Questões de Linguagens do ENEM

will fnd a clearinghouse of resources for recruiting in the wonderful world of water. Developed by the American Water Works Association and Water Environment Federation, the world’s leading technical experts on drinking water and water quality, this site is packed with resources to fnd jobs or prepare for rewarding careers in protecting public health and the environment. Learn about what it takes to work for water and get a great job for a great cause!

utilities¹ : refere-se ao setor de serviços públicos, como fornecimento de gás, eletricidade ou transporte.

O website Work for Water oferece oportunidades de empregos para aqueles interessados em “green careers” (carreiras verdes), um setor do mercado de trabalho em franca ascensão atualmente no cenário econômico mundial. De acordo com o texto, é correto afrmar que:

Finally, a Billboard That Creates Drinkable Water Out of Thin Air




¹Five Man Electrical Band: nome de um grupo de rock canadense.

²gimmick: algo que não é sério, usado para atrair a atenção das pessoas temporariamente, especialmente para fazê-las comprar algo.

³ingenuity: habilidade de pensar em novos meios inteligentes de se fazer algo.



No primeiro parágrafo do artigo, o autor afrma que:

Finally, a Billboard That Creates Drinkable Water Out of Thin Air




¹Five Man Electrical Band: nome de um grupo de rock canadense.

²gimmick: algo que não é sério, usado para atrair a atenção das pessoas temporariamente, especialmente para fazê-las comprar algo.

³ingenuity: habilidade de pensar em novos meios inteligentes de se fazer algo.


Sobre o sistema de abastecimento de água em Lima é correto afrmar, de acordo com o texto, que:

Feito em casa


De acordo com as informações do texto, é correto afrmar que:

Feito em casa


Releia o segundo parágrafo do texto.

No Brasil, continua-se a defender a prática, mas com ressalvas: há vários cuidados necessários para torná-la realmente efciente.

O trecho em destaque pode ser substituído, corretamente e sem alteração do sentido do texto, por:

Feito em casa


Considere as frases a seguir reescritas a partir das ideias do texto.

Há uma rotina _____ que o profssional deve se adequar ao trabalhar em casa: acordar, vestir-se, estabelecer horários, cumprir metas etc.

Os familiares _____ quem se predispõe a fazer home ofce devem colaborar para criar um ambiente propício para esse profssional.

O visitante, _____ quem nosso diretor foi muito solícito, trabalha em uma agência especializada em gestão de pessoas e carreiras.

De acordo com a norma do padrão culto, as preposições que preenchem, correta e respectivamente, as lacunas das frases são:

Considerando o título da tirinha e interpretando os quadrinhos, é correto afrmar que as personagens.

Sebastião Salgado’s blue eyes have seen a bit of everything in this world - and this might not even be an exaggeration. For the past eight years in particular, the 69­year­old Brazilian photographer has travelled to more than 30 isolated regions of the world, collecting images of dozens of remote tribes, endangered animals and unusual landscapes.

The Genesis project is a singular photographic journey that began in 2004 and ended in 2012, at a cost of one million Euros a year. The result will be shown in magazines, books, a documentary by Wim Wenders and a series of exhibitions around the world, each displaying some 250 black­and­white photos.

The first exhibition will open in London on April 11, with former Brazilian President Lula - Salgado’s long­time friend - as special guest. “We want to create a little movement around these photos to provoke a debate on what we need to preserve,” he says. Salgado defends environmental causes through his organization, Instituto Terra. Even after travelling to so many exotic places, Salgado, now living in Paris, still takes vacations in Brazil. Here are excerpts from a conversation Salgado had with Folha, with new details about his travels, photographic techniques and new environmental projects.

• Coldest trip I visited the Nenets, in the Yamal peninsula, in northern Siberia, Russia. They are a nomadic tribe who raise reindeer in extreme Arctic conditions. When I went there it was spring and weather ranged between ­35ºC and ­45ºC. I didn’t wash myself for 45 days. They don’t take baths because there is no water. The only way to get water is to break off a piece of ice and warm it in a pot.

• Frozen equipment I used a Canon, an EOS1 Mark III, a very powerful machine. The problem was the batteries. In the Siberian temperatures, they quickly lost power. On average, I take 2,500 shots per battery, but this time I could only take 300­400 photos before the battery stopped working. I would put it inside my clothes, my assistant would give me another one, I would take 300 more pictures and, when that battery ran out energy, I would take out the other one and it would work again.

• Going digital for the first time I started Genesis with film and changed to digital. The airport X­Ray scanners degrade the quality of film, and so I decided to change to digital and was quite surprised. Quality was better than the one I had with negatives in medium format. I turned off the screen on the back of the camera, and used my camera as I have always done. When I came back to Paris, I printed contact sheets and edited the photos using a magnifying glass, because I don’t know how to do it in the computer.

• Stone Ages I met tribes that are still living in the Stone Ages, with working tools such as stone hammers. There were clans of about 10 people living in treetops. They had already seen white people before. They looked towards the direction I had come from and the chief asked me whether I was part of the white people clan that usually came from that direction. Because, for them, the world is all made of clans

• Brazilian arrows I met the Zo’e tribe, in Brazil, who were first discovered 15 years ago and live in a state of total purity. You see the guy working with an arrow. He warms it, put some weight on it, a straight feather if he wants a quicker arrow, a rounder one to have it slower. It is the same science as for rockets. And he’s got the same problem as in Cape Canaveral, to recover his rockets. If his ballistic calculations are wrong, he loses his arrow. He takes only 10 arrows with him when he goes hunting, no more than that

• Activist or photographer? Photography is my life. When I am taking photos, I am in a deep trance. When I have my camera and am travelling with the Nenets, it’s my life, morning to night. I have taken incredible photos, but my life is also the environment and Instituto Terra.

O projeto Genesis

Sebastião Salgado’s blue eyes have seen a bit of everything in this world - and this might not even be an exaggeration. For the past eight years in particular, the 69­year­old Brazilian photographer has travelled to more than 30 isolated regions of the world, collecting images of dozens of remote tribes, endangered animals and unusual landscapes.

The Genesis project is a singular photographic journey that began in 2004 and ended in 2012, at a cost of one million Euros a year. The result will be shown in magazines, books, a documentary by Wim Wenders and a series of exhibitions around the world, each displaying some 250 black­and­white photos.

The first exhibition will open in London on April 11, with former Brazilian President Lula - Salgado’s long­time friend - as special guest. “We want to create a little movement around these photos to provoke a debate on what we need to preserve,” he says. Salgado defends environmental causes through his organization, Instituto Terra. Even after travelling to so many exotic places, Salgado, now living in Paris, still takes vacations in Brazil. Here are excerpts from a conversation Salgado had with Folha, with new details about his travels, photographic techniques and new environmental projects.

• Coldest trip I visited the Nenets, in the Yamal peninsula, in northern Siberia, Russia. They are a nomadic tribe who raise reindeer in extreme Arctic conditions. When I went there it was spring and weather ranged between ­35ºC and ­45ºC. I didn’t wash myself for 45 days. They don’t take baths because there is no water. The only way to get water is to break off a piece of ice and warm it in a pot.

• Frozen equipment I used a Canon, an EOS1 Mark III, a very powerful machine. The problem was the batteries. In the Siberian temperatures, they quickly lost power. On average, I take 2,500 shots per battery, but this time I could only take 300­400 photos before the battery stopped working. I would put it inside my clothes, my assistant would give me another one, I would take 300 more pictures and, when that battery ran out energy, I would take out the other one and it would work again.

• Going digital for the first time I started Genesis with film and changed to digital. The airport X­Ray scanners degrade the quality of film, and so I decided to change to digital and was quite surprised. Quality was better than the one I had with negatives in medium format. I turned off the screen on the back of the camera, and used my camera as I have always done. When I came back to Paris, I printed contact sheets and edited the photos using a magnifying glass, because I don’t know how to do it in the computer.

• Stone Ages I met tribes that are still living in the Stone Ages, with working tools such as stone hammers. There were clans of about 10 people living in treetops. They had already seen white people before. They looked towards the direction I had come from and the chief asked me whether I was part of the white people clan that usually came from that direction. Because, for them, the world is all made of clans

• Brazilian arrows I met the Zo’e tribe, in Brazil, who were first discovered 15 years ago and live in a state of total purity. You see the guy working with an arrow. He warms it, put some weight on it, a straight feather if he wants a quicker arrow, a rounder one to have it slower. It is the same science as for rockets. And he’s got the same problem as in Cape Canaveral, to recover his rockets. If his ballistic calculations are wrong, he loses his arrow. He takes only 10 arrows with him when he goes hunting, no more than that

• Activist or photographer? Photography is my life. When I am taking photos, I am in a deep trance. When I have my camera and am travelling with the Nenets, it’s my life, morning to night. I have taken incredible photos, but my life is also the environment and Instituto Terra.

No trecho do sexto parágrafo – The airport X­Ray scanners degrade the quality of film, and so I decided to change to digital and was quite surprised. –, a palavra so pode ser substituída, sem alteração de sentido, por

Na charge, para efeito de humor, faz-se um jogo de palavras

Em nossos dias, o neo­indianismo dos modernos de 1922 (precedido por meio século de etnografia sistemática) iria acen­ tuar aspectos autênticos da vida do índio, encarando­o, não como gentil­homem embrionário, mas como primitivo, cujo inte­ resse residia precisamente no que trouxesse de diferente, contra­ ditório em relação à nossa cultura europeia. O indianismo dos românticos, porém, preocupou­se sobremaneira em equipará­lo qualitativamente ao conquistador, realçando ou inventando aspectos do seu comportamento que pudessem fazê­lo ombrear com este - no cavalheirismo, na generosidade, na poesia.

A altivez, o culto da vindita, a destreza bélica, a genero­ sidade, encontravam alguma ressonância nos costumes abo­ rígines, como os descreveram cronistas nem sempre capazes de observar fora dos padrões europeus e, sobretudo, como os quiseram deliberadamente ver escritores animados do desejo patriótico de chancelar a independência política do país com o brilho de uma grandeza heroica especificamente brasileira. Considere as passagens do texto:

[...] encarando­o , não como gentil­homem embrionário [...]

[...] cujo interesse residia precisamente [...].

[...] como os descreveram cronistas [...].

Os substantivos retomados pelos pronomes sublinhados são, respectivamente,

_____pouco mais de uma década quase não ______genomas completos para serem analisados. Hoje ______programas e mão de obra ______para dar conta da quantidade de sequências de DNA já depositadas em bases públicas de dados e que saem diariamente de uma nova geração de sequenciadores. Extrema­ mente velozes, essas máquinas determinam os pares de bases do material genético, as chamadas letras químicas, a um preço milhares de vezes menor do que no início dos anos 2000, quando chegou ao fim a epopeia de sequenciar o primeiro genoma humano.

Em conformidade com a norma-padrão da língua portuguesa, as lacunas do texto devem ser preenchidas, respectivamente, com:

Qual sentença mantém a concordância de acordo com a norma-padrão?

O Texto II é um trecho selecionado de Vidas Secas.

Esse trecho caracteriza-se pela representação de aspectos específicos do romance modernista regional porque:

Tanto o Texto I quanto o Texto II são situados no sertão. Embora se passem em diferentes épocas (o primeiro, na década de 1960, e o segundo, na de 1930), ambos apontam para uma desassistência no que toca a aspectos culturais e/ou econômicos.

A carência resultante dessa desassistência está exemplificada nos seguintes pares de texto:

A sentença do Texto II “Ficou um instante assim besta, olhando os filhos, a mulher e a bagagem pesada.” ( l 9-10) foi reescrita alterando-se a colocação dos termos e a pontuação.

A senteça alterada que mantém o sentido da original é:

Em que sentença o uso da palavra até é feito como em “... o povo aqui se apaixona até pelos assuntos mais infantis,” (Texto I, l 8-9)

A expressão essa esquiva em “Atribuímos essa esquiva ao cansaço” (Texto I, l 31-32) pode ser apropriadamente substituída, mantendo-se o sentido, por:

In Text I, the title indicates that the human genome