Questões: Universidade do Contestado - Santa Catarina — com gabarito

De acordo com o texto 3, é correto o que se afirma em:

“O título pertence à consagrada série Para gostar de ler e reúne textos de cinco expoentes do período: Ana Cristina César, cuja poesia intimista ecoa até hoje, 25 anos após seu suicídio; Francisco Alvim, arquiteto de um verdadeiro painel sobre a sociedade da época; Cacaso, cuja obra resulta da interação entre sua memória afetiva e uma intensa pesquisa poética; Chacal, reprodutor da fala coloquial e do humor brasileiro; e, por fim, Paulo Leminski, que abusa dos espaços e da forma estética do texto com influência do Concretismo.”

Disponível em: <http://www2.correiodeuberlandia.com.br/imprimirMateria.php?tid=19682&pubDate=2006-07-14>. Acesso em 15-10-2012.

O comentário acima se refere à obra:

Em relação ao texto 1, é correto afirmar que:

Text

A French art expert believes a charcoal drawing kept in a collection for more than 150 years may be a preparatory sketch made by Leonardo da Vinci of the Mona Lisa.

The black-and-white drawing of a woman, nude from the waist up, known as the Monna Vanna, was previously attributed to Leonardo’s studio, suggesting it was done in his style by a pupil or follower, not by the master himself.

But after preliminary tests at the Louvre Museum, experts believe the sketch may well have been drawn by Leonardo.

Among the signs, according to curator Mathieu Deldicque, are the fact the drawing was made during the same period as the Mona Lisa, the paper is from the same region of Italy, and the technique is very similar to that of the Mona Lisa.

“We know the drawing was made during the lifetime of Leonardo da Vinci, we know that the paper was made in Italy, between Venice and Florence, and the third discovery is the high quality of this drawing in the face of the Monna Vanna and in her arms,” Deldicque told reporters.

“That’s very interesting because the arms are the same as the Mona Lisa‘s.”

Leonardo, who lived from 1452 to 1519, was an engineer, scientist, inventor and sculptor, as well as one of the finest artists of the Italian Renaissance.

He painted the Mona Lisa, also known as La Gioconda and regarded as the world’s most valuable artwork, at the beginning of the 16th century. It is believed to depict Lisa Gherardini, the wife of a successful merchant.

EXCITING

The charcoal portrait, in which the woman is holding a similar pose to the Mona Lisa but with her body more side-on and her head turned further over her left shoulder, has been held in a collection at the Conde Museum at the Palace of Chantilly, north of Paris, since 1862.

The Mona Lisa and Monna Vanna hold their hands in very similar ways, the right hand across the left and resting on the forearm, the fingers gently extended.

Deldicque said that while it was exciting to think the charcoal drawing was created by Leonardo, there were more tests to be done.

“We have one more month of analysis and then a very slow process of history of art with a collection of analysts and advice by specialists,” he said. 

It is possible that process will determine that the authorship is the same. But it may also be inconclusive, he said, adding:

“Maybe the mystery will remain.”

(Source: adapted from http://www.reuters.com/article/us-france-monalisa-sketch/is-16th-century-charcoal-sketch-a-naked-mona-lisa-idUSKCN1C42LD, retrieved on October 1, 2017) 

Text

A French art expert believes a charcoal drawing kept in a collection for more than 150 years may be a preparatory sketch made by Leonardo da Vinci of the Mona Lisa.

The black-and-white drawing of a woman, nude from the waist up, known as the Monna Vanna, was previously attributed to Leonardo’s studio, suggesting it was done in his style by a pupil or follower, not by the master himself.

But after preliminary tests at the Louvre Museum, experts believe the sketch may well have been drawn by Leonardo.

Among the signs, according to curator Mathieu Deldicque, are the fact the drawing was made during the same period as the Mona Lisa, the paper is from the same region of Italy, and the technique is very similar to that of the Mona Lisa.

“We know the drawing was made during the lifetime of Leonardo da Vinci, we know that the paper was made in Italy, between Venice and Florence, and the third discovery is the high quality of this drawing in the face of the Monna Vanna and in her arms,” Deldicque told reporters.

“That’s very interesting because the arms are the same as the Mona Lisa‘s.”

Leonardo, who lived from 1452 to 1519, was an engineer, scientist, inventor and sculptor, as well as one of the finest artists of the Italian Renaissance.

He painted the Mona Lisa, also known as La Gioconda and regarded as the world’s most valuable artwork, at the beginning of the 16th century. It is believed to depict Lisa Gherardini, the wife of a successful merchant.

EXCITING

The charcoal portrait, in which the woman is holding a similar pose to the Mona Lisa but with her body more side-on and her head turned further over her left shoulder, has been held in a collection at the Conde Museum at the Palace of Chantilly, north of Paris, since 1862.

The Mona Lisa and Monna Vanna hold their hands in very similar ways, the right hand across the left and resting on the forearm, the fingers gently extended.

Deldicque said that while it was exciting to think the charcoal drawing was created by Leonardo, there were more tests to be done.

“We have one more month of analysis and then a very slow process of history of art with a collection of analysts and advice by specialists,” he said. 

It is possible that process will determine that the authorship is the same. But it may also be inconclusive, he said, adding:

“Maybe the mystery will remain.”

(Source: adapted from http://www.reuters.com/article/us-france-monalisa-sketch/is-16th-century-charcoal-sketch-a-naked-mona-lisa-idUSKCN1C42LD, retrieved on October 1, 2017) 

Nas frases a seguir, preencha as lacunas com uma das preposições sugeridas entre parênteses e depois assinale a alternativa com a sequência correta.

l Nesse caso, é estranho que o Ministro do Meio Ambiente ignore as informações técnicas _____ que detém a posse. (sobre, com, de)

ll De acordo com as fontes _____ as quais mantive contato ontem, a mudança na legislação eleitoral não valerá para 2018. (com, perante, a)

lll Quando um homem _____ quem eu confiava me disse que havia uma solução para isso, eu acreditei. (a, em, de)

lV Logo cedo chegaram dois gaúchos pilchados e um vizinho meu recente, ____ cuja procedência não me lembro. (em, de, sobre)

V Ontem resolvi mandar uma carta à empresa _____ a qual o jornal fez uma longa reportagem, publicada na semana passada. (com, perante, sobre)

Considerando que as orações subordinadas adverbiais concessivas se opõem à ação da oração principal, mas sem impedir a sua realização, assinale a alternativa em que as duas orações entre colchetes são concessivas.

    A terra está ali, diante dos olhos e dos braços, uma imensa metade de um país imenso, mas aquela gente (quantas pessoas ao todo? 15 milhões? mais ainda?) não pode lá entrar para trabalhar, para viver com a dignidade simples que só o trabalho pode conferir, porque os voracíssimos descendentes daqueles homens que primeiro haviam dito: “Esta terra é minha”, e encontraram semelhantes seus bastante ingênuos para acreditar que era suficiente tê-lo dito, esses rodearam a terra de leis que os protegem, de polícias que os guardam, de governos que os representam e defendem, de pistoleiros pagos para matar.(José Saramago)

Disponível em:<http://www.fabianocartunista.com/2014/01/latifundio-e-reforma-agraria.html> Acesso: 23 de set. de 2017.

Which question can correctly be answered according to the text?

A educação para o trânsito e seus desafios

    Educar para o trânsito é um imenso desafio. Quando ensinamos alguém a adotar posturas e valores nas vias, deixamos claro que, para viver em sociedade, é necessário o pleno conhecimento e exercício dos direitos e deveres garantidos pelo Estado, valores éticos e respeito às diferenças. Não basta meramente ensinar as regras de circulação, sinalização ou mudanças na legislação. A educação para o trânsito de hoje requer que saibamos sensibilizar as pessoas sobre a importância de sermos agentes cooperadores e solidários no espaço coletivo.

    Para alguns é fácil ensinar “receitas de como fazer”: basta ter acesso ao Código de Trânsito Brasileiro e demais legislações pertinentes, um público alvo, um bom ambiente, um horário adequado e alguém motivado para colocar em prática. O problema é que de receitas assim o Brasil está cheio. Temos visto na internet uma enxurrada de matérias relacionadas ao trânsito que segue esse princípio. Encontramos pessoas assim em casa, na escola, no trabalho, em organizações, na igreja, na comunidade etc. [...]   

    Atualmente a educação para o trânsito transcende os limites da mera transmissão de leis, direitos e deveres. [...] É necessário mostrar ao outro que ele deve ser educado na vida e no trânsito para poder simplesmente “viver”, e que cada um é importante, independente de suas diferenças; deixar claro que o “solo” que pisamos é valioso e que a vida é fantástica.

   O bom educador de trânsito já entende que as “receitas de como fazer” são ultrapassadas. Fazemos o mais difícil, porém mais grandioso - ensinamos “como ser”. Mostramos que não basta ter o conhecimento das leis se não houver “educação”. Pouco vale o esforço se somos insensíveis para entendermos que no trânsito, mesmo sendo iguais, possuímos anseios e limitações diferentes. Se hoje somos pedestres, amanhã seremos condutores, se somos jovens, amanhã seremos idosos e o espaço público continuará o mesmo. Ser educado no trânsito é muito mais que manter em dia a documentação do veículo, ser um bom cidadão, nunca ter sido notificado por algum agente da autoridade de trânsito.

   Ser educado no trânsito é superar o constante desafio de olhar para o outro e ver sua própria face refletida. É notar que todos nós somos frágeis nessa selva de pedra. É perceber que o Deus que move o outro, nos move também.

Text 

"Many people do not wash their hands when the behavior in which they engage would warrant it," begins a recent study from Michigan State University, and I'm sorry to say it only gets grosser from there. Researchers sneakily observed 3,749 people in public restrooms and found that nearly all of them—95 percent—didn't wash their hands long enough to kill germs.

Even scarier, 15 percent of men and 7 percent of women did not wash their hands at all. When they did bother to turn on a faucet, half of men and 22 percent of women neglected to use soap! (Or, as the researchers describe it: They "attempted to wash their hands," but failed.)

The CDC says you need to wash your hands—with soap!—for at least 20 seconds in order to kill disease-causing germs.

Alas, the people in this study only washed their hands for an average of 6 seconds (...)

This extensive study founds lots of other interesting tidbits about hand-washing habits. Here are a few:

• People were more likely to wash their hands in the morning

• People were less likely to wash their hands if the sink was dirty

• People were more likely to wash their hands if there was sign to remind them

Other hand-washing research has found that college students are disgusting, people will wash their hands if they're being watched, and antibacterial soap isn't much better than the regular kind.

The study appears in the Journal of Environmental Health.

(Source: adapted from https://www.popsci.com/science/article/2013-06/only-5-percent-people-wash-their-hands-correctly)

Text 

"Many people do not wash their hands when the behavior in which they engage would warrant it," begins a recent study from Michigan State University, and I'm sorry to say it only gets grosser from there. Researchers sneakily observed 3,749 people in public restrooms and found that nearly all of them—95 percent—didn't wash their hands long enough to kill germs.

Even scarier, 15 percent of men and 7 percent of women did not wash their hands at all. When they did bother to turn on a faucet, half of men and 22 percent of women neglected to use soap! (Or, as the researchers describe it: They "attempted to wash their hands," but failed.)

The CDC says you need to wash your hands—with soap!—for at least 20 seconds in order to kill disease-causing germs.

Alas, the people in this study only washed their hands for an average of 6 seconds (...)

This extensive study founds lots of other interesting tidbits about hand-washing habits. Here are a few:

• People were more likely to wash their hands in the morning

• People were less likely to wash their hands if the sink was dirty

• People were more likely to wash their hands if there was sign to remind them

Other hand-washing research has found that college students are disgusting, people will wash their hands if they're being watched, and antibacterial soap isn't much better than the regular kind.

The study appears in the Journal of Environmental Health.

(Source: adapted from https://www.popsci.com/science/article/2013-06/only-5-percent-people-wash-their-hands-correctly)

Text

A French art expert believes a charcoal drawing kept in a collection for more than 150 years may be a preparatory sketch made by Leonardo da Vinci of the Mona Lisa.

The black-and-white drawing of a woman, nude from the waist up, known as the Monna Vanna, was previously attributed to Leonardo’s studio, suggesting it was done in his style by a pupil or follower, not by the master himself.

But after preliminary tests at the Louvre Museum, experts believe the sketch may well have been drawn by Leonardo.

Among the signs, according to curator Mathieu Deldicque, are the fact the drawing was made during the same period as the Mona Lisa, the paper is from the same region of Italy, and the technique is very similar to that of the Mona Lisa.

“We know the drawing was made during the lifetime of Leonardo da Vinci, we know that the paper was made in Italy, between Venice and Florence, and the third discovery is the high quality of this drawing in the face of the Monna Vanna and in her arms,” Deldicque told reporters.

“That’s very interesting because the arms are the same as the Mona Lisa‘s.”

Leonardo, who lived from 1452 to 1519, was an engineer, scientist, inventor and sculptor, as well as one of the finest artists of the Italian Renaissance.

He painted the Mona Lisa, also known as La Gioconda and regarded as the world’s most valuable artwork, at the beginning of the 16th century. It is believed to depict Lisa Gherardini, the wife of a successful merchant.

EXCITING

The charcoal portrait, in which the woman is holding a similar pose to the Mona Lisa but with her body more side-on and her head turned further over her left shoulder, has been held in a collection at the Conde Museum at the Palace of Chantilly, north of Paris, since 1862.

The Mona Lisa and Monna Vanna hold their hands in very similar ways, the right hand across the left and resting on the forearm, the fingers gently extended.

Deldicque said that while it was exciting to think the charcoal drawing was created by Leonardo, there were more tests to be done.

“We have one more month of analysis and then a very slow process of history of art with a collection of analysts and advice by specialists,” he said. 

It is possible that process will determine that the authorship is the same. But it may also be inconclusive, he said, adding:

“Maybe the mystery will remain.”

(Source: adapted from http://www.reuters.com/article/us-france-monalisa-sketch/is-16th-century-charcoal-sketch-a-naked-mona-lisa-idUSKCN1C42LD, retrieved on October 1, 2017) 

Text

A French art expert believes a charcoal drawing kept in a collection for more than 150 years may be a preparatory sketch made by Leonardo da Vinci of the Mona Lisa.

The black-and-white drawing of a woman, nude from the waist up, known as the Monna Vanna, was previously attributed to Leonardo’s studio, suggesting it was done in his style by a pupil or follower, not by the master himself.

But after preliminary tests at the Louvre Museum, experts believe the sketch may well have been drawn by Leonardo.

Among the signs, according to curator Mathieu Deldicque, are the fact the drawing was made during the same period as the Mona Lisa, the paper is from the same region of Italy, and the technique is very similar to that of the Mona Lisa.

“We know the drawing was made during the lifetime of Leonardo da Vinci, we know that the paper was made in Italy, between Venice and Florence, and the third discovery is the high quality of this drawing in the face of the Monna Vanna and in her arms,” Deldicque told reporters.

“That’s very interesting because the arms are the same as the Mona Lisa‘s.”

Leonardo, who lived from 1452 to 1519, was an engineer, scientist, inventor and sculptor, as well as one of the finest artists of the Italian Renaissance.

He painted the Mona Lisa, also known as La Gioconda and regarded as the world’s most valuable artwork, at the beginning of the 16th century. It is believed to depict Lisa Gherardini, the wife of a successful merchant.

EXCITING

The charcoal portrait, in which the woman is holding a similar pose to the Mona Lisa but with her body more side-on and her head turned further over her left shoulder, has been held in a collection at the Conde Museum at the Palace of Chantilly, north of Paris, since 1862.

The Mona Lisa and Monna Vanna hold their hands in very similar ways, the right hand across the left and resting on the forearm, the fingers gently extended.

Deldicque said that while it was exciting to think the charcoal drawing was created by Leonardo, there were more tests to be done.

“We have one more month of analysis and then a very slow process of history of art with a collection of analysts and advice by specialists,” he said. 

It is possible that process will determine that the authorship is the same. But it may also be inconclusive, he said, adding:

“Maybe the mystery will remain.”

(Source: adapted from http://www.reuters.com/article/us-france-monalisa-sketch/is-16th-century-charcoal-sketch-a-naked-mona-lisa-idUSKCN1C42LD, retrieved on October 1, 2017) 

Relacione as colunas, considerando as especificidades e os diferentes aspectos apontados relativamente à poesia brasileira, e assinale a sequência correta.

(1) O sapo-tanoeiro,

Parnasiano aguado,

Diz: – “Meu cancioneiro

É bem martelado.”

(2) Enquanto pasta, alegre, o manso gado,

Minha bela Marília, nos sentemos

À sombra deste cedro levantado.

Um pouco meditemos

Na regular beleza,

Que em tudo quanto vive nos descobre

A sábia Natureza.

(3) Negras mulheres, suspendendo às tetas

Magras crianças, cujas bocas pretas

Rega o sangue das mães:

Outras, moças... mas nuas, espantadas,

Em ânsia e mágoa vãs.

(4) Caminhando contra o vento

sem lenço, sem documento

no sol de quase dezembro

eu vou.

(5) Se eu morresse amanhã, viria ao menos

Fechar meus olhos minha triste irmã;

Minha mãe de saudades morreria

Seu eu morresse amanhã.

(6) Vai-se a primeira pomba despertada...

Vai-se outra mais .. mais outra... enfim dezenas

De pombas vão-se dos pombais, apenas

Raia sanguínea e fresca a madrugada...

( ) O tropicalismo, movimento libertário por excelência da década de 1960 no Brasil, durou pouco mais de um ano e acabou reprimido pelo governo militar.

( ) As principais características da poesia produzida por essa geração são: o individualismo, egocentrismo, o negativismo, a dúvida, a desilusão, o tédio e os sentimentos relacionados à fuga da realidade, que caracterizam o chamado ultra-romantismo.

( ) Configura a disposição dos modernistas de provocar uma ruptura com a arte do passado.

( ) O estilo parnasiano no texto beira a perfeição. O belo é a poesia com sua correção métrica gramatical, com versos decassílabos, modelo clássico de composição. O belo, o sublime e a natureza permeiam o poema.

( ) Os poetas condoreiros defendiam a liberdade e denunciavam as desigualdades sociais.

( ) Os poetas árcades veem a natureza em perfeito equilíbrio e harmonia.