Inglês
Interpretação de texto | Reading comprehensionFMP · 2013DifícilEntre para guardar nos favoritos
A word that would define the overall target of the last paragraph in Text II (lines 36-42) isQuestões do ENEM: Linguagens e com imagem
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C195350F-E5
A word that would define the overall target of the last paragraph in Text II (lines 36-42) isC058CAF2-E5 Inglês
Interpretação de texto | Reading comprehensionFMP · 2013MédioEntre para guardar nos favoritos
According to Text II, the dark energyBF1C6123-E5 Inglês
Interpretação de texto | Reading comprehensionFMP · 2013MédioEntre para guardar nos favoritos
In Text II, the word in parentheses that describes the idea expressed by the boldfaced word isBDDDC429-E5 Inglês
Interpretação de texto | Reading comprehensionFMP · 2013DifícilEntre para guardar nos favoritos
In Text II, the proper continuation for the second paragraph (lines 13-18) is:BCA25B85-E5 Inglês
Interpretação de texto | Reading comprehensionFMP · 2013MédioEntre para guardar nos favoritos
In Text II, the author makes a theoretical question about being a baryonic matter chauvinist because she knows we tend to consider .BB33F334-E5 Inglês
Interpretação de texto | Reading comprehensionFMP · 2013DifícilEntre para guardar nos favoritos
In Text I, Akey explains that the stupendous progress in gene sequencing has revealed thatB9F71DB6-E5 Inglês
Interpretação de texto | Reading comprehensionFMP · 2013MédioEntre para guardar nos favoritos
In Text I, the author points out, as one of the genetic advantages of mutations, theB8BA4A68-E5 Inglês
Interpretação de texto | Reading comprehensionFMP · 2013MédioEntre para guardar nos favoritos
In Text I, the expression in parentheses that describes the idea expressed by the boldfaced word isB77B7E0C-E5 Inglês
Interpretação de texto | Reading comprehensionFMP · 2013DifícilEntre para guardar nos favoritos
In Text I, the author sketches a negative scenario for our species coming from two fronts: on the first, he argues that, due to the exponential demographic growth, we haveB63E7A15-E5 Inglês
Interpretação de texto | Reading comprehensionFMP · 2013DifícilEntre para guardar nos favoritos
In Text I, the title indicates that the human genomeB503D848-E5 Português
Coesão e coerênciaFMP · 2013FácilEntre para guardar nos favoritos
A expressão essa esquiva em “Atribuímos essa esquiva ao cansaço” (Texto I, l 31-32) pode ser apropriadamente substituída, mantendo-se o sentido, por:B3C40C32-E5 Português
Interpretação de TextosFMP · 2013MédioEntre para guardar nos favoritos
Em que sentença o uso da palavra até é feito como em “... o povo aqui se apaixona até pelos assuntos mais infantis,” (Texto I, l 8-9)B285CF77-E5 Português
Coesão e coerênciaFMP · 2013DifícilEntre para guardar nos favoritos
A sentença do Texto II “Ficou um instante assim besta, olhando os filhos, a mulher e a bagagem pesada.” ( l 9-10) foi reescrita alterando-se a colocação dos termos e a pontuação.
A senteça alterada que mantém o sentido da original é:B1301FEE-E5 Português
Interpretação de TextosFMP · 2013MédioEntre para guardar nos favoritos
Tanto o Texto I quanto o Texto II são situados no sertão. Embora se passem em diferentes épocas (o primeiro, na década de 1960, e o segundo, na de 1930), ambos apontam para uma desassistência no que toca a aspectos culturais e/ou econômicos.
A carência resultante dessa desassistência está exemplificada nos seguintes pares de texto:AF8FED31-E5 Português
Interpretação de TextosFMP · 2013MédioEntre para guardar nos favoritos
O Texto II é um trecho selecionado de Vidas Secas.
Esse trecho caracteriza-se pela representação de aspectos específicos do romance modernista regional porque:AE518524-E5 Português
Concordância verbal, Concordância nominalFMP · 2013MédioEntre para guardar nos favoritos
Qual sentença mantém a concordância de acordo com a norma-padrão?DA2B9E55-E0 Português
Interpretação de TextosUFTM · 2013MédioEntre para guardar nos favoritos
Em relação aos dois parágrafos transcritos, o título do texto contém informação.D2BEE241-E0 Português
Interpretação de TextosUFTM · 2013MédioEntre para guardar nos favoritos
Na charge, para efeito de humor, faz-se um jogo de palavrasCDD163A0-E0 Inglês
Sinônimos | SynonymsUFTM · 2013MédioEntre para guardar nos favoritos
Sebastião Salgado’s blue eyes have seen a bit of everything in this world - and this might not even be an exaggeration. For the past eight years in particular, the 69yearold Brazilian photographer has travelled to more than 30 isolated regions of the world, collecting images of dozens of remote tribes, endangered animals and unusual landscapes.
The Genesis project is a singular photographic journey that began in 2004 and ended in 2012, at a cost of one million Euros a year. The result will be shown in magazines, books, a documentary by Wim Wenders and a series of exhibitions around the world, each displaying some 250 blackandwhite photos.
The first exhibition will open in London on April 11, with former Brazilian President Lula - Salgado’s longtime friend - as special guest. “We want to create a little movement around these photos to provoke a debate on what we need to preserve,” he says. Salgado defends environmental causes through his organization, Instituto Terra. Even after travelling to so many exotic places, Salgado, now living in Paris, still takes vacations in Brazil. Here are excerpts from a conversation Salgado had with Folha, with new details about his travels, photographic techniques and new environmental projects.
• Coldest trip I visited the Nenets, in the Yamal peninsula, in northern Siberia, Russia. They are a nomadic tribe who raise reindeer in extreme Arctic conditions. When I went there it was spring and weather ranged between 35ºC and 45ºC. I didn’t wash myself for 45 days. They don’t take baths because there is no water. The only way to get water is to break off a piece of ice and warm it in a pot.
• Frozen equipment I used a Canon, an EOS1 Mark III, a very powerful machine. The problem was the batteries. In the Siberian temperatures, they quickly lost power. On average, I take 2,500 shots per battery, but this time I could only take 300400 photos before the battery stopped working. I would put it inside my clothes, my assistant would give me another one, I would take 300 more pictures and, when that battery ran out energy, I would take out the other one and it would work again.
• Going digital for the first time I started Genesis with film and changed to digital. The airport XRay scanners degrade the quality of film, and so I decided to change to digital and was quite surprised. Quality was better than the one I had with negatives in medium format. I turned off the screen on the back of the camera, and used my camera as I have always done. When I came back to Paris, I printed contact sheets and edited the photos using a magnifying glass, because I don’t know how to do it in the computer.
• Stone Ages I met tribes that are still living in the Stone Ages, with working tools such as stone hammers. There were clans of about 10 people living in treetops. They had already seen white people before. They looked towards the direction I had come from and the chief asked me whether I was part of the white people clan that usually came from that direction. Because, for them, the world is all made of clans
• Brazilian arrows I met the Zo’e tribe, in Brazil, who were first discovered 15 years ago and live in a state of total purity. You see the guy working with an arrow. He warms it, put some weight on it, a straight feather if he wants a quicker arrow, a rounder one to have it slower. It is the same science as for rockets. And he’s got the same problem as in Cape Canaveral, to recover his rockets. If his ballistic calculations are wrong, he loses his arrow. He takes only 10 arrows with him when he goes hunting, no more than that
• Activist or photographer? Photography is my life. When I am taking photos, I am in a deep trance. When I have my camera and am travelling with the Nenets, it’s my life, morning to night. I have taken incredible photos, but my life is also the environment and Instituto Terra.
No trecho do sexto parágrafo – The airport XRay scanners degrade the quality of film, and so I decided to change to digital and was quite surprised. –, a palavra so pode ser substituída, sem alteração de sentido, porC7A7DDF2-E0 Inglês
Interpretação de texto | Reading comprehensionUFTM · 2013MédioEntre para guardar nos favoritos
Sebastião Salgado’s blue eyes have seen a bit of everything in this world - and this might not even be an exaggeration. For the past eight years in particular, the 69yearold Brazilian photographer has travelled to more than 30 isolated regions of the world, collecting images of dozens of remote tribes, endangered animals and unusual landscapes.
The Genesis project is a singular photographic journey that began in 2004 and ended in 2012, at a cost of one million Euros a year. The result will be shown in magazines, books, a documentary by Wim Wenders and a series of exhibitions around the world, each displaying some 250 blackandwhite photos.
The first exhibition will open in London on April 11, with former Brazilian President Lula - Salgado’s longtime friend - as special guest. “We want to create a little movement around these photos to provoke a debate on what we need to preserve,” he says. Salgado defends environmental causes through his organization, Instituto Terra. Even after travelling to so many exotic places, Salgado, now living in Paris, still takes vacations in Brazil. Here are excerpts from a conversation Salgado had with Folha, with new details about his travels, photographic techniques and new environmental projects.
• Coldest trip I visited the Nenets, in the Yamal peninsula, in northern Siberia, Russia. They are a nomadic tribe who raise reindeer in extreme Arctic conditions. When I went there it was spring and weather ranged between 35ºC and 45ºC. I didn’t wash myself for 45 days. They don’t take baths because there is no water. The only way to get water is to break off a piece of ice and warm it in a pot.
• Frozen equipment I used a Canon, an EOS1 Mark III, a very powerful machine. The problem was the batteries. In the Siberian temperatures, they quickly lost power. On average, I take 2,500 shots per battery, but this time I could only take 300400 photos before the battery stopped working. I would put it inside my clothes, my assistant would give me another one, I would take 300 more pictures and, when that battery ran out energy, I would take out the other one and it would work again.
• Going digital for the first time I started Genesis with film and changed to digital. The airport XRay scanners degrade the quality of film, and so I decided to change to digital and was quite surprised. Quality was better than the one I had with negatives in medium format. I turned off the screen on the back of the camera, and used my camera as I have always done. When I came back to Paris, I printed contact sheets and edited the photos using a magnifying glass, because I don’t know how to do it in the computer.
• Stone Ages I met tribes that are still living in the Stone Ages, with working tools such as stone hammers. There were clans of about 10 people living in treetops. They had already seen white people before. They looked towards the direction I had come from and the chief asked me whether I was part of the white people clan that usually came from that direction. Because, for them, the world is all made of clans
• Brazilian arrows I met the Zo’e tribe, in Brazil, who were first discovered 15 years ago and live in a state of total purity. You see the guy working with an arrow. He warms it, put some weight on it, a straight feather if he wants a quicker arrow, a rounder one to have it slower. It is the same science as for rockets. And he’s got the same problem as in Cape Canaveral, to recover his rockets. If his ballistic calculations are wrong, he loses his arrow. He takes only 10 arrows with him when he goes hunting, no more than that
• Activist or photographer? Photography is my life. When I am taking photos, I am in a deep trance. When I have my camera and am travelling with the Nenets, it’s my life, morning to night. I have taken incredible photos, but my life is also the environment and Instituto Terra.
O projeto Genesis