Questões: Universidade Estadual do Centro-Oeste (UNICENTRO) — com gabarito

LAVADO, Joaquín Salvador (QUINO). In: ¡Qué mala es la gente! Buenos Aires: Ediciones de la Flor, s/d. p. 106.

Puede interpretarse la historieta como

Backpacs” (title) - a large bag carried on the back.

“strap” (l. 2) - a strip of leather, cloth or other flexible material.

“lugging” (l. 5) - carrying something with great effort. “prof” (l. 8) - professor.

“sprains” (l. 18) - injuries.

“strains” (l. 18) - severe demands on physical strengh.

Backpacs” (title) - a large bag carried on the back.

“strap” (l. 2) - a strip of leather, cloth or other flexible material.

“lugging” (l. 5) - carrying something with great effort. “prof” (l. 8) - professor.

“sprains” (l. 18) - injuries.

“strains” (l. 18) - severe demands on physical strengh.

Backpacs” (title) - a large bag carried on the back.

“strap” (l. 2) - a strip of leather, cloth or other flexible material.

“lugging” (l. 5) - carrying something with great effort. “prof” (l. 8) - professor.

“sprains” (l. 18) - injuries.

“strains” (l. 18) - severe demands on physical strengh.

Backpacs” (title) - a large bag carried on the back.

“strap” (l. 2) - a strip of leather, cloth or other flexible material.

“lugging” (l. 5) - carrying something with great effort. “prof” (l. 8) - professor.

“sprains” (l. 18) - injuries.

“strains” (l. 18) - severe demands on physical strengh.

Backpacs” (title) - a large bag carried on the back.

“strap” (l. 2) - a strip of leather, cloth or other flexible material.

“lugging” (l. 5) - carrying something with great effort. “prof” (l. 8) - professor.

“sprains” (l. 18) - injuries.

“strains” (l. 18) - severe demands on physical strengh.

Backpacs” (title) - a large bag carried on the back.

“strap” (l. 2) - a strip of leather, cloth or other flexible material.

“lugging” (l. 5) - carrying something with great effort. “prof” (l. 8) - professor.

“sprains” (l. 18) - injuries.

“strains” (l. 18) - severe demands on physical strengh.

O lançamento da obra Quarto de despejo, em 1960, fez de Carolina de Jesus o maior sucesso editorial da história da literatura brasileira, com cerca de um milhão de cópias vendidas. A autora deixou registrado o seguinte depoimento:

“Enquanto escrevo vou pensando que resido num castelo cor de ouro que reluz na luz do sol. Que as janelas são de prata e as luzes de brilhantes. Que a minha vista circula no jardim e eu contemplo as flores de todas as qualidades.”(1976).

O depoimento de Carolina de Jesus atesta o seguinte sobre sua relação com a vida e com a sua obra Quarto de despejo: