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Questões do ENEM: Linguagens

Use os filtros para chegar às questões que interessam. Cada resultado abre em uma página própria com enunciado, alternativas e gabarito.

Resultados: 18.995 questões

Página 336 de 950

  • Linguagens

    Português

    Figura 1 de 4 da questão de Português, UECE 2019, Interpretação de Textos

    Figura 2 de 4 da questão de Português, UECE 2019, Interpretação de Textos

    Figura 3 de 4 da questão de Português, UECE 2019, Interpretação de Textos

    Figura 4 de 4 da questão de Português, UECE 2019, Interpretação de Textos

    A intertextualidade é um dos fatores responsáveis pela construção de sentido. Ela é percebida quando o leitor recupera, no texto em tela, informações de outros textos que se encontram explícitas ou inferidas. Sobre essa questão, considere as seguintes afirmativas:

    I. “Nem as águas de março que acabaram de fechar o verão são promessa de uma trégua” (linhas 52-54).

    II. “Essa bárbara segregação social que o Brasil tem, esse apartheid social [...] criou condições para haver comunidades extremamente vulneráveis [...]” (linhas 82- 86).

    III. “Essa complexidade urbana não aparenta que será modificada nos próximos anos” (linhas 92-94).

    É correto afirmar que há intertextualidade em

    Escolha uma alternativa para a questão cb84263c-9c
  • Linguagens

    Português

    Figura 1 de 2 da questão de Português, UECE 2019, Interpretação de Textos

    Figura 2 de 2 da questão de Português, UECE 2019, Interpretação de Textos

    Se compreendermos o texto 1 como um paradigma da representação do mundo contemporâneo, é correto afirmar que
    Escolha uma alternativa para a questão cb780587-9c
  • Linguagens

    Português

    Figura 1 de 2 da questão de Português, UECE 2019, Interpretação de Textos

    Figura 2 de 2 da questão de Português, UECE 2019, Interpretação de Textos

    Sobre o texto 1, uma canção de Chico Buarque de Hollanda e Bob Russel, é INCORRETO afirmar que
    Escolha uma alternativa para a questão cb6eb72e-9c
  • Linguagens

    Inglês

    Figura 1 de 2 da questão de Inglês, UERJ 2019, Interpretação de texto | Reading comprehension

    Figura 2 de 2 da questão de Inglês, UERJ 2019, Interpretação de texto | Reading comprehension

    people who believe that our planet is not round (l. 1-2)

    The expression from the text which refers to this same group of people is:

    Escolha uma alternativa para a questão dad267d3-8c
  • Linguagens

    Inglês

    Figura 1 de 2 da questão de Inglês, UERJ 2019, Interpretação de texto | Reading comprehension

    Figura 2 de 2 da questão de Inglês, UERJ 2019, Interpretação de texto | Reading comprehension

    The texts Sobreviveremos na Terra? and The flat Earth cruise: seriously, people? share one issue.

    The issue mentioned in both texts is the following one: 

    Escolha uma alternativa para a questão dac8aa97-8c
  • Linguagens

    Português

    O conto a seguir foi retirado do livro Hora de Alimentar Serpentes, de Marina Colasanti.


    Para Começar

    Desejou ter a beleza de uma árvore frondosa tatuada nas costas, copa espraiada sobre os ombros. Temendo, porém, o longo sofrimento imposto pelas agulhas, mandou tatuar na base da coluna, bem na base, a mínima semente.

    Na narrativa, o desejo inicial e a decisão final do personagem podem ser relacionados por meio da seguinte figura de linguagem:
    Escolha uma alternativa para a questão daae0bd6-8c
  • Linguagens

    Português

    O conto a seguir foi retirado do livro Hora de Alimentar Serpentes, de Marina Colasanti.


    Para Começar

    Desejou ter a beleza de uma árvore frondosa tatuada nas costas, copa espraiada sobre os ombros. Temendo, porém, o longo sofrimento imposto pelas agulhas, mandou tatuar na base da coluna, bem na base, a mínima semente.

    Observe a imagem abaixo, que reproduz o quadro de René Magritte chamado “A Clarividência”.

    Imagem da questão de Português, UERJ 2019, Interpretação de Textos

    O par “semente-árvore” do conto pode ser comparado ao par “ovo-ave” do quadro, devido a uma mesma relação existente entre os elementos de cada par.

    Essa relação expressa, no contexto das duas obras, a ideia de:

    Escolha uma alternativa para a questão daa36547-8c
  • Linguagens

    Português

    Figura 1 de 2 da questão de Português, UERJ 2019, Figuras de Linguagem

    Figura 2 de 2 da questão de Português, UERJ 2019, Figuras de Linguagem

    Para valorizar poeticamente os violinos, combinam-se duas figuras de linguagem, o eufemismo e a personificação.

    Essa combinação se encontra em:

    Escolha uma alternativa para a questão da89d76c-8c
  • Linguagens

    Português

    Figura 1 de 2 da questão de Português, UERJ 2019, Interpretação de Textos

    Figura 2 de 2 da questão de Português, UERJ 2019, Interpretação de Textos

    Como resultado, temos nos voltado para políticos populistas, com experiência de governo limitada e cuja capacidade para tomar decisões ponderadas em uma crise ainda está para ser testada. (l. 7-9)

    No trecho acima, Stephen Hawking faz uma afirmação cujo conteúdo se desdobra nas cinco frases subsequentes.

    Essas cinco frases cumprem o propósito de:

    Escolha uma alternativa para a questão da72c830-8c
  • Linguagens

    Português

    Figura 1 de 2 da questão de Português, UERJ 2019, Interpretação de Textos

    Figura 2 de 2 da questão de Português, UERJ 2019, Interpretação de Textos

    OBAMA ACRESCENTA A SEU LEGADO A LUTA CONTRA A MUDANÇA CLIMÁTICA

    O presidente dos Estados Unidos, Barack Obama, revelou, em agosto de 2015, seu plano definitivo para reduzir as emissões de dióxido de carbono na atmosfera, consideradas as principais responsáveis pelo aquecimento global. É a primeira vez que um presidente norte-americano determina limites para as emissões das usinas de energia do país. “A mudança climática já não é um problema das gerações futuras”, afirma o presidente num vídeo publicado em sua página no Facebook. Nele, Obama descreve o novo plano como “o maior e mais importante passo dado pelos E.U.A. na luta contra o aquecimento global”. As previsões mais recentes indicam graves consequências se a temperatura global média subir 2 °C. Como Obama alerta no vídeo mencionado, seu conjunto de medidas “pode não ser suficiente”.

    Adaptado de brasil.elpais.com, agosto/2015.

    DONALD TRUMP DECIDE RETIRAR E.U.A. DO ACORDO CLIMÁTICO DE PARIS

    O presidente dos Estados Unidos, Donald Trump, anunciou em junho de 2017 que o país sairá do Acordo de Paris. Em declaração realizada nos jardins da Casa Branca, afirmou: “Para proteger a América e seus cidadãos, os Estados Unidos se retirarão do Acordo Climático de Paris. Mas começaremos a rediscutir esses acordos em termos justos para os trabalhadores e os contribuintes: estamos saindo, mas iniciaremos negociações para um acordo justo”. A saída norte-americana abre precedente para que outros Estados repensem e até desistam do Acordo de 2015, algo considerado extremamente preocupante por especialistas no assunto. Afinal, o tratado também deseja garantir que o aumento da temperatura média global fique 2 °C abaixo dos níveis da época pré-industrial, além de prosseguir com os esforços para limitar o aumento da temperatura em até 1,5 °C.

    Adaptado de revistagalileu.globo.com, junho/2017.


    A diferença entre as posições de Barack Obama e Donald Trump, quanto aos problemas relacionados à mudança climática na atualidade, está associada, respectivamente, aos seguintes aspectos:

    Escolha uma alternativa para a questão da638677-8c
  • Linguagens

    Inglês

    Big Tech made the social media mess. It has to fix it

    Analysis by David Goldman, CNN Business


    Social media has given people a platform to spew hate speech and radical beliefs to other people, amplifying what are otherwise fringe opinions. A few have turned that hate into violence.

    Silicon Valley has built the biggest, most powerful companies in the world. Now, tech leaders have a responsibility to rein in the creations that have grown too unwieldy for them to control.

    These are businesses, and their leaders will have to And out how to do that without destroying their companies. So far, balancing Big Tech's responsibilities to society and its duties to investors has proven difficult.

    A difficult balance

    Facebook (FB) announced in July it would invest billions of dollars a year to improve safety and security on the platform. The company said the effort would come at the expense of user growth and profitability. The company's stock lost about a third of its value because investors were concerned about Facebook's growth stalling.

    Twitter has largely rid ISIS recruiters from the social network. Facebook and YouTube have labeled fake news stories as such. Yet, the work isn't close to done. Google has also made significant changes to YouTube's advertising policies after ads from 300 companies and organizations ran on channels promoting hate groups.

    "YouTube has strict policies that prohibit content which incites others to violence or promotes hatred," a YouTube spokesperson said. "We quickly remove videos violating our policies when flagged by our users."

    What seemed to cross no one's mind a decade ago was the potential downside to building a platform with billions of customers. So many posts can't possibly be monitored in real time. The networks gave the dregs of society the ability to reach like-minded people and poison the minds of others.

    Without that foresight, Silicon Valley allowed their creations to break down. They're not beyond repair, but fixing them will be costly and difficult. Whether Big Tech is up to the task will determine the fates of their platforms.

    Available: https://edition.cnn.com/2018/10/29/tech/social-media- -hate-speech/index.html. Access: 30 may 2019. Adapted. 


    Glossary: spew: lançar; fringe: periféricas; to rein in: controlar; unwieldy: desordenado; duties: deveres; profitability, lucro; stock: ação (no mercado); stalling: interrupção; flagged: sinalizados; dregs of society: pessoas inescrupulosas; like-minded: pessoas que compartilham ideias semelhantes; poison: envenenar; foresight: visão; beyond repair: sem conserto; up to the task: à altura da tarefa.

    YouTube’s action to restrict content which promotes violence and/or hatred was to
    Escolha uma alternativa para a questão 71442810-8b
  • Linguagens

    Português

    TEXTO 2


    MINHA INFÂNCIA (trecho)

    (Freudiana)

    Cora Coralina


    A rua... a rua!...

    (Atração lúdica, anseio vivo da criança,

    mundo sugestivo de maravilhosas descobertas)

    - proibida às meninas do meu tempo.

    Rígidos preconceitos familiares,

    normas abusivas de educação


    - emparedavam.


    Na quietude sepulcral da casa,

    era proibida, incomodava, a fala alta,

    a risada franca, o grito espontâneo,

    a turbulência ativa das crianças.


    Contenção. motivação.Comportamento estreito,

    limitando, estreitando exuberâncias,

    pisando sensibilidades.

    A gesta* dentro de mim...

    Um mundo heroico, sublimado,

    superposto, insuspeitado,

    misturado à realidade.

    *Gesta: composição poética que narra feitos memoráveis ou heroicos.

    CORALINA, Cora.[coordenação, apresentação crítica e biografia Darcy França Denófrio].(Coleção melhores poemas). São Paulo: Global, 2004. (p. 95 a 100).


    Cora Coralina (1889-1985), doutora honoris causa pela Universidade de Goiás, membro da Academia Goiana de Letras, recebeu, como poeta e ficcionista, o troféu Jabuti e o prêmio Juca Pato como intelectual do ano em 1984. Cora cursara somente o primário, mas poetara desde os 14 anos.

    TELLES, Norma. Escritoras, escritas, escrituras. In: PRIORE, Mary Del. (org.); PINSKY, Carla Bassanezi (coord. de textos). 10.ed. 6a. reimpr. São Paulo: Contexto, 2018. p.408-409.

    O enunciado “A rua... a rua!...”, no contexto do poema, constitui uma frase
    Escolha uma alternativa para a questão 704a4a0a-8b
  • Linguagens

    Português

    TEXTO 2


    MINHA INFÂNCIA (trecho)

    (Freudiana)

    Cora Coralina


    A rua... a rua!...

    (Atração lúdica, anseio vivo da criança,

    mundo sugestivo de maravilhosas descobertas)

    - proibida às meninas do meu tempo.

    Rígidos preconceitos familiares,

    normas abusivas de educação


    - emparedavam.


    Na quietude sepulcral da casa,

    era proibida, incomodava, a fala alta,

    a risada franca, o grito espontâneo,

    a turbulência ativa das crianças.


    Contenção. motivação.Comportamento estreito,

    limitando, estreitando exuberâncias,

    pisando sensibilidades.

    A gesta* dentro de mim...

    Um mundo heroico, sublimado,

    superposto, insuspeitado,

    misturado à realidade.

    *Gesta: composição poética que narra feitos memoráveis ou heroicos.

    CORALINA, Cora.[coordenação, apresentação crítica e biografia Darcy França Denófrio].(Coleção melhores poemas). São Paulo: Global, 2004. (p. 95 a 100).


    Cora Coralina (1889-1985), doutora honoris causa pela Universidade de Goiás, membro da Academia Goiana de Letras, recebeu, como poeta e ficcionista, o troféu Jabuti e o prêmio Juca Pato como intelectual do ano em 1984. Cora cursara somente o primário, mas poetara desde os 14 anos.

    TELLES, Norma. Escritoras, escritas, escrituras. In: PRIORE, Mary Del. (org.); PINSKY, Carla Bassanezi (coord. de textos). 10.ed. 6a. reimpr. São Paulo: Contexto, 2018. p.408-409.

    O trecho do poema de Cora Coralina revela inquietação quanto
    Escolha uma alternativa para a questão 704684ee-8b
  • Linguagens

    Português

    TEXTO 1


    NOS ANOS 1940, MULHERES FORAM PRESAS POR JOGAR FUTEBOL NAS RUAS DE BELO HORIZONTE

    Renan Damasceno /Estado de Minas


                               Imagem da questão de Português, CEDERJ 2019, Interpretação de Textos

                             Página original do Diário da Tarde (Foto: Arquivo EM)


    Em 1940, mulher jogando futebol em Belo Horizonte era caso de polícia. “Mulheres jogavam futebol à noite, no fim da linha de Lourdes”, chamava a atenção o Diário da Tarde de 20/4/1940. “O guarda prendeu as jogadoras e o seu treinador. Uma conseguiu escapar e trancar-se em casa”. O caso parece pitoresco, não fosse trágico, e revela um pouco sobre o preconceito dos primeiros registros de mulheres jogando futebol na capital mineira encontrados nos arquivos dos Diários Associados.


    Disponível em: https://www.mg.superesportes.com.br/app/noticias/futebol/interior/ 2019/03/22/noticia_interior,574010/nos-anos-1940-mulheres-foram-presas-por-jogar-futebol-nas-ruas-de-bel. shtml?fbclid=IwAR3S-N0oyIuAcC-U6vICoxuxSKonZYQ9p1 iMmDNHIqQvgPWDGB-Kb2_a__E?utm_ source=whatsapp&utm_medium=social

    A grafia de “ha”, “Bello Horizonte”, “team”, “ellas” e “rehabilitar” em “Ha dias noticiamos que em Bello Horizonte ia ser formado um ‘team’ feminino de futebol. Ellas, as doces filhas de Eva, queriam, segundo declaravam, rehabilitar o esporte...” provam que o texto é
    Escolha uma alternativa para a questão 7042408c-8b
  • Linguagens

    Português

    TEXTO 1


    NOS ANOS 1940, MULHERES FORAM PRESAS POR JOGAR FUTEBOL NAS RUAS DE BELO HORIZONTE

    Renan Damasceno /Estado de Minas


                               Imagem da questão de Português, CEDERJ 2019, Coesão e coerência

                             Página original do Diário da Tarde (Foto: Arquivo EM)


    Em 1940, mulher jogando futebol em Belo Horizonte era caso de polícia. “Mulheres jogavam futebol à noite, no fim da linha de Lourdes”, chamava a atenção o Diário da Tarde de 20/4/1940. “O guarda prendeu as jogadoras e o seu treinador. Uma conseguiu escapar e trancar-se em casa”. O caso parece pitoresco, não fosse trágico, e revela um pouco sobre o preconceito dos primeiros registros de mulheres jogando futebol na capital mineira encontrados nos arquivos dos Diários Associados.


    Disponível em: https://www.mg.superesportes.com.br/app/noticias/futebol/interior/ 2019/03/22/noticia_interior,574010/nos-anos-1940-mulheres-foram-presas-por-jogar-futebol-nas-ruas-de-bel. shtml?fbclid=IwAR3S-N0oyIuAcC-U6vICoxuxSKonZYQ9p1 iMmDNHIqQvgPWDGB-Kb2_a__E?utm_ source=whatsapp&utm_medium=social

    Em “O guarda prendeu as jogadoras e o seu treinador. – Uma conseguiu escapar e trancar-se em casa”, os elementos sublinhados atuam em uma
    Escolha uma alternativa para a questão 703e5639-8b
  • Linguagens

    Português

    TEXTO 1


    NOS ANOS 1940, MULHERES FORAM PRESAS POR JOGAR FUTEBOL NAS RUAS DE BELO HORIZONTE

    Renan Damasceno /Estado de Minas


                               Imagem da questão de Português, CEDERJ 2019, Análise sintática

                             Página original do Diário da Tarde (Foto: Arquivo EM)


    Em 1940, mulher jogando futebol em Belo Horizonte era caso de polícia. “Mulheres jogavam futebol à noite, no fim da linha de Lourdes”, chamava a atenção o Diário da Tarde de 20/4/1940. “O guarda prendeu as jogadoras e o seu treinador. Uma conseguiu escapar e trancar-se em casa”. O caso parece pitoresco, não fosse trágico, e revela um pouco sobre o preconceito dos primeiros registros de mulheres jogando futebol na capital mineira encontrados nos arquivos dos Diários Associados.


    Disponível em: https://www.mg.superesportes.com.br/app/noticias/futebol/interior/ 2019/03/22/noticia_interior,574010/nos-anos-1940-mulheres-foram-presas-por-jogar-futebol-nas-ruas-de-bel. shtml?fbclid=IwAR3S-N0oyIuAcC-U6vICoxuxSKonZYQ9p1 iMmDNHIqQvgPWDGB-Kb2_a__E?utm_ source=whatsapp&utm_medium=social

    A manchete do Jornal Estado de Minas “NOS ANOS 1940, MULHERES FORAM PRESAS POR JOGAR FUTEBOL NAS RUAS DE BELO HORIZONTE” reúne as informações básicas de um lide: o que aconteceu, com quem, quando, onde e por quê. Ao cumprir essa função, essa manchete foi estruturada a partir de uma oração que contém
    Escolha uma alternativa para a questão 70398351-8b
  • Linguagens

    Inglês

                   Fire Devastates Brazil's Oldest Science Museum

    The overnight inferno likely claimed fossils, cultural artifacts, and more irreplaceable collections amassed over 200 years.

                                                                                        By Michael Greshko                                                   ______________________________________

                                                                       PUBLISHED September 6, 2018


    Major pieces of Brazil's scientific and cultural heritage went up in smoke on September 2, as a devastating fire ripped through much of Rio de Janeiro's Museu Nacional, or National Museum. Founded in 1818, the museum is Brazil's oldest scientific institution and one of the largest and most renowned museums in Latin America, amassing a collection of some 20 million scientifically and culturally invaluable artifacts.

    The Museu Nacional's holdings include Luzia, an 11,500-year-old skull considered one of South America's oldest human fossils, as well as the bones of uniquely Brazilian creatures such as the long-necked dinosaur Maxakalisaurus. Because of the auction tastes of Brazil's 19th-century emperors, the Museu Nacional also ended up with Latin America's oldest collection of Egyptian mummies and artifacts.

    Even the building holds historical importance: It housed the exiled Portuguese royal family from 1808 to 1821, after they fled to Rio de Janeiro in 1807 to escape Napoleon. The complex also served as the palace for Brazil's post-independence emperors until 1889, before the museum collections were transferred there in 1902. In an September 5 email, Museu Nacional curator Débora Pires wrote that the entomology and arachnology collections were completely destroyed, as was most of the mollusk collection. However, technicians had braved the fire to save 80 percent of the mollusk holotypes—the specimens that formally serve as the global references for a given species. The museum's vertebrate specimens, herbarium, and library were housed separately and survived the fire.

    (…)

    An Irreplaceable Loss

    It's not yet clear how the fire started, but it did begin after the museum was closed to the public, and no injuries have yet been reported. Firefighters worked through the night to douse the burnt-out shell of the main building, but it seems the blaze has already seared a gaping hole in many scientists' careers.

    “The importance of the collections that were lost couldn't be overstated,” says Luiz Rocha, a Brazilian ichthyologist now at the California Academy of Sciences who has visited the Museu Nacional several times to study its collections. “They were unique as it gets: Many of them were irreplaceable, there's no way to put a monetary value on it.”

    “In terms of [my] life-long research agenda, I'm pretty much lost,” says Marcus Guidoti, a Brazilian entomologist finishing up his Ph.D. in a program co-run by Brazil's Federal University of Rio Grande do Sul.

    Guidoti studies lace bugs, an insect family with more than 2,000 species worldwide. The Museu Nacional held one of the world's largest lace bug collections, but the fire likely destroyed it and the rest of the museum's five million arthropod specimens. “Those type specimens can't be replaced, and they are crucial to understand the species,” he says by text message. “If I was willing to keep working on this family in this region of the globe, this was definitely a big hit.”

    Paleontologist Dimila Mothé, a postdoctoral researcher at the Federal University of the State of Rio de Janeiro, adds that the blows to science extend beyond the collections themselves. “It's not only the cultural history, the natural history, but all the theses and research developed there,” she says. “Most of the laboratories there were lost, too, and the research of several professors. I'm not sure you can say the impact of what was lost.”

    Brazil’s indigenous knowledge also has suffered. The Museu Nacional housed world-renowned collections of indigenous objects, as well as many audio recordings of indigenous languages from all over Brazil. Some of these recordings, now lost, were of languages that are no longer spoken.

    “I have no words to say how horrible this is,” says Brazilian anthropologist Mariana Françozo, an expert on South American indigenous objects at Leiden University. “The indigenous collections are a tremendous loss … we can no longer study them, we can no longer understand what our ancestors did. It’s heartbreaking.” 

    On Monday, The Brazilian publication G1 Rio reported that ashes of burned documents—some still flecked in notes or illustrations—have rained down from the sky more than a mile away from the Museu Nacional, thrown aloft by the inferno.

    (…)

    Editor's Note: This story was updated on September 6, 2018, with new details about which artifacts survived the fire. 

    Taken from: https://www.nationalgeographic.com/science/2018/09/news-museu-nacional-fire-rio-de-janeiro-natural-history/. Access: 11 dez. 2018.

    The correct reported speech form for the sentence “Most of the laboratories there were lost, too, and the research of several professors. I'm not sure you can say the impact of what was lost”, said by Dimila Mothé, is:
    Escolha uma alternativa para a questão 7fe92f2f-3e
  • Linguagens

    Inglês

                   Fire Devastates Brazil's Oldest Science Museum

    The overnight inferno likely claimed fossils, cultural artifacts, and more irreplaceable collections amassed over 200 years.

                                                                                        By Michael Greshko                                                   ______________________________________

                                                                       PUBLISHED September 6, 2018


    Major pieces of Brazil's scientific and cultural heritage went up in smoke on September 2, as a devastating fire ripped through much of Rio de Janeiro's Museu Nacional, or National Museum. Founded in 1818, the museum is Brazil's oldest scientific institution and one of the largest and most renowned museums in Latin America, amassing a collection of some 20 million scientifically and culturally invaluable artifacts.

    The Museu Nacional's holdings include Luzia, an 11,500-year-old skull considered one of South America's oldest human fossils, as well as the bones of uniquely Brazilian creatures such as the long-necked dinosaur Maxakalisaurus. Because of the auction tastes of Brazil's 19th-century emperors, the Museu Nacional also ended up with Latin America's oldest collection of Egyptian mummies and artifacts.

    Even the building holds historical importance: It housed the exiled Portuguese royal family from 1808 to 1821, after they fled to Rio de Janeiro in 1807 to escape Napoleon. The complex also served as the palace for Brazil's post-independence emperors until 1889, before the museum collections were transferred there in 1902. In an September 5 email, Museu Nacional curator Débora Pires wrote that the entomology and arachnology collections were completely destroyed, as was most of the mollusk collection. However, technicians had braved the fire to save 80 percent of the mollusk holotypes—the specimens that formally serve as the global references for a given species. The museum's vertebrate specimens, herbarium, and library were housed separately and survived the fire.

    (…)

    An Irreplaceable Loss

    It's not yet clear how the fire started, but it did begin after the museum was closed to the public, and no injuries have yet been reported. Firefighters worked through the night to douse the burnt-out shell of the main building, but it seems the blaze has already seared a gaping hole in many scientists' careers.

    “The importance of the collections that were lost couldn't be overstated,” says Luiz Rocha, a Brazilian ichthyologist now at the California Academy of Sciences who has visited the Museu Nacional several times to study its collections. “They were unique as it gets: Many of them were irreplaceable, there's no way to put a monetary value on it.”

    “In terms of [my] life-long research agenda, I'm pretty much lost,” says Marcus Guidoti, a Brazilian entomologist finishing up his Ph.D. in a program co-run by Brazil's Federal University of Rio Grande do Sul.

    Guidoti studies lace bugs, an insect family with more than 2,000 species worldwide. The Museu Nacional held one of the world's largest lace bug collections, but the fire likely destroyed it and the rest of the museum's five million arthropod specimens. “Those type specimens can't be replaced, and they are crucial to understand the species,” he says by text message. “If I was willing to keep working on this family in this region of the globe, this was definitely a big hit.”

    Paleontologist Dimila Mothé, a postdoctoral researcher at the Federal University of the State of Rio de Janeiro, adds that the blows to science extend beyond the collections themselves. “It's not only the cultural history, the natural history, but all the theses and research developed there,” she says. “Most of the laboratories there were lost, too, and the research of several professors. I'm not sure you can say the impact of what was lost.”

    Brazil’s indigenous knowledge also has suffered. The Museu Nacional housed world-renowned collections of indigenous objects, as well as many audio recordings of indigenous languages from all over Brazil. Some of these recordings, now lost, were of languages that are no longer spoken.

    “I have no words to say how horrible this is,” says Brazilian anthropologist Mariana Françozo, an expert on South American indigenous objects at Leiden University. “The indigenous collections are a tremendous loss … we can no longer study them, we can no longer understand what our ancestors did. It’s heartbreaking.” 

    On Monday, The Brazilian publication G1 Rio reported that ashes of burned documents—some still flecked in notes or illustrations—have rained down from the sky more than a mile away from the Museu Nacional, thrown aloft by the inferno.

    (…)

    Editor's Note: This story was updated on September 6, 2018, with new details about which artifacts survived the fire. 

    Taken from: https://www.nationalgeographic.com/science/2018/09/news-museu-nacional-fire-rio-de-janeiro-natural-history/. Access: 11 dez. 2018.

    The fire caused damages and losses in different areas of the National Museum, EXCEPT in:
    Escolha uma alternativa para a questão 7fe5d26e-3e
  • Linguagens

    Inglês

                   Fire Devastates Brazil's Oldest Science Museum

    The overnight inferno likely claimed fossils, cultural artifacts, and more irreplaceable collections amassed over 200 years.

                                                                                        By Michael Greshko                                                   ______________________________________

                                                                       PUBLISHED September 6, 2018


    Major pieces of Brazil's scientific and cultural heritage went up in smoke on September 2, as a devastating fire ripped through much of Rio de Janeiro's Museu Nacional, or National Museum. Founded in 1818, the museum is Brazil's oldest scientific institution and one of the largest and most renowned museums in Latin America, amassing a collection of some 20 million scientifically and culturally invaluable artifacts.

    The Museu Nacional's holdings include Luzia, an 11,500-year-old skull considered one of South America's oldest human fossils, as well as the bones of uniquely Brazilian creatures such as the long-necked dinosaur Maxakalisaurus. Because of the auction tastes of Brazil's 19th-century emperors, the Museu Nacional also ended up with Latin America's oldest collection of Egyptian mummies and artifacts.

    Even the building holds historical importance: It housed the exiled Portuguese royal family from 1808 to 1821, after they fled to Rio de Janeiro in 1807 to escape Napoleon. The complex also served as the palace for Brazil's post-independence emperors until 1889, before the museum collections were transferred there in 1902. In an September 5 email, Museu Nacional curator Débora Pires wrote that the entomology and arachnology collections were completely destroyed, as was most of the mollusk collection. However, technicians had braved the fire to save 80 percent of the mollusk holotypes—the specimens that formally serve as the global references for a given species. The museum's vertebrate specimens, herbarium, and library were housed separately and survived the fire.

    (…)

    An Irreplaceable Loss

    It's not yet clear how the fire started, but it did begin after the museum was closed to the public, and no injuries have yet been reported. Firefighters worked through the night to douse the burnt-out shell of the main building, but it seems the blaze has already seared a gaping hole in many scientists' careers.

    “The importance of the collections that were lost couldn't be overstated,” says Luiz Rocha, a Brazilian ichthyologist now at the California Academy of Sciences who has visited the Museu Nacional several times to study its collections. “They were unique as it gets: Many of them were irreplaceable, there's no way to put a monetary value on it.”

    “In terms of [my] life-long research agenda, I'm pretty much lost,” says Marcus Guidoti, a Brazilian entomologist finishing up his Ph.D. in a program co-run by Brazil's Federal University of Rio Grande do Sul.

    Guidoti studies lace bugs, an insect family with more than 2,000 species worldwide. The Museu Nacional held one of the world's largest lace bug collections, but the fire likely destroyed it and the rest of the museum's five million arthropod specimens. “Those type specimens can't be replaced, and they are crucial to understand the species,” he says by text message. “If I was willing to keep working on this family in this region of the globe, this was definitely a big hit.”

    Paleontologist Dimila Mothé, a postdoctoral researcher at the Federal University of the State of Rio de Janeiro, adds that the blows to science extend beyond the collections themselves. “It's not only the cultural history, the natural history, but all the theses and research developed there,” she says. “Most of the laboratories there were lost, too, and the research of several professors. I'm not sure you can say the impact of what was lost.”

    Brazil’s indigenous knowledge also has suffered. The Museu Nacional housed world-renowned collections of indigenous objects, as well as many audio recordings of indigenous languages from all over Brazil. Some of these recordings, now lost, were of languages that are no longer spoken.

    “I have no words to say how horrible this is,” says Brazilian anthropologist Mariana Françozo, an expert on South American indigenous objects at Leiden University. “The indigenous collections are a tremendous loss … we can no longer study them, we can no longer understand what our ancestors did. It’s heartbreaking.” 

    On Monday, The Brazilian publication G1 Rio reported that ashes of burned documents—some still flecked in notes or illustrations—have rained down from the sky more than a mile away from the Museu Nacional, thrown aloft by the inferno.

    (…)

    Editor's Note: This story was updated on September 6, 2018, with new details about which artifacts survived the fire. 

    Taken from: https://www.nationalgeographic.com/science/2018/09/news-museu-nacional-fire-rio-de-janeiro-natural-history/. Access: 11 dez. 2018.

    According to the text about the Brazilian National Museum, the fire
    Escolha uma alternativa para a questão 7fe1f6c4-3e
  • Linguagens

    Inglês

                   Fire Devastates Brazil's Oldest Science Museum

    The overnight inferno likely claimed fossils, cultural artifacts, and more irreplaceable collections amassed over 200 years.

                                                                                        By Michael Greshko                                                   ______________________________________

                                                                       PUBLISHED September 6, 2018


    Major pieces of Brazil's scientific and cultural heritage went up in smoke on September 2, as a devastating fire ripped through much of Rio de Janeiro's Museu Nacional, or National Museum. Founded in 1818, the museum is Brazil's oldest scientific institution and one of the largest and most renowned museums in Latin America, amassing a collection of some 20 million scientifically and culturally invaluable artifacts.

    The Museu Nacional's holdings include Luzia, an 11,500-year-old skull considered one of South America's oldest human fossils, as well as the bones of uniquely Brazilian creatures such as the long-necked dinosaur Maxakalisaurus. Because of the auction tastes of Brazil's 19th-century emperors, the Museu Nacional also ended up with Latin America's oldest collection of Egyptian mummies and artifacts.

    Even the building holds historical importance: It housed the exiled Portuguese royal family from 1808 to 1821, after they fled to Rio de Janeiro in 1807 to escape Napoleon. The complex also served as the palace for Brazil's post-independence emperors until 1889, before the museum collections were transferred there in 1902. In an September 5 email, Museu Nacional curator Débora Pires wrote that the entomology and arachnology collections were completely destroyed, as was most of the mollusk collection. However, technicians had braved the fire to save 80 percent of the mollusk holotypes—the specimens that formally serve as the global references for a given species. The museum's vertebrate specimens, herbarium, and library were housed separately and survived the fire.

    (…)

    An Irreplaceable Loss

    It's not yet clear how the fire started, but it did begin after the museum was closed to the public, and no injuries have yet been reported. Firefighters worked through the night to douse the burnt-out shell of the main building, but it seems the blaze has already seared a gaping hole in many scientists' careers.

    “The importance of the collections that were lost couldn't be overstated,” says Luiz Rocha, a Brazilian ichthyologist now at the California Academy of Sciences who has visited the Museu Nacional several times to study its collections. “They were unique as it gets: Many of them were irreplaceable, there's no way to put a monetary value on it.”

    “In terms of [my] life-long research agenda, I'm pretty much lost,” says Marcus Guidoti, a Brazilian entomologist finishing up his Ph.D. in a program co-run by Brazil's Federal University of Rio Grande do Sul.

    Guidoti studies lace bugs, an insect family with more than 2,000 species worldwide. The Museu Nacional held one of the world's largest lace bug collections, but the fire likely destroyed it and the rest of the museum's five million arthropod specimens. “Those type specimens can't be replaced, and they are crucial to understand the species,” he says by text message. “If I was willing to keep working on this family in this region of the globe, this was definitely a big hit.”

    Paleontologist Dimila Mothé, a postdoctoral researcher at the Federal University of the State of Rio de Janeiro, adds that the blows to science extend beyond the collections themselves. “It's not only the cultural history, the natural history, but all the theses and research developed there,” she says. “Most of the laboratories there were lost, too, and the research of several professors. I'm not sure you can say the impact of what was lost.”

    Brazil’s indigenous knowledge also has suffered. The Museu Nacional housed world-renowned collections of indigenous objects, as well as many audio recordings of indigenous languages from all over Brazil. Some of these recordings, now lost, were of languages that are no longer spoken.

    “I have no words to say how horrible this is,” says Brazilian anthropologist Mariana Françozo, an expert on South American indigenous objects at Leiden University. “The indigenous collections are a tremendous loss … we can no longer study them, we can no longer understand what our ancestors did. It’s heartbreaking.” 

    On Monday, The Brazilian publication G1 Rio reported that ashes of burned documents—some still flecked in notes or illustrations—have rained down from the sky more than a mile away from the Museu Nacional, thrown aloft by the inferno.

    (…)

    Editor's Note: This story was updated on September 6, 2018, with new details about which artifacts survived the fire. 

    Taken from: https://www.nationalgeographic.com/science/2018/09/news-museu-nacional-fire-rio-de-janeiro-natural-history/. Access: 11 dez. 2018.

    In the excerpt “Even the building holds historical importance: It housed the exiled Portuguese royal family from 1808 to 1821, after they fled to Rio de Janeiro in 1807 to escape Napoleon”, the word IT refers to:
    Escolha uma alternativa para a questão 7fde72a2-3e