Inglês
- Pronome demonstrativo | Demonstrative pronoun
- Prova de 2013
- PUC - RJ
- Dificuldade: Médio
- Com imagem
- Código da questão: E81D5E69-3B

Disciplina · Linguagens
Questões de Inglês, da área de Linguagens, com gabarito em cada página.




Adaptado de: SHAKESPEARE, W. The Life and Death of
Julius Caesar. Disponível em:
<http://shakespeare.mit.edu/ julius_caesar/full.html>.
Acesso em: 12 nov. 2016.
Assinale com V (verdadeiro) ou F (falso) as afirmações abaixo, acerca do texto.
( ) A palavra Yet (l. 21 e 26) pode ser substituída, sem alteração de sentido e de correção gramatical, por Even.
( ) As palavras did (l. 23, 25 e 30) e do (l. 29) são utilizadas para dar ênfase ao enunciado.
( ) Os exemplos das ações praticadas por Caesar corroboram as afirmações atribuídas a Brutus.
( ) A intenção de Anthony é fazer os ouvintes refletirem.
A sequência correta de preenchimento dos parênteses, de cima para baixo, é

Adaptado de: SHAKESPEARE, W. The Life and Death of
Julius Caesar. Disponível em:
<http://shakespeare.mit.edu/ julius_caesar/full.html>.
Acesso em: 12 nov. 2016.
Considere as afirmações abaixo.
I - As expressões a kingly crown (l. 24) e a good leader, na frase They considered him a good leader, possuem a mesma estrutura e função gramatical.
II - As palavras thrice (l. 24 e 25) e once (l. 30) podem ser substituídas por three times e one day, respectivamente.
III- A palavra must, no segmento And I must pause till it come back to me (l. 35), pode ser substituída, sem prejuízo do sentido, pela expressão have to.
Quais estão corretas?

Adaptado de: SHAKESPEARE, W. The Life and Death of
Julius Caesar. Disponível em:
<http://shakespeare.mit.edu/ julius_caesar/full.html>.
Acesso em: 12 nov. 2016.
A palavra sure (l. 27), como empregada no texto, manifesta
Adaptado de: SHAKESPEARE, W. The Life and Death of
Julius Caesar. Disponível em:
<http://shakespeare.mit.edu/ julius_caesar/full.html>.
Acesso em: 12 nov. 2016.
Em qual das alternativas abaixo o segmento grifado apresenta a mesma função gramatical de what I do know (l. 29)?A questao refere-se ao texto abaixo.
The Century Trilogy: An epic of Follett proportions
By Kevin Nance September 7, 2012
Well before blockbuster movies, there were blockbuster novels: big, juicy, page-turning epics, with dozens of characters, exotic settings and multiple plots playing out over several years, often against the backdrop of some extended historical conflict. Tolstoy largely invented the form in 1869 with “War and Peace,” and by the middle of the 20th century, its latter-day stalwarts — including James Jones, Herman Wouk and the tireless fiction factory known as James Michener — bestrode the bestseller lists like the titans they were. In recent years, however, the form has fallen somewhat out of favor with writers, if not with readers. Who wants to spend so much time, day in and day out, with the same set of protagonists? Who wants to do all that research? Who has the nerve, not to mention the patience, to keep all those narrative balls in the air over hundreds of pages?
Ken Follett, actually. At 63, the Welsh author is one of the last Mohicans of the form, having traded his highly successful thrillers (“Eye of the Needle,” “The Key to Rebecca”) for the multigenerational historical saga in 1989’s “The Pillars of the Earth” (adapted as a Starz miniseries in 2010) and its sequel, 2007’s “World Without End,” which premieres as a miniseries on Reelz next month.
Adaptado - Disponível em: https://www.washingtonpost.
com/entertainment/books/the-century-trilogy-an-epic-of-
-follett-proportions/2012/09/07.Acesso 22/9/16.



Adaptado de: HOGAN, Linda. Sightings:
The Gray Whales’ Mysterious Journey. Washington,
D.C.: National Geographic, 2002. p. 29-30.

A questao refere-se ao texto abaixo.
The Century Trilogy: An epic of Follett proportions
By Kevin Nance September 7, 2012
Well before blockbuster movies, there were blockbuster novels: big, juicy, page-turning epics, with dozens of characters, exotic settings and multiple plots playing out over several years, often against the backdrop of some extended historical conflict. Tolstoy largely invented the form in 1869 with “War and Peace,” and by the middle of the 20th century, its latter-day stalwarts — including James Jones, Herman Wouk and the tireless fiction factory known as James Michener — bestrode the bestseller lists like the titans they were. In recent years, however, the form has fallen somewhat out of favor with writers, if not with readers. Who wants to spend so much time, day in and day out, with the same set of protagonists? Who wants to do all that research? Who has the nerve, not to mention the patience, to keep all those narrative balls in the air over hundreds of pages?
Ken Follett, actually. At 63, the Welsh author is one of the last Mohicans of the form, having traded his highly successful thrillers (“Eye of the Needle,” “The Key to Rebecca”) for the multigenerational historical saga in 1989’s “The Pillars of the Earth” (adapted as a Starz miniseries in 2010) and its sequel, 2007’s “World Without End,” which premieres as a miniseries on Reelz next month.
Adaptado - Disponível em: https://www.washingtonpost.
com/entertainment/books/the-century-trilogy-an-epic-of-
-follett-proportions/2012/09/07.Acesso 22/9/16.


Adaptado de: HOGAN, Linda. Sightings:
The Gray Whales’ Mysterious Journey. Washington,
D.C.: National Geographic, 2002. p. 29-30.


Adaptado de: HOGAN, Linda. Sightings:
The Gray Whales’ Mysterious Journey. Washington,
D.C.: National Geographic, 2002. p. 29-30.
A questao refere-se ao texto abaixo.

A questao refere-se ao texto abaixo.



Adaptado de: HOGAN, Linda. Sightings:
The Gray Whales’ Mysterious Journey. Washington,
D.C.: National Geographic, 2002. p. 29-30.
A questão referem-se ao quadrinho
abaixo.



Adaptado de: HOGAN, Linda. Sightings:
The Gray Whales’ Mysterious Journey. Washington,
D.C.: National Geographic, 2002. p. 29-30.
Considere as afirmações sobre o significado da expressão shape-shifters (l. 16), no contexto em que se encontra.
I - A capacidade das baleias de serem animais que vivem no mar, mas que necessitam emergir para respirar.
II - A transformação das baleias ao longo do processo evolutivo.
III- O conhecimento do homem sobre a evolução das baleias cinzentas permite percebê-las sob nova perspectiva.
Quais estão corretas?
A questão referem-se ao quadrinho
abaixo.
