Questões do ENEM: com imagem

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23.294 questões encontradas. Mostrando a página 769 de 1165.

• 715A77C3-F0

  História

  História do BrasilFaculdade Adventista da Bahia · 2013FácilEntre para guardar nos favoritos

  A charge de Bira está relacionada ao conflito ideológico de dois governos de grande importância da nova república brasileira. De acordo com o contexto histórico apresentado assinale a alternativa incorreta.

  
  

  
  

  Escolha uma alternativa para a questão 715a77c3-f0

  A

  A aprovação da emenda constitucional no governo de FHC, que permite a reeleição para presidente da república, foi vista pela oposição como resposta do Congresso Nacional aos favores especiais concedidos aos parlamentares.

  B

  O programa de privatizações do Presidente FHC foi duramente criticado pelo PT, PDT e PSB uma vez que descartava empresas altamente lucrativas para o governo em nome do enxugamento da máquina pública.

  C

  Uma dos resultados mais notáveis do governo FHC é o fato dele ter valorizado o desenvolvimento econômico do país, mas não ter conseguido minimizar as diferenças sociais.

  D

  O discurso apresentado pelos defensores do governo Lula é sempre em torno do fato de que o governo FHC estava mais preocupado em atender aos interesses empresariais do que o do povo.

  E

  Toda a política do governo FHC tornou completamente insólita a estrutura econômica do estado brasileiro para o governo Lula.

  Responder
• D02D6CB3-ED

  Matemática

  Análise de Tabelas e GráficosFaculdade Cásper Líbero · 2013DifícilEntre para guardar nos favoritos

  Em 2014 os transgênicos completam 10 anos na agricultura e na mesa dos brasileiros. Enquanto os hectares de lavouras transgênicas seguiam aumentando, foram surgindo muitas controvérsias sobre os riscos sociais, políticos, ambientais, econômicos e à saúde humana.

  Segundo dados da Monsanto, indústria multinacional de agricultura e biotecnologia, em 2008, os agricultores brasileiros cultivaram 15,8 milhões de hectares de lavouras transgênicas, de acordo com levantamento da ISAAA (International Service for the Acquisition of Agri-biotech Applications). O país foi responsável por pouco mais de 12% dos hectares de culturas transgênicas plantadas no mundo, ocupando a terceira posição entre as nações que usam sementes geneticamente modificadas, atrás dos Estados Unidos e da Argentina.

  
  

  
  

  
  

  Para se ter uma ideia desta área, lembrando que o Estado de São Paulo tem 25 milhões de hectares, apenas as lavouras de soja ocupam uma área equivalente
  

  Escolha uma alternativa para a questão d02d6cb3-ed

  A

  a dois Estados inteiros

  B

  a um terço de todo o Estado.

  C

  a pouco menos da metade do Estado inteiro.

  D

  ao Estado inteiro.

  E

  a pouco mais da metade do Estado inteiro.

  Responder
• D0292BB0-ED

  Matemática

  Análise de Tabelas e GráficosFaculdade Cásper Líbero · 2013MédioEntre para guardar nos favoritos

  Observe o gráfico:

  
  

  
  

  
  

  “Os dados são do Instituto Brasileiro de Geografia e Estatística (IBGE), que divulgou na última semana os dados sobre desemprego de janeiro a junho deste ano.”

  Fonte: Blog do Planalto em 29 de julho de 2013 A partir do gráfico, fica evidente que o período em que houve a mais acentuada diminuição na taxa de desemprego foi de
  

  Escolha uma alternativa para a questão d0292bb0-ed

  A

  2008 a 2009.

  B

  2003 a 2004.

  C

  2004 a 2005.

  D

  2009 a 2010.

  E

  2005 a 2006.

  Responder
• D021BB6D-ED

  Inglês

  Interpretação de texto | Reading comprehensionFaculdade Cásper Líbero · 2013DifícilEntre para guardar nos favoritos

  The ad on the left, produced by the Agency DDB, Paris, was considered one of the best print ads 2012-2013 and has earned it a Gold Lion. Read it and choose the alternative that best shows its main idea.

  
  

  
  

  
  

  
  

  (Source: http://www.adweek.com/news-gallery/advertising-branding/ worlds-best-print-ads-2012-13-150758#gold-lion-anlci-1-of-6-42)
  

  Escolha uma alternativa para a questão d021bb6d-ed

  A

  The ad was designed to get users to be concerned about safety when buying a new car and they should make it a national fight.

  B

  The ad was created to call readers to join a national campaign and convince people to write more and sign a petition for it.

  C

  It is considered so good because it draws the lectors’ attention to the fact that the best products do not need a brand to be advertised.

  D

  It was produced to make readers realize that many people cannot read in France and to ask them to write a petition to tackle that issue.

  E

  It was made to support a National Agency to fight against literary illegal copying in France and to ask readers to sign a petition.

  Responder
• D01DF359-ED

  Inglês

  Interpretação de texto | Reading comprehensionFaculdade Cásper Líbero · 2013DifícilEntre para guardar nos favoritos

  Read the following text to answer question

  
  

  
  

  Spilt Milk by Chico Buarque: review

  A mishmash of influences gives rise to a vivid portrait of Brazil

  
  

  
  

  Chico Buarque, bossanovista and novelist, whose latest book is ‘Spilt Milk’ Photo: Sipa Press / Rex Features

  
  

  
  

  By Ian Thomson

  
  

  
  

  Back in the Sixties, Brazil thrilled to a new dance beat called bossa nova. With its languid jazz tones, the music had a hushed intensity and underlying air of sadness. Chico Buarque, a leading bossanovistasongwriter and novelist, is revered in Brazil as a political hero. In 1968, he was imprisoned by the military for “counter-culture activities”.

  Spilt Milk, Buarque’s fourth novel, displays a typically Brazilian mishmash of influences ranging from memoir to adventure to political diatribe. A crotchety old man, Eulálio d’Assumpção, lies moribund in a Rio de Janeiro hospital, musing on his life while lashing out at stenographers and “spiteful” orderlies. The food, we learn, reeks unpleasantly of garlic (“Wait till my mother finds out”).

  Aged 150, he has come down in the world wretchedly. In pages of rambling monologue, the improbably old narrator describes the decline of his family over generations of Brazilian history. Amid sagas of political tribalism and grievous dictatorship, plantation-owning forebears have squandered fortunes on drink, drugs and armament deals. A souring smell of “spilt milk” hangs over the narrative as it twists round half-remembered family feuds and hatreds.

  Along the way, Buarque paints an exceptionally vivid picture of Brazilian high society in the 1890s, with its German governesses, imported French clothes and Chopin waltzes. Though bedbound and drugged, Eulálio recalls the love of his life, Matilde, whose cinnamon-coloured skin and “Moorish eyes” had worked a fatal charm on him years ago. Where is she now? At first glance, Spilt Milk appears to be in narrative disarray, as the book wanders backwards and forwards in time. Eventually, though, the inchoate strands cohere into an absorbing, if bitter, meditation on Brazil.

  Just as bossa nova had borrowed from samba and West Coast jazz, so Buarque borrows from Samuel Beckett, Gabriel García Marquez and others. In a now-famous book of 1928, Manifesto Antropófago, Brazil’s leading modernist poet Oswald de Andrade had defined Brazilian literature as anthropophagic, or cannibalistic, “eating” other forms of European and African writing. Spilt Milk, brocaded with a range of literary influences, conforms to the ideal beautifully.

  Source: http://www.telegraph.co.uk/culture/books/fictionreviews/9573627/Spilt-Milk-by-Chico-Buarque-review.html

  
  

  Based on the book review, it is correct to affirm about Chico Buarque that

  Escolha uma alternativa para a questão d01df359-ed

  A

  he has been writing books and songs for more than three decades and although Spilt Milk is his fourth novel it is the first one in which he blends both his songwriting and political activity

  B

  bossa nova, Gabriel García Márquez and other writers inspired him to write Spilt Milk main characters and to define their inner values.

  C

  his previous political activities were paramount in endorsing him to collect his own recall and backing the main structure of the book.

  D

  he is infamous worldwide for his counter-culture anti-military service activities and is therefore accounted as a hero.

  E

  he has shown in his fourth novel a literary influence by writers such as Gabriel García Márquez and others.

  Responder
• D01A3EE3-ED

  Inglês

  Interpretação de texto | Reading comprehensionFaculdade Cásper Líbero · 2013DifícilEntre para guardar nos favoritos

  Read the following text to answer question

  
  

  
  

  Spilt Milk by Chico Buarque: review

  A mishmash of influences gives rise to a vivid portrait of Brazil

  
  

  
  

  Chico Buarque, bossanovista and novelist, whose latest book is ‘Spilt Milk’ Photo: Sipa Press / Rex Features

  
  

  
  

  By Ian Thomson

  
  

  
  

  Back in the Sixties, Brazil thrilled to a new dance beat called bossa nova. With its languid jazz tones, the music had a hushed intensity and underlying air of sadness. Chico Buarque, a leading bossanovistasongwriter and novelist, is revered in Brazil as a political hero. In 1968, he was imprisoned by the military for “counter-culture activities”.

  Spilt Milk, Buarque’s fourth novel, displays a typically Brazilian mishmash of influences ranging from memoir to adventure to political diatribe. A crotchety old man, Eulálio d’Assumpção, lies moribund in a Rio de Janeiro hospital, musing on his life while lashing out at stenographers and “spiteful” orderlies. The food, we learn, reeks unpleasantly of garlic (“Wait till my mother finds out”).

  Aged 150, he has come down in the world wretchedly. In pages of rambling monologue, the improbably old narrator describes the decline of his family over generations of Brazilian history. Amid sagas of political tribalism and grievous dictatorship, plantation-owning forebears have squandered fortunes on drink, drugs and armament deals. A souring smell of “spilt milk” hangs over the narrative as it twists round half-remembered family feuds and hatreds.

  Along the way, Buarque paints an exceptionally vivid picture of Brazilian high society in the 1890s, with its German governesses, imported French clothes and Chopin waltzes. Though bedbound and drugged, Eulálio recalls the love of his life, Matilde, whose cinnamon-coloured skin and “Moorish eyes” had worked a fatal charm on him years ago. Where is she now? At first glance, Spilt Milk appears to be in narrative disarray, as the book wanders backwards and forwards in time. Eventually, though, the inchoate strands cohere into an absorbing, if bitter, meditation on Brazil.

  Just as bossa nova had borrowed from samba and West Coast jazz, so Buarque borrows from Samuel Beckett, Gabriel García Marquez and others. In a now-famous book of 1928, Manifesto Antropófago, Brazil’s leading modernist poet Oswald de Andrade had defined Brazilian literature as anthropophagic, or cannibalistic, “eating” other forms of European and African writing. Spilt Milk, brocaded with a range of literary influences, conforms to the ideal beautifully.

  Source: http://www.telegraph.co.uk/culture/books/fictionreviews/9573627/Spilt-Milk-by-Chico-Buarque-review.html

  
  

  The word ideal in the last sentence of the book review refers to

  Escolha uma alternativa para a questão d01a3ee3-ed

  A

  the definition of Brazilian literature in Manifesto Antropófago.

  B

  bossa nova relation to West Coast jazz.

  C

  the European and African writing.

  D

  Brazilian literature and the origin of bossa nova.

  E

  Samuel Beckett and Gabriel García Márquez’s major work.

  Responder
• D0161EE6-ED

  Inglês

  Interpretação de texto | Reading comprehensionFaculdade Cásper Líbero · 2013DifícilEntre para guardar nos favoritos

  Read the following text to answer question

  
  

  
  

  Spilt Milk by Chico Buarque: review

  A mishmash of influences gives rise to a vivid portrait of Brazil

  
  

  
  

  Chico Buarque, bossanovista and novelist, whose latest book is ‘Spilt Milk’ Photo: Sipa Press / Rex Features

  
  

  
  

  By Ian Thomson

  
  

  
  

  Back in the Sixties, Brazil thrilled to a new dance beat called bossa nova. With its languid jazz tones, the music had a hushed intensity and underlying air of sadness. Chico Buarque, a leading bossanovistasongwriter and novelist, is revered in Brazil as a political hero. In 1968, he was imprisoned by the military for “counter-culture activities”.

  Spilt Milk, Buarque’s fourth novel, displays a typically Brazilian mishmash of influences ranging from memoir to adventure to political diatribe. A crotchety old man, Eulálio d’Assumpção, lies moribund in a Rio de Janeiro hospital, musing on his life while lashing out at stenographers and “spiteful” orderlies. The food, we learn, reeks unpleasantly of garlic (“Wait till my mother finds out”).

  Aged 150, he has come down in the world wretchedly. In pages of rambling monologue, the improbably old narrator describes the decline of his family over generations of Brazilian history. Amid sagas of political tribalism and grievous dictatorship, plantation-owning forebears have squandered fortunes on drink, drugs and armament deals. A souring smell of “spilt milk” hangs over the narrative as it twists round half-remembered family feuds and hatreds.

  Along the way, Buarque paints an exceptionally vivid picture of Brazilian high society in the 1890s, with its German governesses, imported French clothes and Chopin waltzes. Though bedbound and drugged, Eulálio recalls the love of his life, Matilde, whose cinnamon-coloured skin and “Moorish eyes” had worked a fatal charm on him years ago. Where is she now? At first glance, Spilt Milk appears to be in narrative disarray, as the book wanders backwards and forwards in time. Eventually, though, the inchoate strands cohere into an absorbing, if bitter, meditation on Brazil.

  Just as bossa nova had borrowed from samba and West Coast jazz, so Buarque borrows from Samuel Beckett, Gabriel García Marquez and others. In a now-famous book of 1928, Manifesto Antropófago, Brazil’s leading modernist poet Oswald de Andrade had defined Brazilian literature as anthropophagic, or cannibalistic, “eating” other forms of European and African writing. Spilt Milk, brocaded with a range of literary influences, conforms to the ideal beautifully.

  Source: http://www.telegraph.co.uk/culture/books/fictionreviews/9573627/Spilt-Milk-by-Chico-Buarque-review.html

  
  

  Choose the statement that is true about the book review.

  Escolha uma alternativa para a questão d0161ee6-ed

  A

  Spilt Milk narration is a blend of images and scents that portrays bossa nova borrowed influence from samba and West Coast jazz as well as its anthropophagic literature.

  B

  The backwards and forwards in time narrative helps the reader to paint an exceptionally vivid picture of Brazilian high society in 1890s.

  C

  It is Ian Thomson’s opinion that Spilt Milk originally seems to be a confusing narration and afterwards an engrossing meditation on Brazil.

  D

  The main character narrates his saga to a range of plantation-owning forebears, German governesses, Matilde and other family feuds and hatreds.

  E

  The book Spilt Milk displays cannibalistic forms of European and African writing together with a bitter meditation on Brazil through the bed-bound, drugged and fatal charm struck love.

  Responder
• CFF3560C-ED

  História

  Era Vargas – 1930-1954Faculdade Cásper Líbero · 2013FácilEntre para guardar nos favoritos

  A imagem ao lado, uma cartilha produzida em 1940, na Era Vargas, fazia parte dos instrumentos utilizados pelo Estado na divulgação de seus valores. O rádio, como instrumento de propaganda, também foi amplamente utilizado; a censura à produção artística, uma constante, era realizada pelo DIP (Departamento de Imprensa e Propaganda).

  
  

  
  

  
  

  Fonte da imagem: http://www.flickr.com/ photos/28742271@N06/2680067492/sizes/z/ in/photostream/ Acessado em 25-09-2013

  
  

  
  

  Com base em seus conhecimentos a respeito do Estado Novo e na análise da imagem, podemos concluir que o governo, nesse período, assumia um caráter

  Escolha uma alternativa para a questão cff3560c-ed

  A

  tolerante do ponto de vista ideológico, permitindo manifestações divergentes ao governo.

  B

  indiferente, já que o governo era despreocupado com a imagem autoritária na ditadura.

  C

  democrático, liberando a população para escolher eventos culturais para sua apreciação.

  D

  protecionista, censurando o rádio para evitar o consumo de lixo cultural pela população.

  E

  paternalista, apoiando-se na popularidade possibilitada pela criação da legislação trabalhista.

  Responder
• CFDFCB94-ED

  Geografia

  UrbanizaçãoFaculdade Cásper Líbero · 2013FácilEntre para guardar nos favoritos

  Eugênio Neves é um ilustrador brasileiro, gaúcho de Porto Alegre. Sua obra é marcada por críticas sociais contundentes. É dele a charge a seguir:

  
  

  
  

  Fonte:http://poavive.files.wordpress.com/2011/01/charge_ eugenio_catador.jpg Acessado em 14-09-2013
  

  
  

  A análise da imagem permite concluir que, para Eugênio Neves:

  Escolha uma alternativa para a questão cfdfcb94-ed

  A

  As motivações que demandam a remoção das populações para obras da Copa são social e economicamente justificadas por um princípio de justiça social.

  B

  As obras realizadas em função da Copa são uma excelente oportunidade de modernização da paisagem, o que beneficiaria todos os segmentos sociais urbanos.

  C

  A realização de obras para a Copa desconsidera aspectos sociais importantes, como os problemas decorrentes da remoção da população de suas moradias.

  D

  A modernização das cidades, financiada com recursos da Copa, possibilita benefícios sociais, como a melhoria de moradias, particularmente das classes populares.

  E

  A adequação das cidades, em razão das demandas da Copa, traz novas oportunidades de obtenção de renda que compensam sacrifícios, como a perda de moradia.

  Responder
• CFC4A157-ED

  Português

  Interpretação de TextosFaculdade Cásper Líbero · 2013MédioEntre para guardar nos favoritos

  A imagem a seguir, de autoria do pintor italiano Raphael, integra o período denominado de Alto Renascimento e possibilita identificar características estéticas desse período artístico, como

  Fonte: https://images.nga.gov/en/set/show_content_page.html?category=16&set=11 Acessado em 14-09-2013

  
  

  
  

  
  

  
  

  Escolha uma alternativa para a questão cfc4a157-ed

  A

  o desequilíbrio nos traços das figuras em favor de um viés religioso.

  B

  o tema religioso, próprio do século XII, em uma perspectiva dogmática.

  C

  a ausência de dinamismo e movimento dos personagens retratados.

  D

  a ausência de equilíbrio da imagem, como também a falta de perspectiva.

  E

  a valorização de elementos clássicos expressa nas vestes da Madona.

  Responder
• CF9B5515-ED

  Português

  Interpretação de TextosFaculdade Cásper Líbero · 2013MédioEntre para guardar nos favoritos

  A Política da Boa Vizinhança foi uma estratégia norte-americana desenvolvida entre as duas grandes guerras mundiais. Essa política tinha por objetivo ampliar a influência dos EUA na América Latina, por meio de estratégias de imperialismo cultural. Considerando esse contexto e a análise da charge concluiu-se que

  
  

  
  

  
  

  Fonte: http://www.cartoonmovement.com/ cartoon/351?fq=theme.culture_n_identity Acessado em 14-09-2013
  

  Escolha uma alternativa para a questão cf9b5515-ed

  A

  a intenção dos EUA foi ensinar os latinoamericanos a se alimentarem de forma saudável, adotando novos hábitos.

  B

  a sociedade norte-americana ampliou seus mercados engordando a sua economia e a dos países dominados.

  C

  a obesidade, hoje uma epidemia, relaciona-se à adoção de hábitos alimentares baseados em fast-food.

  D

  os norte-americanos promoveram transformações positivas no modo de vida dos latino-americanos.

  E

  a obesidade é um problema de saúde e sua ocorrência está desvinculada de interesses políticos e culturais.

  Responder
• 25BBC4C9-E9

  Química

  Eletroquímica: Oxirredução, Potenciais Padrão de Redução, Pilha, Eletrólise e Leis de Faraday.UFTM · 2013MédioEntre para guardar nos favoritos

  A questão refere-se à pilha eletroquímica ilustrada no esquema. 

  
  

  
  

  
  

  A tensão elétrica padrão dessa pilha é, em volt, igual a

  Escolha uma alternativa para a questão 25bbc4c9-e9

  A

  1,56.

  B

  0,18.

  C

  0,04.

  D

  2,33.

  E

  0,84.

  Responder
• 25B21773-E9

  Química

  Equilíbrio QuímicoUFTM · 2013MédioEntre para guardar nos favoritos

        O incêndio na boate Kiss, em Santa Maria (RS), ocorrido no início deste ano [2013], trouxe à tona uma série de questões sobre a segurança dos estabelecimentos e também sobre o atendimento a vítimas de grandes incêndios. Uma delas é por que foi preciso trazer dos Estados Unidos uma substância tão simples – uma vitamina B injetável – para atender os pacientes que, segundo exames, foram intoxicados com cianeto?

  
  

  

  
  

      O gás cianídrico liberado na queima da espuma, utilizada para melhorar a acústica da casa noturna, intoxicou a maior parte das vítimas, segundo perícia.

      “É descaso e ignorância”, resume o toxicologista Anthony Wong, diretor do Ceatox (Centro de Assistência Toxicológica do Hospital das Clínicas da Faculdade de Medicina da Universidade de São Paulo). Segundo ele, é inadmissível que o país não tenha a substância e que seu uso não seja difundido entre médicos e socorristas, como acontece em outras partes do mundo.

      A hidroxocobalamina, que faz parte do complexo B, é usada em altas concentrações como antídoto para o cianeto. O gás, o mesmo que já foi usado no extermínio de judeus nos campos de concentração nazistas, é subproduto da queima de diversos componentes usados na indústria, como o plástico, o acrílico e a espuma de poliuretano. Segundo os peritos que investigam o incêndio em Santa Maria, essa última foi usada no isolamento acústico da boate.

      Capaz de matar em poucos minutos, o cianeto bloqueia a cadeia respiratória das células, impedindo que o oxigênio chegue aos órgãos e tecidos. Quando usada logo após a exposição, a hidroxocobalamina salva vidas. “O efeito é tão rápido que parece até milagroso”, conta Wong. Mas isso não é algo que os médicos aprendem na escola: “São poucas as faculdades que oferecem curso de toxicologia e, nas que tem, a matéria é opcional”.

  
  

  (noticias.uol.com.br. Adaptado.)

  
  

  Informações adicionais:

  •  O gás cianídrico é o cianeto de hidrogênio (HCN) no estado gasoso.

  • A fórmula estrutural da hidroxocobalamina é:

  
  

  

  
  

  • A massa molar da hidroxocobalamina é aproximadamente igual a 1,3 × 10³g/mol.
  

  O cianeto de hidrogênio em solução aquosa é um ácido muito fraco. O hidróxido de potássio é uma base muito forte. O produto iônico da água, Kw, a 25 ° C, é igual a 1 × 10–14. Logo, as soluções aquosas de cianeto de potássio, nessa temperatura, apresentam

  Escolha uma alternativa para a questão 25b21773-e9

  A

  [H⁺ ] > 1 × 10–7 e, portanto, são básicas.

  B

  [H⁺ ] > 1 × 10–7 e, portanto, são ácidas.

  C

  [H⁺ ] < 1 × 10–7 e, portanto, são básicas.

  D

  [H⁺ ] < 1 × 10–7 e, portanto, são ácidas.

  E

  [H⁺ ] = 1 × 10–7 e, portanto, são neutras.

  Responder
• 258726DF-E9

  Matemática

  Aritmética e ProblemasUFTM · 2013FácilEntre para guardar nos favoritos

  Uma piscina circular com profundidade uniforme de 1 m foi construída em uma residência, tangenciando uma região quadrada ABCD, conforme mostrado nas figuras.

  
  

  

  
  

  Sabendo que a medida do segmento AO é igual a 4 m, é correto afirmar que o volume da água contida nessa piscina, quando totalmente cheia, é, em m³ , igual a
  

  Escolha uma alternativa para a questão 258726df-e9

  A

  6√2 π.

  B

  4√2 π.

  C

  16 π.

  D

  8 π.

  E

  8√2 π.

  Responder
• 2580BB06-E9

  Matemática

  Álgebra LinearUFTM · 2013MédioEntre para guardar nos favoritos

  Leia a notícia.

  
  

  

  (Veja, 13.02.2013.)
  

  
  

  Considerando as informações contidas na notícia, a distância aproximada da Terra à Lua, em metros, pode ser corretamente representada, em notação científica, por
  

  Escolha uma alternativa para a questão 2580bb06-e9

  A

  3,88 × 105 .

  B

  3,88 × 10⁸ . 

  C

  2,77 × 108.

  D

  2,77 × 105 .

  E

  4,15 × 105.

  Responder
• 255A744D-E9

  Português

  Interpretação de TextosUFTM · 2013MédioEntre para guardar nos favoritos

  

  (Gazeta do Povo, 06.11.2012.)

  
  

  
  

  Na charge, para efeito de humor, faz-se um jogo de palavras
  

  Escolha uma alternativa para a questão 255a744d-e9

  A

  parônimas, com isso a personagem reclama do assento da poltrona na qual está sentada.

  B

  homônimas, porém a personagem erra ao afirmar que a forma verbal não leva acento.

  C

  sinônimas, e a personagem está de fato dizendo que a grafia correta é doi e não dói.

  D

  ambíguas, pois é difícil saber se a personagem reclama da poltrona e da escrita ou as enaltece.

  E

  antônimas, pois cada uma das grafias (assento/acento) remete a um sentido da oposição dói/doi.

  Responder
• 25571F44-E9

  Inglês

  Interpretação de texto | Reading comprehensionUFTM · 2013Muito fácilEntre para guardar nos favoritos

  Up Close With Sebastião Salgado, Brazil’s Legendary Photographer-Activist

  
  

  By Fernanda Ezabella (Folha de S.Paulo/Worldcrunch)

  
  

  

  
  

  (Alto Xingu Indians in Central Brazil.

  Sebastião Salgado/Amazonas Images)

  
  

  
  

      Sebastião Salgado’s blue eyes have seen a bit of everything in this world – and this might not even be an exaggeration. For the past eight years in particular, the 69-year-old Brazilian photographer has travelled to more than 30 isolated regions of the world, collecting images of dozens of remote tribes, endangered animals and unusual landscapes.

      The Genesis project is a singular photographic journey that began in 2004 and ended in 2012, at a cost of one million Euros a year. The result will be shown in magazines, books, a documentary by Wim Wenders and a series of exhibitions around the world, each displaying some 250 black-and-white photos.

      The first exhibition will open in London on April 11, with former Brazilian President Lula – Salgado’s long-time friend – as special guest. “We want to create a little movement around these photos to provoke a debate on what we need to preserve,” he says. Salgado defends environmental causes through his organization, Instituto Terra. Even after travelling to so many exotic places, Salgado, now living in Paris, still takes vacations in Brazil. Here are excerpts from a conversation Salgado had with Folha, with new details about his travels, photographic techniques and new environmental projects.

  
  

  
  

  •  Coldest trip

  I visited the Nenets, in the Yamal peninsula, in northern Siberia, Russia. They are a nomadic tribe who raise reindeer in extreme Arctic conditions. When I went there it was spring and weather ranged between -35ºC and -45ºC. I didn’t wash myself for 45 days. They don’t take baths because there is no water. The only way to get water is to break off a piece of ice and warm it in a pot.

  
  

  •  Frozen equipment

  I used a Canon, an EOS1 Mark III, a very powerful machine. The problem was the batteries. In the Siberian temperatures, they quickly lost power. On average, I take 2,500 shots per battery, but this time I could only take 300-400 photos before the battery stopped working. I would put it inside my clothes, my assistant would give me another one, I would take 300 more pictures and, when that battery ran out energy, I would take out the other one and it would work again.

  
  

  •  Going digital for the first time

  I started Genesis with film and changed to digital. The airport X-Ray scanners degrade the quality of film, and so I decided to change to digital and was quite surprised. Quality was better than the one I had with negatives in medium format. I turned off the screen on the back of the camera, and used my camera as I have always done. When I came back to Paris, I printed contact sheets and edited the photos using a magnifying glass, because I don’t know how to do it in the computer.

  
  

  •  Stone Ages

  I met tribes that are still living in the Stone Ages, with working tools such as stone hammers. There were clans of about 10 people living in treetops. They had already seen white people before. They looked towards the direction I had come from and the chief asked me whether I was part of the white people clan that usually came from that direction. Because, for them, the world is all made of clans.

  
  

  •  Brazilian arrows

  I met the Zo’e tribe, in Brazil, who were first discovered 15 years ago and live in a state of total purity. You see the guy working with an arrow. He warms it, put some weight on it, a straight feather if he wants a quicker arrow, a rounder one to have it slower. It is the same science as for rockets. And he’s got the same problem as in Cape Canaveral, to recover his rockets. If his ballistic calculations are wrong, he loses his arrow. He takes only 10 arrows with him when he goes hunting, no more than that.

  
  

  •  Activist or photographer?

  Photography is my life. When I am taking photos, I am in a deep trance. When I have my camera and am travelling with the Nenets, it’s my life, morning to night. I have taken incredible photos, but my life is also the environment and Instituto Terra.

  
  

  (www.worldcrunch.com. Adaptado.)
  

  In the last paragraph, one can infer that the most important thing for Sebastião Salgado is

  Escolha uma alternativa para a questão 25571f44-e9

  A

  tribal life.

  B

  his new camera.

  C

  photographing.

  D

  travelling around the world.

  E

  the climate changes.

  Responder
• 2553C80A-E9

  Inglês

  Interpretação de texto | Reading comprehensionUFTM · 2013FácilEntre para guardar nos favoritos

  Up Close With Sebastião Salgado, Brazil’s Legendary Photographer-Activist

  
  

  By Fernanda Ezabella (Folha de S.Paulo/Worldcrunch)

  
  

  

  
  

  (Alto Xingu Indians in Central Brazil.

  Sebastião Salgado/Amazonas Images)

  
  

  
  

      Sebastião Salgado’s blue eyes have seen a bit of everything in this world – and this might not even be an exaggeration. For the past eight years in particular, the 69-year-old Brazilian photographer has travelled to more than 30 isolated regions of the world, collecting images of dozens of remote tribes, endangered animals and unusual landscapes.

      The Genesis project is a singular photographic journey that began in 2004 and ended in 2012, at a cost of one million Euros a year. The result will be shown in magazines, books, a documentary by Wim Wenders and a series of exhibitions around the world, each displaying some 250 black-and-white photos.

      The first exhibition will open in London on April 11, with former Brazilian President Lula – Salgado’s long-time friend – as special guest. “We want to create a little movement around these photos to provoke a debate on what we need to preserve,” he says. Salgado defends environmental causes through his organization, Instituto Terra. Even after travelling to so many exotic places, Salgado, now living in Paris, still takes vacations in Brazil. Here are excerpts from a conversation Salgado had with Folha, with new details about his travels, photographic techniques and new environmental projects.

  
  

  
  

  •  Coldest trip

  I visited the Nenets, in the Yamal peninsula, in northern Siberia, Russia. They are a nomadic tribe who raise reindeer in extreme Arctic conditions. When I went there it was spring and weather ranged between -35ºC and -45ºC. I didn’t wash myself for 45 days. They don’t take baths because there is no water. The only way to get water is to break off a piece of ice and warm it in a pot.

  
  

  •  Frozen equipment

  I used a Canon, an EOS1 Mark III, a very powerful machine. The problem was the batteries. In the Siberian temperatures, they quickly lost power. On average, I take 2,500 shots per battery, but this time I could only take 300-400 photos before the battery stopped working. I would put it inside my clothes, my assistant would give me another one, I would take 300 more pictures and, when that battery ran out energy, I would take out the other one and it would work again.

  
  

  •  Going digital for the first time

  I started Genesis with film and changed to digital. The airport X-Ray scanners degrade the quality of film, and so I decided to change to digital and was quite surprised. Quality was better than the one I had with negatives in medium format. I turned off the screen on the back of the camera, and used my camera as I have always done. When I came back to Paris, I printed contact sheets and edited the photos using a magnifying glass, because I don’t know how to do it in the computer.

  
  

  •  Stone Ages

  I met tribes that are still living in the Stone Ages, with working tools such as stone hammers. There were clans of about 10 people living in treetops. They had already seen white people before. They looked towards the direction I had come from and the chief asked me whether I was part of the white people clan that usually came from that direction. Because, for them, the world is all made of clans.

  
  

  •  Brazilian arrows

  I met the Zo’e tribe, in Brazil, who were first discovered 15 years ago and live in a state of total purity. You see the guy working with an arrow. He warms it, put some weight on it, a straight feather if he wants a quicker arrow, a rounder one to have it slower. It is the same science as for rockets. And he’s got the same problem as in Cape Canaveral, to recover his rockets. If his ballistic calculations are wrong, he loses his arrow. He takes only 10 arrows with him when he goes hunting, no more than that.

  
  

  •  Activist or photographer?

  Photography is my life. When I am taking photos, I am in a deep trance. When I have my camera and am travelling with the Nenets, it’s my life, morning to night. I have taken incredible photos, but my life is also the environment and Instituto Terra.

  
  

  (www.worldcrunch.com. Adaptado.)
  

  Segundo o texto, a tribo Zo’e

  Escolha uma alternativa para a questão 2553c80a-e9

  A

  vive de extrativismo e, apesar disso, desenvolveu vários tipos de flechas.

  B

  migrou do Cabo Canaveral para o Brasil há 15 anos e perdeu seu caráter nômade.

  C

  permite que os caçadores percam só uma flecha das dez que carregam consigo.

  D

  foi estudada por cientistas do Cabo Canaveral devido a sua tecnologia para criar flechas.

  E

  produz flechas com técnicas semelhantes aos conhecimentos aplicados na construção de foguetes.

  Responder
• 25509CBA-E9

  Inglês

  Tradução | TranslationUFTM · 2013FácilEntre para guardar nos favoritos

  Up Close With Sebastião Salgado, Brazil’s Legendary Photographer-Activist

  
  

  By Fernanda Ezabella (Folha de S.Paulo/Worldcrunch)

  
  

  

  
  

  (Alto Xingu Indians in Central Brazil.

  Sebastião Salgado/Amazonas Images)

  
  

  
  

      Sebastião Salgado’s blue eyes have seen a bit of everything in this world – and this might not even be an exaggeration. For the past eight years in particular, the 69-year-old Brazilian photographer has travelled to more than 30 isolated regions of the world, collecting images of dozens of remote tribes, endangered animals and unusual landscapes.

      The Genesis project is a singular photographic journey that began in 2004 and ended in 2012, at a cost of one million Euros a year. The result will be shown in magazines, books, a documentary by Wim Wenders and a series of exhibitions around the world, each displaying some 250 black-and-white photos.

      The first exhibition will open in London on April 11, with former Brazilian President Lula – Salgado’s long-time friend – as special guest. “We want to create a little movement around these photos to provoke a debate on what we need to preserve,” he says. Salgado defends environmental causes through his organization, Instituto Terra. Even after travelling to so many exotic places, Salgado, now living in Paris, still takes vacations in Brazil. Here are excerpts from a conversation Salgado had with Folha, with new details about his travels, photographic techniques and new environmental projects.

  
  

  
  

  •  Coldest trip

  I visited the Nenets, in the Yamal peninsula, in northern Siberia, Russia. They are a nomadic tribe who raise reindeer in extreme Arctic conditions. When I went there it was spring and weather ranged between -35ºC and -45ºC. I didn’t wash myself for 45 days. They don’t take baths because there is no water. The only way to get water is to break off a piece of ice and warm it in a pot.

  
  

  •  Frozen equipment

  I used a Canon, an EOS1 Mark III, a very powerful machine. The problem was the batteries. In the Siberian temperatures, they quickly lost power. On average, I take 2,500 shots per battery, but this time I could only take 300-400 photos before the battery stopped working. I would put it inside my clothes, my assistant would give me another one, I would take 300 more pictures and, when that battery ran out energy, I would take out the other one and it would work again.

  
  

  •  Going digital for the first time

  I started Genesis with film and changed to digital. The airport X-Ray scanners degrade the quality of film, and so I decided to change to digital and was quite surprised. Quality was better than the one I had with negatives in medium format. I turned off the screen on the back of the camera, and used my camera as I have always done. When I came back to Paris, I printed contact sheets and edited the photos using a magnifying glass, because I don’t know how to do it in the computer.

  
  

  •  Stone Ages

  I met tribes that are still living in the Stone Ages, with working tools such as stone hammers. There were clans of about 10 people living in treetops. They had already seen white people before. They looked towards the direction I had come from and the chief asked me whether I was part of the white people clan that usually came from that direction. Because, for them, the world is all made of clans.

  
  

  •  Brazilian arrows

  I met the Zo’e tribe, in Brazil, who were first discovered 15 years ago and live in a state of total purity. You see the guy working with an arrow. He warms it, put some weight on it, a straight feather if he wants a quicker arrow, a rounder one to have it slower. It is the same science as for rockets. And he’s got the same problem as in Cape Canaveral, to recover his rockets. If his ballistic calculations are wrong, he loses his arrow. He takes only 10 arrows with him when he goes hunting, no more than that.

  
  

  •  Activist or photographer?

  Photography is my life. When I am taking photos, I am in a deep trance. When I have my camera and am travelling with the Nenets, it’s my life, morning to night. I have taken incredible photos, but my life is also the environment and Instituto Terra.

  
  

  (www.worldcrunch.com. Adaptado.)
  

  No trecho do sétimo parágrafo – the chief asked me whether I was part of the white people clan that usually came from that direction –, a palavra whether equivale, em português, a

  Escolha uma alternativa para a questão 25509cba-e9

  A

  se.

  B

  assim.

  C

  climático.

  D

  porque.

  E

  senão.

  Responder
• 25492C16-E9

  Inglês

  Interpretação de texto | Reading comprehensionUFTM · 2013FácilEntre para guardar nos favoritos

  Up Close With Sebastião Salgado, Brazil’s Legendary Photographer-Activist

  
  

  By Fernanda Ezabella (Folha de S.Paulo/Worldcrunch)

  
  

  

  
  

  (Alto Xingu Indians in Central Brazil.

  Sebastião Salgado/Amazonas Images)

  
  

  
  

      Sebastião Salgado’s blue eyes have seen a bit of everything in this world – and this might not even be an exaggeration. For the past eight years in particular, the 69-year-old Brazilian photographer has travelled to more than 30 isolated regions of the world, collecting images of dozens of remote tribes, endangered animals and unusual landscapes.

      The Genesis project is a singular photographic journey that began in 2004 and ended in 2012, at a cost of one million Euros a year. The result will be shown in magazines, books, a documentary by Wim Wenders and a series of exhibitions around the world, each displaying some 250 black-and-white photos.

      The first exhibition will open in London on April 11, with former Brazilian President Lula – Salgado’s long-time friend – as special guest. “We want to create a little movement around these photos to provoke a debate on what we need to preserve,” he says. Salgado defends environmental causes through his organization, Instituto Terra. Even after travelling to so many exotic places, Salgado, now living in Paris, still takes vacations in Brazil. Here are excerpts from a conversation Salgado had with Folha, with new details about his travels, photographic techniques and new environmental projects.

  
  

  
  

  •  Coldest trip

  I visited the Nenets, in the Yamal peninsula, in northern Siberia, Russia. They are a nomadic tribe who raise reindeer in extreme Arctic conditions. When I went there it was spring and weather ranged between -35ºC and -45ºC. I didn’t wash myself for 45 days. They don’t take baths because there is no water. The only way to get water is to break off a piece of ice and warm it in a pot.

  
  

  •  Frozen equipment

  I used a Canon, an EOS1 Mark III, a very powerful machine. The problem was the batteries. In the Siberian temperatures, they quickly lost power. On average, I take 2,500 shots per battery, but this time I could only take 300-400 photos before the battery stopped working. I would put it inside my clothes, my assistant would give me another one, I would take 300 more pictures and, when that battery ran out energy, I would take out the other one and it would work again.

  
  

  •  Going digital for the first time

  I started Genesis with film and changed to digital. The airport X-Ray scanners degrade the quality of film, and so I decided to change to digital and was quite surprised. Quality was better than the one I had with negatives in medium format. I turned off the screen on the back of the camera, and used my camera as I have always done. When I came back to Paris, I printed contact sheets and edited the photos using a magnifying glass, because I don’t know how to do it in the computer.

  
  

  •  Stone Ages

  I met tribes that are still living in the Stone Ages, with working tools such as stone hammers. There were clans of about 10 people living in treetops. They had already seen white people before. They looked towards the direction I had come from and the chief asked me whether I was part of the white people clan that usually came from that direction. Because, for them, the world is all made of clans.

  
  

  •  Brazilian arrows

  I met the Zo’e tribe, in Brazil, who were first discovered 15 years ago and live in a state of total purity. You see the guy working with an arrow. He warms it, put some weight on it, a straight feather if he wants a quicker arrow, a rounder one to have it slower. It is the same science as for rockets. And he’s got the same problem as in Cape Canaveral, to recover his rockets. If his ballistic calculations are wrong, he loses his arrow. He takes only 10 arrows with him when he goes hunting, no more than that.

  
  

  •  Activist or photographer?

  Photography is my life. When I am taking photos, I am in a deep trance. When I have my camera and am travelling with the Nenets, it’s my life, morning to night. I have taken incredible photos, but my life is also the environment and Instituto Terra.

  
  

  (www.worldcrunch.com. Adaptado.)
  

  No trecho do quinto parágrafo – I would put it inside my clothes, my assistant would give me another one –, a palavra one referese, no texto, a

  Escolha uma alternativa para a questão 25492c16-e9

  A

  battery.

  B

  camera.

  C

  clothes.

  D

  energy.

  E

  pictures.

  Responder