Pular para o conteúdo

Disciplina · Linguagens

Questões de Inglês do ENEM

Questões de Inglês, da área de Linguagens, com gabarito em cada página.

  • 5.311 questões
  • 57 assuntos

Resultados: 5.311 questões

Página 243 de 266

  • Linguagens

    Inglês

    Figura 1 de 2 da questão de Inglês, UFRGS 2017, Aspectos linguísticos | Linguistic aspects

          Figura 2 de 2 da questão de Inglês, UFRGS 2017, Aspectos linguísticos | Linguistic aspects


    Adaptado de: HOGAN, Linda. Sightings:

    The Gray Whales’ Mysterious Journey. Washington,

    D.C.: National Geographic, 2002. p. 29-30.


    Considere as propostas de reescrita do segmento As their hind legs have disappeared into them [...], the compass set into their brains (l. 30-33).


    I - While their hind legs were disappearing into them [...], the compass set into their brains

    II - Because their hind legs have disappeared into them [...], a compass set into their brains..

    III- In the same way that their hind legs have disappeared into them [...], the compass set into their brains.



    Quais poderiam substituir o segmento acima, sem prejuízo do sentido literal e da correção gramatical?
    Escolha uma alternativa para a questão e87d1f73-af
  • Linguagens

    Inglês

    Figura 1 de 2 da questão de Inglês, UFRGS 2017, Interpretação de texto | Reading comprehension

          Figura 2 de 2 da questão de Inglês, UFRGS 2017, Interpretação de texto | Reading comprehension


    Adaptado de: HOGAN, Linda. Sightings:

    The Gray Whales’ Mysterious Journey. Washington,

    D.C.: National Geographic, 2002. p. 29-30.


    A tradução mais adequada para a expressão you’d think you might be able to (l. 34), como empregada no texto, é
    Escolha uma alternativa para a questão e88271b1-af
  • Linguagens

    Inglês

    Figura 1 de 3 da questão de Inglês, UFRGS 2017, Interpretação de texto | Reading comprehension

      Figura 2 de 3 da questão de Inglês, UFRGS 2017, Interpretação de texto | Reading comprehension

      Figura 3 de 3 da questão de Inglês, UFRGS 2017, Interpretação de texto | Reading comprehension


    REMNICK, D. Leonard Cohen makes it Darker. Available

    at: www.TAGARCHIVES: Leonard Cohen – Bob Dylan

    Interface. Accessed on Nov. 9th, 2016. 

    Consider if the statements below are true (T) or false (F), according to the text.


    ( ) Dylan foregrounds the transcendence of Cohen’s tunes.

    ( ) According to Cohen, Dylan’s rough expression is detrimental to his otherwise genius.

    ( ) According to Cohen, the spiritual impact of his music also depends on the audience.

    ( ) According to Dylan, it is the subtlety of Cohen’s lyrics that take the listener on a musical journey.



    The correct sequence of filling in the parenthesis, from top to bottom, is
    Escolha uma alternativa para a questão e8863a1c-af
  • Linguagens

    Inglês

    Figura 1 de 3 da questão de Inglês, UFRGS 2017, Interpretação de texto | Reading comprehension

      Figura 2 de 3 da questão de Inglês, UFRGS 2017, Interpretação de texto | Reading comprehension

      Figura 3 de 3 da questão de Inglês, UFRGS 2017, Interpretação de texto | Reading comprehension


    REMNICK, D. Leonard Cohen makes it Darker. Available

    at: www.TAGARCHIVES: Leonard Cohen – Bob Dylan

    Interface. Accessed on Nov. 9th, 2016. 

    Consider the following statements.


    I - In the segment…but the tune is anything but predictable (l. 22-23), Dylan asserts that Cohen’s songs can be foretold.

    II - The expression I have all my marbles (l. 45-46) denotes the integrity of the singer´s intellectual and creative capacity.

    III- Leonard Cohen declares that his lyrics are solely mundane.


    Which are correct according to the text?
    Escolha uma alternativa para a questão e88a3f93-af
  • Linguagens

    Inglês

    Imagem da questão de Inglês, UNIFESP 2012, Interpretação de texto | Reading comprehension

    In the excerpt from the first paragraph – than those who stopped work between six and eight months –, the word those refers to

    Escolha uma alternativa para a questão e88da6a6-fe
  • Linguagens

    Inglês

    Figura 1 de 3 da questão de Inglês, UFRGS 2017, Interpretação de texto | Reading comprehension

      Figura 2 de 3 da questão de Inglês, UFRGS 2017, Interpretação de texto | Reading comprehension

      Figura 3 de 3 da questão de Inglês, UFRGS 2017, Interpretação de texto | Reading comprehension


    REMNICK, D. Leonard Cohen makes it Darker. Available

    at: www.TAGARCHIVES: Leonard Cohen – Bob Dylan

    Interface. Accessed on Nov. 9th, 2016. 

    The expression succinct history-by-anecdote (l. 03-04) refers to
    Escolha uma alternativa para a questão e88e4df7-af
  • Linguagens

    Inglês

    Figura 1 de 3 da questão de Inglês, UFRGS 2017, Aspectos linguísticos | Linguistic aspects

      Figura 2 de 3 da questão de Inglês, UFRGS 2017, Aspectos linguísticos | Linguistic aspects

      Figura 3 de 3 da questão de Inglês, UFRGS 2017, Aspectos linguísticos | Linguistic aspects


    REMNICK, D. Leonard Cohen makes it Darker. Available

    at: www.TAGARCHIVES: Leonard Cohen – Bob Dylan

    Interface. Accessed on Nov. 9th, 2016. 

    The words impending (l. 5), quivering (l. 31) and unhewn (l. 39) can be substituted, without change in meaning, by
    Escolha uma alternativa para a questão e89266f3-af
  • Linguagens

    Inglês

    Figura 1 de 3 da questão de Inglês, UFRGS 2017, Advérbios e conjunções | Adverbs and conjunctions

      Figura 2 de 3 da questão de Inglês, UFRGS 2017, Advérbios e conjunções | Adverbs and conjunctions

      Figura 3 de 3 da questão de Inglês, UFRGS 2017, Advérbios e conjunções | Adverbs and conjunctions


    REMNICK, D. Leonard Cohen makes it Darker. Available

    at: www.TAGARCHIVES: Leonard Cohen – Bob Dylan

    Interface. Accessed on Nov. 9th, 2016. 

    Select the alternative in which the word take in the fragment an intriguing section devoted to Bob Dylan’s take on Cohen (l. 6-7) has the same meaning and grammatical class.
    Escolha uma alternativa para a questão e896965a-af
  • Linguagens

    Inglês

    Figura 1 de 3 da questão de Inglês, UFRGS 2017, Sinônimos | Synonyms

      Figura 2 de 3 da questão de Inglês, UFRGS 2017, Sinônimos | Synonyms

      Figura 3 de 3 da questão de Inglês, UFRGS 2017, Sinônimos | Synonyms


    REMNICK, D. Leonard Cohen makes it Darker. Available

    at: www.TAGARCHIVES: Leonard Cohen – Bob Dylan

    Interface. Accessed on Nov. 9th, 2016. 

    Select the alternative which presents the word and its respective synonym.
    Escolha uma alternativa para a questão e89a72a2-af
  • Linguagens

    Inglês

    Figura 1 de 3 da questão de Inglês, UFRGS 2017, Pronomes | Pronouns

      Figura 2 de 3 da questão de Inglês, UFRGS 2017, Pronomes | Pronouns

      Figura 3 de 3 da questão de Inglês, UFRGS 2017, Pronomes | Pronouns


    REMNICK, D. Leonard Cohen makes it Darker. Available

    at: www.TAGARCHIVES: Leonard Cohen – Bob Dylan

    Interface. Accessed on Nov. 9th, 2016. 

    Select the alternative to which the words this (l. 17), which (l. 21) and they (l. 39) refer, respectively,
    Escolha uma alternativa para a questão e89e3d7d-af
  • Linguagens

    Inglês

    Figura 1 de 3 da questão de Inglês, UFRGS 2017, Aspectos linguísticos | Linguistic aspects

      Figura 2 de 3 da questão de Inglês, UFRGS 2017, Aspectos linguísticos | Linguistic aspects

      Figura 3 de 3 da questão de Inglês, UFRGS 2017, Aspectos linguísticos | Linguistic aspects


    REMNICK, D. Leonard Cohen makes it Darker. Available

    at: www.TAGARCHIVES: Leonard Cohen – Bob Dylan

    Interface. Accessed on Nov. 9th, 2016. 

    Consider the following propositions of rewriting the segment the verses are four elemental lines which change and move at predictable intervals (l. 20-22).


    I - the verses are four elemental lines, changing and moving at predictable intervals.
    II - the verses are four basic lines which can change and move at predictable intervals.
    III- the verses are four elemental lines, subject to be changed and moved at predictable intervals.


    Which are correct?
    Escolha uma alternativa para a questão e8a33edd-af
  • Linguagens

    Inglês

    Figura 1 de 3 da questão de Inglês, UFRGS 2017, Aspectos linguísticos | Linguistic aspects

      Figura 2 de 3 da questão de Inglês, UFRGS 2017, Aspectos linguísticos | Linguistic aspects

      Figura 3 de 3 da questão de Inglês, UFRGS 2017, Aspectos linguísticos | Linguistic aspects


    REMNICK, D. Leonard Cohen makes it Darker. Available

    at: www.TAGARCHIVES: Leonard Cohen – Bob Dylan

    Interface. Accessed on Nov. 9th, 2016. 

    Select the alternative in which the word dare (l. 63) presents the same meaning and grammatical
    function as used in the text.
    Escolha uma alternativa para a questão e8a84dbe-af
  • Linguagens

    Inglês

    The following text refers to question:


    Imagem da questão de Inglês, Universidade Presbiteriana Mackenzie 2012, Aspectos linguísticos | Linguistic aspects

    The verb that properly fills in blank I in the text is
    Escolha uma alternativa para a questão e8a9964a-dd
  • Linguagens

    Inglês

    The following text refers to question:


    Imagem da questão de Inglês, Universidade Presbiteriana Mackenzie 2012, Interpretação de texto | Reading comprehension

    According to the song review,
    Escolha uma alternativa para a questão e8ada13c-dd
  • Linguagens

    Inglês

    The following text refers to question


    Imagem da questão de Inglês, Universidade Presbiteriana Mackenzie 2012, Interpretação de texto | Reading comprehension

    The text states that
    Escolha uma alternativa para a questão e8b94e79-dd
  • Linguagens

    Inglês

    Imagem da questão de Inglês, UERJ 2012, Interpretação de texto | Reading comprehension This made me wonder why I bother being critical of anything. (l. 3)

    The fragment above points to what motivated the blog writer to develop his reflection. His motivation is related to the:
    Escolha uma alternativa para a questão e95ecaa0-bf
  • Linguagens

    Inglês

    Imagem da questão de Inglês, UNIFESP 2012, Interpretação de texto | Reading comprehension

    In the excerpt from the third paragraph – may suffer from a variety of problems later in life –, the word may carries the idea of

    Escolha uma alternativa para a questão e979e60e-fe
  • Linguagens

    Inglês

    Instrução: Examine os anúncios para responder às questões de números 21 a 25.


    Imagem da questão de Inglês, UNESP 2012, Interpretação de texto | Reading comprehension

    Os dois anúncios têm em comum o fato de

    Escolha uma alternativa para a questão e99eb63a-78
  • Linguagens

    Inglês

    TEXT

         BRASÍLIA — Brazil’s highest court has long viewed itself as a bastion of manners and formality. Justices call one another “Your Excellency,” dress in billowing robes and wrap each utterance in grandiloquence, as if little had changed from the era when marquises and dukes held sway from their vast plantations.
         In one televised feud, Mr. Barbosa questioned another justice about whether he would even be on the court had he not been appointed by his cousin, a former president impeached in 1992. With another justice, Mr. Barbosa rebuked him over what the chief justice considered his condescending tone, telling him he was not his “capanga,” a term describing a hired thug. 
          In one of his most scathing comments, Mr. Barbosa, the high court’s first and only black justice, took on the entire legal system of Brazil — where it is still remarkably rare for politicians to ever spend time in prison, even after being convicted of crimes — contending that the mentality of judges was “conservative, pro-status-quo and pro-impunity.”
         “I have a temperament that doesn’t adapt well to politics,” Mr. Barbosa, 58, said in a recent interview in his quarters here in the Supreme Federal Tribunal, a modernist landmark designed by the architect Oscar Niemeyer. “It’s because I speak my mind so much.” 
         His acknowledged lack of tact notwithstanding, he is the driving force behind a series of socially liberal and establishment-shaking rulings, turning Brazil’s highest court — and him in particular — into a newfound political power and the subject of popular fascination. 
       The court’s recent rulings include a unanimous decision upholding the University of Brasília’s admissions policies aimed at increasing the number of black and indigenous students, opening the way for one of the Western Hemisphere’s most sweeping affirmative action laws for higher education. 
         In another move, Mr. Barbosa used his sway as chief justice and president of the panel overseeing Brazil’s judiciary to effectively legalize same-sex marriage across the country. And in an anticorruption crusade, he is overseeing the precedent-setting trial of senior political figures in the governing Workers Party for their roles in a vast vote-buying scheme.
       Ascending to Brazil’s high court, much less pushing the institution to assert its independence, long seemed out of reach for Mr. Barbosa, the eldest of eight children raised in Paracatu, an impoverished city in Minas Gerais State, where his father worked as a bricklayer.  
        But his prominence — not just on the court, but in the streets as well — is so well established that masks with his face were sold for Carnival, amateur musicians have composed songs about his handling of the corruption trial and posted them on YouTube, and demonstrators during the huge street protests that shook the nation this year told pollsters that Mr. Barbosa was one of their top choices for president in next year’s elections.
         While the protests have subsided since their height in June, the political tumult they set off persists. The race for president, once considered a shoo-in for the incumbent, Dilma Rousseff, is now up in the air, with Mr. Barbosa — who is now so much in the public eye that gossip columnists are following his romance with a woman in her 20s — repeatedly saying he will not run. “I’m not a candidate for anything,” he says. 
         But the same public glare that has turned him into a celebrity has singed him as well. While he has won widespread admiration for his guidance of the high court, Mr. Barbosa, like almost every other prominent political figure in Brazil, has recently come under scrutiny. And for someone accustomed to criticizing the so-called supersalaries awarded to some members of Brazil’s legal system, the revelations have put Mr. Barbosa on the defensive. 
         One report in the Brazilian news media described how he received about $180,000 in payments for untaken leaves of absence during his 19 years as a public prosecutor. (Such payments are common in some areas of Brazil’s large public bureaucracy.) Another noted that he bought an apartment in Miami through a limited liability company, suggesting an effort to pay less taxes on the property. In statements, Mr. Barbosa contends that he has done nothing wrong. 
         In a country where a majority of people now define themselves as black or of mixed race — but where blacks remain remarkably rare in the highest echelons of political institutions and corporations — Mr. Barbosa’s trajectory and abrupt manner have elicited both widespread admiration and a fair amount of resistance. 
         As a teenager, Mr. Barbosa moved to the capital, Brasília, finding work as a janitor in a courtroom. Against the odds, he got into the University of Brasília, the only black student in its law program at the time. Wanting to see the world, he later won admission into Brazil’s diplomatic service, which promptly sent him to Helsinki, the Finnish capital on the shore of the Baltic Sea. 
         Sensing that he would not advance much in the diplomatic service, which he has called “one of the most discriminatory institutions of Brazil,” Mr. Barbosa opted for a career as a prosecutor. He alternated between legal investigations in Brazil and studies abroad, gaining fluency in English, French and German, and earning a doctorate in law at Pantheon-Assas University in Paris. 
       Fascinated by the legal systems of other countries, Mr. Barbosa wrote a book on affirmative action in the United States. He still voices his admiration for figures like Thurgood Marshall, the first black Supreme Court justice in the United States, and William J. Brennan Jr., who for years embodied the court’s liberal vision, clearly drawing inspiration from them as he pushed Brazil’s high court toward socially liberal rulings.
        Still, no decision has thrust Mr. Barbosa into Brazil’s public imagination as much as his handling of the trial of political operatives, legislators and bankers found guilty in a labyrinthine corruption scandal called the mensalão, or big monthly allowance, after the regular payments made to lawmakers in exchange for their votes. 
        Last November, at Mr. Barbosa’s urging, the high court sentenced some of the most powerful figures in the governing Workers Party to years in prison for their crimes in the scheme, including bribery and unlawful conspiracy, jolting a political system in which impunity for politicians has been the norm.  
         Now the mensalão trial is entering what could be its final phases, and Mr. Barbosa has at times been visibly exasperated that defendants who have already been found guilty and sentenced have managed to avoid hard jail time. He has clashed with other justices over their consideration of a rare legal procedure in which appeals over close votes at the high court are examined. 
         Losing his patience with one prominent justice, Ricardo Lewandowski, who tried to absolve some defendants of certain crimes, Mr. Barbosa publicly accused him this month of “chicanery” by using legalese to prop up certain positions. An outcry ensued among some who could not stomach Mr. Barbosa’s talking to a fellow justice like that. “Who does Justice Joaquim Barbosa think he is?” asked Ricardo Noblat, a columnist for the newspaper O Globo, questioning whether Mr. Barbosa was qualified to preside over the court. “What powers does he think he has just because he’s sitting in the chair of the chief justice of the Supreme Federal Tribunal?” 
          Mr. Barbosa did not apologize. In the interview, he said some tension was necessary for the court to function properly. “It was always like this,” he said, contending that arguments are now just easier to see because the court’s proceedings are televised. 
         Linking the court’s work to the recent wave of protests, he explained that he strongly disagreed with the violence of some demonstrators, but he also said he believed that the street movements were “a sign of democracy’s exuberance.” 
         “People don’t want to passively stand by and observe these arrangements of the elite, which were always the Brazilian tradition,” he said. 
    When Mr. Barbosa was a teenager, he was employed as a
    Escolha uma alternativa para a questão e9af1dee-b8
  • Linguagens

    Inglês

    TEXT

         BRASÍLIA — Brazil’s highest court has long viewed itself as a bastion of manners and formality. Justices call one another “Your Excellency,” dress in billowing robes and wrap each utterance in grandiloquence, as if little had changed from the era when marquises and dukes held sway from their vast plantations.
         In one televised feud, Mr. Barbosa questioned another justice about whether he would even be on the court had he not been appointed by his cousin, a former president impeached in 1992. With another justice, Mr. Barbosa rebuked him over what the chief justice considered his condescending tone, telling him he was not his “capanga,” a term describing a hired thug. 
          In one of his most scathing comments, Mr. Barbosa, the high court’s first and only black justice, took on the entire legal system of Brazil — where it is still remarkably rare for politicians to ever spend time in prison, even after being convicted of crimes — contending that the mentality of judges was “conservative, pro-status-quo and pro-impunity.”
         “I have a temperament that doesn’t adapt well to politics,” Mr. Barbosa, 58, said in a recent interview in his quarters here in the Supreme Federal Tribunal, a modernist landmark designed by the architect Oscar Niemeyer. “It’s because I speak my mind so much.” 
         His acknowledged lack of tact notwithstanding, he is the driving force behind a series of socially liberal and establishment-shaking rulings, turning Brazil’s highest court — and him in particular — into a newfound political power and the subject of popular fascination. 
       The court’s recent rulings include a unanimous decision upholding the University of Brasília’s admissions policies aimed at increasing the number of black and indigenous students, opening the way for one of the Western Hemisphere’s most sweeping affirmative action laws for higher education. 
         In another move, Mr. Barbosa used his sway as chief justice and president of the panel overseeing Brazil’s judiciary to effectively legalize same-sex marriage across the country. And in an anticorruption crusade, he is overseeing the precedent-setting trial of senior political figures in the governing Workers Party for their roles in a vast vote-buying scheme.
       Ascending to Brazil’s high court, much less pushing the institution to assert its independence, long seemed out of reach for Mr. Barbosa, the eldest of eight children raised in Paracatu, an impoverished city in Minas Gerais State, where his father worked as a bricklayer.  
        But his prominence — not just on the court, but in the streets as well — is so well established that masks with his face were sold for Carnival, amateur musicians have composed songs about his handling of the corruption trial and posted them on YouTube, and demonstrators during the huge street protests that shook the nation this year told pollsters that Mr. Barbosa was one of their top choices for president in next year’s elections.
         While the protests have subsided since their height in June, the political tumult they set off persists. The race for president, once considered a shoo-in for the incumbent, Dilma Rousseff, is now up in the air, with Mr. Barbosa — who is now so much in the public eye that gossip columnists are following his romance with a woman in her 20s — repeatedly saying he will not run. “I’m not a candidate for anything,” he says. 
         But the same public glare that has turned him into a celebrity has singed him as well. While he has won widespread admiration for his guidance of the high court, Mr. Barbosa, like almost every other prominent political figure in Brazil, has recently come under scrutiny. And for someone accustomed to criticizing the so-called supersalaries awarded to some members of Brazil’s legal system, the revelations have put Mr. Barbosa on the defensive. 
         One report in the Brazilian news media described how he received about $180,000 in payments for untaken leaves of absence during his 19 years as a public prosecutor. (Such payments are common in some areas of Brazil’s large public bureaucracy.) Another noted that he bought an apartment in Miami through a limited liability company, suggesting an effort to pay less taxes on the property. In statements, Mr. Barbosa contends that he has done nothing wrong. 
         In a country where a majority of people now define themselves as black or of mixed race — but where blacks remain remarkably rare in the highest echelons of political institutions and corporations — Mr. Barbosa’s trajectory and abrupt manner have elicited both widespread admiration and a fair amount of resistance. 
         As a teenager, Mr. Barbosa moved to the capital, Brasília, finding work as a janitor in a courtroom. Against the odds, he got into the University of Brasília, the only black student in its law program at the time. Wanting to see the world, he later won admission into Brazil’s diplomatic service, which promptly sent him to Helsinki, the Finnish capital on the shore of the Baltic Sea. 
         Sensing that he would not advance much in the diplomatic service, which he has called “one of the most discriminatory institutions of Brazil,” Mr. Barbosa opted for a career as a prosecutor. He alternated between legal investigations in Brazil and studies abroad, gaining fluency in English, French and German, and earning a doctorate in law at Pantheon-Assas University in Paris. 
       Fascinated by the legal systems of other countries, Mr. Barbosa wrote a book on affirmative action in the United States. He still voices his admiration for figures like Thurgood Marshall, the first black Supreme Court justice in the United States, and William J. Brennan Jr., who for years embodied the court’s liberal vision, clearly drawing inspiration from them as he pushed Brazil’s high court toward socially liberal rulings.
        Still, no decision has thrust Mr. Barbosa into Brazil’s public imagination as much as his handling of the trial of political operatives, legislators and bankers found guilty in a labyrinthine corruption scandal called the mensalão, or big monthly allowance, after the regular payments made to lawmakers in exchange for their votes. 
        Last November, at Mr. Barbosa’s urging, the high court sentenced some of the most powerful figures in the governing Workers Party to years in prison for their crimes in the scheme, including bribery and unlawful conspiracy, jolting a political system in which impunity for politicians has been the norm.  
         Now the mensalão trial is entering what could be its final phases, and Mr. Barbosa has at times been visibly exasperated that defendants who have already been found guilty and sentenced have managed to avoid hard jail time. He has clashed with other justices over their consideration of a rare legal procedure in which appeals over close votes at the high court are examined. 
         Losing his patience with one prominent justice, Ricardo Lewandowski, who tried to absolve some defendants of certain crimes, Mr. Barbosa publicly accused him this month of “chicanery” by using legalese to prop up certain positions. An outcry ensued among some who could not stomach Mr. Barbosa’s talking to a fellow justice like that. “Who does Justice Joaquim Barbosa think he is?” asked Ricardo Noblat, a columnist for the newspaper O Globo, questioning whether Mr. Barbosa was qualified to preside over the court. “What powers does he think he has just because he’s sitting in the chair of the chief justice of the Supreme Federal Tribunal?” 
          Mr. Barbosa did not apologize. In the interview, he said some tension was necessary for the court to function properly. “It was always like this,” he said, contending that arguments are now just easier to see because the court’s proceedings are televised. 
         Linking the court’s work to the recent wave of protests, he explained that he strongly disagreed with the violence of some demonstrators, but he also said he believed that the street movements were “a sign of democracy’s exuberance.” 
         “People don’t want to passively stand by and observe these arrangements of the elite, which were always the Brazilian tradition,” he said. 
    According to the text, Mr. Barbosa’s eminence could truly be seen when
    Escolha uma alternativa para a questão e9b31d8e-b8