Português
- Coesão e coerência
- Prova de 2017
- Universidade do Vale do Paraíba
- Dificuldade: Médio
- Código da questão: 49B6AFB1-F2
Prova
116 questões da prova de 2017 de Universidade do Vale do Paraíba, em Português, Matemática, História, Inglês e mais matérias. Cada uma tem página própria, com enunciado completo, alternativas e gabarito — e dá para responder na própria página.
A questão referem-se ao quadrinho
abaixo.

Texto I
Quadrilha
João amava Teresa que amava Raimundo que amava
Maria que amava Joaquim que amava Lili
que não amava ninguém.
João foi para os Estados Unidos, Teresa para o convento, Raimundo morreu de desastre, Maria ficou para tia, Joaquim suicidou-se e Lili casou com J. Pinto Fernandes que não tinha entrado na história.
Carlos Drummond de Andrade.
De acordo com a opção sintática considerada pelo
poeta ao criar o poema, é correto afirmar que
A questão referem-se à tirinha abaixo

Disponível em: http://www.thecomicstrips.com/store/add.php?iid=87197. Acesso em:
09/12/2016.
Leia o texto e vocabulário abaixo, para responder à questão.
Torce, aprimora, alteia, lima
A frase; e, enfim,
No verso de ouro engasta a rima,
Como um rubim,
Quero que a estrofe cristalina,
Dobradas ao jeito
Do ourives, saia da oficina
Sem um defeito.
Olavo Bilac, "Profissão de Fé", Poesias.
Disponível em: http://www.biblio.com.br/defaultz. asp?link=http://www.biblio.com.br/conteudo/OlavoBilac/ profissaodefe.htm Acesso em: 21/09/2016. Fragmento.
Vocabulário
• Altear – v.i. e v.pr. Aumentar a altura de. Crescer, avultar, elevar-se: alteia-se o nobre perfil.
• Ourives – s.m. e s.f., sing. e pl. O que executa ou vende objetos de ouro e de prata.
• Rubim – s.m. O mesmo que “rubi”. Pedra preciosa de um vermelho vivo, com matizes rosadas ou púrpura, constituída por uma variedade de corindo
(pedra preciosa, alumínio cristalizado).
A questão referem-se ao quadrinho
abaixo.

A questao refere-se ao texto abaixo.
The Century Trilogy: An epic of Follett proportions
By Kevin Nance September 7, 2012
Well before blockbuster movies, there were blockbuster novels: big, juicy, page-turning epics, with dozens of characters, exotic settings and multiple plots playing out over several years, often against the backdrop of some extended historical conflict. Tolstoy largely invented the form in 1869 with “War and Peace,” and by the middle of the 20th century, its latter-day stalwarts — including James Jones, Herman Wouk and the tireless fiction factory known as James Michener — bestrode the bestseller lists like the titans they were. In recent years, however, the form has fallen somewhat out of favor with writers, if not with readers. Who wants to spend so much time, day in and day out, with the same set of protagonists? Who wants to do all that research? Who has the nerve, not to mention the patience, to keep all those narrative balls in the air over hundreds of pages?
Ken Follett, actually. At 63, the Welsh author is one of the last Mohicans of the form, having traded his highly successful thrillers (“Eye of the Needle,” “The Key to Rebecca”) for the multigenerational historical saga in 1989’s “The Pillars of the Earth” (adapted as a Starz miniseries in 2010) and its sequel, 2007’s “World Without End,” which premieres as a miniseries on Reelz next month.
Adaptado - Disponível em: https://www.washingtonpost.
com/entertainment/books/the-century-trilogy-an-epic-of-
-follett-proportions/2012/09/07.Acesso 22/9/16.
A questao refere-se ao texto abaixo.
The Century Trilogy: An epic of Follett proportions
By Kevin Nance September 7, 2012
Well before blockbuster movies, there were blockbuster novels: big, juicy, page-turning epics, with dozens of characters, exotic settings and multiple plots playing out over several years, often against the backdrop of some extended historical conflict. Tolstoy largely invented the form in 1869 with “War and Peace,” and by the middle of the 20th century, its latter-day stalwarts — including James Jones, Herman Wouk and the tireless fiction factory known as James Michener — bestrode the bestseller lists like the titans they were. In recent years, however, the form has fallen somewhat out of favor with writers, if not with readers. Who wants to spend so much time, day in and day out, with the same set of protagonists? Who wants to do all that research? Who has the nerve, not to mention the patience, to keep all those narrative balls in the air over hundreds of pages?
Ken Follett, actually. At 63, the Welsh author is one of the last Mohicans of the form, having traded his highly successful thrillers (“Eye of the Needle,” “The Key to Rebecca”) for the multigenerational historical saga in 1989’s “The Pillars of the Earth” (adapted as a Starz miniseries in 2010) and its sequel, 2007’s “World Without End,” which premieres as a miniseries on Reelz next month.
Adaptado - Disponível em: https://www.washingtonpost.
com/entertainment/books/the-century-trilogy-an-epic-of-
-follett-proportions/2012/09/07.Acesso 22/9/16.