Banco de questões
Use os filtros para chegar às questões que interessam. Cada resultado abre em uma página própria com enunciado, alternativas e gabarito.
Os mapas são representações reduzidas do espaço geográfico. Existe uma correspondência exata entre o tamanho real de uma área da superfície terrestre e a sua representação cartográfica, essa correspondência é dada pela escala.
Sobre a escala, em cartografia, é correto afirmar
que
Analise as afirmações a seguir e assinale a alternativa em que todas são corretas.
l As Fantasias Eletivas, de Carlos Henrique Schroeder, inclui reproduções das fotografias que Copi fez e legou a Renê. A cada fotograma corresponde um pequeno texto que antes de falar do que está fixado pela luz conta a solidão, tristeza e dor de quem escreve.
ll O romance Quarenta Dias, de Maria Valéria Rezende, pode ser resumido assim: “Em uma pequena cidade da antiga zona do café fluminense, dois meninos de 12 anos — de classe média baixa, um filho de ferroviário, outro de açougueiro — encontram o corpo mutilado de uma linda mulher às margens de um lago onde vão fazer gazeta. Assustados, os garotos chamam imediatamente a polícia e passam por um duro interrogatório, no qual são tratados mais como suspeitos do que testemunhas”.
lll A linguagem utilizada por Conceição Evaristo é de fácil acesso e, na maioria das vezes, é culta. A obra Olhos d’Água também busca renovar a linguagem por meio da hifenização (Duzu-Querença; flor-criança; borboleta-menina; dedos-desejos; gozo-dor; águas-lágrimas) e criação de neologismos (Luamanda – formada dos vocábulos lua + manda do verbo mandar); lacrimevaginava – lacrimejar + vagina + sufixo flexional.
lV O romance As fantasias Eletivas “traz à tona vozes negras, periféricas e em contextos de grande vulnerabilidade social. Fala da banalidade da vida e de como ela se esvai entre os dedos, feito água. Nos faz entender como essas experiências ficam à margem e têm sua validade suspensa porque são constantemente silenciadas” (Carla Soares).
V O texto a seguir descreve os gêmeos da obra Esaú e Jacó, de Machado de Assis: Esaú e Jacó eram filhos gêmeos de Isaac e Rebeca. O pai, Isaac, gostava muito de Esaú, porque era bom caçador e trazia coisas para a família comer. Mas Rebeca gostava mais de Jacó, porque era um menino quieto e mansinho.
A tira acima possibilita-nos refletir sobre os meios de comunicação de massa e a
influência que exercem sobre os indivíduos. Um dos grandes teóricos da
chamada Escola de Frankfurt, Teodor Adorno, dedicou parte de sua obra à
análise deste tema. Com base nos seus conhecimentos sobre a Escola de
Frankfurt, marque a alternativa correta.
O relevo corresponde às diversas configurações da
crosta terrestre. A Geomorfologia, disciplina
científica que estuda as formas de relevo, sua
origem, estrutura e os processos responsáveis por
sua evolução, apresenta diversas classificações das
formas do relevo.
Uma classificação que compreende as principais
formas de relevo apresenta os seguintes tipos:
I. Áreas da superfície, localizadas em altitude
inferior à das regiões próximas ou abaixo do
nível do mar, podem ser formadas de várias
maneiras: por deslocamento do terreno, remoção
de sedimentos, dissolução de rochas ou até por
queda de meteoritos.
II. Grandes áreas elevadas, resultantes do choque
de placas tectônicas, como o da Placa
Euroasiática Ocidental com a Indo-Australiana,
que deu origem a um conjunto específico desse
tipo de forma, também são chamadas de
dobramentos modernos.
III.Elevações de altitudes variadas, em que
predomina o processo de erosão e cuja
composição rochosa pode ser de rochas
sedimentares, cristalinas ou metamórficas,
apresentam superfície irregular, como serras e
chapadas, e são delimitadas por áreas rebaixadas
em um dos lados.
IV.Áreas de superfície relativamente plana,
formadas por rochas sedimentares e nas quais
predominam os processos de decomposição e
acúmulo de sedimentos, na maior parte das
vezes, são encontradas em baixas altitudes, mas
também podem ocorrer em regiões elevadas.
Os tipos de relevo descritos correspondem,
respectivamente, a
Relacione as colunas, considerando as especificidades e os diferentes aspectos apontados relativamente à poesia brasileira, e assinale a sequência correta.
(1) O sapo-tanoeiro,
Parnasiano aguado,
Diz: – “Meu cancioneiro
É bem martelado.”
(2) Enquanto pasta, alegre, o manso gado,
Minha bela Marília, nos sentemos
À sombra deste cedro levantado.
Um pouco meditemos
Na regular beleza,
Que em tudo quanto vive nos descobre
A sábia Natureza.
(3) Negras mulheres, suspendendo às tetas
Magras crianças, cujas bocas pretas
Rega o sangue das mães:
Outras, moças... mas nuas, espantadas,
Em ânsia e mágoa vãs.
(4) Caminhando contra o vento
sem lenço, sem documento
no sol de quase dezembro
eu vou.
(5) Se eu morresse amanhã, viria ao menos
Fechar meus olhos minha triste irmã;
Minha mãe de saudades morreria
Seu eu morresse amanhã.
(6) Vai-se a primeira pomba despertada...
Vai-se outra mais .. mais outra... enfim dezenas
De pombas vão-se dos pombais, apenas
Raia sanguínea e fresca a madrugada...
( ) O tropicalismo, movimento libertário por excelência da década de 1960 no Brasil, durou pouco mais de um ano e acabou reprimido pelo governo militar.
( ) As principais características da poesia produzida por essa geração são: o individualismo, egocentrismo, o negativismo, a dúvida, a desilusão, o tédio e os sentimentos relacionados à fuga da realidade, que caracterizam o chamado ultra-romantismo.
( ) Configura a disposição dos modernistas de provocar uma ruptura com a arte do passado.
( ) O estilo parnasiano no texto beira a perfeição. O belo é a poesia com sua correção métrica gramatical, com versos decassílabos, modelo clássico de composição. O belo, o sublime e a natureza permeiam o poema.
( ) Os poetas condoreiros defendiam a liberdade e denunciavam as desigualdades sociais.
( ) Os poetas árcades veem a natureza em perfeito
equilíbrio e harmonia.
Text
A French art expert believes a charcoal drawing kept in a collection for more than 150 years may be a preparatory sketch made by Leonardo da Vinci of the Mona Lisa.
The black-and-white drawing of a woman, nude from the waist up, known as the Monna Vanna, was previously attributed to Leonardo’s studio, suggesting it was done in his style by a pupil or follower, not by the master himself.
But after preliminary tests at the Louvre Museum, experts believe the sketch may well have been drawn by Leonardo.
Among the signs, according to curator Mathieu Deldicque, are the fact the drawing was made during the same period as the Mona Lisa, the paper is from the same region of Italy, and the technique is very similar to that of the Mona Lisa.
“We know the drawing was made during the lifetime of Leonardo da Vinci, we know that the paper was made in Italy, between Venice and Florence, and the third discovery is the high quality of this drawing in the face of the Monna Vanna and in her arms,” Deldicque told reporters.
“That’s very interesting because the arms are the same as the Mona Lisa‘s.”
Leonardo, who lived from 1452 to 1519, was an engineer, scientist, inventor and sculptor, as well as one of the finest artists of the Italian Renaissance.
He painted the Mona Lisa, also known as La Gioconda and regarded as the world’s most valuable artwork, at the beginning of the 16th century. It is believed to depict Lisa Gherardini, the wife of a successful merchant.
EXCITING
The charcoal portrait, in which the woman is holding a similar pose to the Mona Lisa but with her body more side-on and her head turned further over her left shoulder, has been held in a collection at the Conde Museum at the Palace of Chantilly, north of Paris, since 1862.
The Mona Lisa and Monna Vanna hold their hands in very similar ways, the right hand across the left and resting on the forearm, the fingers gently extended.
Deldicque said that while it was exciting to think the charcoal drawing was created by Leonardo, there were more tests to be done.
“We have one more month of analysis and then a very slow process of history of art with a collection of analysts and advice by specialists,” he said.
It is possible that process will determine that the authorship is the same. But it may also be inconclusive, he said, adding:
“Maybe the mystery will remain.”
(Source: adapted from http://www.reuters.com/article/us-france-monalisa-sketch/is-16th-century-charcoal-sketch-a-naked-mona-lisa-idUSKCN1C42LD, retrieved on October 1, 2017)
Durkheim definiu com clareza o objeto da Sociologia – os fatos sociais – e distinguiu três características: a exterioridade, a coercitividade e a generalidade. Com base em seus conhecimentos sobre o assunto, analise as proposições e, posteriormente, assinale a alternativa correta.
I- O fato social exterior é aquele que existe e atua sobre o indivíduo, independente de sua vontade ou de sua adesão consciente.
II- O fato social coercitivo só se manifesta no indivíduo se ele reagir à sanção. Portanto, depende da forma como o indivíduo se expressa.
III- O fato social é geral quando se repete em todos os indivíduos ou, pelo
menos, na maioria deles. Nesse sentido, a generalidade se manifesta na
natureza coletiva ou em um estado comum ao grupo.
Text
A French art expert believes a charcoal drawing kept in a collection for more than 150 years may be a preparatory sketch made by Leonardo da Vinci of the Mona Lisa.
The black-and-white drawing of a woman, nude from the waist up, known as the Monna Vanna, was previously attributed to Leonardo’s studio, suggesting it was done in his style by a pupil or follower, not by the master himself.
But after preliminary tests at the Louvre Museum, experts believe the sketch may well have been drawn by Leonardo.
Among the signs, according to curator Mathieu Deldicque, are the fact the drawing was made during the same period as the Mona Lisa, the paper is from the same region of Italy, and the technique is very similar to that of the Mona Lisa.
“We know the drawing was made during the lifetime of Leonardo da Vinci, we know that the paper was made in Italy, between Venice and Florence, and the third discovery is the high quality of this drawing in the face of the Monna Vanna and in her arms,” Deldicque told reporters.
“That’s very interesting because the arms are the same as the Mona Lisa‘s.”
Leonardo, who lived from 1452 to 1519, was an engineer, scientist, inventor and sculptor, as well as one of the finest artists of the Italian Renaissance.
He painted the Mona Lisa, also known as La Gioconda and regarded as the world’s most valuable artwork, at the beginning of the 16th century. It is believed to depict Lisa Gherardini, the wife of a successful merchant.
EXCITING
The charcoal portrait, in which the woman is holding a similar pose to the Mona Lisa but with her body more side-on and her head turned further over her left shoulder, has been held in a collection at the Conde Museum at the Palace of Chantilly, north of Paris, since 1862.
The Mona Lisa and Monna Vanna hold their hands in very similar ways, the right hand across the left and resting on the forearm, the fingers gently extended.
Deldicque said that while it was exciting to think the charcoal drawing was created by Leonardo, there were more tests to be done.
“We have one more month of analysis and then a very slow process of history of art with a collection of analysts and advice by specialists,” he said.
It is possible that process will determine that the authorship is the same. But it may also be inconclusive, he said, adding:
“Maybe the mystery will remain.”
(Source: adapted from http://www.reuters.com/article/us-france-monalisa-sketch/is-16th-century-charcoal-sketch-a-naked-mona-lisa-idUSKCN1C42LD, retrieved on October 1, 2017)
Text
A French art expert believes a charcoal drawing kept in a collection for more than 150 years may be a preparatory sketch made by Leonardo da Vinci of the Mona Lisa.
The black-and-white drawing of a woman, nude from the waist up, known as the Monna Vanna, was previously attributed to Leonardo’s studio, suggesting it was done in his style by a pupil or follower, not by the master himself.
But after preliminary tests at the Louvre Museum, experts believe the sketch may well have been drawn by Leonardo.
Among the signs, according to curator Mathieu Deldicque, are the fact the drawing was made during the same period as the Mona Lisa, the paper is from the same region of Italy, and the technique is very similar to that of the Mona Lisa.
“We know the drawing was made during the lifetime of Leonardo da Vinci, we know that the paper was made in Italy, between Venice and Florence, and the third discovery is the high quality of this drawing in the face of the Monna Vanna and in her arms,” Deldicque told reporters.
“That’s very interesting because the arms are the same as the Mona Lisa‘s.”
Leonardo, who lived from 1452 to 1519, was an engineer, scientist, inventor and sculptor, as well as one of the finest artists of the Italian Renaissance.
He painted the Mona Lisa, also known as La Gioconda and regarded as the world’s most valuable artwork, at the beginning of the 16th century. It is believed to depict Lisa Gherardini, the wife of a successful merchant.
EXCITING
The charcoal portrait, in which the woman is holding a similar pose to the Mona Lisa but with her body more side-on and her head turned further over her left shoulder, has been held in a collection at the Conde Museum at the Palace of Chantilly, north of Paris, since 1862.
The Mona Lisa and Monna Vanna hold their hands in very similar ways, the right hand across the left and resting on the forearm, the fingers gently extended.
Deldicque said that while it was exciting to think the charcoal drawing was created by Leonardo, there were more tests to be done.
“We have one more month of analysis and then a very slow process of history of art with a collection of analysts and advice by specialists,” he said.
It is possible that process will determine that the authorship is the same. But it may also be inconclusive, he said, adding:
“Maybe the mystery will remain.”
(Source: adapted from http://www.reuters.com/article/us-france-monalisa-sketch/is-16th-century-charcoal-sketch-a-naked-mona-lisa-idUSKCN1C42LD, retrieved on October 1, 2017)
Dessa análise, conclui-se que: Text
A French art expert believes a charcoal drawing kept in a collection for more than 150 years may be a preparatory sketch made by Leonardo da Vinci of the Mona Lisa.
The black-and-white drawing of a woman, nude from the waist up, known as the Monna Vanna, was previously attributed to Leonardo’s studio, suggesting it was done in his style by a pupil or follower, not by the master himself.
But after preliminary tests at the Louvre Museum, experts believe the sketch may well have been drawn by Leonardo.
Among the signs, according to curator Mathieu Deldicque, are the fact the drawing was made during the same period as the Mona Lisa, the paper is from the same region of Italy, and the technique is very similar to that of the Mona Lisa.
“We know the drawing was made during the lifetime of Leonardo da Vinci, we know that the paper was made in Italy, between Venice and Florence, and the third discovery is the high quality of this drawing in the face of the Monna Vanna and in her arms,” Deldicque told reporters.
“That’s very interesting because the arms are the same as the Mona Lisa‘s.”
Leonardo, who lived from 1452 to 1519, was an engineer, scientist, inventor and sculptor, as well as one of the finest artists of the Italian Renaissance.
He painted the Mona Lisa, also known as La Gioconda and regarded as the world’s most valuable artwork, at the beginning of the 16th century. It is believed to depict Lisa Gherardini, the wife of a successful merchant.
EXCITING
The charcoal portrait, in which the woman is holding a similar pose to the Mona Lisa but with her body more side-on and her head turned further over her left shoulder, has been held in a collection at the Conde Museum at the Palace of Chantilly, north of Paris, since 1862.
The Mona Lisa and Monna Vanna hold their hands in very similar ways, the right hand across the left and resting on the forearm, the fingers gently extended.
Deldicque said that while it was exciting to think the charcoal drawing was created by Leonardo, there were more tests to be done.
“We have one more month of analysis and then a very slow process of history of art with a collection of analysts and advice by specialists,” he said.
It is possible that process will determine that the authorship is the same. But it may also be inconclusive, he said, adding:
“Maybe the mystery will remain.”
(Source: adapted from http://www.reuters.com/article/us-france-monalisa-sketch/is-16th-century-charcoal-sketch-a-naked-mona-lisa-idUSKCN1C42LD, retrieved on October 1, 2017)
Carta de presentación
Un amigo mío, el dibujante Quino (se llama así pero cuando firma cheques pone Joaquín Lavado), me dijo que tenías mucho interés en contratarnos a mí y a mis amiguitos, Susanita, Felipito, Manolito y Miguelito, para que juntos trabajemos todas las semanas en tu revista. Aceptamos con mucho gusto (…).
Como me parece que vos y los lectores de la revista querrán conocerme un poco mejor antes de firmar el contrato te envío mi currículum (¿así se escribe?) más o menos completo por que de algunas cosas ya no me acuerdo. ¡Ah!, también te mando algunas fotos de mi álbum de familia que me sacó mi papá, ¡pero devolvémelas!.
En la vida real yo nací el 15 de marzo de 1962. Mi papá es corredor de seguros, y en casa se entretiene cuidando plantas. Mi mamá es ama de casa. Se conocieron cuando estudiaban juntos en la Facultad, pero después ella abandonó para cuidarme mejor, dice.
(…)El 22 de septiembre de 1964, Quino me consiguió una recomendación para trabajar en la revista Primera Plana, y en marzo del 65 me llevaron al diario El Mundo.
Vas a ver que mis amiguitos te van a gustar tanto como a mí. Miguelito es el último que ingresó a la barra. Todos lo queremos mucho y nos hace reír porque piensa siempre las cosas más fantásticas. Claro que es muy chico todavía. Va a un grado menos que nosotros.
En estos días recibí muchas cartas y llamadas telefónicas preguntándome por mi hermanito. (…) Otros me preguntaron cómo siendo yo tan pesimista en un problema tan grave como el de la paz, creo todavía en los Reyes Magos. Melchor, Gaspar y Baltasar existen porque me lo dijo mi papa, y yo le creo; en cambio sobre la paz tengo todos los días pruebas de que, por ahora, es un cuento. Aprovecho la publicación de esta cartita para enviar un saludo a U-Thant y a los Beatles, a quienes admiro mucho. El pobre secretario, de la ONU tiene muy buenas intenciones, y sería macanudo que le hicieran caso, pero... Pensando en él, comprendo mejor a papá y a mamá. Después de todo, ellos no tienen la culpa de cómo son y cómo viven…
(…) Me gusta leer, escuchar los noticiosos, mirar la TV (menos las series), jugar al ajedrez, al bowling y a las hamacas. (…)
Entre las cosas que me no gustan están: primero, la sopa, después, que me pregunten si quiero más a mi papá o a mi mamá, el calor y la violencia. Por eso, cuando sea grande, voy a ser traductora de la ONU. Pero cuando los embajadores se peleen voy a traducir todo lo contrario, para que se entiendan mejor y haya paz de una buena vez.
Hasta la semana que viene.
Texto fragmentado. Fonte:http://www.clubcultura.com/clubhumor/mafalda/presentacion/carta.htm
Nota: Mafalda es el nombre de una tira de prensa argentina, desarrollada por el
historietista y dibujador Quino(su apodo),desde 1964 a 1973, la cual está protagonizada
por la niña homónima, "espejo de la clase media latinoamericana y de la juventud
progresista” que se muestra preocupada por la humanidad y la paz mundial, y se rebela
contra el mundo legado por sus mayores. Mafalda es muy popular en Latinoamérica en
general, España, Italia, Grecia y Francia Ha sido traducida a más de treinta idiomas.
(Adaptación de texto de http://es.wikipedia.org/wiki/Mafalda)
Text
"Many people do not wash their hands when the behavior in which they engage would warrant it," begins a recent study from Michigan State University, and I'm sorry to say it only gets grosser from there. Researchers sneakily observed 3,749 people in public restrooms and found that nearly all of them—95 percent—didn't wash their hands long enough to kill germs.
Even scarier, 15 percent of men and 7 percent of women did not wash their hands at all. When they did bother to turn on a faucet, half of men and 22 percent of women neglected to use soap! (Or, as the researchers describe it: They "attempted to wash their hands," but failed.)
The CDC says you need to wash your hands—with soap!—for at least 20 seconds in order to kill disease-causing germs.
Alas, the people in this study only washed their hands for an average of 6 seconds (...)
This extensive study founds lots of other interesting tidbits about hand-washing habits. Here are a few:
• People were more likely to wash their hands in the morning
• People were less likely to wash their hands if the sink was dirty
• People were more likely to wash their hands if there was sign to remind them
Other hand-washing research has found that college students are disgusting, people will wash their hands if they're being watched, and antibacterial soap isn't much better than the regular kind.
The study appears in the Journal of Environmental Health.
(Source: adapted from https://www.popsci.com/science/article/2013-06/only-5-percent-people-wash-their-hands-correctly)
