Questões do ENEM: Linguagens e nível médio

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8.516 questões encontradas. Mostrando a página 299 de 426.

  • 992D7AA5-BA

    Espanhol

    Interpretação de Texto | Comprensión de Lectura
    UERJ · 2013MédioEntre para guardar nos favoritos

    Imagem da questão de Espanhol, UERJ 2013, Interpretação de Texto | Comprensión de Lectura

    La música ha servido tanto de instrumento para la afirmación ciudadana de las clases obreras y medias, como para la formulación de las políticas disciplinarias y represivas del Estado. (l. 2-3)
    En esa afirmación, el autor aclara que la música fue utilizada en Brasil con diferentes objetivos a lo largo del tiempo.

    De acuerdo con el texto, el uso disciplinario de la música se pudo presenciar en el siguiente periodo:
    Escolha uma alternativa para a questão 992d7aa5-ba
  • E8C392FC-B9

    Português

    Interpretação de Textos
    UERJ · 2013MédioEntre para guardar nos favoritos

    Imagem da questão de Português, UERJ 2013, Interpretação de Textos


    para lhe transmitir aquilo que a contrariedade (para não falar indignação) me impediu de dizer de viva voz. (l. 1-2)

    Na sequência em que se encontram, as palavras grifadas configuram o seguinte recurso:
    Escolha uma alternativa para a questão e8c392fc-b9
  • E9E88147-B8

    Inglês

    Aspectos linguísticos | Linguistic aspects
    UECE · 2013MédioEntre para guardar nos favoritos
    TEXT

         BRASÍLIA — Brazil’s highest court has long viewed itself as a bastion of manners and formality. Justices call one another “Your Excellency,” dress in billowing robes and wrap each utterance in grandiloquence, as if little had changed from the era when marquises and dukes held sway from their vast plantations.
         In one televised feud, Mr. Barbosa questioned another justice about whether he would even be on the court had he not been appointed by his cousin, a former president impeached in 1992. With another justice, Mr. Barbosa rebuked him over what the chief justice considered his condescending tone, telling him he was not his “capanga,” a term describing a hired thug. 
          In one of his most scathing comments, Mr. Barbosa, the high court’s first and only black justice, took on the entire legal system of Brazil — where it is still remarkably rare for politicians to ever spend time in prison, even after being convicted of crimes — contending that the mentality of judges was “conservative, pro-status-quo and pro-impunity.”
         “I have a temperament that doesn’t adapt well to politics,” Mr. Barbosa, 58, said in a recent interview in his quarters here in the Supreme Federal Tribunal, a modernist landmark designed by the architect Oscar Niemeyer. “It’s because I speak my mind so much.” 
         His acknowledged lack of tact notwithstanding, he is the driving force behind a series of socially liberal and establishment-shaking rulings, turning Brazil’s highest court — and him in particular — into a newfound political power and the subject of popular fascination. 
       The court’s recent rulings include a unanimous decision upholding the University of Brasília’s admissions policies aimed at increasing the number of black and indigenous students, opening the way for one of the Western Hemisphere’s most sweeping affirmative action laws for higher education. 
         In another move, Mr. Barbosa used his sway as chief justice and president of the panel overseeing Brazil’s judiciary to effectively legalize same-sex marriage across the country. And in an anticorruption crusade, he is overseeing the precedent-setting trial of senior political figures in the governing Workers Party for their roles in a vast vote-buying scheme.
       Ascending to Brazil’s high court, much less pushing the institution to assert its independence, long seemed out of reach for Mr. Barbosa, the eldest of eight children raised in Paracatu, an impoverished city in Minas Gerais State, where his father worked as a bricklayer.  
        But his prominence — not just on the court, but in the streets as well — is so well established that masks with his face were sold for Carnival, amateur musicians have composed songs about his handling of the corruption trial and posted them on YouTube, and demonstrators during the huge street protests that shook the nation this year told pollsters that Mr. Barbosa was one of their top choices for president in next year’s elections.
         While the protests have subsided since their height in June, the political tumult they set off persists. The race for president, once considered a shoo-in for the incumbent, Dilma Rousseff, is now up in the air, with Mr. Barbosa — who is now so much in the public eye that gossip columnists are following his romance with a woman in her 20s — repeatedly saying he will not run. “I’m not a candidate for anything,” he says. 
         But the same public glare that has turned him into a celebrity has singed him as well. While he has won widespread admiration for his guidance of the high court, Mr. Barbosa, like almost every other prominent political figure in Brazil, has recently come under scrutiny. And for someone accustomed to criticizing the so-called supersalaries awarded to some members of Brazil’s legal system, the revelations have put Mr. Barbosa on the defensive. 
         One report in the Brazilian news media described how he received about $180,000 in payments for untaken leaves of absence during his 19 years as a public prosecutor. (Such payments are common in some areas of Brazil’s large public bureaucracy.) Another noted that he bought an apartment in Miami through a limited liability company, suggesting an effort to pay less taxes on the property. In statements, Mr. Barbosa contends that he has done nothing wrong. 
         In a country where a majority of people now define themselves as black or of mixed race — but where blacks remain remarkably rare in the highest echelons of political institutions and corporations — Mr. Barbosa’s trajectory and abrupt manner have elicited both widespread admiration and a fair amount of resistance. 
         As a teenager, Mr. Barbosa moved to the capital, Brasília, finding work as a janitor in a courtroom. Against the odds, he got into the University of Brasília, the only black student in its law program at the time. Wanting to see the world, he later won admission into Brazil’s diplomatic service, which promptly sent him to Helsinki, the Finnish capital on the shore of the Baltic Sea. 
         Sensing that he would not advance much in the diplomatic service, which he has called “one of the most discriminatory institutions of Brazil,” Mr. Barbosa opted for a career as a prosecutor. He alternated between legal investigations in Brazil and studies abroad, gaining fluency in English, French and German, and earning a doctorate in law at Pantheon-Assas University in Paris. 
       Fascinated by the legal systems of other countries, Mr. Barbosa wrote a book on affirmative action in the United States. He still voices his admiration for figures like Thurgood Marshall, the first black Supreme Court justice in the United States, and William J. Brennan Jr., who for years embodied the court’s liberal vision, clearly drawing inspiration from them as he pushed Brazil’s high court toward socially liberal rulings.
        Still, no decision has thrust Mr. Barbosa into Brazil’s public imagination as much as his handling of the trial of political operatives, legislators and bankers found guilty in a labyrinthine corruption scandal called the mensalão, or big monthly allowance, after the regular payments made to lawmakers in exchange for their votes. 
        Last November, at Mr. Barbosa’s urging, the high court sentenced some of the most powerful figures in the governing Workers Party to years in prison for their crimes in the scheme, including bribery and unlawful conspiracy, jolting a political system in which impunity for politicians has been the norm.  
         Now the mensalão trial is entering what could be its final phases, and Mr. Barbosa has at times been visibly exasperated that defendants who have already been found guilty and sentenced have managed to avoid hard jail time. He has clashed with other justices over their consideration of a rare legal procedure in which appeals over close votes at the high court are examined. 
         Losing his patience with one prominent justice, Ricardo Lewandowski, who tried to absolve some defendants of certain crimes, Mr. Barbosa publicly accused him this month of “chicanery” by using legalese to prop up certain positions. An outcry ensued among some who could not stomach Mr. Barbosa’s talking to a fellow justice like that. “Who does Justice Joaquim Barbosa think he is?” asked Ricardo Noblat, a columnist for the newspaper O Globo, questioning whether Mr. Barbosa was qualified to preside over the court. “What powers does he think he has just because he’s sitting in the chair of the chief justice of the Supreme Federal Tribunal?” 
          Mr. Barbosa did not apologize. In the interview, he said some tension was necessary for the court to function properly. “It was always like this,” he said, contending that arguments are now just easier to see because the court’s proceedings are televised. 
         Linking the court’s work to the recent wave of protests, he explained that he strongly disagreed with the violence of some demonstrators, but he also said he believed that the street movements were “a sign of democracy’s exuberance.” 
         “People don’t want to passively stand by and observe these arrangements of the elite, which were always the Brazilian tradition,” he said. 
    In the sentence “Wanting to see the world, he later won admission into Brazil’s diplomatic service,” the underlined phrase can be correctly rewritten as
    Escolha uma alternativa para a questão e9e88147-b8
  • E9DC945E-B8

    Inglês

    Voz Ativa e Passiva | Passive and Active Voice
    UECE · 2013MédioEntre para guardar nos favoritos
    TEXT

         BRASÍLIA — Brazil’s highest court has long viewed itself as a bastion of manners and formality. Justices call one another “Your Excellency,” dress in billowing robes and wrap each utterance in grandiloquence, as if little had changed from the era when marquises and dukes held sway from their vast plantations.
         In one televised feud, Mr. Barbosa questioned another justice about whether he would even be on the court had he not been appointed by his cousin, a former president impeached in 1992. With another justice, Mr. Barbosa rebuked him over what the chief justice considered his condescending tone, telling him he was not his “capanga,” a term describing a hired thug. 
          In one of his most scathing comments, Mr. Barbosa, the high court’s first and only black justice, took on the entire legal system of Brazil — where it is still remarkably rare for politicians to ever spend time in prison, even after being convicted of crimes — contending that the mentality of judges was “conservative, pro-status-quo and pro-impunity.”
         “I have a temperament that doesn’t adapt well to politics,” Mr. Barbosa, 58, said in a recent interview in his quarters here in the Supreme Federal Tribunal, a modernist landmark designed by the architect Oscar Niemeyer. “It’s because I speak my mind so much.” 
         His acknowledged lack of tact notwithstanding, he is the driving force behind a series of socially liberal and establishment-shaking rulings, turning Brazil’s highest court — and him in particular — into a newfound political power and the subject of popular fascination. 
       The court’s recent rulings include a unanimous decision upholding the University of Brasília’s admissions policies aimed at increasing the number of black and indigenous students, opening the way for one of the Western Hemisphere’s most sweeping affirmative action laws for higher education. 
         In another move, Mr. Barbosa used his sway as chief justice and president of the panel overseeing Brazil’s judiciary to effectively legalize same-sex marriage across the country. And in an anticorruption crusade, he is overseeing the precedent-setting trial of senior political figures in the governing Workers Party for their roles in a vast vote-buying scheme.
       Ascending to Brazil’s high court, much less pushing the institution to assert its independence, long seemed out of reach for Mr. Barbosa, the eldest of eight children raised in Paracatu, an impoverished city in Minas Gerais State, where his father worked as a bricklayer.  
        But his prominence — not just on the court, but in the streets as well — is so well established that masks with his face were sold for Carnival, amateur musicians have composed songs about his handling of the corruption trial and posted them on YouTube, and demonstrators during the huge street protests that shook the nation this year told pollsters that Mr. Barbosa was one of their top choices for president in next year’s elections.
         While the protests have subsided since their height in June, the political tumult they set off persists. The race for president, once considered a shoo-in for the incumbent, Dilma Rousseff, is now up in the air, with Mr. Barbosa — who is now so much in the public eye that gossip columnists are following his romance with a woman in her 20s — repeatedly saying he will not run. “I’m not a candidate for anything,” he says. 
         But the same public glare that has turned him into a celebrity has singed him as well. While he has won widespread admiration for his guidance of the high court, Mr. Barbosa, like almost every other prominent political figure in Brazil, has recently come under scrutiny. And for someone accustomed to criticizing the so-called supersalaries awarded to some members of Brazil’s legal system, the revelations have put Mr. Barbosa on the defensive. 
         One report in the Brazilian news media described how he received about $180,000 in payments for untaken leaves of absence during his 19 years as a public prosecutor. (Such payments are common in some areas of Brazil’s large public bureaucracy.) Another noted that he bought an apartment in Miami through a limited liability company, suggesting an effort to pay less taxes on the property. In statements, Mr. Barbosa contends that he has done nothing wrong. 
         In a country where a majority of people now define themselves as black or of mixed race — but where blacks remain remarkably rare in the highest echelons of political institutions and corporations — Mr. Barbosa’s trajectory and abrupt manner have elicited both widespread admiration and a fair amount of resistance. 
         As a teenager, Mr. Barbosa moved to the capital, Brasília, finding work as a janitor in a courtroom. Against the odds, he got into the University of Brasília, the only black student in its law program at the time. Wanting to see the world, he later won admission into Brazil’s diplomatic service, which promptly sent him to Helsinki, the Finnish capital on the shore of the Baltic Sea. 
         Sensing that he would not advance much in the diplomatic service, which he has called “one of the most discriminatory institutions of Brazil,” Mr. Barbosa opted for a career as a prosecutor. He alternated between legal investigations in Brazil and studies abroad, gaining fluency in English, French and German, and earning a doctorate in law at Pantheon-Assas University in Paris. 
       Fascinated by the legal systems of other countries, Mr. Barbosa wrote a book on affirmative action in the United States. He still voices his admiration for figures like Thurgood Marshall, the first black Supreme Court justice in the United States, and William J. Brennan Jr., who for years embodied the court’s liberal vision, clearly drawing inspiration from them as he pushed Brazil’s high court toward socially liberal rulings.
        Still, no decision has thrust Mr. Barbosa into Brazil’s public imagination as much as his handling of the trial of political operatives, legislators and bankers found guilty in a labyrinthine corruption scandal called the mensalão, or big monthly allowance, after the regular payments made to lawmakers in exchange for their votes. 
        Last November, at Mr. Barbosa’s urging, the high court sentenced some of the most powerful figures in the governing Workers Party to years in prison for their crimes in the scheme, including bribery and unlawful conspiracy, jolting a political system in which impunity for politicians has been the norm.  
         Now the mensalão trial is entering what could be its final phases, and Mr. Barbosa has at times been visibly exasperated that defendants who have already been found guilty and sentenced have managed to avoid hard jail time. He has clashed with other justices over their consideration of a rare legal procedure in which appeals over close votes at the high court are examined. 
         Losing his patience with one prominent justice, Ricardo Lewandowski, who tried to absolve some defendants of certain crimes, Mr. Barbosa publicly accused him this month of “chicanery” by using legalese to prop up certain positions. An outcry ensued among some who could not stomach Mr. Barbosa’s talking to a fellow justice like that. “Who does Justice Joaquim Barbosa think he is?” asked Ricardo Noblat, a columnist for the newspaper O Globo, questioning whether Mr. Barbosa was qualified to preside over the court. “What powers does he think he has just because he’s sitting in the chair of the chief justice of the Supreme Federal Tribunal?” 
          Mr. Barbosa did not apologize. In the interview, he said some tension was necessary for the court to function properly. “It was always like this,” he said, contending that arguments are now just easier to see because the court’s proceedings are televised. 
         Linking the court’s work to the recent wave of protests, he explained that he strongly disagreed with the violence of some demonstrators, but he also said he believed that the street movements were “a sign of democracy’s exuberance.” 
         “People don’t want to passively stand by and observe these arrangements of the elite, which were always the Brazilian tradition,” he said. 
    The sentence “They are televising the court’s proceedings” in the passive becomes
    Escolha uma alternativa para a questão e9dc945e-b8
  • E9D699E4-B8

    Inglês

    Análise sintática | Syntax Parsing
    UECE · 2013MédioEntre para guardar nos favoritos
    TEXT

         BRASÍLIA — Brazil’s highest court has long viewed itself as a bastion of manners and formality. Justices call one another “Your Excellency,” dress in billowing robes and wrap each utterance in grandiloquence, as if little had changed from the era when marquises and dukes held sway from their vast plantations.
         In one televised feud, Mr. Barbosa questioned another justice about whether he would even be on the court had he not been appointed by his cousin, a former president impeached in 1992. With another justice, Mr. Barbosa rebuked him over what the chief justice considered his condescending tone, telling him he was not his “capanga,” a term describing a hired thug. 
          In one of his most scathing comments, Mr. Barbosa, the high court’s first and only black justice, took on the entire legal system of Brazil — where it is still remarkably rare for politicians to ever spend time in prison, even after being convicted of crimes — contending that the mentality of judges was “conservative, pro-status-quo and pro-impunity.”
         “I have a temperament that doesn’t adapt well to politics,” Mr. Barbosa, 58, said in a recent interview in his quarters here in the Supreme Federal Tribunal, a modernist landmark designed by the architect Oscar Niemeyer. “It’s because I speak my mind so much.” 
         His acknowledged lack of tact notwithstanding, he is the driving force behind a series of socially liberal and establishment-shaking rulings, turning Brazil’s highest court — and him in particular — into a newfound political power and the subject of popular fascination. 
       The court’s recent rulings include a unanimous decision upholding the University of Brasília’s admissions policies aimed at increasing the number of black and indigenous students, opening the way for one of the Western Hemisphere’s most sweeping affirmative action laws for higher education. 
         In another move, Mr. Barbosa used his sway as chief justice and president of the panel overseeing Brazil’s judiciary to effectively legalize same-sex marriage across the country. And in an anticorruption crusade, he is overseeing the precedent-setting trial of senior political figures in the governing Workers Party for their roles in a vast vote-buying scheme.
       Ascending to Brazil’s high court, much less pushing the institution to assert its independence, long seemed out of reach for Mr. Barbosa, the eldest of eight children raised in Paracatu, an impoverished city in Minas Gerais State, where his father worked as a bricklayer.  
        But his prominence — not just on the court, but in the streets as well — is so well established that masks with his face were sold for Carnival, amateur musicians have composed songs about his handling of the corruption trial and posted them on YouTube, and demonstrators during the huge street protests that shook the nation this year told pollsters that Mr. Barbosa was one of their top choices for president in next year’s elections.
         While the protests have subsided since their height in June, the political tumult they set off persists. The race for president, once considered a shoo-in for the incumbent, Dilma Rousseff, is now up in the air, with Mr. Barbosa — who is now so much in the public eye that gossip columnists are following his romance with a woman in her 20s — repeatedly saying he will not run. “I’m not a candidate for anything,” he says. 
         But the same public glare that has turned him into a celebrity has singed him as well. While he has won widespread admiration for his guidance of the high court, Mr. Barbosa, like almost every other prominent political figure in Brazil, has recently come under scrutiny. And for someone accustomed to criticizing the so-called supersalaries awarded to some members of Brazil’s legal system, the revelations have put Mr. Barbosa on the defensive. 
         One report in the Brazilian news media described how he received about $180,000 in payments for untaken leaves of absence during his 19 years as a public prosecutor. (Such payments are common in some areas of Brazil’s large public bureaucracy.) Another noted that he bought an apartment in Miami through a limited liability company, suggesting an effort to pay less taxes on the property. In statements, Mr. Barbosa contends that he has done nothing wrong. 
         In a country where a majority of people now define themselves as black or of mixed race — but where blacks remain remarkably rare in the highest echelons of political institutions and corporations — Mr. Barbosa’s trajectory and abrupt manner have elicited both widespread admiration and a fair amount of resistance. 
         As a teenager, Mr. Barbosa moved to the capital, Brasília, finding work as a janitor in a courtroom. Against the odds, he got into the University of Brasília, the only black student in its law program at the time. Wanting to see the world, he later won admission into Brazil’s diplomatic service, which promptly sent him to Helsinki, the Finnish capital on the shore of the Baltic Sea. 
         Sensing that he would not advance much in the diplomatic service, which he has called “one of the most discriminatory institutions of Brazil,” Mr. Barbosa opted for a career as a prosecutor. He alternated between legal investigations in Brazil and studies abroad, gaining fluency in English, French and German, and earning a doctorate in law at Pantheon-Assas University in Paris. 
       Fascinated by the legal systems of other countries, Mr. Barbosa wrote a book on affirmative action in the United States. He still voices his admiration for figures like Thurgood Marshall, the first black Supreme Court justice in the United States, and William J. Brennan Jr., who for years embodied the court’s liberal vision, clearly drawing inspiration from them as he pushed Brazil’s high court toward socially liberal rulings.
        Still, no decision has thrust Mr. Barbosa into Brazil’s public imagination as much as his handling of the trial of political operatives, legislators and bankers found guilty in a labyrinthine corruption scandal called the mensalão, or big monthly allowance, after the regular payments made to lawmakers in exchange for their votes. 
        Last November, at Mr. Barbosa’s urging, the high court sentenced some of the most powerful figures in the governing Workers Party to years in prison for their crimes in the scheme, including bribery and unlawful conspiracy, jolting a political system in which impunity for politicians has been the norm.  
         Now the mensalão trial is entering what could be its final phases, and Mr. Barbosa has at times been visibly exasperated that defendants who have already been found guilty and sentenced have managed to avoid hard jail time. He has clashed with other justices over their consideration of a rare legal procedure in which appeals over close votes at the high court are examined. 
         Losing his patience with one prominent justice, Ricardo Lewandowski, who tried to absolve some defendants of certain crimes, Mr. Barbosa publicly accused him this month of “chicanery” by using legalese to prop up certain positions. An outcry ensued among some who could not stomach Mr. Barbosa’s talking to a fellow justice like that. “Who does Justice Joaquim Barbosa think he is?” asked Ricardo Noblat, a columnist for the newspaper O Globo, questioning whether Mr. Barbosa was qualified to preside over the court. “What powers does he think he has just because he’s sitting in the chair of the chief justice of the Supreme Federal Tribunal?” 
          Mr. Barbosa did not apologize. In the interview, he said some tension was necessary for the court to function properly. “It was always like this,” he said, contending that arguments are now just easier to see because the court’s proceedings are televised. 
         Linking the court’s work to the recent wave of protests, he explained that he strongly disagreed with the violence of some demonstrators, but he also said he believed that the street movements were “a sign of democracy’s exuberance.” 
         “People don’t want to passively stand by and observe these arrangements of the elite, which were always the Brazilian tradition,” he said. 
    The sentences “he is the driving force behind a series of socially liberal and establishmentshaking rulings” and “Mr. Barbosa was one of their top choices for president in next year’s elections” contain, respectively, a/an
    Escolha uma alternativa para a questão e9d699e4-b8
  • E9B627D7-B8

    Inglês

    Interpretação de texto | Reading comprehension
    UECE · 2013MédioEntre para guardar nos favoritos
    TEXT

         BRASÍLIA — Brazil’s highest court has long viewed itself as a bastion of manners and formality. Justices call one another “Your Excellency,” dress in billowing robes and wrap each utterance in grandiloquence, as if little had changed from the era when marquises and dukes held sway from their vast plantations.
         In one televised feud, Mr. Barbosa questioned another justice about whether he would even be on the court had he not been appointed by his cousin, a former president impeached in 1992. With another justice, Mr. Barbosa rebuked him over what the chief justice considered his condescending tone, telling him he was not his “capanga,” a term describing a hired thug. 
          In one of his most scathing comments, Mr. Barbosa, the high court’s first and only black justice, took on the entire legal system of Brazil — where it is still remarkably rare for politicians to ever spend time in prison, even after being convicted of crimes — contending that the mentality of judges was “conservative, pro-status-quo and pro-impunity.”
         “I have a temperament that doesn’t adapt well to politics,” Mr. Barbosa, 58, said in a recent interview in his quarters here in the Supreme Federal Tribunal, a modernist landmark designed by the architect Oscar Niemeyer. “It’s because I speak my mind so much.” 
         His acknowledged lack of tact notwithstanding, he is the driving force behind a series of socially liberal and establishment-shaking rulings, turning Brazil’s highest court — and him in particular — into a newfound political power and the subject of popular fascination. 
       The court’s recent rulings include a unanimous decision upholding the University of Brasília’s admissions policies aimed at increasing the number of black and indigenous students, opening the way for one of the Western Hemisphere’s most sweeping affirmative action laws for higher education. 
         In another move, Mr. Barbosa used his sway as chief justice and president of the panel overseeing Brazil’s judiciary to effectively legalize same-sex marriage across the country. And in an anticorruption crusade, he is overseeing the precedent-setting trial of senior political figures in the governing Workers Party for their roles in a vast vote-buying scheme.
       Ascending to Brazil’s high court, much less pushing the institution to assert its independence, long seemed out of reach for Mr. Barbosa, the eldest of eight children raised in Paracatu, an impoverished city in Minas Gerais State, where his father worked as a bricklayer.  
        But his prominence — not just on the court, but in the streets as well — is so well established that masks with his face were sold for Carnival, amateur musicians have composed songs about his handling of the corruption trial and posted them on YouTube, and demonstrators during the huge street protests that shook the nation this year told pollsters that Mr. Barbosa was one of their top choices for president in next year’s elections.
         While the protests have subsided since their height in June, the political tumult they set off persists. The race for president, once considered a shoo-in for the incumbent, Dilma Rousseff, is now up in the air, with Mr. Barbosa — who is now so much in the public eye that gossip columnists are following his romance with a woman in her 20s — repeatedly saying he will not run. “I’m not a candidate for anything,” he says. 
         But the same public glare that has turned him into a celebrity has singed him as well. While he has won widespread admiration for his guidance of the high court, Mr. Barbosa, like almost every other prominent political figure in Brazil, has recently come under scrutiny. And for someone accustomed to criticizing the so-called supersalaries awarded to some members of Brazil’s legal system, the revelations have put Mr. Barbosa on the defensive. 
         One report in the Brazilian news media described how he received about $180,000 in payments for untaken leaves of absence during his 19 years as a public prosecutor. (Such payments are common in some areas of Brazil’s large public bureaucracy.) Another noted that he bought an apartment in Miami through a limited liability company, suggesting an effort to pay less taxes on the property. In statements, Mr. Barbosa contends that he has done nothing wrong. 
         In a country where a majority of people now define themselves as black or of mixed race — but where blacks remain remarkably rare in the highest echelons of political institutions and corporations — Mr. Barbosa’s trajectory and abrupt manner have elicited both widespread admiration and a fair amount of resistance. 
         As a teenager, Mr. Barbosa moved to the capital, Brasília, finding work as a janitor in a courtroom. Against the odds, he got into the University of Brasília, the only black student in its law program at the time. Wanting to see the world, he later won admission into Brazil’s diplomatic service, which promptly sent him to Helsinki, the Finnish capital on the shore of the Baltic Sea. 
         Sensing that he would not advance much in the diplomatic service, which he has called “one of the most discriminatory institutions of Brazil,” Mr. Barbosa opted for a career as a prosecutor. He alternated between legal investigations in Brazil and studies abroad, gaining fluency in English, French and German, and earning a doctorate in law at Pantheon-Assas University in Paris. 
       Fascinated by the legal systems of other countries, Mr. Barbosa wrote a book on affirmative action in the United States. He still voices his admiration for figures like Thurgood Marshall, the first black Supreme Court justice in the United States, and William J. Brennan Jr., who for years embodied the court’s liberal vision, clearly drawing inspiration from them as he pushed Brazil’s high court toward socially liberal rulings.
        Still, no decision has thrust Mr. Barbosa into Brazil’s public imagination as much as his handling of the trial of political operatives, legislators and bankers found guilty in a labyrinthine corruption scandal called the mensalão, or big monthly allowance, after the regular payments made to lawmakers in exchange for their votes. 
        Last November, at Mr. Barbosa’s urging, the high court sentenced some of the most powerful figures in the governing Workers Party to years in prison for their crimes in the scheme, including bribery and unlawful conspiracy, jolting a political system in which impunity for politicians has been the norm.  
         Now the mensalão trial is entering what could be its final phases, and Mr. Barbosa has at times been visibly exasperated that defendants who have already been found guilty and sentenced have managed to avoid hard jail time. He has clashed with other justices over their consideration of a rare legal procedure in which appeals over close votes at the high court are examined. 
         Losing his patience with one prominent justice, Ricardo Lewandowski, who tried to absolve some defendants of certain crimes, Mr. Barbosa publicly accused him this month of “chicanery” by using legalese to prop up certain positions. An outcry ensued among some who could not stomach Mr. Barbosa’s talking to a fellow justice like that. “Who does Justice Joaquim Barbosa think he is?” asked Ricardo Noblat, a columnist for the newspaper O Globo, questioning whether Mr. Barbosa was qualified to preside over the court. “What powers does he think he has just because he’s sitting in the chair of the chief justice of the Supreme Federal Tribunal?” 
          Mr. Barbosa did not apologize. In the interview, he said some tension was necessary for the court to function properly. “It was always like this,” he said, contending that arguments are now just easier to see because the court’s proceedings are televised. 
         Linking the court’s work to the recent wave of protests, he explained that he strongly disagreed with the violence of some demonstrators, but he also said he believed that the street movements were “a sign of democracy’s exuberance.” 
         “People don’t want to passively stand by and observe these arrangements of the elite, which were always the Brazilian tradition,” he said. 
    One of the Chief Justice’s positive actions the text mentions was
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  • D7F4C7CC-B8

    Espanhol

    Interpretação de Texto | Comprensión de Lectura
    UECE · 2013MédioEntre para guardar nos favoritos
    Diez consejos para perder el miedo a volar

    Siendo el avión el medio de trasporte más seguro, muchas personas tienen miedo a viajar en este medio de transporte y tratan de evitarlo a toda costa.

    Para ello, la agencia de viajes Rumbo ha elaborado una lista que incluye diez consejos a que el viaje en avión pase de ser una mala experiencia a algo con lo que finalmente podamos disfrutar. 

    Su tarea, en la cuestion, es elegir el título que, realmente, traduzca lo redactado en cada consejo abajo. 
    NOVENO CONSEJO

    Comer y beber en exceso puede ser perjudicial. Una copa de vino ayuda a relajarse, pero el exceso de alcohol puede generar pensamientos negativos y difíciles de controlar, llegando a resultar perjudicial cuando se trata de vuelos de larga duración.
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  • D7E5B9A4-B8

    Espanhol

    Interpretação de Texto | Comprensión de Lectura
    UECE · 2013MédioEntre para guardar nos favoritos
    Diez consejos para perder el miedo a volar

    Siendo el avión el medio de trasporte más seguro, muchas personas tienen miedo a viajar en este medio de transporte y tratan de evitarlo a toda costa.

    Para ello, la agencia de viajes Rumbo ha elaborado una lista que incluye diez consejos a que el viaje en avión pase de ser una mala experiencia a algo con lo que finalmente podamos disfrutar. 

    Su tarea, en la cuestion, es elegir el título que, realmente, traduzca lo redactado en cada consejo abajo. 
    CUARTO CONSEJO

    Una buena forma de reducir la ansiedad es buscar diferentes distracciones. Una buena idea puede ser la música. Genera emociones positivas y evita lo negativo. Llevar una buena selección de música relajante para escuchar durante el vuelo, especialmente en el despegue y el aterrizaje, los momentos que normalmente provocan más estrés es muy recomendable. También es interesante tener a mano un buen libro o llevar nuestras películas o series favoritas. Otra forma de “evadirse” es entablar conversación con el vecino de asiento. Por último, siempre se puede dormir.
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  • D7E2E1CE-B8

    Espanhol

    Interpretação de Texto | Comprensión de Lectura
    UECE · 2013MédioEntre para guardar nos favoritos
    Diez consejos para perder el miedo a volar

    Siendo el avión el medio de trasporte más seguro, muchas personas tienen miedo a viajar en este medio de transporte y tratan de evitarlo a toda costa.

    Para ello, la agencia de viajes Rumbo ha elaborado una lista que incluye diez consejos a que el viaje en avión pase de ser una mala experiencia a algo con lo que finalmente podamos disfrutar. 

    Su tarea, en la cuestion, es elegir el título que, realmente, traduzca lo redactado en cada consejo abajo. 
    TERCERO CONSEJO

    Es importante ir con tiempo al aeropuerto. Las prisas junto con el temor a perder el avión pueden generar estrés incluso antes de llegar al aeropuerto. Por eso es recomendable salir de casa con tiempo suficiente para poder llegar tranquilamente y poder relajarse.
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  • D7DFE67E-B8

    Espanhol

    Interpretação de Texto | Comprensión de Lectura
    UECE · 2013MédioEntre para guardar nos favoritos
    Diez consejos para perder el miedo a volar

    Siendo el avión el medio de trasporte más seguro, muchas personas tienen miedo a viajar en este medio de transporte y tratan de evitarlo a toda costa.

    Para ello, la agencia de viajes Rumbo ha elaborado una lista que incluye diez consejos a que el viaje en avión pase de ser una mala experiencia a algo con lo que finalmente podamos disfrutar. 

    Su tarea, en la cuestion, es elegir el título que, realmente, traduzca lo redactado en cada consejo abajo. 
    SEGUNDO CONSEJO

    Conforme se vaya acercando la fecha del vuelo es bueno tratar de entrenar nuestra imaginación. Debemos visualizar todo lo que vamos a hacer para el viaje de manera exitosa, desde que salimos de casa hacia el aeropuerto hasta que aterrizamos en nuestro lugar de destino. Además tenemos que imaginarnos afrontando la situación con seguridad.
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  • 43FD9277-B8

    Português

    Interpretação de Textos
    UECE · 2013MédioEntre para guardar nos favoritos

    Os textos 3 (manchete de capa da revista Época de 26/08/2013), 4 (manchete de capa da revista Veja de 28/08/2013) e 5 serão analisados em conjunto, na perspectiva da polifonia, do dialogismo e da intertextualidade, isto é, das relações mantidas entre eles. 

    Figura 1 de 2 da questão de Português, UECE 2013, Interpretação de Textos

    Figura 2 de 2 da questão de Português, UECE 2013, Interpretação de Textos

    Assinale com V ou F, conforme seja verdadeiro ou falso o que é dito sobre o texto 3.

    ( ) O aviãozinho de papel despencando do alto é um recurso para dar mais força de persuasão à manchete, cujos termos estão dispostos um abaixo do outro, o que sugere uma queda.

    ( ) É correto afirmar que a capa da revista Época emprega um recurso da poesia concreta.

    ( ) O processo de construção da manchete de capa da revista Época inclui substituição e acréscimo de elementos linguísticos, em relação ao texto fonte.

    ( ) O criador da manchete de Época fez um jogo com dois sentidos do termo real, jogo que foi possível graças à mudança de gênero desse vocábulo.

    ( ) Na manchete de Época, apresenta-se apenas uma das funções da linguagem: a função informativa.

    Está correta, de cima para baixo, a seguinte sequência:
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  • 43E70459-B8

    Português

    Interpretação de Textos
    UECE · 2013MédioEntre para guardar nos favoritos
    Texto 2

         O texto que você lerá é um excerto retirado do primeiro parágrafo do artigo de opinião “Com um braço só”, escrito por J. R. Guzzo, que trata da corrupção na política. 

    Imagem da questão de Português, UECE 2013, Interpretação de Textos

    Extraído do artigo ”Com um braço só”, de
    J.R. Guzzo. VEJA. 21/08/2013.
    Observe com atenção o que se diz sobre o excerto seguinte: “Um dos aspectos menos atraentes da personalidade humana é a tendência de muitas pessoas de só condenar os vícios que não praticam, ou pelos quais não se sentem atraídas” (linhas 49-53).

    I. Tender é o verbo correlato de tendência. Indica ação-processo, o que sugere que esse movimento pode não chegar ao ponto previsto.

    II. A tendência pode ser somente uma propensão, uma inclinação, uma vocação ou pendor.

    III. Na introdução do texto de Guzzo, existe a sugestão de que a tendência mencionada pelo enunciador ultrapassa os limites da simples propensão ou vocação.

    Ela se realizaria concretamente. Está correto o que se diz em
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  • 43E00CC5-B8

    Português

    Interpretação de Textos
    UECE · 2013MédioEntre para guardar nos favoritos
    Texto 1

    Caro candidato, o primeiro texto desta prova foi extraído do livro de memórias do escritor e jornalista carioca, que nasceu em 1926, Carlos Heitor Cony. Um livro de memórias é “relato que alguém faz, frequentemente, na forma de obra literária, a partir de acontecimentos históricos dos quais participou ou foi testemunha, ou que estão fundamentados em sua vida particular”. Não deve ser confundido com autobiografia. 

    Figura 1 de 2 da questão de Português, UECE 2013, Interpretação de Textos
    Figura 2 de 2 da questão de Português, UECE 2013, Interpretação de Textos

    CONY, Carlos Heitor. In: Eu aos pedaços:
    memórias. São Paulo: Leya, 2010. p. 114-115. 
    A descrição, feita pelo cronista, da cadeira em que se sentou para engraxar o sapato sugere que o móvel
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  • 43DD1F44-B8

    Português

    Interpretação de Textos
    UECE · 2013MédioEntre para guardar nos favoritos
    Texto 1

    Caro candidato, o primeiro texto desta prova foi extraído do livro de memórias do escritor e jornalista carioca, que nasceu em 1926, Carlos Heitor Cony. Um livro de memórias é “relato que alguém faz, frequentemente, na forma de obra literária, a partir de acontecimentos históricos dos quais participou ou foi testemunha, ou que estão fundamentados em sua vida particular”. Não deve ser confundido com autobiografia. 

    Figura 1 de 2 da questão de Português, UECE 2013, Interpretação de Textos
    Figura 2 de 2 da questão de Português, UECE 2013, Interpretação de Textos

    CONY, Carlos Heitor. In: Eu aos pedaços:
    memórias. São Paulo: Leya, 2010. p. 114-115. 
    Atente à caracterização do engraxate. Segundo o cronista, ele era gordo e calvo. Essa caracterização

    I. está, de algum modo, relacionada com as ideias principais do texto.

    II. tem uma função textual.

    III. atende a uma necessidade de coerência interna do texto.

    Estão corretas as complementações contidas em
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  • 43DA58E4-B8

    Português

    Coesão e coerência
    UECE · 2013MédioEntre para guardar nos favoritos
    Texto 1

    Caro candidato, o primeiro texto desta prova foi extraído do livro de memórias do escritor e jornalista carioca, que nasceu em 1926, Carlos Heitor Cony. Um livro de memórias é “relato que alguém faz, frequentemente, na forma de obra literária, a partir de acontecimentos históricos dos quais participou ou foi testemunha, ou que estão fundamentados em sua vida particular”. Não deve ser confundido com autobiografia. 

    Figura 1 de 2 da questão de Português, UECE 2013, Coesão e coerência
    Figura 2 de 2 da questão de Português, UECE 2013, Coesão e coerência

    CONY, Carlos Heitor. In: Eu aos pedaços:
    memórias. São Paulo: Leya, 2010. p. 114-115. 
    Escreva V ou F, conforme seja verdadeiro ou falso o que se afirma sobre referenciação e relações sintático-semânticas.

    ( ) O enunciado que vai da linha 2 (a partir da expressão “No dia”) à linha 5 (até “milênio”) constitui, na narrativa, uma digressão cuja função discursiva é comprovar o que se afirma nas linhas 1 e 2.

    ( ) A expressão “esses engraxates” (linha 8) justifica-se, no texto, pela relação indireta com o verbo “engraxar”: o ato de engraxar pressupõe um agente, no caso, um profissional — um engraxate — “esses engraxates”.

    ( ) Nas expressões “(n)aquela espécie de cadeira canônica [...]” (linhas 10-11) e “Pegou aquele paninho que dá brilho [...]” (linhas 22-23), ao usar o pronome aquele(a), o enunciador não aponta para nenhum elemento da superfície textual, mas aposta no conhecimento de mundo do enunciatário; em algo que acredita estar na memória dele.

    ( ) Nas palavras do cronista, “Uso-o pouco, em parte para poupá-lo, em parte porque quando posso estou sempre de tênis.” (linhas 17-19), o pronome o(lo) substitui a expressão o meu sapato, na linha 16, funcionando como elemento de coesão entre o enunciado em pauta e o enunciado anterior.

    Está correta, de cima para baixo, a seguinte sequência:
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  • 43D79A0B-B8

    Português

    Interpretação de Textos
    UECE · 2013MédioEntre para guardar nos favoritos
    Texto 1

    Caro candidato, o primeiro texto desta prova foi extraído do livro de memórias do escritor e jornalista carioca, que nasceu em 1926, Carlos Heitor Cony. Um livro de memórias é “relato que alguém faz, frequentemente, na forma de obra literária, a partir de acontecimentos históricos dos quais participou ou foi testemunha, ou que estão fundamentados em sua vida particular”. Não deve ser confundido com autobiografia. 

    Figura 1 de 2 da questão de Português, UECE 2013, Interpretação de Textos
    Figura 2 de 2 da questão de Português, UECE 2013, Interpretação de Textos

    CONY, Carlos Heitor. In: Eu aos pedaços:
    memórias. São Paulo: Leya, 2010. p. 114-115. 
    No seguinte enunciado — “Cheguei ao Santos Dumont, o voo estava atrasado, decidi engraxar os sapatos” (linhas 5-7) — a relação entre as orações está implícita. Marque a única alternativa que explicita o sentido que esse enunciado tem no texto.
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  • 43D4CCC5-B8

    Português

    Interpretação de Textos
    UECE · 2013MédioEntre para guardar nos favoritos
    Texto 1

    Caro candidato, o primeiro texto desta prova foi extraído do livro de memórias do escritor e jornalista carioca, que nasceu em 1926, Carlos Heitor Cony. Um livro de memórias é “relato que alguém faz, frequentemente, na forma de obra literária, a partir de acontecimentos históricos dos quais participou ou foi testemunha, ou que estão fundamentados em sua vida particular”. Não deve ser confundido com autobiografia. 

    Figura 1 de 2 da questão de Português, UECE 2013, Interpretação de Textos
    Figura 2 de 2 da questão de Português, UECE 2013, Interpretação de Textos

    CONY, Carlos Heitor. In: Eu aos pedaços:
    memórias. São Paulo: Leya, 2010. p. 114-115. 
    Abaixo estão algumas assertivas sobre os dois últimos parágrafos do texto (linhas 37-48). Escreva V para a assertiva verdadeira e F para a assertiva falsa.

    ( ) Com o troco generoso deixado para o engraxate, o cronista quis disfarçar um preconceito que o dominava naquele momento.

    ( ) A culpa que o cronista experimenta é tão grande que extrapola aquele incidente pequeno da limpeza do sapato.

    ( ) O espanto do engraxate ao receber a gorjeta aceita a seguinte leitura: os fregueses habituais não eram tão generosos.

    ( ) O dinheiro estava para o sentimento de culpa do cronista assim como os votos de felicidade estavam para o sentimento de gratidão que o engraxate experimentava.

    Está correta, de cima para baixo, a seguinte sequência.
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