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Questões de Inglês do ENEM

Questões de Inglês, da área de Linguagens, com gabarito em cada página.

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  • 57 assuntos

Resultados: 5.311 questões

Página 106 de 266

  • Linguagens

    Inglês

    INSTRUCTION: Answer question with information from text 2.


    TEXT 2

    The smell of rain on dry ground


    Imagem da questão de Inglês, PUC - RS 2010, Interpretação de texto | Reading comprehension

    QUINION, Michael. www.worldwidewords.org

    (fragment)

    Com base na leitura, conclui-se que o texto 2
    Escolha uma alternativa para a questão 628aedd3-b0
  • Linguagens

    Inglês

    What about the artists?

    The Guardian - Wed 14 Oct 2020


    The government is deaf to the plight of freelance musicians and othercreatives


          On Monday, a number of British arts organisations finally heard whether they had received grants from the £1.57bn bailout fund announced in July by the chancellor, Rishi Sunak. Not a moment too soon, institutions such as Wigmore Hall in London, Bristol Old Vic and the City of Birmingham Symphony Orchestra have been given a cash bufferthatshould keep them alive until March.

         The welcome announcement has been marred, though, by the failure of the government to address the question of freelancers and self-employed people in the arts. In an interview with ITV last week, Mr. Sunak was asked what he thought professional musicians ought to do, given that they can’t earn enough to live. He answered that up to 3 million people in the country qualified for help under the self-employed support scheme. Pressed on whether musicians oughttofind differentwork, he mentioned retraining schemes that are "providing new and fresh opportunity”. People must adapt, he said. He added that it was untrue that there was no work for musicians. Music lessons, in his own household at least, were still going on.

         The interviewer’s question was specifically about musicians - a third of whom have been ineligible for the selfemployed support scheme. So even if, as he later asserted, Mr Sunak was talking about the workforce as a whole rather than cultural workers in particular when he spoke of the need to retrain, he certainly gave a strong impression of indifference to and ignorance of musicians’ plight. This was reinforced on Monday when a government-backed advertisement went viral, launching hundreds of derisive parodies. Aiming to recruit workers into cybersecurity roles, it showed a dancer doing up her ballet shoes. It read: "Fatima’s next job could be in cyber (she just doesn’t know it yet)”. 
         The culture secretary, Oliver Dowden, was forced to condemn the advertisement as "crass” as his day of good news descended into farce and contumely. The government seems unable to grasp that putting money into the arts infrastructure is only part of the solution; creatives themselves need to be helped to survive economically too. Though some institutions are putting work on stage - and will be helped to do so in the months to come by the rescue package - these events will necessarily be small-scale, representing a drop in the ocean compared with the industry working at full tilt.
         New digital business models are being explored, but they are in their infancy and are not going to pay next month’s rent. Moreover, performance dates in the diary - that is, employment opportunities for freelancers - amount to perilous bets against the future course of the virus. As infections soar, organisations are bound, quite rightly, to be cautious, particularly in the face of the catastrophic failure of the government’s test-and-trace scheme.
         Meanwhile, musicians and others are certainly "adapting” - often to unskilled, low-paid work, though there is not much of that to go around. The government’s continued implication that musicians and other creative workers - many of whom have trained since childhood for some of the most demanding, competitive and highly skilled work in the economy - are somehow not "viable” is both insulting and ignorant. Underlying Mr Sunak’s remarks was the tired old Tory notion that creative jobs are not "real jobs”, and are undertaken by some fantastical species who are not, in fact, real people. Perhaps the chancellor should ask his family’s music teacher what it’s really like for artists right now - and actually listen to the answer.

    Source: The Guardian, available at https://www.theguardian. com/commentisfree/2020/oct/14/the-guardian-view-on-saving-thearts-what-about-the-artists, accessed on October21st, 2020.

    The opinion editorial above advances the following position:
    Escolha uma alternativa para a questão 62fe86b3-8e
  • Linguagens

    Inglês

    What about the artists?

    The Guardian - Wed 14 Oct 2020


    The government is deaf to the plight of freelance musicians and othercreatives


          On Monday, a number of British arts organisations finally heard whether they had received grants from the £1.57bn bailout fund announced in July by the chancellor, Rishi Sunak. Not a moment too soon, institutions such as Wigmore Hall in London, Bristol Old Vic and the City of Birmingham Symphony Orchestra have been given a cash bufferthatshould keep them alive until March.

         The welcome announcement has been marred, though, by the failure of the government to address the question of freelancers and self-employed people in the arts. In an interview with ITV last week, Mr. Sunak was asked what he thought professional musicians ought to do, given that they can’t earn enough to live. He answered that up to 3 million people in the country qualified for help under the self-employed support scheme. Pressed on whether musicians oughttofind differentwork, he mentioned retraining schemes that are "providing new and fresh opportunity”. People must adapt, he said. He added that it was untrue that there was no work for musicians. Music lessons, in his own household at least, were still going on.

         The interviewer’s question was specifically about musicians - a third of whom have been ineligible for the selfemployed support scheme. So even if, as he later asserted, Mr Sunak was talking about the workforce as a whole rather than cultural workers in particular when he spoke of the need to retrain, he certainly gave a strong impression of indifference to and ignorance of musicians’ plight. This was reinforced on Monday when a government-backed advertisement went viral, launching hundreds of derisive parodies. Aiming to recruit workers into cybersecurity roles, it showed a dancer doing up her ballet shoes. It read: "Fatima’s next job could be in cyber (she just doesn’t know it yet)”. 
         The culture secretary, Oliver Dowden, was forced to condemn the advertisement as "crass” as his day of good news descended into farce and contumely. The government seems unable to grasp that putting money into the arts infrastructure is only part of the solution; creatives themselves need to be helped to survive economically too. Though some institutions are putting work on stage - and will be helped to do so in the months to come by the rescue package - these events will necessarily be small-scale, representing a drop in the ocean compared with the industry working at full tilt.
         New digital business models are being explored, but they are in their infancy and are not going to pay next month’s rent. Moreover, performance dates in the diary - that is, employment opportunities for freelancers - amount to perilous bets against the future course of the virus. As infections soar, organisations are bound, quite rightly, to be cautious, particularly in the face of the catastrophic failure of the government’s test-and-trace scheme.
         Meanwhile, musicians and others are certainly "adapting” - often to unskilled, low-paid work, though there is not much of that to go around. The government’s continued implication that musicians and other creative workers - many of whom have trained since childhood for some of the most demanding, competitive and highly skilled work in the economy - are somehow not "viable” is both insulting and ignorant. Underlying Mr Sunak’s remarks was the tired old Tory notion that creative jobs are not "real jobs”, and are undertaken by some fantastical species who are not, in fact, real people. Perhaps the chancellor should ask his family’s music teacher what it’s really like for artists right now - and actually listen to the answer.

    Source: The Guardian, available at https://www.theguardian. com/commentisfree/2020/oct/14/the-guardian-view-on-saving-thearts-what-about-the-artists, accessed on October21st, 2020.

    The "3 million people in the country qualified for help under the self-employed support scheme” (2nd paragraph) includes the following group of people:
    Escolha uma alternativa para a questão 63019382-8e
  • Linguagens

    Inglês

    What about the artists?

    The Guardian - Wed 14 Oct 2020


    The government is deaf to the plight of freelance musicians and othercreatives


          On Monday, a number of British arts organisations finally heard whether they had received grants from the £1.57bn bailout fund announced in July by the chancellor, Rishi Sunak. Not a moment too soon, institutions such as Wigmore Hall in London, Bristol Old Vic and the City of Birmingham Symphony Orchestra have been given a cash bufferthatshould keep them alive until March.

         The welcome announcement has been marred, though, by the failure of the government to address the question of freelancers and self-employed people in the arts. In an interview with ITV last week, Mr. Sunak was asked what he thought professional musicians ought to do, given that they can’t earn enough to live. He answered that up to 3 million people in the country qualified for help under the self-employed support scheme. Pressed on whether musicians oughttofind differentwork, he mentioned retraining schemes that are "providing new and fresh opportunity”. People must adapt, he said. He added that it was untrue that there was no work for musicians. Music lessons, in his own household at least, were still going on.

         The interviewer’s question was specifically about musicians - a third of whom have been ineligible for the selfemployed support scheme. So even if, as he later asserted, Mr Sunak was talking about the workforce as a whole rather than cultural workers in particular when he spoke of the need to retrain, he certainly gave a strong impression of indifference to and ignorance of musicians’ plight. This was reinforced on Monday when a government-backed advertisement went viral, launching hundreds of derisive parodies. Aiming to recruit workers into cybersecurity roles, it showed a dancer doing up her ballet shoes. It read: "Fatima’s next job could be in cyber (she just doesn’t know it yet)”. 
         The culture secretary, Oliver Dowden, was forced to condemn the advertisement as "crass” as his day of good news descended into farce and contumely. The government seems unable to grasp that putting money into the arts infrastructure is only part of the solution; creatives themselves need to be helped to survive economically too. Though some institutions are putting work on stage - and will be helped to do so in the months to come by the rescue package - these events will necessarily be small-scale, representing a drop in the ocean compared with the industry working at full tilt.
         New digital business models are being explored, but they are in their infancy and are not going to pay next month’s rent. Moreover, performance dates in the diary - that is, employment opportunities for freelancers - amount to perilous bets against the future course of the virus. As infections soar, organisations are bound, quite rightly, to be cautious, particularly in the face of the catastrophic failure of the government’s test-and-trace scheme.
         Meanwhile, musicians and others are certainly "adapting” - often to unskilled, low-paid work, though there is not much of that to go around. The government’s continued implication that musicians and other creative workers - many of whom have trained since childhood for some of the most demanding, competitive and highly skilled work in the economy - are somehow not "viable” is both insulting and ignorant. Underlying Mr Sunak’s remarks was the tired old Tory notion that creative jobs are not "real jobs”, and are undertaken by some fantastical species who are not, in fact, real people. Perhaps the chancellor should ask his family’s music teacher what it’s really like for artists right now - and actually listen to the answer.

    Source: The Guardian, available at https://www.theguardian. com/commentisfree/2020/oct/14/the-guardian-view-on-saving-thearts-what-about-the-artists, accessed on October21st, 2020.

    The second and first paragraphs are linked by a notion of contrast, which is explicitly conveyed by the linking word "though” (2nd paragraph). The contrast refers to the difference in treatment between::
    Escolha uma alternativa para a questão 63043f53-8e
  • Linguagens

    Inglês

    What about the artists?

    The Guardian - Wed 14 Oct 2020


    The government is deaf to the plight of freelance musicians and othercreatives


          On Monday, a number of British arts organisations finally heard whether they had received grants from the £1.57bn bailout fund announced in July by the chancellor, Rishi Sunak. Not a moment too soon, institutions such as Wigmore Hall in London, Bristol Old Vic and the City of Birmingham Symphony Orchestra have been given a cash bufferthatshould keep them alive until March.

         The welcome announcement has been marred, though, by the failure of the government to address the question of freelancers and self-employed people in the arts. In an interview with ITV last week, Mr. Sunak was asked what he thought professional musicians ought to do, given that they can’t earn enough to live. He answered that up to 3 million people in the country qualified for help under the self-employed support scheme. Pressed on whether musicians oughttofind differentwork, he mentioned retraining schemes that are "providing new and fresh opportunity”. People must adapt, he said. He added that it was untrue that there was no work for musicians. Music lessons, in his own household at least, were still going on.

         The interviewer’s question was specifically about musicians - a third of whom have been ineligible for the selfemployed support scheme. So even if, as he later asserted, Mr Sunak was talking about the workforce as a whole rather than cultural workers in particular when he spoke of the need to retrain, he certainly gave a strong impression of indifference to and ignorance of musicians’ plight. This was reinforced on Monday when a government-backed advertisement went viral, launching hundreds of derisive parodies. Aiming to recruit workers into cybersecurity roles, it showed a dancer doing up her ballet shoes. It read: "Fatima’s next job could be in cyber (she just doesn’t know it yet)”. 
         The culture secretary, Oliver Dowden, was forced to condemn the advertisement as "crass” as his day of good news descended into farce and contumely. The government seems unable to grasp that putting money into the arts infrastructure is only part of the solution; creatives themselves need to be helped to survive economically too. Though some institutions are putting work on stage - and will be helped to do so in the months to come by the rescue package - these events will necessarily be small-scale, representing a drop in the ocean compared with the industry working at full tilt.
         New digital business models are being explored, but they are in their infancy and are not going to pay next month’s rent. Moreover, performance dates in the diary - that is, employment opportunities for freelancers - amount to perilous bets against the future course of the virus. As infections soar, organisations are bound, quite rightly, to be cautious, particularly in the face of the catastrophic failure of the government’s test-and-trace scheme.
         Meanwhile, musicians and others are certainly "adapting” - often to unskilled, low-paid work, though there is not much of that to go around. The government’s continued implication that musicians and other creative workers - many of whom have trained since childhood for some of the most demanding, competitive and highly skilled work in the economy - are somehow not "viable” is both insulting and ignorant. Underlying Mr Sunak’s remarks was the tired old Tory notion that creative jobs are not "real jobs”, and are undertaken by some fantastical species who are not, in fact, real people. Perhaps the chancellor should ask his family’s music teacher what it’s really like for artists right now - and actually listen to the answer.

    Source: The Guardian, available at https://www.theguardian. com/commentisfree/2020/oct/14/the-guardian-view-on-saving-thearts-what-about-the-artists, accessed on October21st, 2020.

    Considering the expression of happenings in the past, verbs vary following time precision or imprecision. The example extracted from the editorial that reflects unspecified time is:
    Escolha uma alternativa para a questão 6306fb07-8e
  • Linguagens

    Inglês

    The Arctic Ocean has lost 95 percent of its oldest ice — a startling sign of what’s to come

    By Chris Mooney
    December 11, 2018

    Figura 1 de 2 da questão de Inglês, PUC - RJ 2019, Interpretação de texto | Reading comprehension
    Figura 2 de 2 da questão de Inglês, PUC - RJ 2019, Interpretação de texto | Reading comprehension
    Available at: <https://www.washingtonpost.com/energyenvironment/2018/12/11/arctic-is-even-worse-shape-thanyou-realize/?noredirect=on&utm_term=.508085a17318>. Retrieved on: July 2, 2019. Adapted.
    The main purpose of the text is to
    Escolha uma alternativa para a questão 634ed93d-f5
  • Linguagens

    Inglês

    The Arctic Ocean has lost 95 percent of its oldest ice — a startling sign of what’s to come

    By Chris Mooney
    December 11, 2018

    Figura 1 de 2 da questão de Inglês, PUC - RJ 2019, Interpretação de texto | Reading comprehension
    Figura 2 de 2 da questão de Inglês, PUC - RJ 2019, Interpretação de texto | Reading comprehension
    Available at: <https://www.washingtonpost.com/energyenvironment/2018/12/11/arctic-is-even-worse-shape-thanyou-realize/?noredirect=on&utm_term=.508085a17318>. Retrieved on: July 2, 2019. Adapted.
    In the fragment “The oldest ice can be thought of as a kind of glue that holds the Arctic together…” (lines 11-12), the fragment can be thought of conveys an idea of
    Escolha uma alternativa para a questão 63551e56-f5
  • Linguagens

    Inglês

    The Arctic Ocean has lost 95 percent of its oldest ice — a startling sign of what’s to come

    By Chris Mooney
    December 11, 2018

    Figura 1 de 2 da questão de Inglês, PUC - RJ 2019, Interpretação de texto | Reading comprehension
    Figura 2 de 2 da questão de Inglês, PUC - RJ 2019, Interpretação de texto | Reading comprehension
    Available at: <https://www.washingtonpost.com/energyenvironment/2018/12/11/arctic-is-even-worse-shape-thanyou-realize/?noredirect=on&utm_term=.508085a17318>. Retrieved on: July 2, 2019. Adapted.
    According to paragraphs 2 and 3 (lines 11-24),
    Escolha uma alternativa para a questão 6358bacd-f5
  • Linguagens

    Inglês

    The Arctic Ocean has lost 95 percent of its oldest ice — a startling sign of what’s to come

    By Chris Mooney
    December 11, 2018

    Figura 1 de 2 da questão de Inglês, PUC - RJ 2019, Sinônimos | Synonyms
    Figura 2 de 2 da questão de Inglês, PUC - RJ 2019, Sinônimos | Synonyms
    Available at: <https://www.washingtonpost.com/energyenvironment/2018/12/11/arctic-is-even-worse-shape-thanyou-realize/?noredirect=on&utm_term=.508085a17318>. Retrieved on: July 2, 2019. Adapted.
    Concerning the vocabulary used in the text, one may affirm that
    Escolha uma alternativa para a questão 635ba1cf-f5
  • Linguagens

    Inglês

    The Arctic Ocean has lost 95 percent of its oldest ice — a startling sign of what’s to come

    By Chris Mooney
    December 11, 2018

    Figura 1 de 2 da questão de Inglês, PUC - RJ 2019, Interpretação de texto | Reading comprehension
    Figura 2 de 2 da questão de Inglês, PUC - RJ 2019, Interpretação de texto | Reading comprehension
    Available at: <https://www.washingtonpost.com/energyenvironment/2018/12/11/arctic-is-even-worse-shape-thanyou-realize/?noredirect=on&utm_term=.508085a17318>. Retrieved on: July 2, 2019. Adapted.
    The expression in boldface conveys an idea of contrast in
    Escolha uma alternativa para a questão 635ec968-f5
  • Linguagens

    Inglês

    The Arctic Ocean has lost 95 percent of its oldest ice — a startling sign of what’s to come

    By Chris Mooney
    December 11, 2018

    Figura 1 de 2 da questão de Inglês, PUC - RJ 2019, Sinônimos | Synonyms
    Figura 2 de 2 da questão de Inglês, PUC - RJ 2019, Sinônimos | Synonyms
    Available at: <https://www.washingtonpost.com/energyenvironment/2018/12/11/arctic-is-even-worse-shape-thanyou-realize/?noredirect=on&utm_term=.508085a17318>. Retrieved on: July 2, 2019. Adapted.
    In the fragment “Young and thin ice can regrow relatively quickly once the dark and cold winter sets in.” (lines 55-57), sets in can be replaced, without change in meaning, by
    Escolha uma alternativa para a questão 636292d0-f5
  • Linguagens

    Inglês

    The Arctic Ocean has lost 95 percent of its oldest ice — a startling sign of what’s to come

    By Chris Mooney
    December 11, 2018

    Figura 1 de 2 da questão de Inglês, PUC - RJ 2019, Interpretação de texto | Reading comprehension
    Figura 2 de 2 da questão de Inglês, PUC - RJ 2019, Interpretação de texto | Reading comprehension
    Available at: <https://www.washingtonpost.com/energyenvironment/2018/12/11/arctic-is-even-worse-shape-thanyou-realize/?noredirect=on&utm_term=.508085a17318>. Retrieved on: July 2, 2019. Adapted.
    In terms of numerical reference,
    Escolha uma alternativa para a questão 6365b484-f5
  • Linguagens

    Inglês

    The Arctic Ocean has lost 95 percent of its oldest ice — a startling sign of what’s to come

    By Chris Mooney
    December 11, 2018

    Figura 1 de 2 da questão de Inglês, PUC - RJ 2019, Interpretação de texto | Reading comprehension
    Figura 2 de 2 da questão de Inglês, PUC - RJ 2019, Interpretação de texto | Reading comprehension
    Available at: <https://www.washingtonpost.com/energyenvironment/2018/12/11/arctic-is-even-worse-shape-thanyou-realize/?noredirect=on&utm_term=.508085a17318>. Retrieved on: July 2, 2019. Adapted.
    Nathan Kurtz affirms “I was shocked by how different it was” (line 33) to express his concern about the
    Escolha uma alternativa para a questão 63698589-f5
  • Linguagens

    Inglês

    The Arctic Ocean has lost 95 percent of its oldest ice — a startling sign of what’s to come

    By Chris Mooney
    December 11, 2018

    Figura 1 de 2 da questão de Inglês, PUC - RJ 2019, Interpretação de texto | Reading comprehension
    Figura 2 de 2 da questão de Inglês, PUC - RJ 2019, Interpretação de texto | Reading comprehension
    Available at: <https://www.washingtonpost.com/energyenvironment/2018/12/11/arctic-is-even-worse-shape-thanyou-realize/?noredirect=on&utm_term=.508085a17318>. Retrieved on: July 2, 2019. Adapted.
    According to paragraphs 9 and 10 (lines 60-78), PIOMAS is a model intended to
    Escolha uma alternativa para a questão 636dcc51-f5
  • Linguagens

    Inglês

    The Arctic Ocean has lost 95 percent of its oldest ice — a startling sign of what’s to come

    By Chris Mooney
    December 11, 2018

    Figura 1 de 2 da questão de Inglês, PUC - RJ 2019, Interpretação de texto | Reading comprehension
    Figura 2 de 2 da questão de Inglês, PUC - RJ 2019, Interpretação de texto | Reading comprehension
    Available at: <https://www.washingtonpost.com/energyenvironment/2018/12/11/arctic-is-even-worse-shape-thanyou-realize/?noredirect=on&utm_term=.508085a17318>. Retrieved on: July 2, 2019. Adapted.
    In the last paragraph, Walt Meier affirms that “The Arctic is an indication of what’s coming to the rest of the globe” (lines 86-87) because
    Escolha uma alternativa para a questão 63717b91-f5
  • Linguagens

    Inglês

    Imagem da questão de Inglês, UFT 2011, Aspectos linguísticos | Linguistic aspects



    According to the text it is CORRECT to state that:

    Escolha uma alternativa para a questão 6373e7bc-0f
  • Linguagens

    Inglês

    Imagem da questão de Inglês, CEDERJ 2011, Interpretação de texto | Reading comprehension

    Read the text again and answer questions 3, 4 e 5.

    The word cons, in the sentence “In general, eBooks suffer from other cons as well […]” (line 43) can be substituted for
    Escolha uma alternativa para a questão 641cab39-0e
  • Linguagens

    Inglês

    Imagem da questão de Inglês, Universidade Estadual do Maranhão 2022, Interpretação de texto | Reading comprehension

    MALLOTE, Stan. The Painless Path to Proper English Usage: the basics of law, New York: St. Martin’s Press. 1986. 

    The option which reflects CORRECTLY the humor approach of the text “The Basics of Law” is

    Escolha uma alternativa para a questão 6466769c-b0
  • Linguagens

    Inglês

    Imagem da questão de Inglês, Universidade Estadual do Maranhão 2022, Interpretação de texto | Reading comprehension
    Outside Magazine - Live Bravely. BEST TOWNS 2021.
    The amount of miles there was in the Atlanta BeltLine by the time the author wrote the text Atlanta, Georgia: an example of urban-outdoor balance in the face of rapid growth is
    Escolha uma alternativa para a questão 646915bc-b0
  • Linguagens

    Inglês

    Imagem da questão de Inglês, Universidade Estadual do Maranhão 2022, Interpretação de texto | Reading comprehension
    Outside Magazine - Live Bravely. BEST TOWNS 2021.
    The option which points out the mayor’s campaign commitment is
    Escolha uma alternativa para a questão 646bc143-b0