Inglês
Interpretação de texto | Reading comprehensionUERJ · 2013MédioEntre para guardar nos favoritos
The author's complete lack of knowledge is best established by means of the following sentence:
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CFE7406F-94
The author's complete lack of knowledge is best established by means of the following sentence:CFE18F55-94 Inglês
Aspectos linguísticos | Linguistic aspectsUERJ · 2013MédioEntre para guardar nos favoritos
“Peace without a voice is no peace but fear" (title) is a line from the song A paz que eu não quero, by the Brazilian band O Rappa. This line is an example of intertextuality. The resource used by the author that signals this process of intertextuality is:CFD9437A-94 Português
Interpretação de TextosUERJ · 2013MédioEntre para guardar nos favoritos
O texto do escritor Rodrigo Lacerda sugere que, por meio da literatura, o leitor pode acompanhar perspectivas diferentes da própria.
O trecho que explicita o contato do leitor com perspectivas distintas é:CFCF2E35-94 Português
Funções da Linguagem: emotiva, apelativa, referencial, metalinguística, fática e poética.UERJ · 2013FácilEntre para guardar nos favoritos
Os três benefícios fundamentais da leitura apresentados no texto são listados numa determinada ordem.
Essa ordem mostra uma organização na seguinte direção:CFBEBE60-94 Português
Interpretação de TextosUERJ · 2013FácilEntre para guardar nos favoritos
Isso era cinema. (l. 21)
O verbo assume, nesta frase, o sentido específico de indicar um estado de coisas que durava. No entanto, ele assume o sentido específico de indicar uma mudança sem retorno na seguinte reescritura:CFB80A39-94 Português
Figuras de LinguagemUERJ · 2013MédioEntre para guardar nos favoritos
No cinema, só quem fala são os atores do filme. Nós calamos para que eles possam falar. Nossa vida cala para que outra fale. (l. 19-20)
O trecho acima usa uma figura de linguagem chamada de:CFB26467-94 Português
Figuras de LinguagemUERJ · 2013FácilEntre para guardar nos favoritos
O texto é centrado na expressão onomatopaica blablablá, que normalmente se escreve no lugar de uma longa fala irrelevante. A autora, no entanto, lhe empresta outro sentido e outra função.
No texto, a expressão os blablablás se refere àqueles que:CFACEB26-94 Português
Figuras de LinguagemUERJ · 2013MédioEntre para guardar nos favoritos
Ele está fazendo noventa anos. É uma idade respeitável, e não são muitos que chegam lá, mas − quanto tempo ele pode ainda viver? (l. 14-15)
No contexto, a pergunta feita pelo narrador está diretamente ligada à informação acerca da idade do pai de Matilda.
No entanto, entre a informação e a pergunta, o narrador enuncia duas ponderações que possuem a função de:CFA27793-94 Português
Interpretação de TextosUERJ · 2013FácilEntre para guardar nos favoritos
Apesar de enunciado em primeira pessoa, o texto inclui, implícita ou explicitamente, outras vozes.
Um exemplo da presença explícita da fala de outro personagem no texto é:CF892EFD-94 Português
Funções da Linguagem: emotiva, apelativa, referencial, metalinguística, fática e poética.UERJ · 2013MédioEntre para guardar nos favoritos
Ao longo da reportagem, observa-se o uso de uma linguagem informal, registro que estaria mais próximo do usado pelo leitor.
Um claro exemplo desse registro informal da linguagem está em:CF839695-94 Português
Interpretação de TextosUERJ · 2013MédioEntre para guardar nos favoritosNão era um pássaro nem um avião. (l. 1)
A primeira frase do texto remete às perguntas feitas por personagens que observavam intrigados o voo do Super-homem em suas muitas histórias: É um pássaro? É um avião? Não! É o Super-homem!
Essa primeira frase configura um recurso da linguagem conhecido como:CF7E3458-94 Português
Interpretação de TextosUERJ · 2013MédioEntre para guardar nos favoritos
Ao descrever sua criação, Joana expressa uma opinião crítica acerca das redes sociais existentes. Essa crítica é reforçada, nas falas da personagem, principalmente pelo uso de:
CF786020-94 Português
Interpretação de TextosUERJ · 2013FácilEntre para guardar nos favoritos
No diálogo das personagens da tira, há mais de uma ocorrência de paradoxo, ou seja, uma combinação de termos ou expressões que se contradizem.
O melhor exemplo de paradoxo presente na fala de Joana é:305011F1-3B Inglês
Interpretação de texto | Reading comprehensionPUC - RJ · 2013DifícilEntre para guardar nos favoritos
The text ‘Brazil as a bridge between old and new powers?’ has been extracted from a text published in the periodical International Affairs, issue nº 89. The issue, as stated by the editors in an introductory article, ‘… has been divided into two parts. Part one comprises case-studies of three rising powers — Brazil, India and China — while the articles in part two cover the various actors and entities that have reason and/or ability to attempt to manage the rise of new powers. (…) These multiple actors may be grouped into four categories…’
The following definitions were given in the introductory article for each of the categories:
1. This group comprises states and groupings of states that have acquired, over the past decades, the role of agendasetters as Great Powers. They have exerted defining influence in shaping the rules and norms of global governance. Despite their relative decline (especially with reference to the rising powers), they still have enough power to act as gatekeepers to the inner sanctums of international regimes.
2. In this category are the countries that represent the proverbial grass that gets trampled when elephants fight. They often form the unfortunate terrain on which scrambles for power can occur, but are also occasionally able to exercise powerful leverage by providing the follower base that aspiring leaders seek, and legitimize claims to greater power by securing for those leaders the backing of large numbers.
3. As the shift in the balance of power that we see under way today is not occurring simply between states, this category includes businesses and non-governmental organizations (NGOs) that have emerged as repositories and brokers of power, effectively harnessed by states at different levels of the hierarchy and harnessing them to serve their own causes in turn.
4. This category recognizes that most international organizations, regimes and networks are seldom ‘actors’ in their own right. But different organizations, networks and regimes, even when made up of similar memberships, show different degrees of adaptability and reform in response to the needs and demands posed by rising powers.
In the definition transcribed in number 2, the characterization “...countries that represent the proverbial grass that gets trampled when elephants fight.” contains
304B6F24-3B Inglês
Interpretação de texto | Reading comprehensionPUC - RJ · 2013MédioEntre para guardar nos favoritosThe text ‘Brazil as a bridge between old and new powers?’ has been extracted from a text published in the periodical International Affairs, issue nº 89. The issue, as stated by the editors in an introductory article, ‘… has been divided into two parts. Part one comprises case-studies of three rising powers — Brazil, India and China — while the articles in part two cover the various actors and entities that have reason and/or ability to attempt to manage the rise of new powers. (…) These multiple actors may be grouped into four categories…’
The following definitions were given in the introductory article for each of the categories:
1. This group comprises states and groupings of states that have acquired, over the past decades, the role of agendasetters as Great Powers. They have exerted defining influence in shaping the rules and norms of global governance. Despite their relative decline (especially with reference to the rising powers), they still have enough power to act as gatekeepers to the inner sanctums of international regimes.
2. In this category are the countries that represent the proverbial grass that gets trampled when elephants fight. They often form the unfortunate terrain on which scrambles for power can occur, but are also occasionally able to exercise powerful leverage by providing the follower base that aspiring leaders seek, and legitimize claims to greater power by securing for those leaders the backing of large numbers.
3. As the shift in the balance of power that we see under way today is not occurring simply between states, this category includes businesses and non-governmental organizations (NGOs) that have emerged as repositories and brokers of power, effectively harnessed by states at different levels of the hierarchy and harnessing them to serve their own causes in turn.
4. This category recognizes that most international organizations, regimes and networks are seldom ‘actors’ in their own right. But different organizations, networks and regimes, even when made up of similar memberships, show different degrees of adaptability and reform in response to the needs and demands posed by rising powers.
In the definition transcribed in number 1 , the fragment “Despite their relative decline (…) they still have enough power to act as gatekeepers to the inner sanctums of international regimes.” means that
304747E6-3B Inglês
Interpretação de texto | Reading comprehensionPUC - RJ · 2013MédioEntre para guardar nos favoritosThe text ‘Brazil as a bridge between old and new powers?’ has been extracted from a text published in the periodical International Affairs, issue nº 89. The issue, as stated by the editors in an introductory article, ‘… has been divided into two parts. Part one comprises case-studies of three rising powers — Brazil, India and China — while the articles in part two cover the various actors and entities that have reason and/or ability to attempt to manage the rise of new powers. (…) These multiple actors may be grouped into four categories…’
The following definitions were given in the introductory article for each of the categories:
1. This group comprises states and groupings of states that have acquired, over the past decades, the role of agendasetters as Great Powers. They have exerted defining influence in shaping the rules and norms of global governance. Despite their relative decline (especially with reference to the rising powers), they still have enough power to act as gatekeepers to the inner sanctums of international regimes.
2. In this category are the countries that represent the proverbial grass that gets trampled when elephants fight. They often form the unfortunate terrain on which scrambles for power can occur, but are also occasionally able to exercise powerful leverage by providing the follower base that aspiring leaders seek, and legitimize claims to greater power by securing for those leaders the backing of large numbers.
3. As the shift in the balance of power that we see under way today is not occurring simply between states, this category includes businesses and non-governmental organizations (NGOs) that have emerged as repositories and brokers of power, effectively harnessed by states at different levels of the hierarchy and harnessing them to serve their own causes in turn.
4. This category recognizes that most international organizations, regimes and networks are seldom ‘actors’ in their own right. But different organizations, networks and regimes, even when made up of similar memberships, show different degrees of adaptability and reform in response to the needs and demands posed by rising powers.
The sequence that matches the category with its definition is:
3040F2F9-3B Inglês
Interpretação de texto | Reading comprehensionPUC - RJ · 2013Muito difícilEntre para guardar nos favoritos
In the last section of the article, lines 151-171, the author states that303AF054-3B Inglês
Verbos modais | Modal verbsPUC - RJ · 2013MédioEntre para guardar nos favoritos
In “The interesting point is that this may present more of an opportunity than a threat…” (lines 160-161), ‘may present’ is replaced without change in meaning by30357A07-3B Inglês
Interpretação de texto | Reading comprehensionPUC - RJ · 2013MédioEntre para guardar nos favoritos
The fragment “Brazilian musician Tom Jobim’s line that ‘Brazil is not for beginners’” (lines 143-144) is used by the author to30306F55-3B Inglês
Interpretação de texto | Reading comprehensionPUC - RJ · 2013DifícilEntre para guardar nos favoritos
An appropriate explanation of the expression taken from the text is found in