Inglês
Interpretação de texto | Reading comprehensionUniversidade do Contestado - Santa Catarina · 2013FácilEntre para guardar nos favoritosWhich question can correctly be answered according to the text?
Questões do ENEM: Linguagens e Interpretação de texto | Reading comprehension
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F86D5732-2E FF128FD3-F7 Inglês
Interpretação de texto | Reading comprehensionUniversidade do Estado da Bahia · 2013MédioEntre para guardar nos favoritos
JACKSON, Michael. Disponível em:<http://www.sing365.com/music/lyric.ns/We-Can-Change-The-World-lyrics-Michael-Jackson/>. Acesso em: 12 out. 2013.
According to the author of these lyrics, the only way to change this world isFF0DC925-F7 Inglês
Interpretação de texto | Reading comprehensionUniversidade do Estado da Bahia · 2013DifícilEntre para guardar nos favoritosJACKSON, Michael. Disponível em:<http://www.sing365.com/music/lyric.ns/We-Can-Change-The-World-lyrics-Michael-Jackson/>. Acesso em: 12 out. 2013.
Fill in the parentheses with T (True) or F (False).
This is an excerpt of one of Michael Jackson’s famous hits.
It’s correct to say that the author of the lyrics of this song
( ) is against any kind of war.
( ) emphasizes the importance of solidarity.
( ) realizes it’s worthless pursuing harmony.
( ) encourages people to make a better world.
According to the song, the correct sequence, from top to bottom, is
FF05DEB5-F7 Inglês
Interpretação de texto | Reading comprehensionUniversidade do Estado da Bahia · 2013Entre para guardar nos favoritos
Disponível em:<http://www.health.com/gallery>. Acesso em: 12 out. 2013.
“carbs” (l. 5): carbohydratesThe most suitable title for this text is
FEFE2FBD-F7 Inglês
Interpretação de texto | Reading comprehensionUniversidade do Estado da Bahia · 2013Entre para guardar nos favoritos
BRAZIL Science Without Borders. Disponível em:<http://educationusacienciassemfronteiras.org.scier>. Acesso em: 12 out. 2013.
Fill in the parentheses with T (True) or F (False).
About the Brazil Science Without Borders Program, it’s correct to say:
( ) In order to get a scholarship, students are required to take a hard placement test.
( ) Science is among the program’s top priorities.
( ) An advantage of this program is that students may graduate from college in the United States.
( ) One hundred thousand scholarships will be given to Brazilian students by this program.
According to the text, the correct sequence, from top to bottom, is
71B40BEC-F0 Inglês
Interpretação de texto | Reading comprehensionFaculdade Adventista da Bahia · 2013Entre para guardar nos favoritosPrimary Intelligence of High-Intermediate ESL Students at Stone Valley Community College
The primary intelligence of the largest group of students is……………..
71B03EE4-F0 Inglês
Interpretação de texto | Reading comprehensionFaculdade Adventista da Bahia · 2013Entre para guardar nos favoritosPrimary Intelligence of High-Intermediate ESL Students at Stone Valley Community College
Musical intelligence is primary for………..students.71AD0092-F0 Inglês
Interpretação de texto | Reading comprehensionFaculdade Adventista da Bahia · 2013Entre para guardar nos favoritosPrimary Intelligence of High-Intermediate ESL Students at Stone Valley Community College
This chart tells about the………………71A93AA4-F0 Inglês
Interpretação de texto | Reading comprehensionFaculdade Adventista da Bahia · 2013Muito difícilEntre para guardar nos favoritosSurvey of Student Behaviors at La Costa Community College, 2007.Have lied to their parents 45%Have copied a friend’s term paper 20%Have a body piercing 25%Share music files 65%Have a tattoo 40%Exercise weekly 80%Conforme os dados acima, marque as respostas corretas.Which of the following statements is true?71A5F0A5-F0 Inglês
Interpretação de texto | Reading comprehensionFaculdade Adventista da Bahia · 2013Entre para guardar nos favoritosSurvey of Student Behaviors at La Costa Community College, 2007.Have lied to their parents 45%Have copied a friend’s term paper 20%Have a body piercing 25%Share music files 65%Have a tattoo 40%Exercise weekly 80%Conforme os dados acima, marque as respostas corretas.According to the survey, the lowest percentage of students……………..71A2304D-F0 Inglês
Interpretação de texto | Reading comprehensionFaculdade Adventista da Bahia · 2013Entre para guardar nos favoritosSurvey of Student Behaviors at La Costa Community College, 2007.Have lied to their parents 45%Have copied a friend’s term paper 20%Have a body piercing 25%Share music files 65%Have a tattoo 40%Exercise weekly 80%Conforme os dados acima, marque as respostas corretas.According to the survey, the highest percentage of student…………….719E702E-F0 Inglês
Interpretação de texto | Reading comprehensionFaculdade Adventista da Bahia · 2013Entre para guardar nos favoritosSurvey of Student Behaviors at La Costa Community College, 2007.Have lied to their parents 45%Have copied a friend’s term paper 20%Have a body piercing 25%Share music files 65%Have a tattoo 40%Exercise weekly 80%Conforme os dados acima, marque as respostas corretas.what percentage of the people in the survey said they exercise weekly?719B84B1-F0 Inglês
Interpretação de texto | Reading comprehensionFaculdade Adventista da Bahia · 2013Entre para guardar nos favoritosSurvey of Student Behaviors at La Costa Community College, 2007.Have lied to their parents 45%Have copied a friend’s term paper 20%Have a body piercing 25%Share music files 65%Have a tattoo 40%Exercise weekly 80%Conforme os dados acima, marque as respostas corretas.What was the population surveyed in this study?D021BB6D-ED Inglês
Interpretação de texto | Reading comprehensionFaculdade Cásper Líbero · 2013DifícilEntre para guardar nos favoritosThe ad on the left, produced by the Agency DDB, Paris, was considered one of the best print ads 2012-2013 and has earned it a Gold Lion. Read it and choose the alternative that best shows its main idea.
(Source: http://www.adweek.com/news-gallery/advertising-branding/ worlds-best-print-ads-2012-13-150758#gold-lion-anlci-1-of-6-42)
D01DF359-ED Inglês
Interpretação de texto | Reading comprehensionFaculdade Cásper Líbero · 2013DifícilEntre para guardar nos favoritosRead the following text to answer questionSpilt Milk by Chico Buarque: reviewA mishmash of influences gives rise to a vivid portrait of Brazil
Chico Buarque, bossanovista and novelist, whose latest book is ‘Spilt Milk’ Photo: Sipa Press / Rex FeaturesBased on the book review, it is correct to affirm about Chico Buarque thatBy Ian ThomsonBack in the Sixties, Brazil thrilled to a new dance beat called bossa nova. With its languid jazz tones, the music had a hushed intensity and underlying air of sadness. Chico Buarque, a leading bossanovistasongwriter and novelist, is revered in Brazil as a political hero. In 1968, he was imprisoned by the military for “counter-culture activities”.Spilt Milk, Buarque’s fourth novel, displays a typically Brazilian mishmash of influences ranging from memoir to adventure to political diatribe. A crotchety old man, Eulálio d’Assumpção, lies moribund in a Rio de Janeiro hospital, musing on his life while lashing out at stenographers and “spiteful” orderlies. The food, we learn, reeks unpleasantly of garlic (“Wait till my mother finds out”).Aged 150, he has come down in the world wretchedly. In pages of rambling monologue, the improbably old narrator describes the decline of his family over generations of Brazilian history. Amid sagas of political tribalism and grievous dictatorship, plantation-owning forebears have squandered fortunes on drink, drugs and armament deals. A souring smell of “spilt milk” hangs over the narrative as it twists round half-remembered family feuds and hatreds.Along the way, Buarque paints an exceptionally vivid picture of Brazilian high society in the 1890s, with its German governesses, imported French clothes and Chopin waltzes. Though bedbound and drugged, Eulálio recalls the love of his life, Matilde, whose cinnamon-coloured skin and “Moorish eyes” had worked a fatal charm on him years ago. Where is she now? At first glance, Spilt Milk appears to be in narrative disarray, as the book wanders backwards and forwards in time. Eventually, though, the inchoate strands cohere into an absorbing, if bitter, meditation on Brazil.Just as bossa nova had borrowed from samba and West Coast jazz, so Buarque borrows from Samuel Beckett, Gabriel García Marquez and others. In a now-famous book of 1928, Manifesto Antropófago, Brazil’s leading modernist poet Oswald de Andrade had defined Brazilian literature as anthropophagic, or cannibalistic, “eating” other forms of European and African writing. Spilt Milk, brocaded with a range of literary influences, conforms to the ideal beautifully.Source: http://www.telegraph.co.uk/culture/books/fictionreviews/9573627/Spilt-Milk-by-Chico-Buarque-review.htmlD01A3EE3-ED Inglês
Interpretação de texto | Reading comprehensionFaculdade Cásper Líbero · 2013DifícilEntre para guardar nos favoritosRead the following text to answer questionSpilt Milk by Chico Buarque: reviewA mishmash of influences gives rise to a vivid portrait of Brazil
Chico Buarque, bossanovista and novelist, whose latest book is ‘Spilt Milk’ Photo: Sipa Press / Rex FeaturesThe word ideal in the last sentence of the book review refers toBy Ian ThomsonBack in the Sixties, Brazil thrilled to a new dance beat called bossa nova. With its languid jazz tones, the music had a hushed intensity and underlying air of sadness. Chico Buarque, a leading bossanovistasongwriter and novelist, is revered in Brazil as a political hero. In 1968, he was imprisoned by the military for “counter-culture activities”.Spilt Milk, Buarque’s fourth novel, displays a typically Brazilian mishmash of influences ranging from memoir to adventure to political diatribe. A crotchety old man, Eulálio d’Assumpção, lies moribund in a Rio de Janeiro hospital, musing on his life while lashing out at stenographers and “spiteful” orderlies. The food, we learn, reeks unpleasantly of garlic (“Wait till my mother finds out”).Aged 150, he has come down in the world wretchedly. In pages of rambling monologue, the improbably old narrator describes the decline of his family over generations of Brazilian history. Amid sagas of political tribalism and grievous dictatorship, plantation-owning forebears have squandered fortunes on drink, drugs and armament deals. A souring smell of “spilt milk” hangs over the narrative as it twists round half-remembered family feuds and hatreds.Along the way, Buarque paints an exceptionally vivid picture of Brazilian high society in the 1890s, with its German governesses, imported French clothes and Chopin waltzes. Though bedbound and drugged, Eulálio recalls the love of his life, Matilde, whose cinnamon-coloured skin and “Moorish eyes” had worked a fatal charm on him years ago. Where is she now? At first glance, Spilt Milk appears to be in narrative disarray, as the book wanders backwards and forwards in time. Eventually, though, the inchoate strands cohere into an absorbing, if bitter, meditation on Brazil.Just as bossa nova had borrowed from samba and West Coast jazz, so Buarque borrows from Samuel Beckett, Gabriel García Marquez and others. In a now-famous book of 1928, Manifesto Antropófago, Brazil’s leading modernist poet Oswald de Andrade had defined Brazilian literature as anthropophagic, or cannibalistic, “eating” other forms of European and African writing. Spilt Milk, brocaded with a range of literary influences, conforms to the ideal beautifully.Source: http://www.telegraph.co.uk/culture/books/fictionreviews/9573627/Spilt-Milk-by-Chico-Buarque-review.htmlD0161EE6-ED Inglês
Interpretação de texto | Reading comprehensionFaculdade Cásper Líbero · 2013DifícilEntre para guardar nos favoritosRead the following text to answer questionSpilt Milk by Chico Buarque: reviewA mishmash of influences gives rise to a vivid portrait of Brazil
Chico Buarque, bossanovista and novelist, whose latest book is ‘Spilt Milk’ Photo: Sipa Press / Rex FeaturesChoose the statement that is true about the book review.By Ian ThomsonBack in the Sixties, Brazil thrilled to a new dance beat called bossa nova. With its languid jazz tones, the music had a hushed intensity and underlying air of sadness. Chico Buarque, a leading bossanovistasongwriter and novelist, is revered in Brazil as a political hero. In 1968, he was imprisoned by the military for “counter-culture activities”.Spilt Milk, Buarque’s fourth novel, displays a typically Brazilian mishmash of influences ranging from memoir to adventure to political diatribe. A crotchety old man, Eulálio d’Assumpção, lies moribund in a Rio de Janeiro hospital, musing on his life while lashing out at stenographers and “spiteful” orderlies. The food, we learn, reeks unpleasantly of garlic (“Wait till my mother finds out”).Aged 150, he has come down in the world wretchedly. In pages of rambling monologue, the improbably old narrator describes the decline of his family over generations of Brazilian history. Amid sagas of political tribalism and grievous dictatorship, plantation-owning forebears have squandered fortunes on drink, drugs and armament deals. A souring smell of “spilt milk” hangs over the narrative as it twists round half-remembered family feuds and hatreds.Along the way, Buarque paints an exceptionally vivid picture of Brazilian high society in the 1890s, with its German governesses, imported French clothes and Chopin waltzes. Though bedbound and drugged, Eulálio recalls the love of his life, Matilde, whose cinnamon-coloured skin and “Moorish eyes” had worked a fatal charm on him years ago. Where is she now? At first glance, Spilt Milk appears to be in narrative disarray, as the book wanders backwards and forwards in time. Eventually, though, the inchoate strands cohere into an absorbing, if bitter, meditation on Brazil.Just as bossa nova had borrowed from samba and West Coast jazz, so Buarque borrows from Samuel Beckett, Gabriel García Marquez and others. In a now-famous book of 1928, Manifesto Antropófago, Brazil’s leading modernist poet Oswald de Andrade had defined Brazilian literature as anthropophagic, or cannibalistic, “eating” other forms of European and African writing. Spilt Milk, brocaded with a range of literary influences, conforms to the ideal beautifully.Source: http://www.telegraph.co.uk/culture/books/fictionreviews/9573627/Spilt-Milk-by-Chico-Buarque-review.html25571F44-E9 Inglês
Interpretação de texto | Reading comprehensionUFTM · 2013Muito fácilEntre para guardar nos favoritosUp Close With Sebastião Salgado, Brazil’s Legendary Photographer-ActivistBy Fernanda Ezabella (Folha de S.Paulo/Worldcrunch)
(Alto Xingu Indians in Central Brazil.Sebastião Salgado/Amazonas Images)Sebastião Salgado’s blue eyes have seen a bit of everything in this world – and this might not even be an exaggeration. For the past eight years in particular, the 69-year-old Brazilian photographer has travelled to more than 30 isolated regions of the world, collecting images of dozens of remote tribes, endangered animals and unusual landscapes.The Genesis project is a singular photographic journey that began in 2004 and ended in 2012, at a cost of one million Euros a year. The result will be shown in magazines, books, a documentary by Wim Wenders and a series of exhibitions around the world, each displaying some 250 black-and-white photos.The first exhibition will open in London on April 11, with former Brazilian President Lula – Salgado’s long-time friend – as special guest. “We want to create a little movement around these photos to provoke a debate on what we need to preserve,” he says. Salgado defends environmental causes through his organization, Instituto Terra. Even after travelling to so many exotic places, Salgado, now living in Paris, still takes vacations in Brazil. Here are excerpts from a conversation Salgado had with Folha, with new details about his travels, photographic techniques and new environmental projects.• Coldest tripI visited the Nenets, in the Yamal peninsula, in northern Siberia, Russia. They are a nomadic tribe who raise reindeer in extreme Arctic conditions. When I went there it was spring and weather ranged between -35ºC and -45ºC. I didn’t wash myself for 45 days. They don’t take baths because there is no water. The only way to get water is to break off a piece of ice and warm it in a pot.• Frozen equipmentI used a Canon, an EOS1 Mark III, a very powerful machine. The problem was the batteries. In the Siberian temperatures, they quickly lost power. On average, I take 2,500 shots per battery, but this time I could only take 300-400 photos before the battery stopped working. I would put it inside my clothes, my assistant would give me another one, I would take 300 more pictures and, when that battery ran out energy, I would take out the other one and it would work again.• Going digital for the first timeI started Genesis with film and changed to digital. The airport X-Ray scanners degrade the quality of film, and so I decided to change to digital and was quite surprised. Quality was better than the one I had with negatives in medium format. I turned off the screen on the back of the camera, and used my camera as I have always done. When I came back to Paris, I printed contact sheets and edited the photos using a magnifying glass, because I don’t know how to do it in the computer.• Stone AgesI met tribes that are still living in the Stone Ages, with working tools such as stone hammers. There were clans of about 10 people living in treetops. They had already seen white people before. They looked towards the direction I had come from and the chief asked me whether I was part of the white people clan that usually came from that direction. Because, for them, the world is all made of clans.• Brazilian arrowsI met the Zo’e tribe, in Brazil, who were first discovered 15 years ago and live in a state of total purity. You see the guy working with an arrow. He warms it, put some weight on it, a straight feather if he wants a quicker arrow, a rounder one to have it slower. It is the same science as for rockets. And he’s got the same problem as in Cape Canaveral, to recover his rockets. If his ballistic calculations are wrong, he loses his arrow. He takes only 10 arrows with him when he goes hunting, no more than that.• Activist or photographer?Photography is my life. When I am taking photos, I am in a deep trance. When I have my camera and am travelling with the Nenets, it’s my life, morning to night. I have taken incredible photos, but my life is also the environment and Instituto Terra.(www.worldcrunch.com. Adaptado.)
In the last paragraph, one can infer that the most important thing for Sebastião Salgado is2553C80A-E9 Inglês
Interpretação de texto | Reading comprehensionUFTM · 2013FácilEntre para guardar nos favoritosUp Close With Sebastião Salgado, Brazil’s Legendary Photographer-ActivistBy Fernanda Ezabella (Folha de S.Paulo/Worldcrunch)(Alto Xingu Indians in Central Brazil.Sebastião Salgado/Amazonas Images)Sebastião Salgado’s blue eyes have seen a bit of everything in this world – and this might not even be an exaggeration. For the past eight years in particular, the 69-year-old Brazilian photographer has travelled to more than 30 isolated regions of the world, collecting images of dozens of remote tribes, endangered animals and unusual landscapes.The Genesis project is a singular photographic journey that began in 2004 and ended in 2012, at a cost of one million Euros a year. The result will be shown in magazines, books, a documentary by Wim Wenders and a series of exhibitions around the world, each displaying some 250 black-and-white photos.The first exhibition will open in London on April 11, with former Brazilian President Lula – Salgado’s long-time friend – as special guest. “We want to create a little movement around these photos to provoke a debate on what we need to preserve,” he says. Salgado defends environmental causes through his organization, Instituto Terra. Even after travelling to so many exotic places, Salgado, now living in Paris, still takes vacations in Brazil. Here are excerpts from a conversation Salgado had with Folha, with new details about his travels, photographic techniques and new environmental projects.• Coldest tripI visited the Nenets, in the Yamal peninsula, in northern Siberia, Russia. They are a nomadic tribe who raise reindeer in extreme Arctic conditions. When I went there it was spring and weather ranged between -35ºC and -45ºC. I didn’t wash myself for 45 days. They don’t take baths because there is no water. The only way to get water is to break off a piece of ice and warm it in a pot.• Frozen equipmentI used a Canon, an EOS1 Mark III, a very powerful machine. The problem was the batteries. In the Siberian temperatures, they quickly lost power. On average, I take 2,500 shots per battery, but this time I could only take 300-400 photos before the battery stopped working. I would put it inside my clothes, my assistant would give me another one, I would take 300 more pictures and, when that battery ran out energy, I would take out the other one and it would work again.• Going digital for the first timeI started Genesis with film and changed to digital. The airport X-Ray scanners degrade the quality of film, and so I decided to change to digital and was quite surprised. Quality was better than the one I had with negatives in medium format. I turned off the screen on the back of the camera, and used my camera as I have always done. When I came back to Paris, I printed contact sheets and edited the photos using a magnifying glass, because I don’t know how to do it in the computer.• Stone AgesI met tribes that are still living in the Stone Ages, with working tools such as stone hammers. There were clans of about 10 people living in treetops. They had already seen white people before. They looked towards the direction I had come from and the chief asked me whether I was part of the white people clan that usually came from that direction. Because, for them, the world is all made of clans.• Brazilian arrowsI met the Zo’e tribe, in Brazil, who were first discovered 15 years ago and live in a state of total purity. You see the guy working with an arrow. He warms it, put some weight on it, a straight feather if he wants a quicker arrow, a rounder one to have it slower. It is the same science as for rockets. And he’s got the same problem as in Cape Canaveral, to recover his rockets. If his ballistic calculations are wrong, he loses his arrow. He takes only 10 arrows with him when he goes hunting, no more than that.• Activist or photographer?Photography is my life. When I am taking photos, I am in a deep trance. When I have my camera and am travelling with the Nenets, it’s my life, morning to night. I have taken incredible photos, but my life is also the environment and Instituto Terra.(www.worldcrunch.com. Adaptado.)
Segundo o texto, a tribo Zo’e25492C16-E9 Inglês
Interpretação de texto | Reading comprehensionUFTM · 2013FácilEntre para guardar nos favoritosUp Close With Sebastião Salgado, Brazil’s Legendary Photographer-ActivistBy Fernanda Ezabella (Folha de S.Paulo/Worldcrunch)(Alto Xingu Indians in Central Brazil.Sebastião Salgado/Amazonas Images)Sebastião Salgado’s blue eyes have seen a bit of everything in this world – and this might not even be an exaggeration. For the past eight years in particular, the 69-year-old Brazilian photographer has travelled to more than 30 isolated regions of the world, collecting images of dozens of remote tribes, endangered animals and unusual landscapes.The Genesis project is a singular photographic journey that began in 2004 and ended in 2012, at a cost of one million Euros a year. The result will be shown in magazines, books, a documentary by Wim Wenders and a series of exhibitions around the world, each displaying some 250 black-and-white photos.The first exhibition will open in London on April 11, with former Brazilian President Lula – Salgado’s long-time friend – as special guest. “We want to create a little movement around these photos to provoke a debate on what we need to preserve,” he says. Salgado defends environmental causes through his organization, Instituto Terra. Even after travelling to so many exotic places, Salgado, now living in Paris, still takes vacations in Brazil. Here are excerpts from a conversation Salgado had with Folha, with new details about his travels, photographic techniques and new environmental projects.• Coldest tripI visited the Nenets, in the Yamal peninsula, in northern Siberia, Russia. They are a nomadic tribe who raise reindeer in extreme Arctic conditions. When I went there it was spring and weather ranged between -35ºC and -45ºC. I didn’t wash myself for 45 days. They don’t take baths because there is no water. The only way to get water is to break off a piece of ice and warm it in a pot.• Frozen equipmentI used a Canon, an EOS1 Mark III, a very powerful machine. The problem was the batteries. In the Siberian temperatures, they quickly lost power. On average, I take 2,500 shots per battery, but this time I could only take 300-400 photos before the battery stopped working. I would put it inside my clothes, my assistant would give me another one, I would take 300 more pictures and, when that battery ran out energy, I would take out the other one and it would work again.• Going digital for the first timeI started Genesis with film and changed to digital. The airport X-Ray scanners degrade the quality of film, and so I decided to change to digital and was quite surprised. Quality was better than the one I had with negatives in medium format. I turned off the screen on the back of the camera, and used my camera as I have always done. When I came back to Paris, I printed contact sheets and edited the photos using a magnifying glass, because I don’t know how to do it in the computer.• Stone AgesI met tribes that are still living in the Stone Ages, with working tools such as stone hammers. There were clans of about 10 people living in treetops. They had already seen white people before. They looked towards the direction I had come from and the chief asked me whether I was part of the white people clan that usually came from that direction. Because, for them, the world is all made of clans.• Brazilian arrowsI met the Zo’e tribe, in Brazil, who were first discovered 15 years ago and live in a state of total purity. You see the guy working with an arrow. He warms it, put some weight on it, a straight feather if he wants a quicker arrow, a rounder one to have it slower. It is the same science as for rockets. And he’s got the same problem as in Cape Canaveral, to recover his rockets. If his ballistic calculations are wrong, he loses his arrow. He takes only 10 arrows with him when he goes hunting, no more than that.• Activist or photographer?Photography is my life. When I am taking photos, I am in a deep trance. When I have my camera and am travelling with the Nenets, it’s my life, morning to night. I have taken incredible photos, but my life is also the environment and Instituto Terra.(www.worldcrunch.com. Adaptado.)
No trecho do quinto parágrafo – I would put it inside my clothes, my assistant would give me another one –, a palavra one referese, no texto, a