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<http://tinyurl.com/y9oe2k3n> Acesso em: 16.06.2017.
O efeito de humor do cartum advém do fato de o garoto
Text
A French art expert believes a charcoal drawing kept in a collection for more than 150 years may be a preparatory sketch made by Leonardo da Vinci of the Mona Lisa.
The black-and-white drawing of a woman, nude from the waist up, known as the Monna Vanna, was previously attributed to Leonardo’s studio, suggesting it was done in his style by a pupil or follower, not by the master himself.
But after preliminary tests at the Louvre Museum, experts believe the sketch may well have been drawn by Leonardo.
Among the signs, according to curator Mathieu Deldicque, are the fact the drawing was made during the same period as the Mona Lisa, the paper is from the same region of Italy, and the technique is very similar to that of the Mona Lisa.
“We know the drawing was made during the lifetime of Leonardo da Vinci, we know that the paper was made in Italy, between Venice and Florence, and the third discovery is the high quality of this drawing in the face of the Monna Vanna and in her arms,” Deldicque told reporters.
“That’s very interesting because the arms are the same as the Mona Lisa‘s.”
Leonardo, who lived from 1452 to 1519, was an engineer, scientist, inventor and sculptor, as well as one of the finest artists of the Italian Renaissance.
He painted the Mona Lisa, also known as La Gioconda and regarded as the world’s most valuable artwork, at the beginning of the 16th century. It is believed to depict Lisa Gherardini, the wife of a successful merchant.
EXCITING
The charcoal portrait, in which the woman is holding a similar pose to the Mona Lisa but with her body more side-on and her head turned further over her left shoulder, has been held in a collection at the Conde Museum at the Palace of Chantilly, north of Paris, since 1862.
The Mona Lisa and Monna Vanna hold their hands in very similar ways, the right hand across the left and resting on the forearm, the fingers gently extended.
Deldicque said that while it was exciting to think the charcoal drawing was created by Leonardo, there were more tests to be done.
“We have one more month of analysis and then a very slow process of history of art with a collection of analysts and advice by specialists,” he said.
It is possible that process will determine that the authorship is the same. But it may also be inconclusive, he said, adding:
“Maybe the mystery will remain.”
(Source: adapted from http://www.reuters.com/article/us-france-monalisa-sketch/is-16th-century-charcoal-sketch-a-naked-mona-lisa-idUSKCN1C42LD, retrieved on October 1, 2017)
Text
A French art expert believes a charcoal drawing kept in a collection for more than 150 years may be a preparatory sketch made by Leonardo da Vinci of the Mona Lisa.
The black-and-white drawing of a woman, nude from the waist up, known as the Monna Vanna, was previously attributed to Leonardo’s studio, suggesting it was done in his style by a pupil or follower, not by the master himself.
But after preliminary tests at the Louvre Museum, experts believe the sketch may well have been drawn by Leonardo.
Among the signs, according to curator Mathieu Deldicque, are the fact the drawing was made during the same period as the Mona Lisa, the paper is from the same region of Italy, and the technique is very similar to that of the Mona Lisa.
“We know the drawing was made during the lifetime of Leonardo da Vinci, we know that the paper was made in Italy, between Venice and Florence, and the third discovery is the high quality of this drawing in the face of the Monna Vanna and in her arms,” Deldicque told reporters.
“That’s very interesting because the arms are the same as the Mona Lisa‘s.”
Leonardo, who lived from 1452 to 1519, was an engineer, scientist, inventor and sculptor, as well as one of the finest artists of the Italian Renaissance.
He painted the Mona Lisa, also known as La Gioconda and regarded as the world’s most valuable artwork, at the beginning of the 16th century. It is believed to depict Lisa Gherardini, the wife of a successful merchant.
EXCITING
The charcoal portrait, in which the woman is holding a similar pose to the Mona Lisa but with her body more side-on and her head turned further over her left shoulder, has been held in a collection at the Conde Museum at the Palace of Chantilly, north of Paris, since 1862.
The Mona Lisa and Monna Vanna hold their hands in very similar ways, the right hand across the left and resting on the forearm, the fingers gently extended.
Deldicque said that while it was exciting to think the charcoal drawing was created by Leonardo, there were more tests to be done.
“We have one more month of analysis and then a very slow process of history of art with a collection of analysts and advice by specialists,” he said.
It is possible that process will determine that the authorship is the same. But it may also be inconclusive, he said, adding:
“Maybe the mystery will remain.”
(Source: adapted from http://www.reuters.com/article/us-france-monalisa-sketch/is-16th-century-charcoal-sketch-a-naked-mona-lisa-idUSKCN1C42LD, retrieved on October 1, 2017)
Nas frases a seguir, preencha as lacunas com uma das preposições sugeridas entre parênteses e depois assinale a alternativa com a sequência correta.
l Nesse caso, é estranho que o Ministro do Meio Ambiente ignore as informações técnicas _____ que detém a posse. (sobre, com, de)
ll De acordo com as fontes _____ as quais mantive contato ontem, a mudança na legislação eleitoral não valerá para 2018. (com, perante, a)
lll Quando um homem _____ quem eu confiava me disse que havia uma solução para isso, eu acreditei. (a, em, de)
lV Logo cedo chegaram dois gaúchos pilchados e um vizinho meu recente, ____ cuja procedência não me lembro. (em, de, sobre)
V Ontem resolvi mandar uma carta à empresa _____ a qual o jornal fez uma longa reportagem, publicada na semana
passada. (com, perante, sobre)
Considerando que as orações subordinadas adverbiais concessivas se opõem à ação da oração principal, mas sem impedir a sua realização, assinale a alternativa em que as duas orações entre colchetes são concessivas.

A terra está ali, diante dos olhos e dos braços, uma imensa metade de um país imenso, mas aquela gente (quantas pessoas ao todo? 15 milhões? mais ainda?) não pode lá entrar para trabalhar, para viver com a dignidade simples que só o trabalho pode conferir, porque os voracíssimos descendentes daqueles homens que primeiro haviam dito: “Esta terra é minha”, e encontraram semelhantes seus bastante ingênuos para acreditar que era suficiente tê-lo dito, esses rodearam a terra de leis que os protegem, de polícias que os guardam, de governos que os representam e defendem, de pistoleiros pagos para matar.(José Saramago)
Disponível em:<http://www.fabianocartunista.com/2014/01/latifundio-e-reforma-agraria.html> Acesso: 23 de set. de 2017.
__________ is your birthday?
It is ________ November.
Great! We ________ celebrate together.