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15.661 questões encontradas. Mostrando a página 66 de 784.

  • C7D29AC8-03

    Matemática

    Geometria Espacial
    UECE · 2024FácilEntre para guardar nos favoritos
    Container é uma palavra da língua inglesa que pode designar um grande depósito destinado a transportar cargas em portos e aeroportos, sendo usual o formato de um paralelepípedo retangular. Considere um destes “containers” cujas medidas das arestas de seu espaço útil interno são 2,4 m, 4,4 m e 6,0 m, no qual serão empilhadas caixas, também em formato de paralelepípedo retangular, com arestas medindo 30 cm, 55 cm e 75 cm. Assim, é correto afirmar que a quantidade de caixas que podem ser acomodadas no container sem deixar vazios no seu interior é
    Escolha uma alternativa para a questão c7d29ac8-03
  • C7C610C0-03

    Matemática

    Geometria Plana
    UECE · 2024FácilEntre para guardar nos favoritos
    Considere, no plano, o triângulo OIE e K um ponto em seu interior, tal que as medidas dos ângulos OîK, EÔI, KÊO são, cada uma delas, iguais a 45o . Se a medida do lado IE é igual a 8 m, então, é correto afirmar que a medida, em m2 , da área do quadrilátero OIKE é igual a 


    Imagem da questão de Matemática, UECE 2024, Geometria Plana
    Escolha uma alternativa para a questão c7c610c0-03
  • C7BD0BA6-03

    Matemática

    Produtos Notáveis e Fatoração
    UECE · 2024FácilEntre para guardar nos favoritos
    Se n é um número inteiro positivo, define-se fatorial de n, denotado n!, que é expresso por n! = 1.2.3. . . n. Por exemplo, 3! = 1.2.3 = 6; 5! = 1.2.3.4.5 = 120. Assim, é correto afirmar que a quantidade de zeros com que termina o número 15! é
    Escolha uma alternativa para a questão c7bd0ba6-03
  • 39BEF2A2-03

    Inglês

    Interpretação de texto | Reading comprehension
    UECE · 2024FácilEntre para guardar nos favoritos

    T E X T


    Han Kang Is Awarded Nobel Prize in Literature



        Han Kang, the South Korean author best known for her surreal, subversive novel, “The Vegetarian,” was awarded the Nobel Prize in Literature [2024] — the first writer from her country to receive the award.


        Mats Malm, the permanent secretary of the Swedish Academy, which organizes the prize, said at a news conference in Stockholm that Han was receiving the honor “for her intense poetic prose that confronts historical traumas and exposes the fragility of human life.”


        “The Vegetarian,” published in Korea in 2007, won the 2016 International Booker Prize after it was translated into English. Porochista Khakpour, in a review of “The Vegetarian” for The New York Times, said that Han “has been rightfully celebrated as a visionary in South Korea.” 


        Han’s Nobel was a surprise. But the news was celebrated by authors and fans on social media, and greeted with fanfare in South Korea. “This is a great achievement for South Korean literature and an occasion for national celebration,” said President Yoon Suk Yeol in a statement, in which he noted Han’s ability to capture painful episodes from their country’s recent history. Members of the K-pop band BTS also celebrated, with one posting a crying-face emoji and a heart alongside a picture of Han. Han’s groundbreaking work has reshaped the literary landscape in South Korea, said Paige Aniyah Morris, co-translator of Han’s novel, “We Do Not Part,” which will be published by Hogarth in the United States in January.


        “Han’s work has inspired a generation of Korean writers to be more truthful and more daring in their subject matter,” Morris said. “Time and time again, she has braved a culture of censorship and saving face, and she has come out of these attempts at silencing her with stronger, more unflinching work each time.” 


        Han, 53, was born in 1970 in Gwangju, South Korea. Her father was also a novelist, but much less successful. The family struggled financially and moved frequently. In a 2016 interview with The Times, Han said her transitory upbringing “was too much for a little child, but I was all right because I was surrounded by books.” When Han was 9, her family moved to Seoul just months before the Gwangju uprising, when government troops fired on crowds of pro-democracy protesters, killing hundreds. The event shaped her views on humanity’s capacity for violence, Han said in the 2016 interview, and its specter has haunted her writing. In her 2014 novel “Human Acts,” a writer observes a police raid on a group of activists.


        She also recalled seeing images of people who lined up to donate their blood to those who were injured in the uprising. “It was like two unsolvable riddles imprinted on my mind: How can humans be so violent, and how can humans be so sublime?” she said. “When I write novels, I find myself always returning to the theme of what it means to be human.”


        Han studied literature at Yonsei University in Korea, and her first published works were poems. Her debut novel, “Black Deer,” which came out in 1998, was a mystery about a missing woman. Following her debut, Han went on to write seven more novels, as well as several novellas and collections of essays and short stories. Among her other novels are “The White Book,” which was also nominated for the International Booker Prize, and “Greek Lessons,” published in English in 2023. 


        “Han Kang is a visionary — there’s no other word for it,” said Parisa Ebrahimi, executive editor at Hogarth, Han’s North American publisher, who noted that Han’s work reflects “remarkable insight into the inner lives of women.” 


        Han’s writing is now celebrated in South Korea, but that took some time. She had been publishing fiction and poetry for more than two decades before her work was issued in English, after Deborah Smith translated “The Vegetarian” and sold it to a British publisher based on the first 10 pages. “Her work, and the translation and success of her work, has led Korean literature in translation to be edgier and more experimental and daring,” said Anton Hur, a South Korean translator and author who is based in Seoul. “She changed the conversation about Korean literature.”


        Ankhi Mukherjee, a literature professor at the University of Oxford, said that she had taught Han’s work “year in, year out” for almost two decades. “Her writing is relentlessly political — whether it’s the politics of the body, of gender, of people fighting against the state — but it never lets go of the literary imagination,” Mukherjee said, adding: “It’s never sanctimonious; it’s very playful, funny and surreal.


        The Nobel Prize is literature’s pre-eminent award, and winning it is a capstone to a writer. Along with the prestige and a huge boost in sales, the new laureate receives 11 million Swedish krona, about $1 million. In recent years, the academy has tried to increase the diversity of authors considered for the literature prize, after facing criticism over the low number of laureates who were female or came from outside Europe and North America. 


        Han is the 18th woman to receive the Nobel in literature, which has been awarded to 120 writers since 1901. Some scholars and translators said it was fitting that the first Korean writer to win a Nobel is a woman. Much of the most groundbreaking and provocative contemporary Korean literature is being written by female novelists, including some who are challenging and exposing misogyny and the burdens that are placed on women in South Korea.


    Adapted from: https://www.nytimes.com/2024/10/10/

    The Swedish Academy has been making some innovations as to the choice of writers for the Nobel Prize, considering criticism it has faced, mainly referring to the laureates' 
    Escolha uma alternativa para a questão 39bef2a2-03
  • 39BC706E-03

    Inglês

    Interpretação de texto | Reading comprehension
    UECE · 2024FácilEntre para guardar nos favoritos

    T E X T


    Han Kang Is Awarded Nobel Prize in Literature



        Han Kang, the South Korean author best known for her surreal, subversive novel, “The Vegetarian,” was awarded the Nobel Prize in Literature [2024] — the first writer from her country to receive the award.


        Mats Malm, the permanent secretary of the Swedish Academy, which organizes the prize, said at a news conference in Stockholm that Han was receiving the honor “for her intense poetic prose that confronts historical traumas and exposes the fragility of human life.”


        “The Vegetarian,” published in Korea in 2007, won the 2016 International Booker Prize after it was translated into English. Porochista Khakpour, in a review of “The Vegetarian” for The New York Times, said that Han “has been rightfully celebrated as a visionary in South Korea.” 


        Han’s Nobel was a surprise. But the news was celebrated by authors and fans on social media, and greeted with fanfare in South Korea. “This is a great achievement for South Korean literature and an occasion for national celebration,” said President Yoon Suk Yeol in a statement, in which he noted Han’s ability to capture painful episodes from their country’s recent history. Members of the K-pop band BTS also celebrated, with one posting a crying-face emoji and a heart alongside a picture of Han. Han’s groundbreaking work has reshaped the literary landscape in South Korea, said Paige Aniyah Morris, co-translator of Han’s novel, “We Do Not Part,” which will be published by Hogarth in the United States in January.


        “Han’s work has inspired a generation of Korean writers to be more truthful and more daring in their subject matter,” Morris said. “Time and time again, she has braved a culture of censorship and saving face, and she has come out of these attempts at silencing her with stronger, more unflinching work each time.” 


        Han, 53, was born in 1970 in Gwangju, South Korea. Her father was also a novelist, but much less successful. The family struggled financially and moved frequently. In a 2016 interview with The Times, Han said her transitory upbringing “was too much for a little child, but I was all right because I was surrounded by books.” When Han was 9, her family moved to Seoul just months before the Gwangju uprising, when government troops fired on crowds of pro-democracy protesters, killing hundreds. The event shaped her views on humanity’s capacity for violence, Han said in the 2016 interview, and its specter has haunted her writing. In her 2014 novel “Human Acts,” a writer observes a police raid on a group of activists.


        She also recalled seeing images of people who lined up to donate their blood to those who were injured in the uprising. “It was like two unsolvable riddles imprinted on my mind: How can humans be so violent, and how can humans be so sublime?” she said. “When I write novels, I find myself always returning to the theme of what it means to be human.”


        Han studied literature at Yonsei University in Korea, and her first published works were poems. Her debut novel, “Black Deer,” which came out in 1998, was a mystery about a missing woman. Following her debut, Han went on to write seven more novels, as well as several novellas and collections of essays and short stories. Among her other novels are “The White Book,” which was also nominated for the International Booker Prize, and “Greek Lessons,” published in English in 2023. 


        “Han Kang is a visionary — there’s no other word for it,” said Parisa Ebrahimi, executive editor at Hogarth, Han’s North American publisher, who noted that Han’s work reflects “remarkable insight into the inner lives of women.” 


        Han’s writing is now celebrated in South Korea, but that took some time. She had been publishing fiction and poetry for more than two decades before her work was issued in English, after Deborah Smith translated “The Vegetarian” and sold it to a British publisher based on the first 10 pages. “Her work, and the translation and success of her work, has led Korean literature in translation to be edgier and more experimental and daring,” said Anton Hur, a South Korean translator and author who is based in Seoul. “She changed the conversation about Korean literature.”


        Ankhi Mukherjee, a literature professor at the University of Oxford, said that she had taught Han’s work “year in, year out” for almost two decades. “Her writing is relentlessly political — whether it’s the politics of the body, of gender, of people fighting against the state — but it never lets go of the literary imagination,” Mukherjee said, adding: “It’s never sanctimonious; it’s very playful, funny and surreal.


        The Nobel Prize is literature’s pre-eminent award, and winning it is a capstone to a writer. Along with the prestige and a huge boost in sales, the new laureate receives 11 million Swedish krona, about $1 million. In recent years, the academy has tried to increase the diversity of authors considered for the literature prize, after facing criticism over the low number of laureates who were female or came from outside Europe and North America. 


        Han is the 18th woman to receive the Nobel in literature, which has been awarded to 120 writers since 1901. Some scholars and translators said it was fitting that the first Korean writer to win a Nobel is a woman. Much of the most groundbreaking and provocative contemporary Korean literature is being written by female novelists, including some who are challenging and exposing misogyny and the burdens that are placed on women in South Korea.


    Adapted from: https://www.nytimes.com/2024/10/10/

    Some translators and academics said it is appropriate that the first Korean Nobel Prize in Literature is given to a woman because present-day South Korean female writers are the ones whose literature is considered
    Escolha uma alternativa para a questão 39bc706e-03
  • 39BA029F-03

    Inglês

    Interpretação de texto | Reading comprehension
    UECE · 2024FácilEntre para guardar nos favoritos

    T E X T


    Han Kang Is Awarded Nobel Prize in Literature



        Han Kang, the South Korean author best known for her surreal, subversive novel, “The Vegetarian,” was awarded the Nobel Prize in Literature [2024] — the first writer from her country to receive the award.


        Mats Malm, the permanent secretary of the Swedish Academy, which organizes the prize, said at a news conference in Stockholm that Han was receiving the honor “for her intense poetic prose that confronts historical traumas and exposes the fragility of human life.”


        “The Vegetarian,” published in Korea in 2007, won the 2016 International Booker Prize after it was translated into English. Porochista Khakpour, in a review of “The Vegetarian” for The New York Times, said that Han “has been rightfully celebrated as a visionary in South Korea.” 


        Han’s Nobel was a surprise. But the news was celebrated by authors and fans on social media, and greeted with fanfare in South Korea. “This is a great achievement for South Korean literature and an occasion for national celebration,” said President Yoon Suk Yeol in a statement, in which he noted Han’s ability to capture painful episodes from their country’s recent history. Members of the K-pop band BTS also celebrated, with one posting a crying-face emoji and a heart alongside a picture of Han. Han’s groundbreaking work has reshaped the literary landscape in South Korea, said Paige Aniyah Morris, co-translator of Han’s novel, “We Do Not Part,” which will be published by Hogarth in the United States in January.


        “Han’s work has inspired a generation of Korean writers to be more truthful and more daring in their subject matter,” Morris said. “Time and time again, she has braved a culture of censorship and saving face, and she has come out of these attempts at silencing her with stronger, more unflinching work each time.” 


        Han, 53, was born in 1970 in Gwangju, South Korea. Her father was also a novelist, but much less successful. The family struggled financially and moved frequently. In a 2016 interview with The Times, Han said her transitory upbringing “was too much for a little child, but I was all right because I was surrounded by books.” When Han was 9, her family moved to Seoul just months before the Gwangju uprising, when government troops fired on crowds of pro-democracy protesters, killing hundreds. The event shaped her views on humanity’s capacity for violence, Han said in the 2016 interview, and its specter has haunted her writing. In her 2014 novel “Human Acts,” a writer observes a police raid on a group of activists.


        She also recalled seeing images of people who lined up to donate their blood to those who were injured in the uprising. “It was like two unsolvable riddles imprinted on my mind: How can humans be so violent, and how can humans be so sublime?” she said. “When I write novels, I find myself always returning to the theme of what it means to be human.”


        Han studied literature at Yonsei University in Korea, and her first published works were poems. Her debut novel, “Black Deer,” which came out in 1998, was a mystery about a missing woman. Following her debut, Han went on to write seven more novels, as well as several novellas and collections of essays and short stories. Among her other novels are “The White Book,” which was also nominated for the International Booker Prize, and “Greek Lessons,” published in English in 2023. 


        “Han Kang is a visionary — there’s no other word for it,” said Parisa Ebrahimi, executive editor at Hogarth, Han’s North American publisher, who noted that Han’s work reflects “remarkable insight into the inner lives of women.” 


        Han’s writing is now celebrated in South Korea, but that took some time. She had been publishing fiction and poetry for more than two decades before her work was issued in English, after Deborah Smith translated “The Vegetarian” and sold it to a British publisher based on the first 10 pages. “Her work, and the translation and success of her work, has led Korean literature in translation to be edgier and more experimental and daring,” said Anton Hur, a South Korean translator and author who is based in Seoul. “She changed the conversation about Korean literature.”


        Ankhi Mukherjee, a literature professor at the University of Oxford, said that she had taught Han’s work “year in, year out” for almost two decades. “Her writing is relentlessly political — whether it’s the politics of the body, of gender, of people fighting against the state — but it never lets go of the literary imagination,” Mukherjee said, adding: “It’s never sanctimonious; it’s very playful, funny and surreal.


        The Nobel Prize is literature’s pre-eminent award, and winning it is a capstone to a writer. Along with the prestige and a huge boost in sales, the new laureate receives 11 million Swedish krona, about $1 million. In recent years, the academy has tried to increase the diversity of authors considered for the literature prize, after facing criticism over the low number of laureates who were female or came from outside Europe and North America. 


        Han is the 18th woman to receive the Nobel in literature, which has been awarded to 120 writers since 1901. Some scholars and translators said it was fitting that the first Korean writer to win a Nobel is a woman. Much of the most groundbreaking and provocative contemporary Korean literature is being written by female novelists, including some who are challenging and exposing misogyny and the burdens that are placed on women in South Korea.


    Adapted from: https://www.nytimes.com/2024/10/10/

    South Korean translator and author, Anton Hur, stated that Han Kang’s work contributed to make South Korean literature in translation
    Escolha uma alternativa para a questão 39ba029f-03
  • 39B50A5E-03

    Inglês

    Interpretação de texto | Reading comprehension
    UECE · 2024FácilEntre para guardar nos favoritos

    T E X T


    Han Kang Is Awarded Nobel Prize in Literature



        Han Kang, the South Korean author best known for her surreal, subversive novel, “The Vegetarian,” was awarded the Nobel Prize in Literature [2024] — the first writer from her country to receive the award.


        Mats Malm, the permanent secretary of the Swedish Academy, which organizes the prize, said at a news conference in Stockholm that Han was receiving the honor “for her intense poetic prose that confronts historical traumas and exposes the fragility of human life.”


        “The Vegetarian,” published in Korea in 2007, won the 2016 International Booker Prize after it was translated into English. Porochista Khakpour, in a review of “The Vegetarian” for The New York Times, said that Han “has been rightfully celebrated as a visionary in South Korea.” 


        Han’s Nobel was a surprise. But the news was celebrated by authors and fans on social media, and greeted with fanfare in South Korea. “This is a great achievement for South Korean literature and an occasion for national celebration,” said President Yoon Suk Yeol in a statement, in which he noted Han’s ability to capture painful episodes from their country’s recent history. Members of the K-pop band BTS also celebrated, with one posting a crying-face emoji and a heart alongside a picture of Han. Han’s groundbreaking work has reshaped the literary landscape in South Korea, said Paige Aniyah Morris, co-translator of Han’s novel, “We Do Not Part,” which will be published by Hogarth in the United States in January.


        “Han’s work has inspired a generation of Korean writers to be more truthful and more daring in their subject matter,” Morris said. “Time and time again, she has braved a culture of censorship and saving face, and she has come out of these attempts at silencing her with stronger, more unflinching work each time.” 


        Han, 53, was born in 1970 in Gwangju, South Korea. Her father was also a novelist, but much less successful. The family struggled financially and moved frequently. In a 2016 interview with The Times, Han said her transitory upbringing “was too much for a little child, but I was all right because I was surrounded by books.” When Han was 9, her family moved to Seoul just months before the Gwangju uprising, when government troops fired on crowds of pro-democracy protesters, killing hundreds. The event shaped her views on humanity’s capacity for violence, Han said in the 2016 interview, and its specter has haunted her writing. In her 2014 novel “Human Acts,” a writer observes a police raid on a group of activists.


        She also recalled seeing images of people who lined up to donate their blood to those who were injured in the uprising. “It was like two unsolvable riddles imprinted on my mind: How can humans be so violent, and how can humans be so sublime?” she said. “When I write novels, I find myself always returning to the theme of what it means to be human.”


        Han studied literature at Yonsei University in Korea, and her first published works were poems. Her debut novel, “Black Deer,” which came out in 1998, was a mystery about a missing woman. Following her debut, Han went on to write seven more novels, as well as several novellas and collections of essays and short stories. Among her other novels are “The White Book,” which was also nominated for the International Booker Prize, and “Greek Lessons,” published in English in 2023. 


        “Han Kang is a visionary — there’s no other word for it,” said Parisa Ebrahimi, executive editor at Hogarth, Han’s North American publisher, who noted that Han’s work reflects “remarkable insight into the inner lives of women.” 


        Han’s writing is now celebrated in South Korea, but that took some time. She had been publishing fiction and poetry for more than two decades before her work was issued in English, after Deborah Smith translated “The Vegetarian” and sold it to a British publisher based on the first 10 pages. “Her work, and the translation and success of her work, has led Korean literature in translation to be edgier and more experimental and daring,” said Anton Hur, a South Korean translator and author who is based in Seoul. “She changed the conversation about Korean literature.”


        Ankhi Mukherjee, a literature professor at the University of Oxford, said that she had taught Han’s work “year in, year out” for almost two decades. “Her writing is relentlessly political — whether it’s the politics of the body, of gender, of people fighting against the state — but it never lets go of the literary imagination,” Mukherjee said, adding: “It’s never sanctimonious; it’s very playful, funny and surreal.


        The Nobel Prize is literature’s pre-eminent award, and winning it is a capstone to a writer. Along with the prestige and a huge boost in sales, the new laureate receives 11 million Swedish krona, about $1 million. In recent years, the academy has tried to increase the diversity of authors considered for the literature prize, after facing criticism over the low number of laureates who were female or came from outside Europe and North America. 


        Han is the 18th woman to receive the Nobel in literature, which has been awarded to 120 writers since 1901. Some scholars and translators said it was fitting that the first Korean writer to win a Nobel is a woman. Much of the most groundbreaking and provocative contemporary Korean literature is being written by female novelists, including some who are challenging and exposing misogyny and the burdens that are placed on women in South Korea.


    Adapted from: https://www.nytimes.com/2024/10/10/

    After more than twenty years of a writing career, Han Kang
    Escolha uma alternativa para a questão 39b50a5e-03
  • 39B27366-03

    Inglês

    Interpretação de texto | Reading comprehension
    UECE · 2024FácilEntre para guardar nos favoritos

    T E X T


    Han Kang Is Awarded Nobel Prize in Literature



        Han Kang, the South Korean author best known for her surreal, subversive novel, “The Vegetarian,” was awarded the Nobel Prize in Literature [2024] — the first writer from her country to receive the award.


        Mats Malm, the permanent secretary of the Swedish Academy, which organizes the prize, said at a news conference in Stockholm that Han was receiving the honor “for her intense poetic prose that confronts historical traumas and exposes the fragility of human life.”


        “The Vegetarian,” published in Korea in 2007, won the 2016 International Booker Prize after it was translated into English. Porochista Khakpour, in a review of “The Vegetarian” for The New York Times, said that Han “has been rightfully celebrated as a visionary in South Korea.” 


        Han’s Nobel was a surprise. But the news was celebrated by authors and fans on social media, and greeted with fanfare in South Korea. “This is a great achievement for South Korean literature and an occasion for national celebration,” said President Yoon Suk Yeol in a statement, in which he noted Han’s ability to capture painful episodes from their country’s recent history. Members of the K-pop band BTS also celebrated, with one posting a crying-face emoji and a heart alongside a picture of Han. Han’s groundbreaking work has reshaped the literary landscape in South Korea, said Paige Aniyah Morris, co-translator of Han’s novel, “We Do Not Part,” which will be published by Hogarth in the United States in January.


        “Han’s work has inspired a generation of Korean writers to be more truthful and more daring in their subject matter,” Morris said. “Time and time again, she has braved a culture of censorship and saving face, and she has come out of these attempts at silencing her with stronger, more unflinching work each time.” 


        Han, 53, was born in 1970 in Gwangju, South Korea. Her father was also a novelist, but much less successful. The family struggled financially and moved frequently. In a 2016 interview with The Times, Han said her transitory upbringing “was too much for a little child, but I was all right because I was surrounded by books.” When Han was 9, her family moved to Seoul just months before the Gwangju uprising, when government troops fired on crowds of pro-democracy protesters, killing hundreds. The event shaped her views on humanity’s capacity for violence, Han said in the 2016 interview, and its specter has haunted her writing. In her 2014 novel “Human Acts,” a writer observes a police raid on a group of activists.


        She also recalled seeing images of people who lined up to donate their blood to those who were injured in the uprising. “It was like two unsolvable riddles imprinted on my mind: How can humans be so violent, and how can humans be so sublime?” she said. “When I write novels, I find myself always returning to the theme of what it means to be human.”


        Han studied literature at Yonsei University in Korea, and her first published works were poems. Her debut novel, “Black Deer,” which came out in 1998, was a mystery about a missing woman. Following her debut, Han went on to write seven more novels, as well as several novellas and collections of essays and short stories. Among her other novels are “The White Book,” which was also nominated for the International Booker Prize, and “Greek Lessons,” published in English in 2023. 


        “Han Kang is a visionary — there’s no other word for it,” said Parisa Ebrahimi, executive editor at Hogarth, Han’s North American publisher, who noted that Han’s work reflects “remarkable insight into the inner lives of women.” 


        Han’s writing is now celebrated in South Korea, but that took some time. She had been publishing fiction and poetry for more than two decades before her work was issued in English, after Deborah Smith translated “The Vegetarian” and sold it to a British publisher based on the first 10 pages. “Her work, and the translation and success of her work, has led Korean literature in translation to be edgier and more experimental and daring,” said Anton Hur, a South Korean translator and author who is based in Seoul. “She changed the conversation about Korean literature.”


        Ankhi Mukherjee, a literature professor at the University of Oxford, said that she had taught Han’s work “year in, year out” for almost two decades. “Her writing is relentlessly political — whether it’s the politics of the body, of gender, of people fighting against the state — but it never lets go of the literary imagination,” Mukherjee said, adding: “It’s never sanctimonious; it’s very playful, funny and surreal.


        The Nobel Prize is literature’s pre-eminent award, and winning it is a capstone to a writer. Along with the prestige and a huge boost in sales, the new laureate receives 11 million Swedish krona, about $1 million. In recent years, the academy has tried to increase the diversity of authors considered for the literature prize, after facing criticism over the low number of laureates who were female or came from outside Europe and North America. 


        Han is the 18th woman to receive the Nobel in literature, which has been awarded to 120 writers since 1901. Some scholars and translators said it was fitting that the first Korean writer to win a Nobel is a woman. Much of the most groundbreaking and provocative contemporary Korean literature is being written by female novelists, including some who are challenging and exposing misogyny and the burdens that are placed on women in South Korea.


    Adapted from: https://www.nytimes.com/2024/10/10/

    According to Paige Aniyah Morris, Han Kang’s undaunted works and her audacious attitude when facing censorship have been a source of inspiration to
    Escolha uma alternativa para a questão 39b27366-03
  • 39AFF0BD-03

    Inglês

    Interpretação de texto | Reading comprehension
    UECE · 2024FácilEntre para guardar nos favoritos

    T E X T


    Han Kang Is Awarded Nobel Prize in Literature



        Han Kang, the South Korean author best known for her surreal, subversive novel, “The Vegetarian,” was awarded the Nobel Prize in Literature [2024] — the first writer from her country to receive the award.


        Mats Malm, the permanent secretary of the Swedish Academy, which organizes the prize, said at a news conference in Stockholm that Han was receiving the honor “for her intense poetic prose that confronts historical traumas and exposes the fragility of human life.”


        “The Vegetarian,” published in Korea in 2007, won the 2016 International Booker Prize after it was translated into English. Porochista Khakpour, in a review of “The Vegetarian” for The New York Times, said that Han “has been rightfully celebrated as a visionary in South Korea.” 


        Han’s Nobel was a surprise. But the news was celebrated by authors and fans on social media, and greeted with fanfare in South Korea. “This is a great achievement for South Korean literature and an occasion for national celebration,” said President Yoon Suk Yeol in a statement, in which he noted Han’s ability to capture painful episodes from their country’s recent history. Members of the K-pop band BTS also celebrated, with one posting a crying-face emoji and a heart alongside a picture of Han. Han’s groundbreaking work has reshaped the literary landscape in South Korea, said Paige Aniyah Morris, co-translator of Han’s novel, “We Do Not Part,” which will be published by Hogarth in the United States in January.


        “Han’s work has inspired a generation of Korean writers to be more truthful and more daring in their subject matter,” Morris said. “Time and time again, she has braved a culture of censorship and saving face, and she has come out of these attempts at silencing her with stronger, more unflinching work each time.” 


        Han, 53, was born in 1970 in Gwangju, South Korea. Her father was also a novelist, but much less successful. The family struggled financially and moved frequently. In a 2016 interview with The Times, Han said her transitory upbringing “was too much for a little child, but I was all right because I was surrounded by books.” When Han was 9, her family moved to Seoul just months before the Gwangju uprising, when government troops fired on crowds of pro-democracy protesters, killing hundreds. The event shaped her views on humanity’s capacity for violence, Han said in the 2016 interview, and its specter has haunted her writing. In her 2014 novel “Human Acts,” a writer observes a police raid on a group of activists.


        She also recalled seeing images of people who lined up to donate their blood to those who were injured in the uprising. “It was like two unsolvable riddles imprinted on my mind: How can humans be so violent, and how can humans be so sublime?” she said. “When I write novels, I find myself always returning to the theme of what it means to be human.”


        Han studied literature at Yonsei University in Korea, and her first published works were poems. Her debut novel, “Black Deer,” which came out in 1998, was a mystery about a missing woman. Following her debut, Han went on to write seven more novels, as well as several novellas and collections of essays and short stories. Among her other novels are “The White Book,” which was also nominated for the International Booker Prize, and “Greek Lessons,” published in English in 2023. 


        “Han Kang is a visionary — there’s no other word for it,” said Parisa Ebrahimi, executive editor at Hogarth, Han’s North American publisher, who noted that Han’s work reflects “remarkable insight into the inner lives of women.” 


        Han’s writing is now celebrated in South Korea, but that took some time. She had been publishing fiction and poetry for more than two decades before her work was issued in English, after Deborah Smith translated “The Vegetarian” and sold it to a British publisher based on the first 10 pages. “Her work, and the translation and success of her work, has led Korean literature in translation to be edgier and more experimental and daring,” said Anton Hur, a South Korean translator and author who is based in Seoul. “She changed the conversation about Korean literature.”


        Ankhi Mukherjee, a literature professor at the University of Oxford, said that she had taught Han’s work “year in, year out” for almost two decades. “Her writing is relentlessly political — whether it’s the politics of the body, of gender, of people fighting against the state — but it never lets go of the literary imagination,” Mukherjee said, adding: “It’s never sanctimonious; it’s very playful, funny and surreal.


        The Nobel Prize is literature’s pre-eminent award, and winning it is a capstone to a writer. Along with the prestige and a huge boost in sales, the new laureate receives 11 million Swedish krona, about $1 million. In recent years, the academy has tried to increase the diversity of authors considered for the literature prize, after facing criticism over the low number of laureates who were female or came from outside Europe and North America. 


        Han is the 18th woman to receive the Nobel in literature, which has been awarded to 120 writers since 1901. Some scholars and translators said it was fitting that the first Korean writer to win a Nobel is a woman. Much of the most groundbreaking and provocative contemporary Korean literature is being written by female novelists, including some who are challenging and exposing misogyny and the burdens that are placed on women in South Korea.


    Adapted from: https://www.nytimes.com/2024/10/10/

    The strong political repression during protests in Seoul in Han Kang's childhood was imprinted in her mind and greatly influenced both her understanding of the world and her writing. Such event was explored in her novel
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  • 39ACB247-03

    Inglês

    Interpretação de texto | Reading comprehension
    UECE · 2024FácilEntre para guardar nos favoritos

    T E X T


    Han Kang Is Awarded Nobel Prize in Literature



        Han Kang, the South Korean author best known for her surreal, subversive novel, “The Vegetarian,” was awarded the Nobel Prize in Literature [2024] — the first writer from her country to receive the award.


        Mats Malm, the permanent secretary of the Swedish Academy, which organizes the prize, said at a news conference in Stockholm that Han was receiving the honor “for her intense poetic prose that confronts historical traumas and exposes the fragility of human life.”


        “The Vegetarian,” published in Korea in 2007, won the 2016 International Booker Prize after it was translated into English. Porochista Khakpour, in a review of “The Vegetarian” for The New York Times, said that Han “has been rightfully celebrated as a visionary in South Korea.” 


        Han’s Nobel was a surprise. But the news was celebrated by authors and fans on social media, and greeted with fanfare in South Korea. “This is a great achievement for South Korean literature and an occasion for national celebration,” said President Yoon Suk Yeol in a statement, in which he noted Han’s ability to capture painful episodes from their country’s recent history. Members of the K-pop band BTS also celebrated, with one posting a crying-face emoji and a heart alongside a picture of Han. Han’s groundbreaking work has reshaped the literary landscape in South Korea, said Paige Aniyah Morris, co-translator of Han’s novel, “We Do Not Part,” which will be published by Hogarth in the United States in January.


        “Han’s work has inspired a generation of Korean writers to be more truthful and more daring in their subject matter,” Morris said. “Time and time again, she has braved a culture of censorship and saving face, and she has come out of these attempts at silencing her with stronger, more unflinching work each time.” 


        Han, 53, was born in 1970 in Gwangju, South Korea. Her father was also a novelist, but much less successful. The family struggled financially and moved frequently. In a 2016 interview with The Times, Han said her transitory upbringing “was too much for a little child, but I was all right because I was surrounded by books.” When Han was 9, her family moved to Seoul just months before the Gwangju uprising, when government troops fired on crowds of pro-democracy protesters, killing hundreds. The event shaped her views on humanity’s capacity for violence, Han said in the 2016 interview, and its specter has haunted her writing. In her 2014 novel “Human Acts,” a writer observes a police raid on a group of activists.


        She also recalled seeing images of people who lined up to donate their blood to those who were injured in the uprising. “It was like two unsolvable riddles imprinted on my mind: How can humans be so violent, and how can humans be so sublime?” she said. “When I write novels, I find myself always returning to the theme of what it means to be human.”


        Han studied literature at Yonsei University in Korea, and her first published works were poems. Her debut novel, “Black Deer,” which came out in 1998, was a mystery about a missing woman. Following her debut, Han went on to write seven more novels, as well as several novellas and collections of essays and short stories. Among her other novels are “The White Book,” which was also nominated for the International Booker Prize, and “Greek Lessons,” published in English in 2023. 


        “Han Kang is a visionary — there’s no other word for it,” said Parisa Ebrahimi, executive editor at Hogarth, Han’s North American publisher, who noted that Han’s work reflects “remarkable insight into the inner lives of women.” 


        Han’s writing is now celebrated in South Korea, but that took some time. She had been publishing fiction and poetry for more than two decades before her work was issued in English, after Deborah Smith translated “The Vegetarian” and sold it to a British publisher based on the first 10 pages. “Her work, and the translation and success of her work, has led Korean literature in translation to be edgier and more experimental and daring,” said Anton Hur, a South Korean translator and author who is based in Seoul. “She changed the conversation about Korean literature.”


        Ankhi Mukherjee, a literature professor at the University of Oxford, said that she had taught Han’s work “year in, year out” for almost two decades. “Her writing is relentlessly political — whether it’s the politics of the body, of gender, of people fighting against the state — but it never lets go of the literary imagination,” Mukherjee said, adding: “It’s never sanctimonious; it’s very playful, funny and surreal.


        The Nobel Prize is literature’s pre-eminent award, and winning it is a capstone to a writer. Along with the prestige and a huge boost in sales, the new laureate receives 11 million Swedish krona, about $1 million. In recent years, the academy has tried to increase the diversity of authors considered for the literature prize, after facing criticism over the low number of laureates who were female or came from outside Europe and North America. 


        Han is the 18th woman to receive the Nobel in literature, which has been awarded to 120 writers since 1901. Some scholars and translators said it was fitting that the first Korean writer to win a Nobel is a woman. Much of the most groundbreaking and provocative contemporary Korean literature is being written by female novelists, including some who are challenging and exposing misogyny and the burdens that are placed on women in South Korea.


    Adapted from: https://www.nytimes.com/2024/10/10/

    Among the many people who celebrated Han Kang's winning of the Nobel Prize in Literature this year, the text mentions
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  • 39AA2530-03

    História

    História do Brasil
    UECE · 2024FácilEntre para guardar nos favoritos
    Atente para o seguinte excerto:


    “Será a empresa do colono branco, que reúne à natureza, pródiga em recursos aproveitáveis para a produção de gêneros de grande valor comercial, o trabalho recrutado na escravidão entre indígenas ou negros africanos importados. Há um ajustamento entre os tradicionais objetivos mercantis que assinalam o início da expansão ultramarina da Europa, e que são conservados, e as novas condições em que se realizará a empresa colonial. [...]. No seu conjunto, e vista no plano mundial e internacional, a colonização dos trópicos toma o aspecto de uma vasta empresa comercial, mais completa que a antiga feitoria, mas sempre com o mesmo caráter que ela, destinada a explorar os recursos naturais de um território virgem em proveito do comércio europeu. É este o verdadeiro sentido da colonização tropical, de que o Brasil é uma das resultantes; e ele explicará os elementos fundamentais, tanto no econômico como no social, da formação e evolução históricas da sociedade brasileira”.


    (Caio Prado Jr. Formação do Brasil Contemporâneo, 1942)


    De acordo com o excerto acima, pode-se afirmar corretamente que
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  • 39A556FF-03

    Filosofia

    A Política
    UECE · 2024FácilEntre para guardar nos favoritos
    Leia com atenção o trecho a seguir:


    “A democracia que conhecemos instituiu-se por vias selvagens, sob o efeito de reivindicações que se mostraram indomesticáveis. E todo aquele que tenha os olhos voltados para a luta de classes, [...], deveria convir que ela foi uma luta pela conquista de direitos — exatamente aqueles que se mostram hoje constitutivos da democracia [...]. Poderoso agente da revolução democrática, o movimento operário talvez tenha, por seu turno, se atolado na lama das burocracias, nascidas da necessidade de sua organização. Acontece, no entanto, para além dos choques de interesses particulares nos quais a democracia corre o risco de se deteriorar, que os conflitos que atravessam a sociedade em todos os níveis sempre deixam visível uma oposição geral, que é sua mola-mestra, entre dominação e servidão”.


    LEFORT, Claude. A invenção democrática: os limites do totalitarismo. São Paulo: Brasiliense, 1983. p. 26. 


    Tomando por base o trecho acima apresentado, é correto afirmar que 
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  • 39A0A642-03

    Sociologia

    Auguste Comte e o positivismo
    UECE · 2024FácilEntre para guardar nos favoritos
    Os objetos de estudos da Sociologia fazem parte de um grupo de fenômenos que são previamente definidos por certos caracteres que lhes são comuns. Fenômenos que se estendem pelo corpo social são capazes de exercer uma força moral que se impõe sobre cada indivíduo membro de uma sociedade ou coletividade e que, assim, existem independente dos interesses e das vontades individuais, de modo isolado.


    Considerando o enunciado acima, assinale a afirmação verdadeira.
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  • 399BF9B1-03

    Filosofia

    Conceitos Filosóficos
    UECE · 2024FácilEntre para guardar nos favoritos
    “Onde se afirma que a filosofia só se faz em alemão, Lélia [González (1935-1994)] afirma o pretuguês e o complexo não de Édipo, mas do alemão, como modo de subverter e rir, por que não, do que a norma culta cultua, pretensamente erudita, porque eurodita. Nessa ‘chamada América Latina que, na verdade, é muito mais ameríndia e amefricana do que outra coisa’ (Gonzalez, 1988), como saca Lélia, negrita-se o necessário compromisso de aproximar-se de outros referenciais para forjar uma filosofia capaz de pensar as questões que nos afetam desde as experiências situadas de reexistência da práxis negro-indígena, historicamente anuladas e deslegitimadas.”


    REIS, Diego dos Santos. Lélia Gonzalez, Por uma Filosofia Amefricana. Anais do IV Congresso de Pesquisadores/as Negros/as, 2023.


    Segundo Diego dos Santos Reis, para a filósofa Lélia González,
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  • 39992BAF-03

    Sociologia

    Desigualdade social no Brasil
    UECE · 2024FácilEntre para guardar nos favoritos
    “André Rebouças, descendente direto do radicalismo filosófico do liberalismo, não se fixa, ao contrário da maioria esmagadora dos liberais brasileiros do seu tempo e do que lhe sucedeu, na questão da livre iniciativa e do livre mercado, transitando dela, sem perder sua identidade de origem, para a questão social, com a abolição e a luta pela liberação do acesso à terra.”


    VIANNA, Luís Werneck. Apresentação do livro de CARVALHO, Maria Alice Rezende de. O quinto século: André Rebouças e a construção do Brasil. Rio de janeiro: Revan, 1998. Adaptado.


    Com base na apresentação da posição filosófica de André Rebouças (1838-1898), é correto afirmar que
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  • 3996971F-03

    Filosofia

    Conceitos Filosóficos
    UECE · 2024FácilEntre para guardar nos favoritos
    “Tudo é Deus pensando. Assim, Farias Brito conclui com sua ‘concepção fundamental’ – ‘o mundo é uma atividade intelectual, pois é Deus pensando, e nós, homens, como elementos que somos do mecanismo do mundo, fazemos também parte do pensamento de Deus, e somos, por conseguinte, no mais rigoroso sentido da palavra, ideias divinas.”


    NOGUEIRA, Francisco Alcântara. Farias Brito e a Filosofia do Espírito. Rio de Janeiro: Livraria Freitas Bastos S/A, 1962., p. 45.


    Com base na apresentação de Alcântara Nogueira, é correto afirmar que a compreensão de Farias Brito sobre Deus é uma espécie de
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  • 3993CEF5-03

    Filosofia

    Conceitos Filosóficos
    UECE · 2024FácilEntre para guardar nos favoritos
    Assinale a opção que corresponde a um exemplo de silogismo válido aplicado ao contexto da pandemia de COVID-19.
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