Questões do ENEM 2010

Questões aplicadas na prova de 2010, cada uma em página própria com enunciado, alternativas e gabarito.

Resultados

1.564 questões encontradas. Mostrando a página 4 de 79.

  • 4FE9BA5D-F6

    Português

    Coesão e coerência
    Universidade Federal do Ceará · 2010FácilEntre para guardar nos favoritos
    Imagem da questão de Português, da prova de 2010(REGO, José Lins do. Riacho Doce. Rio de Janeiro. Nova Aguilar, 1976. pp. 137-139)


    Com base no TEXTO 1, responda à questão
    Da leitura do texto, depreende-se que:
    Escolha uma alternativa para a questão 4fe9ba5d-f6
  • 4FE603AD-F6

    Português

    Coesão e coerência
    Universidade Federal do Ceará · 2010MédioEntre para guardar nos favoritos
    Imagem da questão de Português, da prova de 2010(REGO, José Lins do. Riacho Doce. Rio de Janeiro. Nova Aguilar, 1976. pp. 137-139)


    Com base no TEXTO 1, responda à questão
    Na frase “O banho era outra coisa que o banho de mar.” (linha 09), a expressão sublinhada equivale semanticamente a:
    Escolha uma alternativa para a questão 4fe603ad-f6
  • 4FE31177-F6

    Português

    Interpretação de Textos
    Universidade Federal do Ceará · 2010DifícilEntre para guardar nos favoritos
    Imagem da questão de Português, da prova de 2010(REGO, José Lins do. Riacho Doce. Rio de Janeiro. Nova Aguilar, 1976. pp. 137-139)


    Com base no TEXTO 1, responda à questão
    Assinale a alternativa que contém passagem do texto essencialmente descritiva.
    Escolha uma alternativa para a questão 4fe31177-f6
  • 4FE06233-F6

    Português

    Interpretação de Textos
    Universidade Federal do Ceará · 2010MédioEntre para guardar nos favoritos
    Imagem da questão de Português, da prova de 2010(REGO, José Lins do. Riacho Doce. Rio de Janeiro. Nova Aguilar, 1976. pp. 137-139)


    Com base no TEXTO 1, responda à questão
    Pela leitura do texto, depreende-se que o retorno do personagem às suas origens deveu-se:
    Escolha uma alternativa para a questão 4fe06233-f6
  • 4FDDB4E1-F6

    Português

    Interpretação de Textos
    Universidade Federal do Ceará · 2010DifícilEntre para guardar nos favoritos
    Imagem da questão de Português, da prova de 2010(REGO, José Lins do. Riacho Doce. Rio de Janeiro. Nova Aguilar, 1976. pp. 137-139)


    Com base no TEXTO 1, responda à questão
    Assinale a alternativa cuja definição (FERREIRA: 1986) corresponde ao sentido em que foi empregado o termo “cocos” (linha 27).
    Escolha uma alternativa para a questão 4fddb4e1-f6
  • 4FDB04E0-F6

    Português

    Coesão e coerência
    Universidade Federal do Ceará · 2010DifícilEntre para guardar nos favoritos
    Imagem da questão de Português, da prova de 2010(REGO, José Lins do. Riacho Doce. Rio de Janeiro. Nova Aguilar, 1976. pp. 137-139)


    Com base no TEXTO 1, responda à questão
    Assinale a alternativa cuja frase se refere a um período posterior à chegada de Nô ao Riacho Doce.
    Escolha uma alternativa para a questão 4fdb04e0-f6
  • 13879669-EC

    Literatura

    Escolas Literárias
    Faculdade Cásper Líbero · 2010DifícilEntre para guardar nos favoritos
    Sobre O bandido da luz vermelha, de Rogério Sganzerla, é correto afirmar:
    Escolha uma alternativa para a questão 13879669-ec
  • 13842D5C-EC

    Literatura

    Escolas Literárias
    Faculdade Cásper Líbero · 2010MédioEntre para guardar nos favoritos
    Sobre o foco narrativo do romance Dois irmãos, de Milton Hatoum, é correto afirmar que:
    Escolha uma alternativa para a questão 13842d5c-ec
  • 138083EB-EC

    Literatura

    Escolas Literárias
    Faculdade Cásper Líbero · 2010MédioEntre para guardar nos favoritos
    Sobre Dois irmãos, de Milton Hatoum, é correto afirmar que:
    Escolha uma alternativa para a questão 138083eb-ec
  • 137C796B-EC

    Literatura

    Escolas Literárias
    Faculdade Cásper Líbero · 2010MédioEntre para guardar nos favoritos
    Tomando por base a seguinte afirmação de Antonio Candido: “O cunho especial [das Memórias de um sargento de milícias] consiste numa certa ausência de juízo moral e na aceitação risonha do homem como ele é”, é correto afirmar que o humor explorado por Manuel Antonio de Almeida é do tipo:
    Escolha uma alternativa para a questão 137c796b-ec
  • 13793C11-EC

    Literatura

    Escolas Literárias
    Faculdade Cásper Líbero · 2010MédioEntre para guardar nos favoritos
    Ainda sobre Laços de família, de Clarice Lispector, é correto afirmar que:
    Escolha uma alternativa para a questão 13793c11-ec
  • 13645589-EC

    Literatura

    Gênero Dramático
    Faculdade Cásper Líbero · 2010MédioEntre para guardar nos favoritos
    As passagens abaixo foram extraídas de Auto da barca do inferno, de Gil Vicente (1465?-1536), e das 95 Teses, de Martinho Lutero (1483-1546), obras tornadas públicas no ano de 1517, respectivamente, em Portugal e no Sacro Império Germânico.


    Texto I

    “DIABO – Pois entrai! Eu tangerei
    e faremos um serão.
    Essa dama, é ela vossa?
    FRADE – Por minha a tenho eu,
    E sempre a tive de meu.
    DIABO – Fizestes bem, que é formosa!
    E não vos punham lá grosa [reprovação]
    No vosso convento santo?
    FRADE – E eles fazem outro tanto!
    DIABO – Que coisa tão preciosa...
    Entrai, padre reverendo!
    FRADE – Para onde levais gente?
    DIABO – Para aquele fogo ardente
    Que não temestes vivendo.
    (...)
    FRADE – (...) Como? Por ser namorado
    E folgar com uma mulher
    Se há-de um frade perder,
    Com tanto salmo rezado?”


    Texto II

    “(...) 27. Pregam doutrina mundana os que dizem que, tão logo tilintar a moeda
    lançada na caixa, a alma sairá voando [do purgatório para o céu]. (...)
    45. Deve-se ensinar aos cristãos que quem vê um carente e o negligencia para
    gastar com indulgências obtém para si não as indulgências do papa, mas a ira de
    Deus. (...)
    48. Deve ensinar-se aos cristãos que, ao conceder perdões, o papa tem mais desejo
    (assim como tem mais necessidade) de oração devota em seu favor do que do
    dinheiro que se está pronto a pagar. (...)”


    Sobre esses autores, é correto afirmar:
    Escolha uma alternativa para a questão 13645589-ec
  • 1359B1C7-EC

    Literatura

    Escolas Literárias
    Faculdade Cásper Líbero · 2010DifícilEntre para guardar nos favoritos
    Sobre Arquitetura da destruição, de Peter Cohen, é correto afirmar que:
    Escolha uma alternativa para a questão 1359b1c7-ec
  • 1355EEF1-EC

    Literatura

    Gênero Dramático
    Faculdade Cásper Líbero · 2010DifícilEntre para guardar nos favoritos
    Empregada desde a Antiguidade, a alegoria foi com frequência cultivada na Idade Média cavaleiro-cristã, a exemplo do Auto da barca do inferno, de Gil Vicente. Tomando por base essa peça, é correto afirmar que o emprego do discurso alegórico constitui:
    Escolha uma alternativa para a questão 1355eef1-ec
  • 134EF399-EC

    Literatura

    Escolas Literárias
    Faculdade Cásper Líbero · 2010DifícilEntre para guardar nos favoritos
    Assinale a alternativa que caracteriza corretamente os versos do poema Os sapos, que integra a coletânea 50 poemas escolhidos pelo autor, de Manuel Bandeira, apresentados a seguir:


    (...)
    O sapo-tanoeiro,
    Parnasiano aguado,
    Diz: – “Meu cancioneiro
    É bem martelado.

    Vede como primo
    Em comer os hiatos!
    Que arte! E nunca rimo
    Os termos cognatos.

    O meu verso é bom
    Frumento sem joio.
    Faço rimas com
    Consoantes de apoio.

    Vai por cinqüenta anos
    Que lhes dei a norma:
    Reduzi sem danos
    A fôrmas a forma.

    Clame a saparia
    Em críticas céticas:
    Não há mais poesia,
    Mas há artes poéticas...”
    (...)
    Escolha uma alternativa para a questão 134ef399-ec
  • 132FE351-EC

    Inglês

    Interpretação de texto | Reading comprehension
    Faculdade Cásper Líbero · 2010DifícilEntre para guardar nos favoritos

    Read the following passage of “The Dinner”, by Clarice Lispector, and answer question.


    “I leaned over my meal, lost. When I finally managed to confront him from the depths of my pallid face, I observed that he, too, was leaning forward, his elbows resting on the table, his head between his hands. And obviously he could bear it no longer. His bushy eyebrows were touching. His food must have lodged just below his throat under the stress of his emotion, for when he was able to continue, he made a visible effort to swallow, dabbing his forehead with his napkin. I could bear it no longer, the meat on my plate was raw… and I really could not bear it another minute. But he – he was eating.

    The waiter brought a bottle in a bucket of ice. I noted every detail without being capable of discrimination. The bottle was different, the waiter in tails, and the light haloed the robust head of Pluto which was now moving with curiosity, greedy and attentive. For a second the waiter obliterated my view of the elderly gentleman and I could only see his black coattails hovering over the table as he poured red wine into the glass and waited with ardent eyes – because here was a surely man who would tip generously, one of those elderly gentlemen who still command attention… and power. The elderly gentleman, who now seemed larger, confidently took a sip, lowered his glass, and sourly considered the taste in his mouth. He compressed his lips and smacked them with distaste, as if the good were also intolerable. I waited, the waiter waited, and we both leaned forward in suspense. Finally he made a grimace of approval. The waiter curved his shiny head in submission to the man’s words of thanks and went off with lowered head, while I sighed with relief.

    He now mingled gulps of wine with the meat in his great mouth and his false teeth ponderously chewed while I observed him… in vain. Nothing more happened. The restaurant appeared to radiate with renewed intensity under the tinkling of glass and cutlery; in the brightly lit dome of the room the whispered conversation rose and fell in gentle waves; the woman in the large hat smiled with half closed eyes, looking slender and beautiful as the waiter carefully poured the wine into her glass. But now he was making another gesture.”


    The sentence “while I observed him… in vain” suggests that the narrator:
    Escolha uma alternativa para a questão 132fe351-ec
  • 132CA97C-EC

    Inglês

    Interpretação de texto | Reading comprehension
    Faculdade Cásper Líbero · 2010DifícilEntre para guardar nos favoritos

    Read the following passage of “The Dinner”, by Clarice Lispector, and answer question.


    “I leaned over my meal, lost. When I finally managed to confront him from the depths of my pallid face, I observed that he, too, was leaning forward, his elbows resting on the table, his head between his hands. And obviously he could bear it no longer. His bushy eyebrows were touching. His food must have lodged just below his throat under the stress of his emotion, for when he was able to continue, he made a visible effort to swallow, dabbing his forehead with his napkin. I could bear it no longer, the meat on my plate was raw… and I really could not bear it another minute. But he – he was eating.

    The waiter brought a bottle in a bucket of ice. I noted every detail without being capable of discrimination. The bottle was different, the waiter in tails, and the light haloed the robust head of Pluto which was now moving with curiosity, greedy and attentive. For a second the waiter obliterated my view of the elderly gentleman and I could only see his black coattails hovering over the table as he poured red wine into the glass and waited with ardent eyes – because here was a surely man who would tip generously, one of those elderly gentlemen who still command attention… and power. The elderly gentleman, who now seemed larger, confidently took a sip, lowered his glass, and sourly considered the taste in his mouth. He compressed his lips and smacked them with distaste, as if the good were also intolerable. I waited, the waiter waited, and we both leaned forward in suspense. Finally he made a grimace of approval. The waiter curved his shiny head in submission to the man’s words of thanks and went off with lowered head, while I sighed with relief.

    He now mingled gulps of wine with the meat in his great mouth and his false teeth ponderously chewed while I observed him… in vain. Nothing more happened. The restaurant appeared to radiate with renewed intensity under the tinkling of glass and cutlery; in the brightly lit dome of the room the whispered conversation rose and fell in gentle waves; the woman in the large hat smiled with half closed eyes, looking slender and beautiful as the waiter carefully poured the wine into her glass. But now he was making another gesture.”


    “And obviously he could bear it no longer”. In this sentence, the pronoun “it” refers to:
    Escolha uma alternativa para a questão 132ca97c-ec
  • 13298E31-EC

    Inglês

    Interpretação de texto | Reading comprehension
    Faculdade Cásper Líbero · 2010MédioEntre para guardar nos favoritos

    Read the following passage of “The Dinner”, by Clarice Lispector, and answer question.


    “I leaned over my meal, lost. When I finally managed to confront him from the depths of my pallid face, I observed that he, too, was leaning forward, his elbows resting on the table, his head between his hands. And obviously he could bear it no longer. His bushy eyebrows were touching. His food must have lodged just below his throat under the stress of his emotion, for when he was able to continue, he made a visible effort to swallow, dabbing his forehead with his napkin. I could bear it no longer, the meat on my plate was raw… and I really could not bear it another minute. But he – he was eating.

    The waiter brought a bottle in a bucket of ice. I noted every detail without being capable of discrimination. The bottle was different, the waiter in tails, and the light haloed the robust head of Pluto which was now moving with curiosity, greedy and attentive. For a second the waiter obliterated my view of the elderly gentleman and I could only see his black coattails hovering over the table as he poured red wine into the glass and waited with ardent eyes – because here was a surely man who would tip generously, one of those elderly gentlemen who still command attention… and power. The elderly gentleman, who now seemed larger, confidently took a sip, lowered his glass, and sourly considered the taste in his mouth. He compressed his lips and smacked them with distaste, as if the good were also intolerable. I waited, the waiter waited, and we both leaned forward in suspense. Finally he made a grimace of approval. The waiter curved his shiny head in submission to the man’s words of thanks and went off with lowered head, while I sighed with relief.

    He now mingled gulps of wine with the meat in his great mouth and his false teeth ponderously chewed while I observed him… in vain. Nothing more happened. The restaurant appeared to radiate with renewed intensity under the tinkling of glass and cutlery; in the brightly lit dome of the room the whispered conversation rose and fell in gentle waves; the woman in the large hat smiled with half closed eyes, looking slender and beautiful as the waiter carefully poured the wine into her glass. But now he was making another gesture.”


    Consider the two following passages: “For a second the waiter obliterated my view of the elderly gentleman” and “But now he was making another gesture”. They lead to the conclusion that the narrator:
    Escolha uma alternativa para a questão 13298e31-ec
  • 1326401B-EC

    Inglês

    Interpretação de texto | Reading comprehension
    Faculdade Cásper Líbero · 2010DifícilEntre para guardar nos favoritos

    Read the following passage of “The Dinner”, by Clarice Lispector, and answer question.


    “I leaned over my meal, lost. When I finally managed to confront him from the depths of my pallid face, I observed that he, too, was leaning forward, his elbows resting on the table, his head between his hands. And obviously he could bear it no longer. His bushy eyebrows were touching. His food must have lodged just below his throat under the stress of his emotion, for when he was able to continue, he made a visible effort to swallow, dabbing his forehead with his napkin. I could bear it no longer, the meat on my plate was raw… and I really could not bear it another minute. But he – he was eating.

    The waiter brought a bottle in a bucket of ice. I noted every detail without being capable of discrimination. The bottle was different, the waiter in tails, and the light haloed the robust head of Pluto which was now moving with curiosity, greedy and attentive. For a second the waiter obliterated my view of the elderly gentleman and I could only see his black coattails hovering over the table as he poured red wine into the glass and waited with ardent eyes – because here was a surely man who would tip generously, one of those elderly gentlemen who still command attention… and power. The elderly gentleman, who now seemed larger, confidently took a sip, lowered his glass, and sourly considered the taste in his mouth. He compressed his lips and smacked them with distaste, as if the good were also intolerable. I waited, the waiter waited, and we both leaned forward in suspense. Finally he made a grimace of approval. The waiter curved his shiny head in submission to the man’s words of thanks and went off with lowered head, while I sighed with relief.

    He now mingled gulps of wine with the meat in his great mouth and his false teeth ponderously chewed while I observed him… in vain. Nothing more happened. The restaurant appeared to radiate with renewed intensity under the tinkling of glass and cutlery; in the brightly lit dome of the room the whispered conversation rose and fell in gentle waves; the woman in the large hat smiled with half closed eyes, looking slender and beautiful as the waiter carefully poured the wine into her glass. But now he was making another gesture.”


    “He compressed his lips and smacked them with distaste, as if the good were also intolerable” means that:
    Escolha uma alternativa para a questão 1326401b-ec
  • 131C5464-EC

    Literatura

    Escolas Literárias
    Faculdade Cásper Líbero · 2010Muito difícilEntre para guardar nos favoritos
    Sobre Santiago, de João Moreira Salles, é correto afirmar:
    Escolha uma alternativa para a questão 131c5464-ec