Inglês
- Interpretação de texto | Reading comprehension
- Prova de 2021
- UNICAMP
- Dificuldade: Difícil
- Código da questão: D247DD51-8C
Disciplina · Linguagens
Questões de Inglês, da área de Linguagens, com gabarito em cada página.
‘The Complete Stories,’ by Clarice Lispector

By Terrence Rafferty
July 27, 2015
There’s a whiff of madness in the fiction of Clarice Lispector. The “Complete Stories” of the Brazilian writer, edited by Benjamin Moser and sensitively translated by Katrina Dodson, is a dangerous book to read quickly or casually because it’s so consistently delirious. Sentence by sentence, page by page, Lispector is exhilaratingly, arrestingly strange, but her perceptions come so fast, veer so wildly between the mundane and the metaphysical, that after a while you don’t know where you are, either in the book or in the world. So it’s best to approach her with some caution. For the ordinary reader — that is to say, for most of us — immersion in the teeming mind of Clarice Lispector can be an exhausting, even a deranging, experience, not to be undertaken lightly. (Pack food, water, a first aid kit and plenty of sunblock.)
Her stories are full of strange words, in strange combinations, and her “Complete Stories” is a remarkable book, proof that she was — in the company of Jorge Luis Borges, Juan Rulfo and her 19th-century countryman Machado de Assis — one of the true originals of Latin American literature.
THE COMPLETE STORIES
By Clarice Lispector
Edited by Benjamin Moser
Translated by Katrina Dodson
645 pp. New Directions. $28.95.
(Adaptado de https://www.nytimes.com/2015/08/02/books/review/the-completestories-by-clarice-lispector.html. Acessado em 21/07/20.)
No texto acima, o livro de Clarice Lispector recebe uma
crítica




Morro velho

MILTON NASCIMENTO
Adaptado de miltonnascimento.com.br.

PAUL SIMON and ART GARFUNKEL
Adaptado de genius.com.

PAUL SIMON and ART GARFUNKEL
Adaptado de genius.com.

PAUL SIMON and ART GARFUNKEL
Adaptado de genius.com.

PAUL SIMON and ART GARFUNKEL
Adaptado de genius.com.
An example of paradox can be found in the following statement:
PAUL SIMON and ART GARFUNKEL
Adaptado de genius.com.

PAUL SIMON and ART GARFUNKEL
Adaptado de genius.com.

PAUL SIMON and ART GARFUNKEL
Adaptado de genius.com.

Empathy
Empathy is the ability to recognize, understand, and share the thoughts and feelings of another person, animal, or fictional character. Developing empathy is crucial for establishing relationships and behaving compassionately. It involves experiencing another person’s point of view, rather than just one’s own, and enables prosocial or helping behaviors that come from within, rather than being forced.
Some surveys indicate that empathy is on the decline in the United States and elsewhere, findings that motivate parents, schools, and communities to support programs that help people of all ages enhance and maintain their ability to walk in each other’s shoes.
https://www.psychologytoday.com/us/basics/empathy
Why do we buy into the 'cult' of overwork?
By Bryan Lufkin, 9th May 2021
Although many of us associate overly ambitious workaholism with the 1980s and the finance industry, the tendency to devote ourselves to work and glamourize long-hours culture remains as pervasive as ever. In fact, it is expanding into more sectors and professions, in slightly different packaging. Overwork isn't a phenomenon exclusive to Silicon Valley or Wall Street. People work long hours all over the world, for many different reasons.
In Japan, a culture of overwork can be traced back to the 1950s, when the government pushed hard for the country to be rebuilt quickly after World War Two. In Arab League countries, burnout is high among medical professionals, possibly because its 22 members are developing nations with overburdened healthcare systems, studies suggest. Reasons for overwork also depend on industry. Some of the earliest researchers on burnout in the 1970s asserted that many people in jobs geared toward helping others, like employees in clinics or crisis-intervention centers, tended to work long hours that led to emotional and physical exhaustion – a trend which is shown up in the pandemic, too. But millions of us overwork because somehow, we think it’s exciting – a status symbol that puts us on the path to success, whether we define that by wealth or an Instagram post that makes it seem like we're living a dream life with a dream job. Romanticization of work seems to be an especially common practice among "knowledge workers" in the middle and upper classes. In 2014, the New Yorker called this devotion to overwork "a cult".
According to Anat Lechner, clinical associate professor of management at New York University. "We glorify the lifestyle, and the lifestyle is: you breathe something, you sleep with something, you wake up and work on it all day long, then you go to sleep. Again, and again and again."
Adapted from: Home - BBC Worklife.