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  • 0D866D73-91

    Inglês

    Interpretação de texto | Reading comprehension
    UECE · 2015MédioEntre para guardar nos favoritos

    TEXT

        A library tradition is being refashioned to emphasize early literacy and better prepare young children for school, and drawing many new fans in the process.

        Among parents of the under-5 set, spots for story time have become as coveted as seats for a hot Broadway show like “Hamilton.” Lines stretch down the block at some branches, with tickets given out on a first-come-first-served basis because there is not enough room to accommodate all of the children who show up.

        Workers at the 67th Street Library on the Upper East Side of Manhattan turn away at least 10 people from every reading. They have been so overwhelmed by the rush at story time — held in the branch’s largest room, on the third floor — that once the space is full, they close the door and shut down the elevator. “It is so crowded and so popular, it’s insane,” Jacqueline Schector, a librarian, said.

        Story time is drawing capacity crowds at public libraries across New York and across the country at a time when, more than ever, educators are emphasizing the importance of early literacy in preparing children for school and for developing critical thinking skills. The demand crosses economic lines, with parents at all income levels vying to get in.

        Many libraries have refashioned the traditional readings to include enrichment activities such as counting numbers and naming colors, as well as music and dance. And many parents have made story time a fixture in their family routines alongside school pickups and playground outings — and, for those who employ nannies, a nonnegotiable requirement of the job.

        In New York, demand for story time has surged across the city’s three library systems — the New York Public Library, the Brooklyn Public Library, and the Queens Library — and has posed logistical challenges for some branches, particularly those in small or cramped buildings. Citywide, story time attendance rose to 510,367 people in fiscal year 2015, up nearly 28 percent from 399,751 in fiscal 2013.

        “The secret’s out,” said Lucy Yates, 44, an opera coach with two sons who goes to story time at the Fort Washington Library every week.

        Stroller-pushing parents and nannies begin to line up for story time outside some branches an hour before doors open. To prevent overcrowding, tickets are given out at the New Amsterdam and Webster branches, both in Manhattan, the Parkchester branch in the Bronx, and a half-dozen branches in Brooklyn, including in Park Slope, Kensington and Bay Ridge.

        The 67th Street branch keeps adding story times — there are now six a week — and holds sessions outdoors in the summer, when crowds can swell to 200 people.

        In Queens, 41 library branches are scheduled to add weekend hours this month, and many will undoubtedly include weekend story times. As Joanne King, a spokeswoman for the library explained, parents have been begging for them and “every story time is full, every time we have one.”

        Long a library staple, story time has typically been an informal reading to a small group of boys and girls sitting in a circle. Today’s story times involve carefully planned lessons by specially trained librarians that emphasize education as much as entertainment, and often include suggestions for parents and caregivers about how to reinforce what children have learned, library officials said.

        Libraries around the country have expanded story time and other children’s programs in recent years, attracting a new generation of patrons in an age when online offerings sometimes make trips to the book stacks unnecessary. Sari Feldman, president of the American Library Association, said such early-literacy efforts are part of a larger transformation libraries are undergoing to become active learning centers for their communities by offering services like classes in English as a second language, computer skills and career counseling.

        Ms. Feldman said the increased demand for story time was a product, in part, of more than a decade of work by the library association and others to encourage libraries to play a larger role in preparing young children for school. In 2004, as part of that effort, the association developed a curriculum, “Every Child Ready to Read,” that she said is now used by thousands of libraries.

        The New York Public Library is adding 45 children’s librarians to support story time and other programs, some of which are run in partnership with the city government. It has also designated 20 of its 88 neighborhood branches, including the Fort Washington Library, as “enhanced literary sites.” As such, they will double their story time sessions, to an average of four a week, and distribute 15,000 “family literacy kits” that include a book and a schedule of story times.

        “It is clear that reading and being exposed to books early in life are critical factors in student success,” Anthony W. Marx, president of the New York Public Library, said. “The library is playing an increasingly important role in strengthening early literacy in this city, expanding efforts to bring reading to children and their families through quality, free story times, curated literacy programs, after-school programs and more.”

        For its part, the Queens Library plans to expand a “Kick Off to Kindergarten” program that attracted more than 180 families for a series of workshops last year. Library officials said that more than three-quarters of the children who enrolled, many of whom spoke a language other than English at home, developed measurable classroom skills.

    From: www.nytimes.com/2015/11/02

    One of the amazing facts about story time is that its seats in some of the New York libraries are
    Escolha uma alternativa para a questão 0d866d73-91
  • 0D82CAE6-91

    Inglês

    Interpretação de texto | Reading comprehension
    UECE · 2015DifícilEntre para guardar nos favoritos

    TEXT

        A library tradition is being refashioned to emphasize early literacy and better prepare young children for school, and drawing many new fans in the process.

        Among parents of the under-5 set, spots for story time have become as coveted as seats for a hot Broadway show like “Hamilton.” Lines stretch down the block at some branches, with tickets given out on a first-come-first-served basis because there is not enough room to accommodate all of the children who show up.

        Workers at the 67th Street Library on the Upper East Side of Manhattan turn away at least 10 people from every reading. They have been so overwhelmed by the rush at story time — held in the branch’s largest room, on the third floor — that once the space is full, they close the door and shut down the elevator. “It is so crowded and so popular, it’s insane,” Jacqueline Schector, a librarian, said.

        Story time is drawing capacity crowds at public libraries across New York and across the country at a time when, more than ever, educators are emphasizing the importance of early literacy in preparing children for school and for developing critical thinking skills. The demand crosses economic lines, with parents at all income levels vying to get in.

        Many libraries have refashioned the traditional readings to include enrichment activities such as counting numbers and naming colors, as well as music and dance. And many parents have made story time a fixture in their family routines alongside school pickups and playground outings — and, for those who employ nannies, a nonnegotiable requirement of the job.

        In New York, demand for story time has surged across the city’s three library systems — the New York Public Library, the Brooklyn Public Library, and the Queens Library — and has posed logistical challenges for some branches, particularly those in small or cramped buildings. Citywide, story time attendance rose to 510,367 people in fiscal year 2015, up nearly 28 percent from 399,751 in fiscal 2013.

        “The secret’s out,” said Lucy Yates, 44, an opera coach with two sons who goes to story time at the Fort Washington Library every week.

        Stroller-pushing parents and nannies begin to line up for story time outside some branches an hour before doors open. To prevent overcrowding, tickets are given out at the New Amsterdam and Webster branches, both in Manhattan, the Parkchester branch in the Bronx, and a half-dozen branches in Brooklyn, including in Park Slope, Kensington and Bay Ridge.

        The 67th Street branch keeps adding story times — there are now six a week — and holds sessions outdoors in the summer, when crowds can swell to 200 people.

        In Queens, 41 library branches are scheduled to add weekend hours this month, and many will undoubtedly include weekend story times. As Joanne King, a spokeswoman for the library explained, parents have been begging for them and “every story time is full, every time we have one.”

        Long a library staple, story time has typically been an informal reading to a small group of boys and girls sitting in a circle. Today’s story times involve carefully planned lessons by specially trained librarians that emphasize education as much as entertainment, and often include suggestions for parents and caregivers about how to reinforce what children have learned, library officials said.

        Libraries around the country have expanded story time and other children’s programs in recent years, attracting a new generation of patrons in an age when online offerings sometimes make trips to the book stacks unnecessary. Sari Feldman, president of the American Library Association, said such early-literacy efforts are part of a larger transformation libraries are undergoing to become active learning centers for their communities by offering services like classes in English as a second language, computer skills and career counseling.

        Ms. Feldman said the increased demand for story time was a product, in part, of more than a decade of work by the library association and others to encourage libraries to play a larger role in preparing young children for school. In 2004, as part of that effort, the association developed a curriculum, “Every Child Ready to Read,” that she said is now used by thousands of libraries.

        The New York Public Library is adding 45 children’s librarians to support story time and other programs, some of which are run in partnership with the city government. It has also designated 20 of its 88 neighborhood branches, including the Fort Washington Library, as “enhanced literary sites.” As such, they will double their story time sessions, to an average of four a week, and distribute 15,000 “family literacy kits” that include a book and a schedule of story times.

        “It is clear that reading and being exposed to books early in life are critical factors in student success,” Anthony W. Marx, president of the New York Public Library, said. “The library is playing an increasingly important role in strengthening early literacy in this city, expanding efforts to bring reading to children and their families through quality, free story times, curated literacy programs, after-school programs and more.”

        For its part, the Queens Library plans to expand a “Kick Off to Kindergarten” program that attracted more than 180 families for a series of workshops last year. Library officials said that more than three-quarters of the children who enrolled, many of whom spoke a language other than English at home, developed measurable classroom skills.

    From: www.nytimes.com/2015/11/02

    New York Public Library's president believes that students can succeed
    Escolha uma alternativa para a questão 0d82cae6-91
  • 0D7DE3CA-91

    Inglês

    Interpretação de texto | Reading comprehension
    UECE · 2015MédioEntre para guardar nos favoritos

    TEXT

        A library tradition is being refashioned to emphasize early literacy and better prepare young children for school, and drawing many new fans in the process.

        Among parents of the under-5 set, spots for story time have become as coveted as seats for a hot Broadway show like “Hamilton.” Lines stretch down the block at some branches, with tickets given out on a first-come-first-served basis because there is not enough room to accommodate all of the children who show up.

        Workers at the 67th Street Library on the Upper East Side of Manhattan turn away at least 10 people from every reading. They have been so overwhelmed by the rush at story time — held in the branch’s largest room, on the third floor — that once the space is full, they close the door and shut down the elevator. “It is so crowded and so popular, it’s insane,” Jacqueline Schector, a librarian, said.

        Story time is drawing capacity crowds at public libraries across New York and across the country at a time when, more than ever, educators are emphasizing the importance of early literacy in preparing children for school and for developing critical thinking skills. The demand crosses economic lines, with parents at all income levels vying to get in.

        Many libraries have refashioned the traditional readings to include enrichment activities such as counting numbers and naming colors, as well as music and dance. And many parents have made story time a fixture in their family routines alongside school pickups and playground outings — and, for those who employ nannies, a nonnegotiable requirement of the job.

        In New York, demand for story time has surged across the city’s three library systems — the New York Public Library, the Brooklyn Public Library, and the Queens Library — and has posed logistical challenges for some branches, particularly those in small or cramped buildings. Citywide, story time attendance rose to 510,367 people in fiscal year 2015, up nearly 28 percent from 399,751 in fiscal 2013.

        “The secret’s out,” said Lucy Yates, 44, an opera coach with two sons who goes to story time at the Fort Washington Library every week.

        Stroller-pushing parents and nannies begin to line up for story time outside some branches an hour before doors open. To prevent overcrowding, tickets are given out at the New Amsterdam and Webster branches, both in Manhattan, the Parkchester branch in the Bronx, and a half-dozen branches in Brooklyn, including in Park Slope, Kensington and Bay Ridge.

        The 67th Street branch keeps adding story times — there are now six a week — and holds sessions outdoors in the summer, when crowds can swell to 200 people.

        In Queens, 41 library branches are scheduled to add weekend hours this month, and many will undoubtedly include weekend story times. As Joanne King, a spokeswoman for the library explained, parents have been begging for them and “every story time is full, every time we have one.”

        Long a library staple, story time has typically been an informal reading to a small group of boys and girls sitting in a circle. Today’s story times involve carefully planned lessons by specially trained librarians that emphasize education as much as entertainment, and often include suggestions for parents and caregivers about how to reinforce what children have learned, library officials said.

        Libraries around the country have expanded story time and other children’s programs in recent years, attracting a new generation of patrons in an age when online offerings sometimes make trips to the book stacks unnecessary. Sari Feldman, president of the American Library Association, said such early-literacy efforts are part of a larger transformation libraries are undergoing to become active learning centers for their communities by offering services like classes in English as a second language, computer skills and career counseling.

        Ms. Feldman said the increased demand for story time was a product, in part, of more than a decade of work by the library association and others to encourage libraries to play a larger role in preparing young children for school. In 2004, as part of that effort, the association developed a curriculum, “Every Child Ready to Read,” that she said is now used by thousands of libraries.

        The New York Public Library is adding 45 children’s librarians to support story time and other programs, some of which are run in partnership with the city government. It has also designated 20 of its 88 neighborhood branches, including the Fort Washington Library, as “enhanced literary sites.” As such, they will double their story time sessions, to an average of four a week, and distribute 15,000 “family literacy kits” that include a book and a schedule of story times.

        “It is clear that reading and being exposed to books early in life are critical factors in student success,” Anthony W. Marx, president of the New York Public Library, said. “The library is playing an increasingly important role in strengthening early literacy in this city, expanding efforts to bring reading to children and their families through quality, free story times, curated literacy programs, after-school programs and more.”

        For its part, the Queens Library plans to expand a “Kick Off to Kindergarten” program that attracted more than 180 families for a series of workshops last year. Library officials said that more than three-quarters of the children who enrolled, many of whom spoke a language other than English at home, developed measurable classroom skills.

    From: www.nytimes.com/2015/11/02

    One of the reasons for the relevance of early literacy is that it
    Escolha uma alternativa para a questão 0d7de3ca-91
  • 0D792B0C-91

    Inglês

    Interpretação de texto | Reading comprehension
    UECE · 2015DifícilEntre para guardar nos favoritos

    TEXT

        A library tradition is being refashioned to emphasize early literacy and better prepare young children for school, and drawing many new fans in the process.

        Among parents of the under-5 set, spots for story time have become as coveted as seats for a hot Broadway show like “Hamilton.” Lines stretch down the block at some branches, with tickets given out on a first-come-first-served basis because there is not enough room to accommodate all of the children who show up.

        Workers at the 67th Street Library on the Upper East Side of Manhattan turn away at least 10 people from every reading. They have been so overwhelmed by the rush at story time — held in the branch’s largest room, on the third floor — that once the space is full, they close the door and shut down the elevator. “It is so crowded and so popular, it’s insane,” Jacqueline Schector, a librarian, said.

        Story time is drawing capacity crowds at public libraries across New York and across the country at a time when, more than ever, educators are emphasizing the importance of early literacy in preparing children for school and for developing critical thinking skills. The demand crosses economic lines, with parents at all income levels vying to get in.

        Many libraries have refashioned the traditional readings to include enrichment activities such as counting numbers and naming colors, as well as music and dance. And many parents have made story time a fixture in their family routines alongside school pickups and playground outings — and, for those who employ nannies, a nonnegotiable requirement of the job.

        In New York, demand for story time has surged across the city’s three library systems — the New York Public Library, the Brooklyn Public Library, and the Queens Library — and has posed logistical challenges for some branches, particularly those in small or cramped buildings. Citywide, story time attendance rose to 510,367 people in fiscal year 2015, up nearly 28 percent from 399,751 in fiscal 2013.

        “The secret’s out,” said Lucy Yates, 44, an opera coach with two sons who goes to story time at the Fort Washington Library every week.

        Stroller-pushing parents and nannies begin to line up for story time outside some branches an hour before doors open. To prevent overcrowding, tickets are given out at the New Amsterdam and Webster branches, both in Manhattan, the Parkchester branch in the Bronx, and a half-dozen branches in Brooklyn, including in Park Slope, Kensington and Bay Ridge.

        The 67th Street branch keeps adding story times — there are now six a week — and holds sessions outdoors in the summer, when crowds can swell to 200 people.

        In Queens, 41 library branches are scheduled to add weekend hours this month, and many will undoubtedly include weekend story times. As Joanne King, a spokeswoman for the library explained, parents have been begging for them and “every story time is full, every time we have one.”

        Long a library staple, story time has typically been an informal reading to a small group of boys and girls sitting in a circle. Today’s story times involve carefully planned lessons by specially trained librarians that emphasize education as much as entertainment, and often include suggestions for parents and caregivers about how to reinforce what children have learned, library officials said.

        Libraries around the country have expanded story time and other children’s programs in recent years, attracting a new generation of patrons in an age when online offerings sometimes make trips to the book stacks unnecessary. Sari Feldman, president of the American Library Association, said such early-literacy efforts are part of a larger transformation libraries are undergoing to become active learning centers for their communities by offering services like classes in English as a second language, computer skills and career counseling.

        Ms. Feldman said the increased demand for story time was a product, in part, of more than a decade of work by the library association and others to encourage libraries to play a larger role in preparing young children for school. In 2004, as part of that effort, the association developed a curriculum, “Every Child Ready to Read,” that she said is now used by thousands of libraries.

        The New York Public Library is adding 45 children’s librarians to support story time and other programs, some of which are run in partnership with the city government. It has also designated 20 of its 88 neighborhood branches, including the Fort Washington Library, as “enhanced literary sites.” As such, they will double their story time sessions, to an average of four a week, and distribute 15,000 “family literacy kits” that include a book and a schedule of story times.

        “It is clear that reading and being exposed to books early in life are critical factors in student success,” Anthony W. Marx, president of the New York Public Library, said. “The library is playing an increasingly important role in strengthening early literacy in this city, expanding efforts to bring reading to children and their families through quality, free story times, curated literacy programs, after-school programs and more.”

        For its part, the Queens Library plans to expand a “Kick Off to Kindergarten” program that attracted more than 180 families for a series of workshops last year. Library officials said that more than three-quarters of the children who enrolled, many of whom spoke a language other than English at home, developed measurable classroom skills.

    From: www.nytimes.com/2015/11/02

    One of the New York branches continues to add story times and
    Escolha uma alternativa para a questão 0d792b0c-91
  • 0D745E05-91

    Inglês

    Interpretação de texto | Reading comprehension
    UECE · 2015DifícilEntre para guardar nos favoritos

    TEXT

        A library tradition is being refashioned to emphasize early literacy and better prepare young children for school, and drawing many new fans in the process.

        Among parents of the under-5 set, spots for story time have become as coveted as seats for a hot Broadway show like “Hamilton.” Lines stretch down the block at some branches, with tickets given out on a first-come-first-served basis because there is not enough room to accommodate all of the children who show up.

        Workers at the 67th Street Library on the Upper East Side of Manhattan turn away at least 10 people from every reading. They have been so overwhelmed by the rush at story time — held in the branch’s largest room, on the third floor — that once the space is full, they close the door and shut down the elevator. “It is so crowded and so popular, it’s insane,” Jacqueline Schector, a librarian, said.

        Story time is drawing capacity crowds at public libraries across New York and across the country at a time when, more than ever, educators are emphasizing the importance of early literacy in preparing children for school and for developing critical thinking skills. The demand crosses economic lines, with parents at all income levels vying to get in.

        Many libraries have refashioned the traditional readings to include enrichment activities such as counting numbers and naming colors, as well as music and dance. And many parents have made story time a fixture in their family routines alongside school pickups and playground outings — and, for those who employ nannies, a nonnegotiable requirement of the job.

        In New York, demand for story time has surged across the city’s three library systems — the New York Public Library, the Brooklyn Public Library, and the Queens Library — and has posed logistical challenges for some branches, particularly those in small or cramped buildings. Citywide, story time attendance rose to 510,367 people in fiscal year 2015, up nearly 28 percent from 399,751 in fiscal 2013.

        “The secret’s out,” said Lucy Yates, 44, an opera coach with two sons who goes to story time at the Fort Washington Library every week.

        Stroller-pushing parents and nannies begin to line up for story time outside some branches an hour before doors open. To prevent overcrowding, tickets are given out at the New Amsterdam and Webster branches, both in Manhattan, the Parkchester branch in the Bronx, and a half-dozen branches in Brooklyn, including in Park Slope, Kensington and Bay Ridge.

        The 67th Street branch keeps adding story times — there are now six a week — and holds sessions outdoors in the summer, when crowds can swell to 200 people.

        In Queens, 41 library branches are scheduled to add weekend hours this month, and many will undoubtedly include weekend story times. As Joanne King, a spokeswoman for the library explained, parents have been begging for them and “every story time is full, every time we have one.”

        Long a library staple, story time has typically been an informal reading to a small group of boys and girls sitting in a circle. Today’s story times involve carefully planned lessons by specially trained librarians that emphasize education as much as entertainment, and often include suggestions for parents and caregivers about how to reinforce what children have learned, library officials said.

        Libraries around the country have expanded story time and other children’s programs in recent years, attracting a new generation of patrons in an age when online offerings sometimes make trips to the book stacks unnecessary. Sari Feldman, president of the American Library Association, said such early-literacy efforts are part of a larger transformation libraries are undergoing to become active learning centers for their communities by offering services like classes in English as a second language, computer skills and career counseling.

        Ms. Feldman said the increased demand for story time was a product, in part, of more than a decade of work by the library association and others to encourage libraries to play a larger role in preparing young children for school. In 2004, as part of that effort, the association developed a curriculum, “Every Child Ready to Read,” that she said is now used by thousands of libraries.

        The New York Public Library is adding 45 children’s librarians to support story time and other programs, some of which are run in partnership with the city government. It has also designated 20 of its 88 neighborhood branches, including the Fort Washington Library, as “enhanced literary sites.” As such, they will double their story time sessions, to an average of four a week, and distribute 15,000 “family literacy kits” that include a book and a schedule of story times.

        “It is clear that reading and being exposed to books early in life are critical factors in student success,” Anthony W. Marx, president of the New York Public Library, said. “The library is playing an increasingly important role in strengthening early literacy in this city, expanding efforts to bring reading to children and their families through quality, free story times, curated literacy programs, after-school programs and more.”

        For its part, the Queens Library plans to expand a “Kick Off to Kindergarten” program that attracted more than 180 families for a series of workshops last year. Library officials said that more than three-quarters of the children who enrolled, many of whom spoke a language other than English at home, developed measurable classroom skills.

    From: www.nytimes.com/2015/11/02

    Many people attending this story time in American libraries
    Escolha uma alternativa para a questão 0d745e05-91
  • 0D6ADF8B-91

    Inglês

    Interpretação de texto | Reading comprehension
    UECE · 2015MédioEntre para guardar nos favoritos

    TEXT

        A library tradition is being refashioned to emphasize early literacy and better prepare young children for school, and drawing many new fans in the process.

        Among parents of the under-5 set, spots for story time have become as coveted as seats for a hot Broadway show like “Hamilton.” Lines stretch down the block at some branches, with tickets given out on a first-come-first-served basis because there is not enough room to accommodate all of the children who show up.

        Workers at the 67th Street Library on the Upper East Side of Manhattan turn away at least 10 people from every reading. They have been so overwhelmed by the rush at story time — held in the branch’s largest room, on the third floor — that once the space is full, they close the door and shut down the elevator. “It is so crowded and so popular, it’s insane,” Jacqueline Schector, a librarian, said.

        Story time is drawing capacity crowds at public libraries across New York and across the country at a time when, more than ever, educators are emphasizing the importance of early literacy in preparing children for school and for developing critical thinking skills. The demand crosses economic lines, with parents at all income levels vying to get in.

        Many libraries have refashioned the traditional readings to include enrichment activities such as counting numbers and naming colors, as well as music and dance. And many parents have made story time a fixture in their family routines alongside school pickups and playground outings — and, for those who employ nannies, a nonnegotiable requirement of the job.

        In New York, demand for story time has surged across the city’s three library systems — the New York Public Library, the Brooklyn Public Library, and the Queens Library — and has posed logistical challenges for some branches, particularly those in small or cramped buildings. Citywide, story time attendance rose to 510,367 people in fiscal year 2015, up nearly 28 percent from 399,751 in fiscal 2013.

        “The secret’s out,” said Lucy Yates, 44, an opera coach with two sons who goes to story time at the Fort Washington Library every week.

        Stroller-pushing parents and nannies begin to line up for story time outside some branches an hour before doors open. To prevent overcrowding, tickets are given out at the New Amsterdam and Webster branches, both in Manhattan, the Parkchester branch in the Bronx, and a half-dozen branches in Brooklyn, including in Park Slope, Kensington and Bay Ridge.

        The 67th Street branch keeps adding story times — there are now six a week — and holds sessions outdoors in the summer, when crowds can swell to 200 people.

        In Queens, 41 library branches are scheduled to add weekend hours this month, and many will undoubtedly include weekend story times. As Joanne King, a spokeswoman for the library explained, parents have been begging for them and “every story time is full, every time we have one.”

        Long a library staple, story time has typically been an informal reading to a small group of boys and girls sitting in a circle. Today’s story times involve carefully planned lessons by specially trained librarians that emphasize education as much as entertainment, and often include suggestions for parents and caregivers about how to reinforce what children have learned, library officials said.

        Libraries around the country have expanded story time and other children’s programs in recent years, attracting a new generation of patrons in an age when online offerings sometimes make trips to the book stacks unnecessary. Sari Feldman, president of the American Library Association, said such early-literacy efforts are part of a larger transformation libraries are undergoing to become active learning centers for their communities by offering services like classes in English as a second language, computer skills and career counseling.

        Ms. Feldman said the increased demand for story time was a product, in part, of more than a decade of work by the library association and others to encourage libraries to play a larger role in preparing young children for school. In 2004, as part of that effort, the association developed a curriculum, “Every Child Ready to Read,” that she said is now used by thousands of libraries.

        The New York Public Library is adding 45 children’s librarians to support story time and other programs, some of which are run in partnership with the city government. It has also designated 20 of its 88 neighborhood branches, including the Fort Washington Library, as “enhanced literary sites.” As such, they will double their story time sessions, to an average of four a week, and distribute 15,000 “family literacy kits” that include a book and a schedule of story times.

        “It is clear that reading and being exposed to books early in life are critical factors in student success,” Anthony W. Marx, president of the New York Public Library, said. “The library is playing an increasingly important role in strengthening early literacy in this city, expanding efforts to bring reading to children and their families through quality, free story times, curated literacy programs, after-school programs and more.”

        For its part, the Queens Library plans to expand a “Kick Off to Kindergarten” program that attracted more than 180 families for a series of workshops last year. Library officials said that more than three-quarters of the children who enrolled, many of whom spoke a language other than English at home, developed measurable classroom skills.

    From: www.nytimes.com/2015/11/02

    According to the text, not only parents but also nannies start lining up for the reading of stories
    Escolha uma alternativa para a questão 0d6adf8b-91
  • 3499BEAF-8A

    Inglês

    Interpretação de texto | Reading comprehension
    UECE · 2015DifícilEntre para guardar nos favoritos

    TEXT

        Five years ago, the book world was seized by collective panic over the uncertain future of print.

        As readers migrated to new digital devices, ebook sales soared, up 1,260 percent between 2008 and 2010, alarming booksellers that watched consumers use their stores to find titles they would later buy online. Print sales dwindled, bookstores struggled to stay open, and publishers and authors feared that cheaper e-books would cannibalize their business.

        Then in 2011, the industry’s fears were realized when Borders declared bankruptcy.

        “E-books were this rocket ship going straight up,” said Len Vlahos, a former executive director of the Book Industry Study Group, a nonprofit research group that tracks the publishing industry. “Just about everybody you talked to thought we were going the way of digital music.”

        But the digital apocalypse never arrived, or at least not on schedule. While analysts once predicted that e-books would overtake print by 2015, digital sales have instead slowed sharply.

        Now, there are signs that some e-book adopters are returning to print, or becoming hybrid readers, who juggle devices and paper. E-book sales fell by 10 percent in the first five months of this year, according to the Association of American Publishers, which collects data from nearly 1,200 publishers. Digital books accounted last year for around 20 percent of the market, roughly the same as they did a few years ago.

        E-books’ declining popularity may signal that publishing, while not immune to technological upheaval, will weather the tidal wave of digital technology better than other forms of media, like music and television.

        E-book subscription services, modeled on companies like Netflix and Pandora, have struggled to convert book lovers into digital binge readers, and some have shut down. Sales of dedicated e-reading devices have plunged as consumers migrated to tablets and smartphones. And according to some surveys, young readers who are digital natives still prefer reading on paper.

        The surprising resilience of print has provided a lift to many booksellers. Independent bookstores, which were battered by the recession and competition from Amazon, are showing strong signs of resurgence. The American Booksellers Association counted 1,712 member stores in 2,227 locations in 2015, up from 1,410 in 1,660 locations five years ago.

        Publishers, seeking to capitalize on the shift, are pouring money into their print infrastructures and distribution. Penguin Random House has invested nearly $100 million in expanding and updating its warehouses and speeding up distribution of its books. It added 365,000 square feet last year to its warehouse in Crawfordsville, Ind., more than doubling the size of the warehouse.

        “People talked about the demise of physical books as if it was only a matter of time, but even 50 to 100 years from now, print will be a big chunk of our business,” said Markus Dohle, the chief executive of Penguin Random House, which has nearly 250 imprints globally. Print books account for more than 70 percent of the company’s sales in the United States.

        Some 12 million e-readers were sold last year, a steep drop from the nearly 20 million sold in 2011, according to Forrester Research. The portion of people who read books primarily on e-readers fell to 32 percent in the first quarter of 2015, from 50 percent in 2012, a Nielsen survey showed.

        The tug of war between pixels and print almost certainly isn’t over. Industry analysts and publishing executives say it is too soon to declare the death of the digital publishing revolution. An appealing new device might come along. Already, a growing number of people are reading e-books on their cellphones. Amazon recently unveiled a new tablet for $50, which could draw a new wave of customers to e-books (the first-generation Kindle cost $400)

        At Amazon, digital book sales have maintained their upward trajectory, according to Russell Grandinetti, senior vice president of Kindle. Last year, Amazon, which controls some 65 percent of the e-book market, introduced an e-book subscription service that allows readers to pay a flat monthly fee of $10 for unlimited digital reading. It offers more than a million titles, many of them from selfpublished authors.

        Some publishing executives say the world is changing too quickly to declare that the digital tide is waning.

        “Maybe it’s just a pause here,” said Carolyn Reidy, the president and chief executive of Simon & Schuster. “Will the next generation want to read books on their smartphones, and will we see another burst come?”

    www.nytimes.com/2015/09/23

    As to the waning of the digital tide, Carolyn Reidy, from Simon & Schuster, thinks that
    Escolha uma alternativa para a questão 3499beaf-8a
  • 3494BD14-8A

    Inglês

    Interpretação de texto | Reading comprehension
    UECE · 2015MédioEntre para guardar nos favoritos

    TEXT

        Five years ago, the book world was seized by collective panic over the uncertain future of print.

        As readers migrated to new digital devices, ebook sales soared, up 1,260 percent between 2008 and 2010, alarming booksellers that watched consumers use their stores to find titles they would later buy online. Print sales dwindled, bookstores struggled to stay open, and publishers and authors feared that cheaper e-books would cannibalize their business.

        Then in 2011, the industry’s fears were realized when Borders declared bankruptcy.

        “E-books were this rocket ship going straight up,” said Len Vlahos, a former executive director of the Book Industry Study Group, a nonprofit research group that tracks the publishing industry. “Just about everybody you talked to thought we were going the way of digital music.”

        But the digital apocalypse never arrived, or at least not on schedule. While analysts once predicted that e-books would overtake print by 2015, digital sales have instead slowed sharply.

        Now, there are signs that some e-book adopters are returning to print, or becoming hybrid readers, who juggle devices and paper. E-book sales fell by 10 percent in the first five months of this year, according to the Association of American Publishers, which collects data from nearly 1,200 publishers. Digital books accounted last year for around 20 percent of the market, roughly the same as they did a few years ago.

        E-books’ declining popularity may signal that publishing, while not immune to technological upheaval, will weather the tidal wave of digital technology better than other forms of media, like music and television.

        E-book subscription services, modeled on companies like Netflix and Pandora, have struggled to convert book lovers into digital binge readers, and some have shut down. Sales of dedicated e-reading devices have plunged as consumers migrated to tablets and smartphones. And according to some surveys, young readers who are digital natives still prefer reading on paper.

        The surprising resilience of print has provided a lift to many booksellers. Independent bookstores, which were battered by the recession and competition from Amazon, are showing strong signs of resurgence. The American Booksellers Association counted 1,712 member stores in 2,227 locations in 2015, up from 1,410 in 1,660 locations five years ago.

        Publishers, seeking to capitalize on the shift, are pouring money into their print infrastructures and distribution. Penguin Random House has invested nearly $100 million in expanding and updating its warehouses and speeding up distribution of its books. It added 365,000 square feet last year to its warehouse in Crawfordsville, Ind., more than doubling the size of the warehouse.

        “People talked about the demise of physical books as if it was only a matter of time, but even 50 to 100 years from now, print will be a big chunk of our business,” said Markus Dohle, the chief executive of Penguin Random House, which has nearly 250 imprints globally. Print books account for more than 70 percent of the company’s sales in the United States.

        Some 12 million e-readers were sold last year, a steep drop from the nearly 20 million sold in 2011, according to Forrester Research. The portion of people who read books primarily on e-readers fell to 32 percent in the first quarter of 2015, from 50 percent in 2012, a Nielsen survey showed.

        The tug of war between pixels and print almost certainly isn’t over. Industry analysts and publishing executives say it is too soon to declare the death of the digital publishing revolution. An appealing new device might come along. Already, a growing number of people are reading e-books on their cellphones. Amazon recently unveiled a new tablet for $50, which could draw a new wave of customers to e-books (the first-generation Kindle cost $400)

        At Amazon, digital book sales have maintained their upward trajectory, according to Russell Grandinetti, senior vice president of Kindle. Last year, Amazon, which controls some 65 percent of the e-book market, introduced an e-book subscription service that allows readers to pay a flat monthly fee of $10 for unlimited digital reading. It offers more than a million titles, many of them from selfpublished authors.

        Some publishing executives say the world is changing too quickly to declare that the digital tide is waning.

        “Maybe it’s just a pause here,” said Carolyn Reidy, the president and chief executive of Simon & Schuster. “Will the next generation want to read books on their smartphones, and will we see another burst come?”

    www.nytimes.com/2015/09/23

    Despite the huge drop in e-readers sales last year, people in the industry believe
    Escolha uma alternativa para a questão 3494bd14-8a
  • 348EF0FF-8A

    Inglês

    Interpretação de texto | Reading comprehension
    UECE · 2015DifícilEntre para guardar nos favoritos

    TEXT

        Five years ago, the book world was seized by collective panic over the uncertain future of print.

        As readers migrated to new digital devices, ebook sales soared, up 1,260 percent between 2008 and 2010, alarming booksellers that watched consumers use their stores to find titles they would later buy online. Print sales dwindled, bookstores struggled to stay open, and publishers and authors feared that cheaper e-books would cannibalize their business.

        Then in 2011, the industry’s fears were realized when Borders declared bankruptcy.

        “E-books were this rocket ship going straight up,” said Len Vlahos, a former executive director of the Book Industry Study Group, a nonprofit research group that tracks the publishing industry. “Just about everybody you talked to thought we were going the way of digital music.”

        But the digital apocalypse never arrived, or at least not on schedule. While analysts once predicted that e-books would overtake print by 2015, digital sales have instead slowed sharply.

        Now, there are signs that some e-book adopters are returning to print, or becoming hybrid readers, who juggle devices and paper. E-book sales fell by 10 percent in the first five months of this year, according to the Association of American Publishers, which collects data from nearly 1,200 publishers. Digital books accounted last year for around 20 percent of the market, roughly the same as they did a few years ago.

        E-books’ declining popularity may signal that publishing, while not immune to technological upheaval, will weather the tidal wave of digital technology better than other forms of media, like music and television.

        E-book subscription services, modeled on companies like Netflix and Pandora, have struggled to convert book lovers into digital binge readers, and some have shut down. Sales of dedicated e-reading devices have plunged as consumers migrated to tablets and smartphones. And according to some surveys, young readers who are digital natives still prefer reading on paper.

        The surprising resilience of print has provided a lift to many booksellers. Independent bookstores, which were battered by the recession and competition from Amazon, are showing strong signs of resurgence. The American Booksellers Association counted 1,712 member stores in 2,227 locations in 2015, up from 1,410 in 1,660 locations five years ago.

        Publishers, seeking to capitalize on the shift, are pouring money into their print infrastructures and distribution. Penguin Random House has invested nearly $100 million in expanding and updating its warehouses and speeding up distribution of its books. It added 365,000 square feet last year to its warehouse in Crawfordsville, Ind., more than doubling the size of the warehouse.

        “People talked about the demise of physical books as if it was only a matter of time, but even 50 to 100 years from now, print will be a big chunk of our business,” said Markus Dohle, the chief executive of Penguin Random House, which has nearly 250 imprints globally. Print books account for more than 70 percent of the company’s sales in the United States.

        Some 12 million e-readers were sold last year, a steep drop from the nearly 20 million sold in 2011, according to Forrester Research. The portion of people who read books primarily on e-readers fell to 32 percent in the first quarter of 2015, from 50 percent in 2012, a Nielsen survey showed.

        The tug of war between pixels and print almost certainly isn’t over. Industry analysts and publishing executives say it is too soon to declare the death of the digital publishing revolution. An appealing new device might come along. Already, a growing number of people are reading e-books on their cellphones. Amazon recently unveiled a new tablet for $50, which could draw a new wave of customers to e-books (the first-generation Kindle cost $400)

        At Amazon, digital book sales have maintained their upward trajectory, according to Russell Grandinetti, senior vice president of Kindle. Last year, Amazon, which controls some 65 percent of the e-book market, introduced an e-book subscription service that allows readers to pay a flat monthly fee of $10 for unlimited digital reading. It offers more than a million titles, many of them from selfpublished authors.

        Some publishing executives say the world is changing too quickly to declare that the digital tide is waning.

        “Maybe it’s just a pause here,” said Carolyn Reidy, the president and chief executive of Simon & Schuster. “Will the next generation want to read books on their smartphones, and will we see another burst come?”

    www.nytimes.com/2015/09/23

    According to the chief executive of Penguin Random House,
    Escolha uma alternativa para a questão 348ef0ff-8a
  • 3486B266-8A

    Inglês

    Interpretação de texto | Reading comprehension
    UECE · 2015MédioEntre para guardar nos favoritos

    TEXT

        Five years ago, the book world was seized by collective panic over the uncertain future of print.

        As readers migrated to new digital devices, ebook sales soared, up 1,260 percent between 2008 and 2010, alarming booksellers that watched consumers use their stores to find titles they would later buy online. Print sales dwindled, bookstores struggled to stay open, and publishers and authors feared that cheaper e-books would cannibalize their business.

        Then in 2011, the industry’s fears were realized when Borders declared bankruptcy.

        “E-books were this rocket ship going straight up,” said Len Vlahos, a former executive director of the Book Industry Study Group, a nonprofit research group that tracks the publishing industry. “Just about everybody you talked to thought we were going the way of digital music.”

        But the digital apocalypse never arrived, or at least not on schedule. While analysts once predicted that e-books would overtake print by 2015, digital sales have instead slowed sharply.

        Now, there are signs that some e-book adopters are returning to print, or becoming hybrid readers, who juggle devices and paper. E-book sales fell by 10 percent in the first five months of this year, according to the Association of American Publishers, which collects data from nearly 1,200 publishers. Digital books accounted last year for around 20 percent of the market, roughly the same as they did a few years ago.

        E-books’ declining popularity may signal that publishing, while not immune to technological upheaval, will weather the tidal wave of digital technology better than other forms of media, like music and television.

        E-book subscription services, modeled on companies like Netflix and Pandora, have struggled to convert book lovers into digital binge readers, and some have shut down. Sales of dedicated e-reading devices have plunged as consumers migrated to tablets and smartphones. And according to some surveys, young readers who are digital natives still prefer reading on paper.

        The surprising resilience of print has provided a lift to many booksellers. Independent bookstores, which were battered by the recession and competition from Amazon, are showing strong signs of resurgence. The American Booksellers Association counted 1,712 member stores in 2,227 locations in 2015, up from 1,410 in 1,660 locations five years ago.

        Publishers, seeking to capitalize on the shift, are pouring money into their print infrastructures and distribution. Penguin Random House has invested nearly $100 million in expanding and updating its warehouses and speeding up distribution of its books. It added 365,000 square feet last year to its warehouse in Crawfordsville, Ind., more than doubling the size of the warehouse.

        “People talked about the demise of physical books as if it was only a matter of time, but even 50 to 100 years from now, print will be a big chunk of our business,” said Markus Dohle, the chief executive of Penguin Random House, which has nearly 250 imprints globally. Print books account for more than 70 percent of the company’s sales in the United States.

        Some 12 million e-readers were sold last year, a steep drop from the nearly 20 million sold in 2011, according to Forrester Research. The portion of people who read books primarily on e-readers fell to 32 percent in the first quarter of 2015, from 50 percent in 2012, a Nielsen survey showed.

        The tug of war between pixels and print almost certainly isn’t over. Industry analysts and publishing executives say it is too soon to declare the death of the digital publishing revolution. An appealing new device might come along. Already, a growing number of people are reading e-books on their cellphones. Amazon recently unveiled a new tablet for $50, which could draw a new wave of customers to e-books (the first-generation Kindle cost $400)

        At Amazon, digital book sales have maintained their upward trajectory, according to Russell Grandinetti, senior vice president of Kindle. Last year, Amazon, which controls some 65 percent of the e-book market, introduced an e-book subscription service that allows readers to pay a flat monthly fee of $10 for unlimited digital reading. It offers more than a million titles, many of them from selfpublished authors.

        Some publishing executives say the world is changing too quickly to declare that the digital tide is waning.

        “Maybe it’s just a pause here,” said Carolyn Reidy, the president and chief executive of Simon & Schuster. “Will the next generation want to read books on their smartphones, and will we see another burst come?”

    www.nytimes.com/2015/09/23

    As to young readers, who are the digital natives, it is stated that they
    Escolha uma alternativa para a questão 3486b266-8a
  • 348130B9-8A

    Inglês

    Interpretação de texto | Reading comprehension
    UECE · 2015MédioEntre para guardar nos favoritos

    TEXT

        Five years ago, the book world was seized by collective panic over the uncertain future of print.

        As readers migrated to new digital devices, ebook sales soared, up 1,260 percent between 2008 and 2010, alarming booksellers that watched consumers use their stores to find titles they would later buy online. Print sales dwindled, bookstores struggled to stay open, and publishers and authors feared that cheaper e-books would cannibalize their business.

        Then in 2011, the industry’s fears were realized when Borders declared bankruptcy.

        “E-books were this rocket ship going straight up,” said Len Vlahos, a former executive director of the Book Industry Study Group, a nonprofit research group that tracks the publishing industry. “Just about everybody you talked to thought we were going the way of digital music.”

        But the digital apocalypse never arrived, or at least not on schedule. While analysts once predicted that e-books would overtake print by 2015, digital sales have instead slowed sharply.

        Now, there are signs that some e-book adopters are returning to print, or becoming hybrid readers, who juggle devices and paper. E-book sales fell by 10 percent in the first five months of this year, according to the Association of American Publishers, which collects data from nearly 1,200 publishers. Digital books accounted last year for around 20 percent of the market, roughly the same as they did a few years ago.

        E-books’ declining popularity may signal that publishing, while not immune to technological upheaval, will weather the tidal wave of digital technology better than other forms of media, like music and television.

        E-book subscription services, modeled on companies like Netflix and Pandora, have struggled to convert book lovers into digital binge readers, and some have shut down. Sales of dedicated e-reading devices have plunged as consumers migrated to tablets and smartphones. And according to some surveys, young readers who are digital natives still prefer reading on paper.

        The surprising resilience of print has provided a lift to many booksellers. Independent bookstores, which were battered by the recession and competition from Amazon, are showing strong signs of resurgence. The American Booksellers Association counted 1,712 member stores in 2,227 locations in 2015, up from 1,410 in 1,660 locations five years ago.

        Publishers, seeking to capitalize on the shift, are pouring money into their print infrastructures and distribution. Penguin Random House has invested nearly $100 million in expanding and updating its warehouses and speeding up distribution of its books. It added 365,000 square feet last year to its warehouse in Crawfordsville, Ind., more than doubling the size of the warehouse.

        “People talked about the demise of physical books as if it was only a matter of time, but even 50 to 100 years from now, print will be a big chunk of our business,” said Markus Dohle, the chief executive of Penguin Random House, which has nearly 250 imprints globally. Print books account for more than 70 percent of the company’s sales in the United States.

        Some 12 million e-readers were sold last year, a steep drop from the nearly 20 million sold in 2011, according to Forrester Research. The portion of people who read books primarily on e-readers fell to 32 percent in the first quarter of 2015, from 50 percent in 2012, a Nielsen survey showed.

        The tug of war between pixels and print almost certainly isn’t over. Industry analysts and publishing executives say it is too soon to declare the death of the digital publishing revolution. An appealing new device might come along. Already, a growing number of people are reading e-books on their cellphones. Amazon recently unveiled a new tablet for $50, which could draw a new wave of customers to e-books (the first-generation Kindle cost $400)

        At Amazon, digital book sales have maintained their upward trajectory, according to Russell Grandinetti, senior vice president of Kindle. Last year, Amazon, which controls some 65 percent of the e-book market, introduced an e-book subscription service that allows readers to pay a flat monthly fee of $10 for unlimited digital reading. It offers more than a million titles, many of them from selfpublished authors.

        Some publishing executives say the world is changing too quickly to declare that the digital tide is waning.

        “Maybe it’s just a pause here,” said Carolyn Reidy, the president and chief executive of Simon & Schuster. “Will the next generation want to read books on their smartphones, and will we see another burst come?”

    www.nytimes.com/2015/09/23

    As compared to music and television in relation to digital technology, publishing seems to
    Escolha uma alternativa para a questão 348130b9-8a
  • 3479DE1E-8A

    Inglês

    Interpretação de texto | Reading comprehension
    UECE · 2015MédioEntre para guardar nos favoritos

    TEXT

        Five years ago, the book world was seized by collective panic over the uncertain future of print.

        As readers migrated to new digital devices, ebook sales soared, up 1,260 percent between 2008 and 2010, alarming booksellers that watched consumers use their stores to find titles they would later buy online. Print sales dwindled, bookstores struggled to stay open, and publishers and authors feared that cheaper e-books would cannibalize their business.

        Then in 2011, the industry’s fears were realized when Borders declared bankruptcy.

        “E-books were this rocket ship going straight up,” said Len Vlahos, a former executive director of the Book Industry Study Group, a nonprofit research group that tracks the publishing industry. “Just about everybody you talked to thought we were going the way of digital music.”

        But the digital apocalypse never arrived, or at least not on schedule. While analysts once predicted that e-books would overtake print by 2015, digital sales have instead slowed sharply.

        Now, there are signs that some e-book adopters are returning to print, or becoming hybrid readers, who juggle devices and paper. E-book sales fell by 10 percent in the first five months of this year, according to the Association of American Publishers, which collects data from nearly 1,200 publishers. Digital books accounted last year for around 20 percent of the market, roughly the same as they did a few years ago.

        E-books’ declining popularity may signal that publishing, while not immune to technological upheaval, will weather the tidal wave of digital technology better than other forms of media, like music and television.

        E-book subscription services, modeled on companies like Netflix and Pandora, have struggled to convert book lovers into digital binge readers, and some have shut down. Sales of dedicated e-reading devices have plunged as consumers migrated to tablets and smartphones. And according to some surveys, young readers who are digital natives still prefer reading on paper.

        The surprising resilience of print has provided a lift to many booksellers. Independent bookstores, which were battered by the recession and competition from Amazon, are showing strong signs of resurgence. The American Booksellers Association counted 1,712 member stores in 2,227 locations in 2015, up from 1,410 in 1,660 locations five years ago.

        Publishers, seeking to capitalize on the shift, are pouring money into their print infrastructures and distribution. Penguin Random House has invested nearly $100 million in expanding and updating its warehouses and speeding up distribution of its books. It added 365,000 square feet last year to its warehouse in Crawfordsville, Ind., more than doubling the size of the warehouse.

        “People talked about the demise of physical books as if it was only a matter of time, but even 50 to 100 years from now, print will be a big chunk of our business,” said Markus Dohle, the chief executive of Penguin Random House, which has nearly 250 imprints globally. Print books account for more than 70 percent of the company’s sales in the United States.

        Some 12 million e-readers were sold last year, a steep drop from the nearly 20 million sold in 2011, according to Forrester Research. The portion of people who read books primarily on e-readers fell to 32 percent in the first quarter of 2015, from 50 percent in 2012, a Nielsen survey showed.

        The tug of war between pixels and print almost certainly isn’t over. Industry analysts and publishing executives say it is too soon to declare the death of the digital publishing revolution. An appealing new device might come along. Already, a growing number of people are reading e-books on their cellphones. Amazon recently unveiled a new tablet for $50, which could draw a new wave of customers to e-books (the first-generation Kindle cost $400)

        At Amazon, digital book sales have maintained their upward trajectory, according to Russell Grandinetti, senior vice president of Kindle. Last year, Amazon, which controls some 65 percent of the e-book market, introduced an e-book subscription service that allows readers to pay a flat monthly fee of $10 for unlimited digital reading. It offers more than a million titles, many of them from selfpublished authors.

        Some publishing executives say the world is changing too quickly to declare that the digital tide is waning.

        “Maybe it’s just a pause here,” said Carolyn Reidy, the president and chief executive of Simon & Schuster. “Will the next generation want to read books on their smartphones, and will we see another burst come?”

    www.nytimes.com/2015/09/23

    While it was thought that by 2015 e-books would have totally surpassed print, what is really happening is that
    Escolha uma alternativa para a questão 3479de1e-8a
  • 33825D78-8A

    Português

    Interpretação de Textos
    UECE · 2015MédioEntre para guardar nos favoritos

    Texto 2

    O texto que você lerá a seguir – o poema “Outro verde”, foi retirado da obra Delírio da Solidão, do escritor cearense de Quixeramobim Jáder de Carvalho, que nasceu em 29 de dezembro de 1901 e faleceu no dia sete de agosto de 1985. Jáder de Carvalho foi jornalista, advogado, professor e escritor: poeta e prosador. Sua obra mais conhecida é o romance Aldeota.

                           

                         Outro verde 

    Imagem da questão de Português, UECE 2015, Interpretação de Textos 

    (Jáder de Carvalho. Delírio da Solidão. p. 46-47.)

    Sujeito lírico ou eu poético é um ser de ficção, como o é o narrador na prosa. Para que o texto literário tenha a consistência necessária a despertar uma reação emotiva no leitor, é preciso ser validado pela própria materialidade textual – um universo feito de palavras que apresenta nexo ou harmonia entre os elementos textuais.

    Considere o que se afirma sobre essa validação no poema. Assinale com V as afirmações verdadeiras e com F as falsas.

    ( ) Tem-se um enunciador que fala diretamente a uma mulher, e o faz com certa intimidade, uma vez que a trata na segunda pessoa do singular. 

    ( ) Quando se fala diretamente a uma pessoa, numa comunicação face a face, existe a certeza de uma resposta. Isso, porém, não ocorre no poema, o que o empobrece.

    ( ) Percebe-se que o enunciador, no caso, o sujeito lírico, ao opor o verde indefinido dos olhos da musa do poema a outros verdes já referidos na literatura, expressa-se de um ponto de vista moderno, o que é também mostrado pela própria estrutura do poema: versos livres e brancos.

    ( ) O vocabulário não oferece dificuldade, mas ainda não é o vocabulário dos tempos atuais. O poeta ainda não emprega a linguagem quase prosaica que se aproxima da linguagem do povo, mas também não usa mais um vocabulário recheado de preciosismos, isto é, de palavras pouco usadas e até desconhecidas.

    ( ) A sintaxe também é simples e direta, sem as inversões que caracterizaram os poemas do fim do século XIX e início do século XX, época em que floresceu o simbolismo, o parnasianismo e o pré-modernismo.

    ( ) Pelo tom do texto, conclui-se que o sujeito lírico enuncia, provavelmente, de um lugar amplo, onde muitas pessoas podem escutar as palavras de amor que ele diz à amada.

    Está correta, de cima para baixo, a seguinte sequência:

    Escolha uma alternativa para a questão 33825d78-8a
  • 336912C2-8A

    Português

    Interpretação de Textos
    UECE · 2015MédioEntre para guardar nos favoritos

                                         Texto 1

    O texto I é um excerto de Baú de Ossos (volume 1), do médico e escritor mineiro Pedro Nava. Inclui-se essa obra no gênero memorialístico, que é predominantemente narrativo. Nesse gênero, são contados episódios verídicos ou baseadas em fatos reais, que ficaram na memória do autor. Isso o distingue da biografia, que se propõe contar a história de uma pessoa específica.


    Imagem da questão de Português, UECE 2015, Interpretação de Textos  

    (Pedro Nava. Baú de ossos. Memórias 1. p. 308 a 310.)

    Pelo menos em cinco passagens do texto, o narrador emprega o recurso da intertextualidade. Como se sabe, esse recurso ocorre quando um texto remete a outro texto que faz parte da memória social de uma coletividade.

    Pode-se dizer que acontece um verdadeiro diálogo entre textos. Vamos ater-nos a três ocorrências das cinco ou seis encontrados no texto:

    I. “A lâmpada, enorme, esfregada, não fez aparecer nenhum gênio” (linhas 37-38).

    II. “Raskólnikov. O mais estranho é que houve crime, e não castigo” (linhas 44-45).

    III. “Eu fiquei por conta das Fúrias de um remorso, que me perseguiu toda a infância, veio comigo [...]” (linhas 47-52).

    Assinale V ou F, conforme seja verdadeiro ou falso o que se diz sobre os três casos de intertextualidade transcritos:

    ( ) Na ocorrência I, o narrador intertextualiza com um dos contos que compõem a coletânea “As mil e uma noites”, no caso, a história de Aladim e a lâmpada maravilhosa. Ao intertextualizar com esse conto, de certa forma desautoriza-o: com ele, a magia da lâmpada não se revelou. O fracasso com a lâmpada enfatiza o estado de espírito negativo do narrador.

    ( ) Na ocorrência II, há alusão ao romance Crime e Castigo, do escritor russo Fiódor Dostoiévisk. Essa obra narra a história de um estudante pobre, Raskólnikov, que mata uma velha usurária que vive dos juros do dinheiro que empresta. Raskólnikov é consumido pelo remorso e entrega-se à polícia. Ao dialogar com a obra de Dostoiévisk, o narrador põe-se no lugar de Raskólnikov. Percebe-se uma dose de fina ironia justificável no contexto.

    ( ) Não se podem apontar diferenças entre os crimes do narrador e o do estudante russo.

    ( ) Há, no terceiro caso de intertextualidade, um diálogo com o discurso mítico. As Fúrias, entidades da mitologia grega, eram encarregadas de atormentar os criminosos. Ao considerar-se sob a tutela das Fúrias, o narrador expressa o tormento em que estava mergulhado por causa dos furtos.

    Está correta, de cima para baixo, a sequência seguinte:

    Escolha uma alternativa para a questão 336912c2-8a
  • 3361C2FE-8A

    Português

    Interpretação de Textos
    UECE · 2015MédioEntre para guardar nos favoritos

                                         Texto 1

    O texto I é um excerto de Baú de Ossos (volume 1), do médico e escritor mineiro Pedro Nava. Inclui-se essa obra no gênero memorialístico, que é predominantemente narrativo. Nesse gênero, são contados episódios verídicos ou baseadas em fatos reais, que ficaram na memória do autor. Isso o distingue da biografia, que se propõe contar a história de uma pessoa específica.


    Imagem da questão de Português, UECE 2015, Interpretação de Textos  

    (Pedro Nava. Baú de ossos. Memórias 1. p. 308 a 310.)

    Assinale a opção em que o enunciado tem o mesmo sentido do enunciado do texto: “Amante das artes plásticas desde cedo, educado no culto do belo, eu não pude me conter” (linhas 13-15).
    Escolha uma alternativa para a questão 3361c2fe-8a
  • 33409FE7-8A

    Português

    Interpretação de Textos
    UECE · 2015FácilEntre para guardar nos favoritos

                                         Texto 1

    O texto I é um excerto de Baú de Ossos (volume 1), do médico e escritor mineiro Pedro Nava. Inclui-se essa obra no gênero memorialístico, que é predominantemente narrativo. Nesse gênero, são contados episódios verídicos ou baseadas em fatos reais, que ficaram na memória do autor. Isso o distingue da biografia, que se propõe contar a história de uma pessoa específica.


    Imagem da questão de Português, UECE 2015, Interpretação de Textos  

    (Pedro Nava. Baú de ossos. Memórias 1. p. 308 a 310.)

    O excerto que vai da linha 1 à linha 11 (“mil réis”) tem a seguinte função textual:
    Escolha uma alternativa para a questão 33409fe7-8a
  • 333A49B6-8A

    Português

    Interpretação de Textos
    UECE · 2015DifícilEntre para guardar nos favoritos

                                         Texto 1

    O texto I é um excerto de Baú de Ossos (volume 1), do médico e escritor mineiro Pedro Nava. Inclui-se essa obra no gênero memorialístico, que é predominantemente narrativo. Nesse gênero, são contados episódios verídicos ou baseadas em fatos reais, que ficaram na memória do autor. Isso o distingue da biografia, que se propõe contar a história de uma pessoa específica.


    Imagem da questão de Português, UECE 2015, Interpretação de Textos  

    (Pedro Nava. Baú de ossos. Memórias 1. p. 308 a 310.)

    O texto de Pedro Nava tem uma estrutura linguística que se pode demarcar com facilidade. Atente ao que se diz sobre essa estrutura.
    I. Uma das possíveis divisões dessa estrutura é a seguinte: a primeira parte, da linha 1 à linha 11 (“mil réis”); a segunda parte, da linha 11 (“Ai! de mim”) até a linha 47 (“cédula”); a terceira parte, da linha 47 (“Eu fiquei”) à linha 52 (“cesto”).
    II. Essa divisão apresenta uma lógica interna: o texto começa com a referência a um amigo do enunciador, cujos crimes serão comparados com os crimes desse enunciador; segue com a relação dos delitos cometidos pelo enunciador e termina com o relato da remissão desse enunciador pelas transgressões por ele praticadas quando criança.
    III. O emprego do pretérito imperfeito do indicativo, entre as linhas 5 e 10, indica que as ações expressas por esses verbos são ações que se repetem (aspecto iterativo ou frequentativo).
    Está correto o que se diz em
    Escolha uma alternativa para a questão 333a49b6-8a
  • 6C5FA7C0-24

    Inglês

    Interpretação de texto | Reading comprehension
    PUC-GO · 2015MédioEntre para guardar nos favoritos

    TEXTO 8

          Aos 60 anos, Rossmarc foi confinado na cadeia Raimundo Pessoa em Manaus, dividindo uma cela com 80 detentos. Dormia no chão junto de uma fossa sanitária. Para manter-se vivo usava toda a sua inteligência para fazer acordos com os detentos. Lá havia de tudo: drogados, jagunços, pseudomissionários, contrabandistas etc. Fora vítima do advogado. Com toda a lábia, nunca fora a Brasília defender Rossmarc. Por não ter apresentado a defesa, foi condenado a 13 anos de prisão. O advogado sumira, Rossmarc perdera o prazo para recorrer. Como era estrangeiro, os juízes temiam que fugisse do Brasil. O juiz ordenou sua prisão imediata. A cela, com oitenta detentos, fervilhava, era mais do que o inferno. Depressivo, mantinha-se tartamudo num canto, remoendo sua história, recordando-se dos bons tempos em que navegava pelos rios da Amazônia com seus amigos primatas.

          Visitas? Só a de Pássaro Azul. Mudara-se também para Manaus e, sem nada dizer a Rossmarc, para obter dinheiro, prostituía-se num cabaré. Estava mais magra e algumas rugas se mostravam em seu rosto antes reluzente, agora de cor negra desgastada. Com o intuito de obter dinheiro, tanto para Rossmarc pagar as contas de dois viciados em crack no presídio, como para as custas de um advogado inexperiente, pouco se alimentava e ao redor dos olhos manchas entumecidas apareciam, deixando-a como alguém que consumia droga em exagero. As noitadas no cabaré enfumaçado e fedorento deixavam-na enfraquecida. Mas não deixara de amar o biólogo holandês. Quando fugira do quilombola, naquela noite, jurara amor eterno e não estava disposta a quebrar o juramento.

          Enquanto Pássaro Azul se prostituía para obter os escassos recursos, Rossmarc, espremido entre os oitenta detentos, procurava desesperadamente uma luz no fim do túnel. Lembrava-se dos amigos influentes, de jornalistas, de políticos, e cada vez que Pássaro Azul o visitava, ele implorava que procurasse essas pessoas. Pássaro Azul corria atrás, mas sequer era recebida. Quem daria ouvidos a uma negra que se dizia íntima de Rossmarc, o biólogo que cometera crimes de biopirataria? Na visita seguinte, Rossmarc indagava:

          — E dai, procurou aquela pessoa?

          Para não magoar o amado, ela respondia que todos estavam muito interessados em sua causa. Dizia, entretanto, sem entusiasmo, com os olhos acuados e baixos, para não ver o rosto magro e chupado de Rossmarc. Entregava-lhe o pouco dinheiro que economizava, fruto da prostituição, e saia de lá com os olhos rasos d’água, tolhendo os soluços.

          Numa noite no cabaré, Pássaro Azul conheceu um homem gordo e vesgo, que usava correntões de ouro. Dizia-se dono de um garimpo no meio da selva. Bebia e fumava muito, ria alto, com gargalhadas por vezes irritantes. Entre todas as raparigas, escolheu Pássaro Azul, que lhe fez todas as vontades, pervertendo-se de forma baixa e vil. Foram três noitadas intermináveis, mas Pássaro Azul aprendera a administrar a bebida. Não era tola, como as demais, que se embebedavam a ponto de caírem e serem arrastadas. Era carinhosa com o fazendeiro e saciava-lhe todos os caprichos. Não o abandonava, sentava em seu colo gordo e fazia-lhe agrados fingidos. Dava-lhe mais bebida e um composto de viagra, e o rosto gordo se avermelhava como de um leão enraivecido. Então, ela o puxava para o quarto sórdido. Na cama, enfrentava como guerreira o monte de carne e ossos, trepando sobre suas grandes papadas balofas e cavalgando, como uma guerreira. O homem resfolegava, gritava, gemia, uivava, mas Pássaro Azul não parava aquela louca cavalgada.

          [...]

    (GONÇALVES, David. Sangue verde. Joinville: Sucesso Pocket, 2014. p. 217-218.)

    In Text 8, Gonçalves refers to different professions, such as, lawyer, judge, biologist and journalist. Read the following definitions and match the most appropriate word from the sequence given below:

    1. lawyer     2. biologist     3. journalist     4. judge

    5. defence lawyer     6. prosecution lawyer

    I- Someone who tries to prove in court that someone is not guilty.

    II- Someone who tries to prove in court that someone is guilty.

    III-The official in control of a court who decides how criminals should be punished.

    IV- Someone whose job is to advise people about laws, write formal agreements, or represent people in court.    

    V- Someone who studies or works in biology.

    VI- Someone who writes news reports for newspapers, magazines.

    Choose the best sequence:

    Escolha uma alternativa para a questão 6c5fa7c0-24
  • 6C5B8217-24

    Português

    Interpretação de Textos
    PUC-GO · 2015DifícilEntre para guardar nos favoritos

    TEXTO 8

          Aos 60 anos, Rossmarc foi confinado na cadeia Raimundo Pessoa em Manaus, dividindo uma cela com 80 detentos. Dormia no chão junto de uma fossa sanitária. Para manter-se vivo usava toda a sua inteligência para fazer acordos com os detentos. Lá havia de tudo: drogados, jagunços, pseudomissionários, contrabandistas etc. Fora vítima do advogado. Com toda a lábia, nunca fora a Brasília defender Rossmarc. Por não ter apresentado a defesa, foi condenado a 13 anos de prisão. O advogado sumira, Rossmarc perdera o prazo para recorrer. Como era estrangeiro, os juízes temiam que fugisse do Brasil. O juiz ordenou sua prisão imediata. A cela, com oitenta detentos, fervilhava, era mais do que o inferno. Depressivo, mantinha-se tartamudo num canto, remoendo sua história, recordando-se dos bons tempos em que navegava pelos rios da Amazônia com seus amigos primatas.

          Visitas? Só a de Pássaro Azul. Mudara-se também para Manaus e, sem nada dizer a Rossmarc, para obter dinheiro, prostituía-se num cabaré. Estava mais magra e algumas rugas se mostravam em seu rosto antes reluzente, agora de cor negra desgastada. Com o intuito de obter dinheiro, tanto para Rossmarc pagar as contas de dois viciados em crack no presídio, como para as custas de um advogado inexperiente, pouco se alimentava e ao redor dos olhos manchas entumecidas apareciam, deixando-a como alguém que consumia droga em exagero. As noitadas no cabaré enfumaçado e fedorento deixavam-na enfraquecida. Mas não deixara de amar o biólogo holandês. Quando fugira do quilombola, naquela noite, jurara amor eterno e não estava disposta a quebrar o juramento.

          Enquanto Pássaro Azul se prostituía para obter os escassos recursos, Rossmarc, espremido entre os oitenta detentos, procurava desesperadamente uma luz no fim do túnel. Lembrava-se dos amigos influentes, de jornalistas, de políticos, e cada vez que Pássaro Azul o visitava, ele implorava que procurasse essas pessoas. Pássaro Azul corria atrás, mas sequer era recebida. Quem daria ouvidos a uma negra que se dizia íntima de Rossmarc, o biólogo que cometera crimes de biopirataria? Na visita seguinte, Rossmarc indagava:

          — E dai, procurou aquela pessoa?

          Para não magoar o amado, ela respondia que todos estavam muito interessados em sua causa. Dizia, entretanto, sem entusiasmo, com os olhos acuados e baixos, para não ver o rosto magro e chupado de Rossmarc. Entregava-lhe o pouco dinheiro que economizava, fruto da prostituição, e saia de lá com os olhos rasos d’água, tolhendo os soluços.

          Numa noite no cabaré, Pássaro Azul conheceu um homem gordo e vesgo, que usava correntões de ouro. Dizia-se dono de um garimpo no meio da selva. Bebia e fumava muito, ria alto, com gargalhadas por vezes irritantes. Entre todas as raparigas, escolheu Pássaro Azul, que lhe fez todas as vontades, pervertendo-se de forma baixa e vil. Foram três noitadas intermináveis, mas Pássaro Azul aprendera a administrar a bebida. Não era tola, como as demais, que se embebedavam a ponto de caírem e serem arrastadas. Era carinhosa com o fazendeiro e saciava-lhe todos os caprichos. Não o abandonava, sentava em seu colo gordo e fazia-lhe agrados fingidos. Dava-lhe mais bebida e um composto de viagra, e o rosto gordo se avermelhava como de um leão enraivecido. Então, ela o puxava para o quarto sórdido. Na cama, enfrentava como guerreira o monte de carne e ossos, trepando sobre suas grandes papadas balofas e cavalgando, como uma guerreira. O homem resfolegava, gritava, gemia, uivava, mas Pássaro Azul não parava aquela louca cavalgada.

          [...]

    (GONÇALVES, David. Sangue verde. Joinville: Sucesso Pocket, 2014. p. 217-218.)

    O romance Sangue verde, de David Gonçalves, do qual se apresenta aqui um fragmento (Texto 8), é repleto de imagens que ilustram uma temática variada, rica e questionadora, que expõe vícios, maus hábitos e envolve, direta ou indiretamente, todas as diferentes classes de pessoas e diversas categorias profissionais do Brasil, incluindo latifundiários, juristas, políticos e outros.

    Marque a alternativa que melhor sintetiza o romance, observando o que foi afirmado anteriormente:

    Escolha uma alternativa para a questão 6c5b8217-24
  • 6C53E527-24

    Português

    Figuras de Linguagem
    PUC-GO · 2015MédioEntre para guardar nos favoritos

    TEXTO 8

          Aos 60 anos, Rossmarc foi confinado na cadeia Raimundo Pessoa em Manaus, dividindo uma cela com 80 detentos. Dormia no chão junto de uma fossa sanitária. Para manter-se vivo usava toda a sua inteligência para fazer acordos com os detentos. Lá havia de tudo: drogados, jagunços, pseudomissionários, contrabandistas etc. Fora vítima do advogado. Com toda a lábia, nunca fora a Brasília defender Rossmarc. Por não ter apresentado a defesa, foi condenado a 13 anos de prisão. O advogado sumira, Rossmarc perdera o prazo para recorrer. Como era estrangeiro, os juízes temiam que fugisse do Brasil. O juiz ordenou sua prisão imediata. A cela, com oitenta detentos, fervilhava, era mais do que o inferno. Depressivo, mantinha-se tartamudo num canto, remoendo sua história, recordando-se dos bons tempos em que navegava pelos rios da Amazônia com seus amigos primatas.

          Visitas? Só a de Pássaro Azul. Mudara-se também para Manaus e, sem nada dizer a Rossmarc, para obter dinheiro, prostituía-se num cabaré. Estava mais magra e algumas rugas se mostravam em seu rosto antes reluzente, agora de cor negra desgastada. Com o intuito de obter dinheiro, tanto para Rossmarc pagar as contas de dois viciados em crack no presídio, como para as custas de um advogado inexperiente, pouco se alimentava e ao redor dos olhos manchas entumecidas apareciam, deixando-a como alguém que consumia droga em exagero. As noitadas no cabaré enfumaçado e fedorento deixavam-na enfraquecida. Mas não deixara de amar o biólogo holandês. Quando fugira do quilombola, naquela noite, jurara amor eterno e não estava disposta a quebrar o juramento.

          Enquanto Pássaro Azul se prostituía para obter os escassos recursos, Rossmarc, espremido entre os oitenta detentos, procurava desesperadamente uma luz no fim do túnel. Lembrava-se dos amigos influentes, de jornalistas, de políticos, e cada vez que Pássaro Azul o visitava, ele implorava que procurasse essas pessoas. Pássaro Azul corria atrás, mas sequer era recebida. Quem daria ouvidos a uma negra que se dizia íntima de Rossmarc, o biólogo que cometera crimes de biopirataria? Na visita seguinte, Rossmarc indagava:

          — E dai, procurou aquela pessoa?

          Para não magoar o amado, ela respondia que todos estavam muito interessados em sua causa. Dizia, entretanto, sem entusiasmo, com os olhos acuados e baixos, para não ver o rosto magro e chupado de Rossmarc. Entregava-lhe o pouco dinheiro que economizava, fruto da prostituição, e saia de lá com os olhos rasos d’água, tolhendo os soluços.

          Numa noite no cabaré, Pássaro Azul conheceu um homem gordo e vesgo, que usava correntões de ouro. Dizia-se dono de um garimpo no meio da selva. Bebia e fumava muito, ria alto, com gargalhadas por vezes irritantes. Entre todas as raparigas, escolheu Pássaro Azul, que lhe fez todas as vontades, pervertendo-se de forma baixa e vil. Foram três noitadas intermináveis, mas Pássaro Azul aprendera a administrar a bebida. Não era tola, como as demais, que se embebedavam a ponto de caírem e serem arrastadas. Era carinhosa com o fazendeiro e saciava-lhe todos os caprichos. Não o abandonava, sentava em seu colo gordo e fazia-lhe agrados fingidos. Dava-lhe mais bebida e um composto de viagra, e o rosto gordo se avermelhava como de um leão enraivecido. Então, ela o puxava para o quarto sórdido. Na cama, enfrentava como guerreira o monte de carne e ossos, trepando sobre suas grandes papadas balofas e cavalgando, como uma guerreira. O homem resfolegava, gritava, gemia, uivava, mas Pássaro Azul não parava aquela louca cavalgada.

          [...]

    (GONÇALVES, David. Sangue verde. Joinville: Sucesso Pocket, 2014. p. 217-218.)

    Nos processos de construção textual, muitas vezes, é possível inferir ações, eventos, significados, mesmo que não explicitados no texto. Pensando nisso, assinale a alternativa que indica corretamente o aspecto linguístico responsável pela inferência de que, no último parágrafo do texto, Pássaro Azul tem uma relação sexual com um homem:
    Escolha uma alternativa para a questão 6c53e527-24