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134187E4-EC A seguinte passagem foi extraída do texto “O último carnaval da vitória”, que integra o livro Os da minha rua, do escritor angolano Ondjaki:“Ficamos todos a ver o desfile e era um mês de março. O locutor deu alguma informação errada sobre o carnaval, e um dos primos disse que não era assim, que aquele era o Carnaval da Vitória porque a 27 de março se comemorava o dia em que as forças armadas tinham expulsado o último sul-africano de solo angolano”.O trecho aborda a infância do personagem Ndalu, em Luanda, Angola, na década de 1980. No texto, o personagem principal lembra-se da festa que ganhou o nome de Carnaval da Vitória, após a independência do país, em 1975. Sobre a dominação portuguesa na África, é correto afirmar que:133DFD3C-EC História
Brasil Monárquico – Segundo Reinado 1831- 1889Faculdade Cásper Líbero · 2010MédioEntre para guardar nos favoritosNa época em que Manuel Antonio de Almeida publicou Memórias de um sargento de milícias, havia acirrada disputa entre os Partidos Conservador e Liberal. O livro saiu, primeiramente, em folhetim na seção humorística denominada “Pacotilha”, do Correio Mercantil, principal jornal ligado ao Partido Liberal, entre 1852 e 1853. Nesse período, cunhou-se uma célebre frase atribuída ao político pernambucano Antônio Francisco de Paula e Holanda Cavalcanti de Albuquerque: “Nada se assemelha mais a um ‘saquarema’ do que um ‘luzia’ no poder.” Sobre a vida econômica e política do período em questão, é correto afirmar que:133960B0-EC História
História GeralFaculdade Cásper Líbero · 2010MédioEntre para guardar nos favoritosEm Auto da barca do inferno (1516), de Gil Vicente, o “Judeu” é o único personagem que solicita entrar no batel infernal, mas mesmo assim sua alma é preterida pelo “Diabo”. Este se recusa a embarcar o bode que o “Judeu” traz consigo e indica-lhe o batel do “Anjo”. O “Judeu”, contudo, não consegue dirigir a palavra ao “Anjo”, e acaba indo a reboque no barco do “Diabo”, que, com estas palavras, aceita-o: “Vós, Judeu, ireis à toa, que sois mui ruim pessoa”. O mau juízo que a obra faz dos judeus tem origem em uma conjuntura histórica particular, vigente no final do século XV e início do século XVI. Assinale a alternativa que explicita essa conjuntura:132FE351-EC Inglês
Interpretação de texto | Reading comprehensionFaculdade Cásper Líbero · 2010DifícilEntre para guardar nos favoritosRead the following passage of “The Dinner”, by Clarice Lispector, and answer question.
“I leaned over my meal, lost. When I finally managed to confront him from the depths of my pallid face, I observed that he, too, was leaning forward, his elbows resting on the table, his head between his hands. And obviously he could bear it no longer. His bushy eyebrows were touching. His food must have lodged just below his throat under the stress of his emotion, for when he was able to continue, he made a visible effort to swallow, dabbing his forehead with his napkin. I could bear it no longer, the meat on my plate was raw… and I really could not bear it another minute. But he – he was eating.
The waiter brought a bottle in a bucket of ice. I noted every detail without being capable of discrimination. The bottle was different, the waiter in tails, and the light haloed the robust head of Pluto which was now moving with curiosity, greedy and attentive. For a second the waiter obliterated my view of the elderly gentleman and I could only see his black coattails hovering over the table as he poured red wine into the glass and waited with ardent eyes – because here was a surely man who would tip generously, one of those elderly gentlemen who still command attention… and power. The elderly gentleman, who now seemed larger, confidently took a sip, lowered his glass, and sourly considered the taste in his mouth. He compressed his lips and smacked them with distaste, as if the good were also intolerable. I waited, the waiter waited, and we both leaned forward in suspense. Finally he made a grimace of approval. The waiter curved his shiny head in submission to the man’s words of thanks and went off with lowered head, while I sighed with relief.
He now mingled gulps of wine with the meat in his great mouth and his false teeth ponderously chewed while I observed him… in vain. Nothing more happened. The restaurant appeared to radiate with renewed intensity under the tinkling of glass and cutlery; in the brightly lit dome of the room the whispered conversation rose and fell in gentle waves; the woman in the large hat smiled with half closed eyes, looking slender and beautiful as the waiter carefully poured the wine into her glass. But now he was making another gesture.”
The sentence “while I observed him… in vain” suggests that the narrator:132CA97C-EC Inglês
Interpretação de texto | Reading comprehensionFaculdade Cásper Líbero · 2010DifícilEntre para guardar nos favoritosRead the following passage of “The Dinner”, by Clarice Lispector, and answer question.
“I leaned over my meal, lost. When I finally managed to confront him from the depths of my pallid face, I observed that he, too, was leaning forward, his elbows resting on the table, his head between his hands. And obviously he could bear it no longer. His bushy eyebrows were touching. His food must have lodged just below his throat under the stress of his emotion, for when he was able to continue, he made a visible effort to swallow, dabbing his forehead with his napkin. I could bear it no longer, the meat on my plate was raw… and I really could not bear it another minute. But he – he was eating.
The waiter brought a bottle in a bucket of ice. I noted every detail without being capable of discrimination. The bottle was different, the waiter in tails, and the light haloed the robust head of Pluto which was now moving with curiosity, greedy and attentive. For a second the waiter obliterated my view of the elderly gentleman and I could only see his black coattails hovering over the table as he poured red wine into the glass and waited with ardent eyes – because here was a surely man who would tip generously, one of those elderly gentlemen who still command attention… and power. The elderly gentleman, who now seemed larger, confidently took a sip, lowered his glass, and sourly considered the taste in his mouth. He compressed his lips and smacked them with distaste, as if the good were also intolerable. I waited, the waiter waited, and we both leaned forward in suspense. Finally he made a grimace of approval. The waiter curved his shiny head in submission to the man’s words of thanks and went off with lowered head, while I sighed with relief.
He now mingled gulps of wine with the meat in his great mouth and his false teeth ponderously chewed while I observed him… in vain. Nothing more happened. The restaurant appeared to radiate with renewed intensity under the tinkling of glass and cutlery; in the brightly lit dome of the room the whispered conversation rose and fell in gentle waves; the woman in the large hat smiled with half closed eyes, looking slender and beautiful as the waiter carefully poured the wine into her glass. But now he was making another gesture.”
“And obviously he could bear it no longer”. In this sentence, the pronoun “it” refers to:13298E31-EC Inglês
Interpretação de texto | Reading comprehensionFaculdade Cásper Líbero · 2010MédioEntre para guardar nos favoritosRead the following passage of “The Dinner”, by Clarice Lispector, and answer question.
“I leaned over my meal, lost. When I finally managed to confront him from the depths of my pallid face, I observed that he, too, was leaning forward, his elbows resting on the table, his head between his hands. And obviously he could bear it no longer. His bushy eyebrows were touching. His food must have lodged just below his throat under the stress of his emotion, for when he was able to continue, he made a visible effort to swallow, dabbing his forehead with his napkin. I could bear it no longer, the meat on my plate was raw… and I really could not bear it another minute. But he – he was eating.
The waiter brought a bottle in a bucket of ice. I noted every detail without being capable of discrimination. The bottle was different, the waiter in tails, and the light haloed the robust head of Pluto which was now moving with curiosity, greedy and attentive. For a second the waiter obliterated my view of the elderly gentleman and I could only see his black coattails hovering over the table as he poured red wine into the glass and waited with ardent eyes – because here was a surely man who would tip generously, one of those elderly gentlemen who still command attention… and power. The elderly gentleman, who now seemed larger, confidently took a sip, lowered his glass, and sourly considered the taste in his mouth. He compressed his lips and smacked them with distaste, as if the good were also intolerable. I waited, the waiter waited, and we both leaned forward in suspense. Finally he made a grimace of approval. The waiter curved his shiny head in submission to the man’s words of thanks and went off with lowered head, while I sighed with relief.
He now mingled gulps of wine with the meat in his great mouth and his false teeth ponderously chewed while I observed him… in vain. Nothing more happened. The restaurant appeared to radiate with renewed intensity under the tinkling of glass and cutlery; in the brightly lit dome of the room the whispered conversation rose and fell in gentle waves; the woman in the large hat smiled with half closed eyes, looking slender and beautiful as the waiter carefully poured the wine into her glass. But now he was making another gesture.”
Consider the two following passages: “For a second the waiter obliterated my view of the elderly gentleman” and “But now he was making another gesture”. They lead to the conclusion that the narrator:1326401B-EC Inglês
Interpretação de texto | Reading comprehensionFaculdade Cásper Líbero · 2010DifícilEntre para guardar nos favoritosRead the following passage of “The Dinner”, by Clarice Lispector, and answer question.
“I leaned over my meal, lost. When I finally managed to confront him from the depths of my pallid face, I observed that he, too, was leaning forward, his elbows resting on the table, his head between his hands. And obviously he could bear it no longer. His bushy eyebrows were touching. His food must have lodged just below his throat under the stress of his emotion, for when he was able to continue, he made a visible effort to swallow, dabbing his forehead with his napkin. I could bear it no longer, the meat on my plate was raw… and I really could not bear it another minute. But he – he was eating.
The waiter brought a bottle in a bucket of ice. I noted every detail without being capable of discrimination. The bottle was different, the waiter in tails, and the light haloed the robust head of Pluto which was now moving with curiosity, greedy and attentive. For a second the waiter obliterated my view of the elderly gentleman and I could only see his black coattails hovering over the table as he poured red wine into the glass and waited with ardent eyes – because here was a surely man who would tip generously, one of those elderly gentlemen who still command attention… and power. The elderly gentleman, who now seemed larger, confidently took a sip, lowered his glass, and sourly considered the taste in his mouth. He compressed his lips and smacked them with distaste, as if the good were also intolerable. I waited, the waiter waited, and we both leaned forward in suspense. Finally he made a grimace of approval. The waiter curved his shiny head in submission to the man’s words of thanks and went off with lowered head, while I sighed with relief.
He now mingled gulps of wine with the meat in his great mouth and his false teeth ponderously chewed while I observed him… in vain. Nothing more happened. The restaurant appeared to radiate with renewed intensity under the tinkling of glass and cutlery; in the brightly lit dome of the room the whispered conversation rose and fell in gentle waves; the woman in the large hat smiled with half closed eyes, looking slender and beautiful as the waiter carefully poured the wine into her glass. But now he was making another gesture.”
“He compressed his lips and smacked them with distaste, as if the good were also intolerable” means that:13236A17-EC Matemática
Análise de Tabelas e GráficosFaculdade Cásper Líbero · 2010MédioEntre para guardar nos favoritos
O Instituto de Pesquisas Espaciais (INPE) realiza estudo sobre o desmatamento da floresta amazônica por meio de dois programas que analisam fotos de satélites: o Prodes e o Deter. Esses sistemas apresentam algumas limitações como o fato de imagens não serem captadas em dias nublados (dependendo da época do ano), ficando assim parte do território amazônico sem ser verificado. O gráfico acima mostra dados da área total de desmatamento por ano, baseado nas análises desses sistemas.A partir do gráfico, podemos concluir que:131FF7D6-EC Matemática
ProbabilidadeFaculdade Cásper Líbero · 2010FácilEntre para guardar nos favoritosEm uma pesquisa feita com 110 pessoas de um município, 90 afirmaram possuir TV, 70 afirmaram possuir rádio e 60 afirmaram possuir ambos os aparelhos. Se sortearmos ao acaso uma dessas pessoas, a probabilidade de ela não possuir nem TV nem rádio é de:131C5464-EC Literatura
Escolas LiteráriasFaculdade Cásper Líbero · 2010Muito difícilEntre para guardar nos favoritosSobre Santiago, de João Moreira Salles, é correto afirmar:1318490E-EC Literatura
Escolas LiteráriasFaculdade Cásper Líbero · 2010Muito difícilEntre para guardar nos favoritosSobre Rede de intrigas, de Sidney Lumet, é correto afirmar que:1314AC87-EC Literatura
Escolas LiteráriasFaculdade Cásper Líbero · 2010MédioEntre para guardar nos favoritosSobre a presença das telenovelas brasileiras e das canções de Roberto Carlos no dia a dia das personagens de Os da minha rua, de Ondjaki, é correto afirmar que:131161E2-EC Literatura
Escolas LiteráriasFaculdade Cásper Líbero · 2010DifícilEntre para guardar nos favoritosSobre Os da minha rua, de Ondjaki, é correto afirmar que:130E455D-EC Literatura
Escolas LiteráriasFaculdade Cásper Líbero · 2010DifícilEntre para guardar nos favoritosSobre Memórias de um sargento de milícias, de Manuel Antonio de Almeida, é correto afirmar que:130B2DC3-EC Literatura
Gênero DramáticoFaculdade Cásper Líbero · 2010DifícilEntre para guardar nos favoritosSobre Auto da barca do inferno, de Gil Vicente, é correto afirmar que:13084B0B-EC Atualidades
PolíticaFaculdade Cásper Líbero · 2010Muito difícilEntre para guardar nos favoritosO presidente dos Estados Unidos, Barack Obama, foi premiado com o Nobel da Paz em 2009. Entre os motivos alegados para a escolha de Obama pelo comitê responsável pelo prêmio, estavam:13056FA2-EC Atualidades
Guerras, Conflitos e Terrorismo na AtualidadeFaculdade Cásper Líbero · 2010DifícilEntre para guardar nos favoritosEm 31 de maio de 2010, tropas especiais israelenses atacaram uma frota de ajuda humanitária internacional que se dirigia à Faixa de Gaza, com 700 ativistas e um carregamento de alimentos e remédios. A operação resultou na morte de nove ativistas e impediu a chegada da frota ao território. Sobre a operação militar israelense, é correto afirmar que:13023A49-EC História
História GeralFaculdade Cásper Líbero · 2010MédioEntre para guardar nos favoritosO documentário Arquitetura da destruição, de Peter Cohen, mostra um dos programas criados pelo governo de Adolf Hitler (1933-1945) para os trabalhadores, denominado “beleza no trabalho”. No filme, o médico-chefe do programa declara: “Se a luta de classes morrer, ao menos o trabalho e a criatividade devem perder o estigma de sujeira. Se mostrarmos ao trabalhador como deve se lavar e o elevarmos ao nível da burguesia, ele entenderá que não há por que lutar”.A preocupação do governo de Hitler estava relacionada:12FE5C49-EC História
História do BrasilFaculdade Cásper Líbero · 2010MédioEntre para guardar nos favoritosO bandido da luz vermelha, de Rogério Sganzerla, satiriza a atuação da grande mídia no período da ditadura militar no Brasil, indicando seu alinhamento ao regime. A respeito da atividade da imprensa no período em questão, é correto afirmar que:12FB7D70-EC Geografia
GlobalizaçãoFaculdade Cásper Líbero · 2010MédioEntre para guardar nos favoritosLeia o seguinte trecho do texto “A piscina do tio Victor”, que integra o livro Os da minha rua, de Ondjaki:“(...) No meu quarto escuro quis ver, no teto, uma água que brilhava escura e tinha bolinhas de gás que faziam cócegas no corpo todo. Nessa noite eu pensei que o tio Victor só podia ser uma pessoa tão alegre e cheia de magias porque ele vivia em Benguela, e lá eles tinham uma piscina de Coca-Cola com bué de chuinga e chocolate também”O texto trata de uma piscina imaginária de Coca-Cola que existiria na casa do tio do protagonista. A história se passa em Angola, no começo dos anos 1980. Sobre a presença da Coca-Cola nos diversos países do mundo, é correto afirmar que: