, he got into the University of Brasília, the only black student in its law program at the time. Wanting to see the world, he later won admission into Brazil’s diplomatic service, which promptly sent him to Helsinki, the Finnish capital on the shore of the Baltic Sea. 
         Sensing that he would not advance much in the diplomatic service, which he has called “one of the most discriminatory institutions of Brazil,” Mr. Barbosa opted for a career as a prosecutor. He alternated between legal investigations in Brazil and studies abroad, gaining fluency in English, French and German, and earning a doctorate in law at Pantheon-Assas University in Paris. 
       Fascinated by the legal systems of other countries, Mr. Barbosa wrote a book on affirmative action in the United States. He still voices his admiration for figures like Thurgood Marshall, the first black Supreme Court justice in the United States, and William J. Brennan Jr., who for years embodied the court’s liberal vision, clearly drawing inspiration from them as he pushed Brazil’s high court toward socially liberal rulings.
        Still, no decision has thrust Mr. Barbosa into Brazil’s public imagination as much as his handling of the trial of political operatives, legislators and bankers found guilty in a labyrinthine corruption scandal called the mensalão, or big monthly allowance, after the regular payments made to lawmakers in exchange for their votes. 
        Last November, at Mr. Barbosa’s urging, the high court sentenced some of the most powerful figures in the governing Workers Party to years in prison for their crimes in the scheme, including bribery and unlawful conspiracy, jolting a political system in which impunity for politicians has been the norm.  
         Now the mensalão trial is entering what could be its final phases, and Mr. Barbosa has at times been visibly exasperated that defendants who have already been found guilty and sentenced have managed to avoid hard jail time. He has clashed with other justices over their consideration of a rare legal procedure in which appeals over close votes at the high court are examined. 
         Losing his patience with one prominent justice, Ricardo Lewandowski, who tried to absolve some defendants of certain crimes, Mr. Barbosa publicly accused him this month of “chicanery” by using legalese to prop up certain positions. An outcry ensued among some who could not stomach Mr. Barbosa’s talking to a fellow justice like that. “Who does Justice Joaquim Barbosa think he is?” asked Ricardo Noblat, a columnist for the newspaper O Globo, questioning whether Mr. Barbosa was qualified to preside over the court. “What powers does he think he has just because he’s sitting in the chair of the chief justice of the Supreme Federal Tribunal?” 
          Mr. Barbosa did not apologize. In the interview, he said some tension was necessary for the court to function properly. “It was always like this,” he said, contending that arguments are now just easier to see because the court’s proceedings are televised. 
         Linking the court’s work to the recent wave of protests, he explained that he strongly disagreed with the violence of some demonstrators, but he also said he believed that the street movements were “a sign of democracy’s exuberance.” 
         “People don’t want to passively stand by and observe these arrangements of the elite, which were always the Brazilian tradition,” he said. 
    In the sentence “Wanting to see the world, he later won admission into Brazil’s diplomatic service,” the underlined phrase can be correctly rewritten as
    Escolha uma alternativa para a questão e9e88147-b8
  • Linguagens

    Inglês

    TEXT

         BRASÍLIA — Brazil’s highest court has long viewed itself as a bastion of manners and formality. Justices call one another “Your Excellency,” dress in billowing robes and wrap each utterance in grandiloquence, as if little had changed from the era when marquises and dukes held sway from their vast plantations.
         In one televised feud, Mr. Barbosa questioned another justice about whether he would even be on the court had he not been appointed by his cousin, a former president impeached in 1992. With another justice, Mr. Barbosa rebuked him over what the chief justice considered his condescending tone, telling him he was not his “capanga,” a term describing a hired thug. 
          In one of his most scathing comments, Mr. Barbosa, the high court’s first and only black justice, took on the entire legal system of Brazil — where it is still remarkably rare for politicians to ever spend time in prison, even after being convicted of crimes — contending that the mentality of judges was “conservative, pro-status-quo and pro-impunity.”
         “I have a temperament that doesn’t adapt well to politics,” Mr. Barbosa, 58, said in a recent interview in his quarters here in the Supreme Federal Tribunal, a modernist landmark designed by the architect Oscar Niemeyer. “It’s because I speak my mind so much.” 
         His acknowledged lack of tact notwithstanding, he is the driving force behind a series of socially liberal and establishment-shaking rulings, turning Brazil’s highest court — and him in particular — into a newfound political power and the subject of popular fascination. 
       The court’s recent rulings include a unanimous decision upholding the University of Brasília’s admissions policies aimed at increasing the number of black and indigenous students, opening the way for one of the Western Hemisphere’s most sweeping affirmative action laws for higher education. 
         In another move, Mr. Barbosa used his sway as chief justice and president of the panel overseeing Brazil’s judiciary to effectively legalize same-sex marriage across the country. And in an anticorruption crusade, he is overseeing the precedent-setting trial of senior political figures in the governing Workers Party for their roles in a vast vote-buying scheme.
       Ascending to Brazil’s high court, much less pushing the institution to assert its independence, long seemed out of reach for Mr. Barbosa, the eldest of eight children raised in Paracatu, an impoverished city in Minas Gerais State, where his father worked as a bricklayer.  
        But his prominence — not just on the court, but in the streets as well — is so well established that masks with his face were sold for Carnival, amateur musicians have composed songs about his handling of the corruption trial and posted them on YouTube, and demonstrators during the huge street protests that shook the nation this year told pollsters that Mr. Barbosa was one of their top choices for president in next year’s elections.
         While the protests have subsided since their height in June, the political tumult they set off persists. The race for president, once considered a shoo-in for the incumbent, Dilma Rousseff, is now up in the air, with Mr. Barbosa — who is now so much in the public eye that gossip columnists are following his romance with a woman in her 20s — repeatedly saying he will not run. “I’m not a candidate for anything,” he says. 
         But the same public glare that has turned him into a celebrity has singed him as well. While he has won widespread admiration for his guidance of the high court, Mr. Barbosa, like almost every other prominent political figure in Brazil, has recently come under scrutiny. And for someone accustomed to criticizing the so-called supersalaries awarded to some members of Brazil’s legal system, the revelations have put Mr. Barbosa on the defensive. 
         One report in the Brazilian news media described how he received about $180,000 in payments for untaken leaves of absence during his 19 years as a public prosecutor. (Such payments are common in some areas of Brazil’s large public bureaucracy.) Another noted that he bought an apartment in Miami through a limited liability company, suggesting an effort to pay less taxes on the property. In statements, Mr. Barbosa contends that he has done nothing wrong. 
         In a country where a majority of people now define themselves as black or of mixed race — but where blacks remain remarkably rare in the highest echelons of political institutions and corporations — Mr. Barbosa’s trajectory and abrupt manner have elicited both widespread admiration and a fair amount of resistance. 
         As a teenager, Mr. Barbosa moved to the capital, Brasília, finding work as a janitor in a courtroom. Against the odds, he got into the University of Brasília, the only black student in its law program at the time. Wanting to see the world, he later won admission into Brazil’s diplomatic service, which promptly sent him to Helsinki, the Finnish capital on the shore of the Baltic Sea. 
         Sensing that he would not advance much in the diplomatic service, which he has called “one of the most discriminatory institutions of Brazil,” Mr. Barbosa opted for a career as a prosecutor. He alternated between legal investigations in Brazil and studies abroad, gaining fluency in English, French and German, and earning a doctorate in law at Pantheon-Assas University in Paris. 
       Fascinated by the legal systems of other countries, Mr. Barbosa wrote a book on affirmative action in the United States. He still voices his admiration for figures like Thurgood Marshall, the first black Supreme Court justice in the United States, and William J. Brennan Jr., who for years embodied the court’s liberal vision, clearly drawing inspiration from them as he pushed Brazil’s high court toward socially liberal rulings.
        Still, no decision has thrust Mr. Barbosa into Brazil’s public imagination as much as his handling of the trial of political operatives, legislators and bankers found guilty in a labyrinthine corruption scandal called the mensalão, or big monthly allowance, after the regular payments made to lawmakers in exchange for their votes. 
        Last November, at Mr. Barbosa’s urging, the high court sentenced some of the most powerful figures in the governing Workers Party to years in prison for their crimes in the scheme, including bribery and unlawful conspiracy, jolting a political system in which impunity for politicians has been the norm.  
         Now the mensalão trial is entering what could be its final phases, and Mr. Barbosa has at times been visibly exasperated that defendants who have already been found guilty and sentenced have managed to avoid hard jail time. He has clashed with other justices over their consideration of a rare legal procedure in which appeals over close votes at the high court are examined. 
         Losing his patience with one prominent justice, Ricardo Lewandowski, who tried to absolve some defendants of certain crimes, Mr. Barbosa publicly accused him this month of “chicanery” by using legalese to prop up certain positions. An outcry ensued among some who could not stomach Mr. Barbosa’s talking to a fellow justice like that. “Who does Justice Joaquim Barbosa think he is?” asked Ricardo Noblat, a columnist for the newspaper O Globo, questioning whether Mr. Barbosa was qualified to preside over the court. “What powers does he think he has just because he’s sitting in the chair of the chief justice of the Supreme Federal Tribunal?” 
          Mr. Barbosa did not apologize. In the interview, he said some tension was necessary for the court to function properly. “It was always like this,” he said, contending that arguments are now just easier to see because the court’s proceedings are televised. 
         Linking the court’s work to the recent wave of protests, he explained that he strongly disagreed with the violence of some demonstrators, but he also said he believed that the street movements were “a sign of democracy’s exuberance.” 
         “People don’t want to passively stand by and observe these arrangements of the elite, which were always the Brazilian tradition,” he said. 
    The sentence “They are televising the court’s proceedings” in the passive becomes
    Escolha uma alternativa para a questão e9dc945e-b8
  • Linguagens

    Inglês

    TEXT

         BRASÍLIA — Brazil’s highest court has long viewed itself as a bastion of manners and formality. Justices call one another “Your Excellency,” dress in billowing robes and wrap each utterance in grandiloquence, as if little had changed from the era when marquises and dukes held sway from their vast plantations.
         In one televised feud, Mr. Barbosa questioned another justice about whether he would even be on the court had he not been appointed by his cousin, a former president impeached in 1992. With another justice, Mr. Barbosa rebuked him over what the chief justice considered his condescending tone, telling him he was not his “capanga,” a term describing a hired thug. 
          In one of his most scathing comments, Mr. Barbosa, the high court’s first and only black justice, took on the entire legal system of Brazil — where it is still remarkably rare for politicians to ever spend time in prison, even after being convicted of crimes — contending that the mentality of judges was “conservative, pro-status-quo and pro-impunity.”
         “I have a temperament that doesn’t adapt well to politics,” Mr. Barbosa, 58, said in a recent interview in his quarters here in the Supreme Federal Tribunal, a modernist landmark designed by the architect Oscar Niemeyer. “It’s because I speak my mind so much.” 
         His acknowledged lack of tact notwithstanding, he is the driving force behind a series of socially liberal and establishment-shaking rulings, turning Brazil’s highest court — and him in particular — into a newfound political power and the subject of popular fascination. 
       The court’s recent rulings include a unanimous decision upholding the University of Brasília’s admissions policies aimed at increasing the number of black and indigenous students, opening the way for one of the Western Hemisphere’s most sweeping affirmative action laws for higher education. 
         In another move, Mr. Barbosa used his sway as chief justice and president of the panel overseeing Brazil’s judiciary to effectively legalize same-sex marriage across the country. And in an anticorruption crusade, he is overseeing the precedent-setting trial of senior political figures in the governing Workers Party for their roles in a vast vote-buying scheme.
       Ascending to Brazil’s high court, much less pushing the institution to assert its independence, long seemed out of reach for Mr. Barbosa, the eldest of eight children raised in Paracatu, an impoverished city in Minas Gerais State, where his father worked as a bricklayer.  
        But his prominence — not just on the court, but in the streets as well — is so well established that masks with his face were sold for Carnival, amateur musicians have composed songs about his handling of the corruption trial and posted them on YouTube, and demonstrators during the huge street protests that shook the nation this year told pollsters that Mr. Barbosa was one of their top choices for president in next year’s elections.
         While the protests have subsided since their height in June, the political tumult they set off persists. The race for president, once considered a shoo-in for the incumbent, Dilma Rousseff, is now up in the air, with Mr. Barbosa — who is now so much in the public eye that gossip columnists are following his romance with a woman in her 20s — repeatedly saying he will not run. “I’m not a candidate for anything,” he says. 
         But the same public glare that has turned him into a celebrity has singed him as well. While he has won widespread admiration for his guidance of the high court, Mr. Barbosa, like almost every other prominent political figure in Brazil, has recently come under scrutiny. And for someone accustomed to criticizing the so-called supersalaries awarded to some members of Brazil’s legal system, the revelations have put Mr. Barbosa on the defensive. 
         One report in the Brazilian news media described how he received about $180,000 in payments for untaken leaves of absence during his 19 years as a public prosecutor. (Such payments are common in some areas of Brazil’s large public bureaucracy.) Another noted that he bought an apartment in Miami through a limited liability company, suggesting an effort to pay less taxes on the property. In statements, Mr. Barbosa contends that he has done nothing wrong. 
         In a country where a majority of people now define themselves as black or of mixed race — but where blacks remain remarkably rare in the highest echelons of political institutions and corporations — Mr. Barbosa’s trajectory and abrupt manner have elicited both widespread admiration and a fair amount of resistance. 
         As a teenager, Mr. Barbosa moved to the capital, Brasília, finding work as a janitor in a courtroom. Against the odds, he got into the University of Brasília, the only black student in its law program at the time. Wanting to see the world, he later won admission into Brazil’s diplomatic service, which promptly sent him to Helsinki, the Finnish capital on the shore of the Baltic Sea. 
         Sensing that he would not advance much in the diplomatic service, which he has called “one of the most discriminatory institutions of Brazil,” Mr. Barbosa opted for a career as a prosecutor. He alternated between legal investigations in Brazil and studies abroad, gaining fluency in English, French and German, and earning a doctorate in law at Pantheon-Assas University in Paris. 
       Fascinated by the legal systems of other countries, Mr. Barbosa wrote a book on affirmative action in the United States. He still voices his admiration for figures like Thurgood Marshall, the first black Supreme Court justice in the United States, and William J. Brennan Jr., who for years embodied the court’s liberal vision, clearly drawing inspiration from them as he pushed Brazil’s high court toward socially liberal rulings.
        Still, no decision has thrust Mr. Barbosa into Brazil’s public imagination as much as his handling of the trial of political operatives, legislators and bankers found guilty in a labyrinthine corruption scandal called the mensalão, or big monthly allowance, after the regular payments made to lawmakers in exchange for their votes. 
        Last November, at Mr. Barbosa’s urging, the high court sentenced some of the most powerful figures in the governing Workers Party to years in prison for their crimes in the scheme, including bribery and unlawful conspiracy, jolting a political system in which impunity for politicians has been the norm.  
         Now the mensalão trial is entering what could be its final phases, and Mr. Barbosa has at times been visibly exasperated that defendants who have already been found guilty and sentenced have managed to avoid hard jail time. He has clashed with other justices over their consideration of a rare legal procedure in which appeals over close votes at the high court are examined. 
         Losing his patience with one prominent justice, Ricardo Lewandowski, who tried to absolve some defendants of certain crimes, Mr. Barbosa publicly accused him this month of “chicanery” by using legalese to prop up certain positions. An outcry ensued among some who could not stomach Mr. Barbosa’s talking to a fellow justice like that. “Who does Justice Joaquim Barbosa think he is?” asked Ricardo Noblat, a columnist for the newspaper O Globo, questioning whether Mr. Barbosa was qualified to preside over the court. “What powers does he think he has just because he’s sitting in the chair of the chief justice of the Supreme Federal Tribunal?” 
          Mr. Barbosa did not apologize. In the interview, he said some tension was necessary for the court to function properly. “It was always like this,” he said, contending that arguments are now just easier to see because the court’s proceedings are televised. 
         Linking the court’s work to the recent wave of protests, he explained that he strongly disagreed with the violence of some demonstrators, but he also said he believed that the street movements were “a sign of democracy’s exuberance.” 
         “People don’t want to passively stand by and observe these arrangements of the elite, which were always the Brazilian tradition,” he said. 
    The sentences “he is the driving force behind a series of socially liberal and establishmentshaking rulings” and “Mr. Barbosa was one of their top choices for president in next year’s elections” contain, respectively, a/an
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  • Linguagens

    Inglês

    TEXT

         BRASÍLIA — Brazil’s highest court has long viewed itself as a bastion of manners and formality. Justices call one another “Your Excellency,” dress in billowing robes and wrap each utterance in grandiloquence, as if little had changed from the era when marquises and dukes held sway from their vast plantations.
         In one televised feud, Mr. Barbosa questioned another justice about whether he would even be on the court had he not been appointed by his cousin, a former president impeached in 1992. With another justice, Mr. Barbosa rebuked him over what the chief justice considered his condescending tone, telling him he was not his “capanga,” a term describing a hired thug. 
          In one of his most scathing comments, Mr. Barbosa, the high court’s first and only black justice, took on the entire legal system of Brazil — where it is still remarkably rare for politicians to ever spend time in prison, even after being convicted of crimes — contending that the mentality of judges was “conservative, pro-status-quo and pro-impunity.”
         “I have a temperament that doesn’t adapt well to politics,” Mr. Barbosa, 58, said in a recent interview in his quarters here in the Supreme Federal Tribunal, a modernist landmark designed by the architect Oscar Niemeyer. “It’s because I speak my mind so much.” 
         His acknowledged lack of tact notwithstanding, he is the driving force behind a series of socially liberal and establishment-shaking rulings, turning Brazil’s highest court — and him in particular — into a newfound political power and the subject of popular fascination. 
       The court’s recent rulings include a unanimous decision upholding the University of Brasília’s admissions policies aimed at increasing the number of black and indigenous students, opening the way for one of the Western Hemisphere’s most sweeping affirmative action laws for higher education. 
         In another move, Mr. Barbosa used his sway as chief justice and president of the panel overseeing Brazil’s judiciary to effectively legalize same-sex marriage across the country. And in an anticorruption crusade, he is overseeing the precedent-setting trial of senior political figures in the governing Workers Party for their roles in a vast vote-buying scheme.
       Ascending to Brazil’s high court, much less pushing the institution to assert its independence, long seemed out of reach for Mr. Barbosa, the eldest of eight children raised in Paracatu, an impoverished city in Minas Gerais State, where his father worked as a bricklayer.  
        But his prominence — not just on the court, but in the streets as well — is so well established that masks with his face were sold for Carnival, amateur musicians have composed songs about his handling of the corruption trial and posted them on YouTube, and demonstrators during the huge street protests that shook the nation this year told pollsters that Mr. Barbosa was one of their top choices for president in next year’s elections.
         While the protests have subsided since their height in June, the political tumult they set off persists. The race for president, once considered a shoo-in for the incumbent, Dilma Rousseff, is now up in the air, with Mr. Barbosa — who is now so much in the public eye that gossip columnists are following his romance with a woman in her 20s — repeatedly saying he will not run. “I’m not a candidate for anything,” he says. 
         But the same public glare that has turned him into a celebrity has singed him as well. While he has won widespread admiration for his guidance of the high court, Mr. Barbosa, like almost every other prominent political figure in Brazil, has recently come under scrutiny. And for someone accustomed to criticizing the so-called supersalaries awarded to some members of Brazil’s legal system, the revelations have put Mr. Barbosa on the defensive. 
         One report in the Brazilian news media described how he received about $180,000 in payments for untaken leaves of absence during his 19 years as a public prosecutor. (Such payments are common in some areas of Brazil’s large public bureaucracy.) Another noted that he bought an apartment in Miami through a limited liability company, suggesting an effort to pay less taxes on the property. In statements, Mr. Barbosa contends that he has done nothing wrong. 
         In a country where a majority of people now define themselves as black or of mixed race — but where blacks remain remarkably rare in the highest echelons of political institutions and corporations — Mr. Barbosa’s trajectory and abrupt manner have elicited both widespread admiration and a fair amount of resistance. 
         As a teenager, Mr. Barbosa moved to the capital, Brasília, finding work as a janitor in a courtroom. Against the odds, he got into the University of Brasília, the only black student in its law program at the time. Wanting to see the world, he later won admission into Brazil’s diplomatic service, which promptly sent him to Helsinki, the Finnish capital on the shore of the Baltic Sea. 
         Sensing that he would not advance much in the diplomatic service, which he has called “one of the most discriminatory institutions of Brazil,” Mr. Barbosa opted for a career as a prosecutor. He alternated between legal investigations in Brazil and studies abroad, gaining fluency in English, French and German, and earning a doctorate in law at Pantheon-Assas University in Paris. 
       Fascinated by the legal systems of other countries, Mr. Barbosa wrote a book on affirmative action in the United States. He still voices his admiration for figures like Thurgood Marshall, the first black Supreme Court justice in the United States, and William J. Brennan Jr., who for years embodied the court’s liberal vision, clearly drawing inspiration from them as he pushed Brazil’s high court toward socially liberal rulings.
        Still, no decision has thrust Mr. Barbosa into Brazil’s public imagination as much as his handling of the trial of political operatives, legislators and bankers found guilty in a labyrinthine corruption scandal called the mensalão, or big monthly allowance, after the regular payments made to lawmakers in exchange for their votes. 
        Last November, at Mr. Barbosa’s urging, the high court sentenced some of the most powerful figures in the governing Workers Party to years in prison for their crimes in the scheme, including bribery and unlawful conspiracy, jolting a political system in which impunity for politicians has been the norm.  
         Now the mensalão trial is entering what could be its final phases, and Mr. Barbosa has at times been visibly exasperated that defendants who have already been found guilty and sentenced have managed to avoid hard jail time. He has clashed with other justices over their consideration of a rare legal procedure in which appeals over close votes at the high court are examined. 
         Losing his patience with one prominent justice, Ricardo Lewandowski, who tried to absolve some defendants of certain crimes, Mr. Barbosa publicly accused him this month of “chicanery” by using legalese to prop up certain positions. An outcry ensued among some who could not stomach Mr. Barbosa’s talking to a fellow justice like that. “Who does Justice Joaquim Barbosa think he is?” asked Ricardo Noblat, a columnist for the newspaper O Globo, questioning whether Mr. Barbosa was qualified to preside over the court. “What powers does he think he has just because he’s sitting in the chair of the chief justice of the Supreme Federal Tribunal?” 
          Mr. Barbosa did not apologize. In the interview, he said some tension was necessary for the court to function properly. “It was always like this,” he said, contending that arguments are now just easier to see because the court’s proceedings are televised. 
         Linking the court’s work to the recent wave of protests, he explained that he strongly disagreed with the violence of some demonstrators, but he also said he believed that the street movements were “a sign of democracy’s exuberance.” 
         “People don’t want to passively stand by and observe these arrangements of the elite, which were always the Brazilian tradition,” he said. 
    One of the Chief Justice’s positive actions the text mentions was
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  • Linguagens

    Espanhol

    Para la pregunta abajo, presentamos cuatro respuestas. Elija la correcta.

    “¿Le mandaste eso a tu padre?”
    Escolha uma alternativa para a questão d814ad2b-b8
  • Linguagens

    Espanhol

    En la expresión “Comer y beber” (noveno consejo) hay el empleo de la conjunción copulativa “y”. Dicha conjunción está también correcta en
    Escolha uma alternativa para a questão d80359ed-b8
  • Linguagens

    Espanhol

    “los brazos y las piernas” (décimo consejo) son dos partes del cuerpo humano. Los “codos” también lo son y están en
    Escolha uma alternativa para a questão d80055b9-b8
  • Linguagens

    Espanhol

    Diez consejos para perder el miedo a volar

    Siendo el avión el medio de trasporte más seguro, muchas personas tienen miedo a viajar en este medio de transporte y tratan de evitarlo a toda costa.

    Para ello, la agencia de viajes Rumbo ha elaborado una lista que incluye diez consejos a que el viaje en avión pase de ser una mala experiencia a algo con lo que finalmente podamos disfrutar. 

    Su tarea, en la cuestion, es elegir el título que, realmente, traduzca lo redactado en cada consejo abajo. 
    NOVENO CONSEJO

    Comer y beber en exceso puede ser perjudicial. Una copa de vino ayuda a relajarse, pero el exceso de alcohol puede generar pensamientos negativos y difíciles de controlar, llegando a resultar perjudicial cuando se trata de vuelos de larga duración.
    Escolha uma alternativa para a questão d7f4c7cc-b8
  • Linguagens

    Espanhol

    Diez consejos para perder el miedo a volar

    Siendo el avión el medio de trasporte más seguro, muchas personas tienen miedo a viajar en este medio de transporte y tratan de evitarlo a toda costa.

    Para ello, la agencia de viajes Rumbo ha elaborado una lista que incluye diez consejos a que el viaje en avión pase de ser una mala experiencia a algo con lo que finalmente podamos disfrutar. 

    Su tarea, en la cuestion, es elegir el título que, realmente, traduzca lo redactado en cada consejo abajo. 
    CUARTO CONSEJO

    Una buena forma de reducir la ansiedad es buscar diferentes distracciones. Una buena idea puede ser la música. Genera emociones positivas y evita lo negativo. Llevar una buena selección de música relajante para escuchar durante el vuelo, especialmente en el despegue y el aterrizaje, los momentos que normalmente provocan más estrés es muy recomendable. También es interesante tener a mano un buen libro o llevar nuestras películas o series favoritas. Otra forma de “evadirse” es entablar conversación con el vecino de asiento. Por último, siempre se puede dormir.
    Escolha uma alternativa para a questão d7e5b9a4-b8
  • Linguagens

    Espanhol

    Diez consejos para perder el miedo a volar

    Siendo el avión el medio de trasporte más seguro, muchas personas tienen miedo a viajar en este medio de transporte y tratan de evitarlo a toda costa.

    Para ello, la agencia de viajes Rumbo ha elaborado una lista que incluye diez consejos a que el viaje en avión pase de ser una mala experiencia a algo con lo que finalmente podamos disfrutar. 

    Su tarea, en la cuestion, es elegir el título que, realmente, traduzca lo redactado en cada consejo abajo. 
    TERCERO CONSEJO

    Es importante ir con tiempo al aeropuerto. Las prisas junto con el temor a perder el avión pueden generar estrés incluso antes de llegar al aeropuerto. Por eso es recomendable salir de casa con tiempo suficiente para poder llegar tranquilamente y poder relajarse.
    Escolha uma alternativa para a questão d7e2e1ce-b8
  • Linguagens

    Espanhol

    Diez consejos para perder el miedo a volar

    Siendo el avión el medio de trasporte más seguro, muchas personas tienen miedo a viajar en este medio de transporte y tratan de evitarlo a toda costa.

    Para ello, la agencia de viajes Rumbo ha elaborado una lista que incluye diez consejos a que el viaje en avión pase de ser una mala experiencia a algo con lo que finalmente podamos disfrutar. 

    Su tarea, en la cuestion, es elegir el título que, realmente, traduzca lo redactado en cada consejo abajo. 
    SEGUNDO CONSEJO

    Conforme se vaya acercando la fecha del vuelo es bueno tratar de entrenar nuestra imaginación. Debemos visualizar todo lo que vamos a hacer para el viaje de manera exitosa, desde que salimos de casa hacia el aeropuerto hasta que aterrizamos en nuestro lugar de destino. Además tenemos que imaginarnos afrontando la situación con seguridad.
    Escolha uma alternativa para a questão d7dfe67e-b8
  • Linguagens

    Português

    Os textos 3 (manchete de capa da revista Época de 26/08/2013), 4 (manchete de capa da revista Veja de 28/08/2013) e 5 serão analisados em conjunto, na perspectiva da polifonia, do dialogismo e da intertextualidade, isto é, das relações mantidas entre eles. 

    Figura 1 de 2 da questão de Português, UECE 2013, Interpretação de Textos

    Figura 2 de 2 da questão de Português, UECE 2013, Interpretação de Textos

    Assinale com V ou F, conforme seja verdadeiro ou falso o que é dito sobre o texto 3.

    ( ) O aviãozinho de papel despencando do alto é um recurso para dar mais força de persuasão à manchete, cujos termos estão dispostos um abaixo do outro, o que sugere uma queda.

    ( ) É correto afirmar que a capa da revista Época emprega um recurso da poesia concreta.

    ( ) O processo de construção da manchete de capa da revista Época inclui substituição e acréscimo de elementos linguísticos, em relação ao texto fonte.

    ( ) O criador da manchete de Época fez um jogo com dois sentidos do termo real, jogo que foi possível graças à mudança de gênero desse vocábulo.

    ( ) Na manchete de Época, apresenta-se apenas uma das funções da linguagem: a função informativa.

    Está correta, de cima para baixo, a seguinte sequência:
    Escolha uma alternativa para a questão 43fd9277-b8
  • Linguagens

    Português

    Texto 2

         O texto que você lerá é um excerto retirado do primeiro parágrafo do artigo de opinião “Com um braço só”, escrito por J. R. Guzzo, que trata da corrupção na política. 

    Imagem da questão de Português, UECE 2013, Interpretação de Textos

    Extraído do artigo ”Com um braço só”, de
    J.R. Guzzo. VEJA. 21/08/2013.
    Observe com atenção o que se diz sobre o excerto seguinte: “Um dos aspectos menos atraentes da personalidade humana é a tendência de muitas pessoas de só condenar os vícios que não praticam, ou pelos quais não se sentem atraídas” (linhas 49-53).

    I. Tender é o verbo correlato de tendência. Indica ação-processo, o que sugere que esse movimento pode não chegar ao ponto previsto.

    II. A tendência pode ser somente uma propensão, uma inclinação, uma vocação ou pendor.

    III. Na introdução do texto de Guzzo, existe a sugestão de que a tendência mencionada pelo enunciador ultrapassa os limites da simples propensão ou vocação.

    Ela se realizaria concretamente. Está correto o que se diz em
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  • Linguagens

    Português

    Texto 1

    Caro candidato, o primeiro texto desta prova foi extraído do livro de memórias do escritor e jornalista carioca, que nasceu em 1926, Carlos Heitor Cony. Um livro de memórias é “relato que alguém faz, frequentemente, na forma de obra literária, a partir de acontecimentos históricos dos quais participou ou foi testemunha, ou que estão fundamentados em sua vida particular”. Não deve ser confundido com autobiografia. 

    Figura 1 de 2 da questão de Português, UECE 2013, Interpretação de Textos
    Figura 2 de 2 da questão de Português, UECE 2013, Interpretação de Textos

    CONY, Carlos Heitor. In: Eu aos pedaços:
    memórias. São Paulo: Leya, 2010. p. 114-115. 
    A descrição, feita pelo cronista, da cadeira em que se sentou para engraxar o sapato sugere que o móvel
    Escolha uma alternativa para a questão 43e00cc5-b8