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Questões de Linguagens do ENEM

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  • 18.995 questões
  • 4 disciplinas
  • 219 assuntos

Resultados: 18.995 questões

Página 677 de 950

  • Linguagens

    Português

    Leia este poema.


    DIALÉTICA


    É claro que a vida é boa

    E a alegria, a única indizível emoção

    É claro que te acho linda

    Em ti bendigo o amor das coisas simples

    É claro que te amo

    E tenho tudo para ser feliz


    Mas acontece que eu sou triste...

    ORAES, Vinícius. Disponível em: http://www.viniciusdemoraes.com.br/pt-br/poesia/poesias-avulsas/dialetica. Acesso: 11 dez. 2018.


    Em relação a esse texto, escrito pelo poeta e compositor Vinícius de Moraes, é CORRETO afirmar que:

    Escolha uma alternativa para a questão 7f56a349-3e
  • Linguagens

    Literatura

    INSTRUÇÃO: A questão refere-se à obra “O Triste fim de Policarpo Quaresma” de Lima Barreto.


    Leia estes fragmentos da adaptação em quadrinhos do livro “Triste fim de Policarpo Quaresma”.


                        Figura 1 de 2 da questão de Literatura, UEMG 2019, Escolas Literárias


    As * reproduzem os textos das imagens dos quadrinhos:


    * “A INDIGNAÇÃO, A CONVICÇÃO PATRIÓTICA E O AMOR AO IDIOMA NATIVO SE MISTURAM EM SUA FEBRE, E ELE NEM PERCEBEU QUE SE PÔS A REDIGIR O RELATÓRIO NAQUELA LÍNGUA.”

    ** “ANTES QUE PERCEBESSE O QUE TINHA FEITO, CHAMARAM-NO PARA RESOLVER UM PROBLEMA EM OUTRA SALA, E O OFÍCIO SE JUNTOU A OUTROS, SEGUINDO O CURSO NORMAL DA BUROCRACIA...”

    *** “...PASSOU PELO DIRETOR QUE, COMO SEMPRE, NÃO REPAROU NO QUE ASSINAVA...”

    **** “...E FOI PARAR NO MINISTÉRIO, ONDE CAUSOU PERPLEXIDADE...”


                   Figura 2 de 2 da questão de Literatura, UEMG 2019, Escolas Literárias


    As * reproduzem os textos das imagens dos quadrinhos:


    * “QUARESMA FOI AO ENTERRO, ANTES DE PARTIR EM SUA MISSÃO. COMTEMPLANDO AQUELES TRISTES RESTOS, PENSAVA QUE A MOÇA IA PARA O BURACO ESCURO SEM DEIXAR TRAÇO MAIS FUNDO DE SUA PESSOA, DE SEUS SENTIMENTOS, DE SUA ALMA...”

    ** “OS HOMENS DENTRO EM POUCO ESTÃO AQUI... O GOVERNO ESTÁ EXAUSTO!”

    *** “SE EU FOSSE VOCÊ, COMPRAVA TUDO NO BONHEUR DES DAMES, TEM ÓTIMAS PECHINCHAS.”

    Nesses trechos, há referência a missões que Policarpo Quaresma desejava realizar. Considerando o enredo da obra “Triste fim de Policarpo Quaresma”, são projetos malogrados do protagonista:


    I- Defender o tupi-guarani como língua oficial do país, por ser esse o idioma que expressa a brasilidade em contraposição ao europeísmo representado pela língua portuguesa.

    II- Propor uma reforma da agricultura, pedindo suporte governamental aos pequenos produtores agrícolas, por reconhecer que lhes faltava mais de dedicação e organização.

    III- Apoiar o governo na defesa da ordem republicana ameaçada e entregar a Floriano Peixoto um documento com as medidas a serem tomadas para resolver os problemas do país.


    Estão CORRETAS as afirmativas:

    Escolha uma alternativa para a questão 7f5a48d2-3e
  • Linguagens

    Literatura

    INSTRUÇÃO: A questão refere-se à obra “O Triste fim de Policarpo Quaresma” de Lima Barreto.


    Leia estes fragmentos da adaptação em quadrinhos do livro “Triste fim de Policarpo Quaresma”.


                        Figura 1 de 2 da questão de Literatura, UEMG 2019, Escolas Literárias


    As * reproduzem os textos das imagens dos quadrinhos:


    * “A INDIGNAÇÃO, A CONVICÇÃO PATRIÓTICA E O AMOR AO IDIOMA NATIVO SE MISTURAM EM SUA FEBRE, E ELE NEM PERCEBEU QUE SE PÔS A REDIGIR O RELATÓRIO NAQUELA LÍNGUA.”

    ** “ANTES QUE PERCEBESSE O QUE TINHA FEITO, CHAMARAM-NO PARA RESOLVER UM PROBLEMA EM OUTRA SALA, E O OFÍCIO SE JUNTOU A OUTROS, SEGUINDO O CURSO NORMAL DA BUROCRACIA...”

    *** “...PASSOU PELO DIRETOR QUE, COMO SEMPRE, NÃO REPAROU NO QUE ASSINAVA...”

    **** “...E FOI PARAR NO MINISTÉRIO, ONDE CAUSOU PERPLEXIDADE...”


                   Figura 2 de 2 da questão de Literatura, UEMG 2019, Escolas Literárias


    As * reproduzem os textos das imagens dos quadrinhos:


    * “QUARESMA FOI AO ENTERRO, ANTES DE PARTIR EM SUA MISSÃO. COMTEMPLANDO AQUELES TRISTES RESTOS, PENSAVA QUE A MOÇA IA PARA O BURACO ESCURO SEM DEIXAR TRAÇO MAIS FUNDO DE SUA PESSOA, DE SEUS SENTIMENTOS, DE SUA ALMA...”

    ** “OS HOMENS DENTRO EM POUCO ESTÃO AQUI... O GOVERNO ESTÁ EXAUSTO!”

    *** “SE EU FOSSE VOCÊ, COMPRAVA TUDO NO BONHEUR DES DAMES, TEM ÓTIMAS PECHINCHAS.”

    O enredo do romance “Triste fim de Policarpo Quaresma” gira em torno do personagem-título, funcionário público que:
    Escolha uma alternativa para a questão 7f5d7f31-3e
  • Linguagens

    Português

    Gênero literário é a categoria à qual pertence uma obra com base em suas características predominantes que possibilitam o agrupamento por semelhanças.


    Considerando a classificação dos gêneros literários, assinale V para as afirmativas verdadeiras e F para as falsas.


    ( ) Gênero lírico caracteriza-se pela manifestação do eu-interior do poeta e pela exposição de sua subjetividade de sentimentos e emoções vivenciados em seu mundo íntimo.

    ( ) Gênero dramático caracteriza-se pela narração (em versos) de grandes feitos históricos em textos em que a presença de um herói representa a força do coletivo.

    ( ) Gênero épico caracteriza-se por textos escritos para serem encenados em que o autor utiliza o discurso direto e dá voz a seus personagens sem a intermediação de um narrador.


    Assinale a alternativa que apresenta a sequência CORRETA:

    Escolha uma alternativa para a questão 7f610f12-3e
  • Linguagens

    Inglês

                   Fire Devastates Brazil's Oldest Science Museum

    The overnight inferno likely claimed fossils, cultural artifacts, and more irreplaceable collections amassed over 200 years.

                                                                                        By Michael Greshko                                                   ______________________________________

                                                                       PUBLISHED September 6, 2018


    Major pieces of Brazil's scientific and cultural heritage went up in smoke on September 2, as a devastating fire ripped through much of Rio de Janeiro's Museu Nacional, or National Museum. Founded in 1818, the museum is Brazil's oldest scientific institution and one of the largest and most renowned museums in Latin America, amassing a collection of some 20 million scientifically and culturally invaluable artifacts.

    The Museu Nacional's holdings include Luzia, an 11,500-year-old skull considered one of South America's oldest human fossils, as well as the bones of uniquely Brazilian creatures such as the long-necked dinosaur Maxakalisaurus. Because of the auction tastes of Brazil's 19th-century emperors, the Museu Nacional also ended up with Latin America's oldest collection of Egyptian mummies and artifacts.

    Even the building holds historical importance: It housed the exiled Portuguese royal family from 1808 to 1821, after they fled to Rio de Janeiro in 1807 to escape Napoleon. The complex also served as the palace for Brazil's post-independence emperors until 1889, before the museum collections were transferred there in 1902. In an September 5 email, Museu Nacional curator Débora Pires wrote that the entomology and arachnology collections were completely destroyed, as was most of the mollusk collection. However, technicians had braved the fire to save 80 percent of the mollusk holotypes—the specimens that formally serve as the global references for a given species. The museum's vertebrate specimens, herbarium, and library were housed separately and survived the fire.

    (…)

    An Irreplaceable Loss

    It's not yet clear how the fire started, but it did begin after the museum was closed to the public, and no injuries have yet been reported. Firefighters worked through the night to douse the burnt-out shell of the main building, but it seems the blaze has already seared a gaping hole in many scientists' careers.

    “The importance of the collections that were lost couldn't be overstated,” says Luiz Rocha, a Brazilian ichthyologist now at the California Academy of Sciences who has visited the Museu Nacional several times to study its collections. “They were unique as it gets: Many of them were irreplaceable, there's no way to put a monetary value on it.”

    “In terms of [my] life-long research agenda, I'm pretty much lost,” says Marcus Guidoti, a Brazilian entomologist finishing up his Ph.D. in a program co-run by Brazil's Federal University of Rio Grande do Sul.

    Guidoti studies lace bugs, an insect family with more than 2,000 species worldwide. The Museu Nacional held one of the world's largest lace bug collections, but the fire likely destroyed it and the rest of the museum's five million arthropod specimens. “Those type specimens can't be replaced, and they are crucial to understand the species,” he says by text message. “If I was willing to keep working on this family in this region of the globe, this was definitely a big hit.”

    Paleontologist Dimila Mothé, a postdoctoral researcher at the Federal University of the State of Rio de Janeiro, adds that the blows to science extend beyond the collections themselves. “It's not only the cultural history, the natural history, but all the theses and research developed there,” she says. “Most of the laboratories there were lost, too, and the research of several professors. I'm not sure you can say the impact of what was lost.”

    Brazil’s indigenous knowledge also has suffered. The Museu Nacional housed world-renowned collections of indigenous objects, as well as many audio recordings of indigenous languages from all over Brazil. Some of these recordings, now lost, were of languages that are no longer spoken.

    “I have no words to say how horrible this is,” says Brazilian anthropologist Mariana Françozo, an expert on South American indigenous objects at Leiden University. “The indigenous collections are a tremendous loss … we can no longer study them, we can no longer understand what our ancestors did. It’s heartbreaking.” 

    On Monday, The Brazilian publication G1 Rio reported that ashes of burned documents—some still flecked in notes or illustrations—have rained down from the sky more than a mile away from the Museu Nacional, thrown aloft by the inferno.

    (…)

    Editor's Note: This story was updated on September 6, 2018, with new details about which artifacts survived the fire. 

    Taken from: https://www.nationalgeographic.com/science/2018/09/news-museu-nacional-fire-rio-de-janeiro-natural-history/. Access: 11 dez. 2018.

    In the excerpt “Founded in 1818, the museum is Brazil's oldest scientific institution and one of the largest and most renowned museums in Latin America” we have 3 (three) occurrences of:
    Escolha uma alternativa para a questão 7fdb627a-3e
  • Linguagens

    Inglês

                   Fire Devastates Brazil's Oldest Science Museum

    The overnight inferno likely claimed fossils, cultural artifacts, and more irreplaceable collections amassed over 200 years.

                                                                                        By Michael Greshko                                                   ______________________________________

                                                                       PUBLISHED September 6, 2018


    Major pieces of Brazil's scientific and cultural heritage went up in smoke on September 2, as a devastating fire ripped through much of Rio de Janeiro's Museu Nacional, or National Museum. Founded in 1818, the museum is Brazil's oldest scientific institution and one of the largest and most renowned museums in Latin America, amassing a collection of some 20 million scientifically and culturally invaluable artifacts.

    The Museu Nacional's holdings include Luzia, an 11,500-year-old skull considered one of South America's oldest human fossils, as well as the bones of uniquely Brazilian creatures such as the long-necked dinosaur Maxakalisaurus. Because of the auction tastes of Brazil's 19th-century emperors, the Museu Nacional also ended up with Latin America's oldest collection of Egyptian mummies and artifacts.

    Even the building holds historical importance: It housed the exiled Portuguese royal family from 1808 to 1821, after they fled to Rio de Janeiro in 1807 to escape Napoleon. The complex also served as the palace for Brazil's post-independence emperors until 1889, before the museum collections were transferred there in 1902. In an September 5 email, Museu Nacional curator Débora Pires wrote that the entomology and arachnology collections were completely destroyed, as was most of the mollusk collection. However, technicians had braved the fire to save 80 percent of the mollusk holotypes—the specimens that formally serve as the global references for a given species. The museum's vertebrate specimens, herbarium, and library were housed separately and survived the fire.

    (…)

    An Irreplaceable Loss

    It's not yet clear how the fire started, but it did begin after the museum was closed to the public, and no injuries have yet been reported. Firefighters worked through the night to douse the burnt-out shell of the main building, but it seems the blaze has already seared a gaping hole in many scientists' careers.

    “The importance of the collections that were lost couldn't be overstated,” says Luiz Rocha, a Brazilian ichthyologist now at the California Academy of Sciences who has visited the Museu Nacional several times to study its collections. “They were unique as it gets: Many of them were irreplaceable, there's no way to put a monetary value on it.”

    “In terms of [my] life-long research agenda, I'm pretty much lost,” says Marcus Guidoti, a Brazilian entomologist finishing up his Ph.D. in a program co-run by Brazil's Federal University of Rio Grande do Sul.

    Guidoti studies lace bugs, an insect family with more than 2,000 species worldwide. The Museu Nacional held one of the world's largest lace bug collections, but the fire likely destroyed it and the rest of the museum's five million arthropod specimens. “Those type specimens can't be replaced, and they are crucial to understand the species,” he says by text message. “If I was willing to keep working on this family in this region of the globe, this was definitely a big hit.”

    Paleontologist Dimila Mothé, a postdoctoral researcher at the Federal University of the State of Rio de Janeiro, adds that the blows to science extend beyond the collections themselves. “It's not only the cultural history, the natural history, but all the theses and research developed there,” she says. “Most of the laboratories there were lost, too, and the research of several professors. I'm not sure you can say the impact of what was lost.”

    Brazil’s indigenous knowledge also has suffered. The Museu Nacional housed world-renowned collections of indigenous objects, as well as many audio recordings of indigenous languages from all over Brazil. Some of these recordings, now lost, were of languages that are no longer spoken.

    “I have no words to say how horrible this is,” says Brazilian anthropologist Mariana Françozo, an expert on South American indigenous objects at Leiden University. “The indigenous collections are a tremendous loss … we can no longer study them, we can no longer understand what our ancestors did. It’s heartbreaking.” 

    On Monday, The Brazilian publication G1 Rio reported that ashes of burned documents—some still flecked in notes or illustrations—have rained down from the sky more than a mile away from the Museu Nacional, thrown aloft by the inferno.

    (…)

    Editor's Note: This story was updated on September 6, 2018, with new details about which artifacts survived the fire. 

    Taken from: https://www.nationalgeographic.com/science/2018/09/news-museu-nacional-fire-rio-de-janeiro-natural-history/. Access: 11 dez. 2018.

    In the excerpt “Even the building holds historical importance: It housed the exiled Portuguese royal family from 1808 to 1821, after they fled to Rio de Janeiro in 1807 to escape Napoleon”, the word IT refers to:
    Escolha uma alternativa para a questão 7fde72a2-3e
  • Linguagens

    Inglês

                   Fire Devastates Brazil's Oldest Science Museum

    The overnight inferno likely claimed fossils, cultural artifacts, and more irreplaceable collections amassed over 200 years.

                                                                                        By Michael Greshko                                                   ______________________________________

                                                                       PUBLISHED September 6, 2018


    Major pieces of Brazil's scientific and cultural heritage went up in smoke on September 2, as a devastating fire ripped through much of Rio de Janeiro's Museu Nacional, or National Museum. Founded in 1818, the museum is Brazil's oldest scientific institution and one of the largest and most renowned museums in Latin America, amassing a collection of some 20 million scientifically and culturally invaluable artifacts.

    The Museu Nacional's holdings include Luzia, an 11,500-year-old skull considered one of South America's oldest human fossils, as well as the bones of uniquely Brazilian creatures such as the long-necked dinosaur Maxakalisaurus. Because of the auction tastes of Brazil's 19th-century emperors, the Museu Nacional also ended up with Latin America's oldest collection of Egyptian mummies and artifacts.

    Even the building holds historical importance: It housed the exiled Portuguese royal family from 1808 to 1821, after they fled to Rio de Janeiro in 1807 to escape Napoleon. The complex also served as the palace for Brazil's post-independence emperors until 1889, before the museum collections were transferred there in 1902. In an September 5 email, Museu Nacional curator Débora Pires wrote that the entomology and arachnology collections were completely destroyed, as was most of the mollusk collection. However, technicians had braved the fire to save 80 percent of the mollusk holotypes—the specimens that formally serve as the global references for a given species. The museum's vertebrate specimens, herbarium, and library were housed separately and survived the fire.

    (…)

    An Irreplaceable Loss

    It's not yet clear how the fire started, but it did begin after the museum was closed to the public, and no injuries have yet been reported. Firefighters worked through the night to douse the burnt-out shell of the main building, but it seems the blaze has already seared a gaping hole in many scientists' careers.

    “The importance of the collections that were lost couldn't be overstated,” says Luiz Rocha, a Brazilian ichthyologist now at the California Academy of Sciences who has visited the Museu Nacional several times to study its collections. “They were unique as it gets: Many of them were irreplaceable, there's no way to put a monetary value on it.”

    “In terms of [my] life-long research agenda, I'm pretty much lost,” says Marcus Guidoti, a Brazilian entomologist finishing up his Ph.D. in a program co-run by Brazil's Federal University of Rio Grande do Sul.

    Guidoti studies lace bugs, an insect family with more than 2,000 species worldwide. The Museu Nacional held one of the world's largest lace bug collections, but the fire likely destroyed it and the rest of the museum's five million arthropod specimens. “Those type specimens can't be replaced, and they are crucial to understand the species,” he says by text message. “If I was willing to keep working on this family in this region of the globe, this was definitely a big hit.”

    Paleontologist Dimila Mothé, a postdoctoral researcher at the Federal University of the State of Rio de Janeiro, adds that the blows to science extend beyond the collections themselves. “It's not only the cultural history, the natural history, but all the theses and research developed there,” she says. “Most of the laboratories there were lost, too, and the research of several professors. I'm not sure you can say the impact of what was lost.”

    Brazil’s indigenous knowledge also has suffered. The Museu Nacional housed world-renowned collections of indigenous objects, as well as many audio recordings of indigenous languages from all over Brazil. Some of these recordings, now lost, were of languages that are no longer spoken.

    “I have no words to say how horrible this is,” says Brazilian anthropologist Mariana Françozo, an expert on South American indigenous objects at Leiden University. “The indigenous collections are a tremendous loss … we can no longer study them, we can no longer understand what our ancestors did. It’s heartbreaking.” 

    On Monday, The Brazilian publication G1 Rio reported that ashes of burned documents—some still flecked in notes or illustrations—have rained down from the sky more than a mile away from the Museu Nacional, thrown aloft by the inferno.

    (…)

    Editor's Note: This story was updated on September 6, 2018, with new details about which artifacts survived the fire. 

    Taken from: https://www.nationalgeographic.com/science/2018/09/news-museu-nacional-fire-rio-de-janeiro-natural-history/. Access: 11 dez. 2018.

    According to the text about the Brazilian National Museum, the fire
    Escolha uma alternativa para a questão 7fe1f6c4-3e
  • Linguagens

    Inglês

                   Fire Devastates Brazil's Oldest Science Museum

    The overnight inferno likely claimed fossils, cultural artifacts, and more irreplaceable collections amassed over 200 years.

                                                                                        By Michael Greshko                                                   ______________________________________

                                                                       PUBLISHED September 6, 2018


    Major pieces of Brazil's scientific and cultural heritage went up in smoke on September 2, as a devastating fire ripped through much of Rio de Janeiro's Museu Nacional, or National Museum. Founded in 1818, the museum is Brazil's oldest scientific institution and one of the largest and most renowned museums in Latin America, amassing a collection of some 20 million scientifically and culturally invaluable artifacts.

    The Museu Nacional's holdings include Luzia, an 11,500-year-old skull considered one of South America's oldest human fossils, as well as the bones of uniquely Brazilian creatures such as the long-necked dinosaur Maxakalisaurus. Because of the auction tastes of Brazil's 19th-century emperors, the Museu Nacional also ended up with Latin America's oldest collection of Egyptian mummies and artifacts.

    Even the building holds historical importance: It housed the exiled Portuguese royal family from 1808 to 1821, after they fled to Rio de Janeiro in 1807 to escape Napoleon. The complex also served as the palace for Brazil's post-independence emperors until 1889, before the museum collections were transferred there in 1902. In an September 5 email, Museu Nacional curator Débora Pires wrote that the entomology and arachnology collections were completely destroyed, as was most of the mollusk collection. However, technicians had braved the fire to save 80 percent of the mollusk holotypes—the specimens that formally serve as the global references for a given species. The museum's vertebrate specimens, herbarium, and library were housed separately and survived the fire.

    (…)

    An Irreplaceable Loss

    It's not yet clear how the fire started, but it did begin after the museum was closed to the public, and no injuries have yet been reported. Firefighters worked through the night to douse the burnt-out shell of the main building, but it seems the blaze has already seared a gaping hole in many scientists' careers.

    “The importance of the collections that were lost couldn't be overstated,” says Luiz Rocha, a Brazilian ichthyologist now at the California Academy of Sciences who has visited the Museu Nacional several times to study its collections. “They were unique as it gets: Many of them were irreplaceable, there's no way to put a monetary value on it.”

    “In terms of [my] life-long research agenda, I'm pretty much lost,” says Marcus Guidoti, a Brazilian entomologist finishing up his Ph.D. in a program co-run by Brazil's Federal University of Rio Grande do Sul.

    Guidoti studies lace bugs, an insect family with more than 2,000 species worldwide. The Museu Nacional held one of the world's largest lace bug collections, but the fire likely destroyed it and the rest of the museum's five million arthropod specimens. “Those type specimens can't be replaced, and they are crucial to understand the species,” he says by text message. “If I was willing to keep working on this family in this region of the globe, this was definitely a big hit.”

    Paleontologist Dimila Mothé, a postdoctoral researcher at the Federal University of the State of Rio de Janeiro, adds that the blows to science extend beyond the collections themselves. “It's not only the cultural history, the natural history, but all the theses and research developed there,” she says. “Most of the laboratories there were lost, too, and the research of several professors. I'm not sure you can say the impact of what was lost.”

    Brazil’s indigenous knowledge also has suffered. The Museu Nacional housed world-renowned collections of indigenous objects, as well as many audio recordings of indigenous languages from all over Brazil. Some of these recordings, now lost, were of languages that are no longer spoken.

    “I have no words to say how horrible this is,” says Brazilian anthropologist Mariana Françozo, an expert on South American indigenous objects at Leiden University. “The indigenous collections are a tremendous loss … we can no longer study them, we can no longer understand what our ancestors did. It’s heartbreaking.” 

    On Monday, The Brazilian publication G1 Rio reported that ashes of burned documents—some still flecked in notes or illustrations—have rained down from the sky more than a mile away from the Museu Nacional, thrown aloft by the inferno.

    (…)

    Editor's Note: This story was updated on September 6, 2018, with new details about which artifacts survived the fire. 

    Taken from: https://www.nationalgeographic.com/science/2018/09/news-museu-nacional-fire-rio-de-janeiro-natural-history/. Access: 11 dez. 2018.

    The fire caused damages and losses in different areas of the National Museum, EXCEPT in:
    Escolha uma alternativa para a questão 7fe5d26e-3e
  • Linguagens

    Inglês

                   Fire Devastates Brazil's Oldest Science Museum

    The overnight inferno likely claimed fossils, cultural artifacts, and more irreplaceable collections amassed over 200 years.

                                                                                        By Michael Greshko                                                   ______________________________________

                                                                       PUBLISHED September 6, 2018


    Major pieces of Brazil's scientific and cultural heritage went up in smoke on September 2, as a devastating fire ripped through much of Rio de Janeiro's Museu Nacional, or National Museum. Founded in 1818, the museum is Brazil's oldest scientific institution and one of the largest and most renowned museums in Latin America, amassing a collection of some 20 million scientifically and culturally invaluable artifacts.

    The Museu Nacional's holdings include Luzia, an 11,500-year-old skull considered one of South America's oldest human fossils, as well as the bones of uniquely Brazilian creatures such as the long-necked dinosaur Maxakalisaurus. Because of the auction tastes of Brazil's 19th-century emperors, the Museu Nacional also ended up with Latin America's oldest collection of Egyptian mummies and artifacts.

    Even the building holds historical importance: It housed the exiled Portuguese royal family from 1808 to 1821, after they fled to Rio de Janeiro in 1807 to escape Napoleon. The complex also served as the palace for Brazil's post-independence emperors until 1889, before the museum collections were transferred there in 1902. In an September 5 email, Museu Nacional curator Débora Pires wrote that the entomology and arachnology collections were completely destroyed, as was most of the mollusk collection. However, technicians had braved the fire to save 80 percent of the mollusk holotypes—the specimens that formally serve as the global references for a given species. The museum's vertebrate specimens, herbarium, and library were housed separately and survived the fire.

    (…)

    An Irreplaceable Loss

    It's not yet clear how the fire started, but it did begin after the museum was closed to the public, and no injuries have yet been reported. Firefighters worked through the night to douse the burnt-out shell of the main building, but it seems the blaze has already seared a gaping hole in many scientists' careers.

    “The importance of the collections that were lost couldn't be overstated,” says Luiz Rocha, a Brazilian ichthyologist now at the California Academy of Sciences who has visited the Museu Nacional several times to study its collections. “They were unique as it gets: Many of them were irreplaceable, there's no way to put a monetary value on it.”

    “In terms of [my] life-long research agenda, I'm pretty much lost,” says Marcus Guidoti, a Brazilian entomologist finishing up his Ph.D. in a program co-run by Brazil's Federal University of Rio Grande do Sul.

    Guidoti studies lace bugs, an insect family with more than 2,000 species worldwide. The Museu Nacional held one of the world's largest lace bug collections, but the fire likely destroyed it and the rest of the museum's five million arthropod specimens. “Those type specimens can't be replaced, and they are crucial to understand the species,” he says by text message. “If I was willing to keep working on this family in this region of the globe, this was definitely a big hit.”

    Paleontologist Dimila Mothé, a postdoctoral researcher at the Federal University of the State of Rio de Janeiro, adds that the blows to science extend beyond the collections themselves. “It's not only the cultural history, the natural history, but all the theses and research developed there,” she says. “Most of the laboratories there were lost, too, and the research of several professors. I'm not sure you can say the impact of what was lost.”

    Brazil’s indigenous knowledge also has suffered. The Museu Nacional housed world-renowned collections of indigenous objects, as well as many audio recordings of indigenous languages from all over Brazil. Some of these recordings, now lost, were of languages that are no longer spoken.

    “I have no words to say how horrible this is,” says Brazilian anthropologist Mariana Françozo, an expert on South American indigenous objects at Leiden University. “The indigenous collections are a tremendous loss … we can no longer study them, we can no longer understand what our ancestors did. It’s heartbreaking.” 

    On Monday, The Brazilian publication G1 Rio reported that ashes of burned documents—some still flecked in notes or illustrations—have rained down from the sky more than a mile away from the Museu Nacional, thrown aloft by the inferno.

    (…)

    Editor's Note: This story was updated on September 6, 2018, with new details about which artifacts survived the fire. 

    Taken from: https://www.nationalgeographic.com/science/2018/09/news-museu-nacional-fire-rio-de-janeiro-natural-history/. Access: 11 dez. 2018.

    The correct reported speech form for the sentence “Most of the laboratories there were lost, too, and the research of several professors. I'm not sure you can say the impact of what was lost”, said by Dimila Mothé, is:
    Escolha uma alternativa para a questão 7fe92f2f-3e
  • Linguagens

    Inglês

    Lima Barreto’s work (Sad End of Policarpo Quaresma) describes a man who acted in some areas along his life. Check the alternative that shows the area that it was NOT active.
    Escolha uma alternativa para a questão 7fec6ef3-3e
  • Linguagens

    Português

    TEXTO 1


    NOS ANOS 1940, MULHERES FORAM PRESAS POR JOGAR FUTEBOL NAS RUAS DE BELO HORIZONTE

    Renan Damasceno /Estado de Minas


                               Imagem da questão de Português, CEDERJ 2019, Análise sintática

                             Página original do Diário da Tarde (Foto: Arquivo EM)


    Em 1940, mulher jogando futebol em Belo Horizonte era caso de polícia. “Mulheres jogavam futebol à noite, no fim da linha de Lourdes”, chamava a atenção o Diário da Tarde de 20/4/1940. “O guarda prendeu as jogadoras e o seu treinador. Uma conseguiu escapar e trancar-se em casa”. O caso parece pitoresco, não fosse trágico, e revela um pouco sobre o preconceito dos primeiros registros de mulheres jogando futebol na capital mineira encontrados nos arquivos dos Diários Associados.


    Disponível em: https://www.mg.superesportes.com.br/app/noticias/futebol/interior/ 2019/03/22/noticia_interior,574010/nos-anos-1940-mulheres-foram-presas-por-jogar-futebol-nas-ruas-de-bel. shtml?fbclid=IwAR3S-N0oyIuAcC-U6vICoxuxSKonZYQ9p1 iMmDNHIqQvgPWDGB-Kb2_a__E?utm_ source=whatsapp&utm_medium=social

    A manchete do Jornal Estado de Minas “NOS ANOS 1940, MULHERES FORAM PRESAS POR JOGAR FUTEBOL NAS RUAS DE BELO HORIZONTE” reúne as informações básicas de um lide: o que aconteceu, com quem, quando, onde e por quê. Ao cumprir essa função, essa manchete foi estruturada a partir de uma oração que contém
    Escolha uma alternativa para a questão 70398351-8b
  • Linguagens

    Português

    TEXTO 1


    NOS ANOS 1940, MULHERES FORAM PRESAS POR JOGAR FUTEBOL NAS RUAS DE BELO HORIZONTE

    Renan Damasceno /Estado de Minas


                               Imagem da questão de Português, CEDERJ 2019, Coesão e coerência

                             Página original do Diário da Tarde (Foto: Arquivo EM)


    Em 1940, mulher jogando futebol em Belo Horizonte era caso de polícia. “Mulheres jogavam futebol à noite, no fim da linha de Lourdes”, chamava a atenção o Diário da Tarde de 20/4/1940. “O guarda prendeu as jogadoras e o seu treinador. Uma conseguiu escapar e trancar-se em casa”. O caso parece pitoresco, não fosse trágico, e revela um pouco sobre o preconceito dos primeiros registros de mulheres jogando futebol na capital mineira encontrados nos arquivos dos Diários Associados.


    Disponível em: https://www.mg.superesportes.com.br/app/noticias/futebol/interior/ 2019/03/22/noticia_interior,574010/nos-anos-1940-mulheres-foram-presas-por-jogar-futebol-nas-ruas-de-bel. shtml?fbclid=IwAR3S-N0oyIuAcC-U6vICoxuxSKonZYQ9p1 iMmDNHIqQvgPWDGB-Kb2_a__E?utm_ source=whatsapp&utm_medium=social

    Em “O guarda prendeu as jogadoras e o seu treinador. – Uma conseguiu escapar e trancar-se em casa”, os elementos sublinhados atuam em uma
    Escolha uma alternativa para a questão 703e5639-8b
  • Linguagens

    Português

    TEXTO 1


    NOS ANOS 1940, MULHERES FORAM PRESAS POR JOGAR FUTEBOL NAS RUAS DE BELO HORIZONTE

    Renan Damasceno /Estado de Minas


                               Imagem da questão de Português, CEDERJ 2019, Interpretação de Textos

                             Página original do Diário da Tarde (Foto: Arquivo EM)


    Em 1940, mulher jogando futebol em Belo Horizonte era caso de polícia. “Mulheres jogavam futebol à noite, no fim da linha de Lourdes”, chamava a atenção o Diário da Tarde de 20/4/1940. “O guarda prendeu as jogadoras e o seu treinador. Uma conseguiu escapar e trancar-se em casa”. O caso parece pitoresco, não fosse trágico, e revela um pouco sobre o preconceito dos primeiros registros de mulheres jogando futebol na capital mineira encontrados nos arquivos dos Diários Associados.


    Disponível em: https://www.mg.superesportes.com.br/app/noticias/futebol/interior/ 2019/03/22/noticia_interior,574010/nos-anos-1940-mulheres-foram-presas-por-jogar-futebol-nas-ruas-de-bel. shtml?fbclid=IwAR3S-N0oyIuAcC-U6vICoxuxSKonZYQ9p1 iMmDNHIqQvgPWDGB-Kb2_a__E?utm_ source=whatsapp&utm_medium=social

    A grafia de “ha”, “Bello Horizonte”, “team”, “ellas” e “rehabilitar” em “Ha dias noticiamos que em Bello Horizonte ia ser formado um ‘team’ feminino de futebol. Ellas, as doces filhas de Eva, queriam, segundo declaravam, rehabilitar o esporte...” provam que o texto é
    Escolha uma alternativa para a questão 7042408c-8b
  • Linguagens

    Português

    TEXTO 2


    MINHA INFÂNCIA (trecho)

    (Freudiana)

    Cora Coralina


    A rua... a rua!...

    (Atração lúdica, anseio vivo da criança,

    mundo sugestivo de maravilhosas descobertas)

    - proibida às meninas do meu tempo.

    Rígidos preconceitos familiares,

    normas abusivas de educação


    - emparedavam.


    Na quietude sepulcral da casa,

    era proibida, incomodava, a fala alta,

    a risada franca, o grito espontâneo,

    a turbulência ativa das crianças.


    Contenção. motivação.Comportamento estreito,

    limitando, estreitando exuberâncias,

    pisando sensibilidades.

    A gesta* dentro de mim...

    Um mundo heroico, sublimado,

    superposto, insuspeitado,

    misturado à realidade.

    *Gesta: composição poética que narra feitos memoráveis ou heroicos.

    CORALINA, Cora.[coordenação, apresentação crítica e biografia Darcy França Denófrio].(Coleção melhores poemas). São Paulo: Global, 2004. (p. 95 a 100).


    Cora Coralina (1889-1985), doutora honoris causa pela Universidade de Goiás, membro da Academia Goiana de Letras, recebeu, como poeta e ficcionista, o troféu Jabuti e o prêmio Juca Pato como intelectual do ano em 1984. Cora cursara somente o primário, mas poetara desde os 14 anos.

    TELLES, Norma. Escritoras, escritas, escrituras. In: PRIORE, Mary Del. (org.); PINSKY, Carla Bassanezi (coord. de textos). 10.ed. 6a. reimpr. São Paulo: Contexto, 2018. p.408-409.

    O trecho do poema de Cora Coralina revela inquietação quanto
    Escolha uma alternativa para a questão 704684ee-8b
  • Linguagens

    Português

    TEXTO 2


    MINHA INFÂNCIA (trecho)

    (Freudiana)

    Cora Coralina


    A rua... a rua!...

    (Atração lúdica, anseio vivo da criança,

    mundo sugestivo de maravilhosas descobertas)

    - proibida às meninas do meu tempo.

    Rígidos preconceitos familiares,

    normas abusivas de educação


    - emparedavam.


    Na quietude sepulcral da casa,

    era proibida, incomodava, a fala alta,

    a risada franca, o grito espontâneo,

    a turbulência ativa das crianças.


    Contenção. motivação.Comportamento estreito,

    limitando, estreitando exuberâncias,

    pisando sensibilidades.

    A gesta* dentro de mim...

    Um mundo heroico, sublimado,

    superposto, insuspeitado,

    misturado à realidade.

    *Gesta: composição poética que narra feitos memoráveis ou heroicos.

    CORALINA, Cora.[coordenação, apresentação crítica e biografia Darcy França Denófrio].(Coleção melhores poemas). São Paulo: Global, 2004. (p. 95 a 100).


    Cora Coralina (1889-1985), doutora honoris causa pela Universidade de Goiás, membro da Academia Goiana de Letras, recebeu, como poeta e ficcionista, o troféu Jabuti e o prêmio Juca Pato como intelectual do ano em 1984. Cora cursara somente o primário, mas poetara desde os 14 anos.

    TELLES, Norma. Escritoras, escritas, escrituras. In: PRIORE, Mary Del. (org.); PINSKY, Carla Bassanezi (coord. de textos). 10.ed. 6a. reimpr. São Paulo: Contexto, 2018. p.408-409.

    O enunciado “A rua... a rua!...”, no contexto do poema, constitui uma frase
    Escolha uma alternativa para a questão 704a4a0a-8b
  • Linguagens

    Português

    TEXTO 2


    MINHA INFÂNCIA (trecho)

    (Freudiana)

    Cora Coralina


    A rua... a rua!...

    (Atração lúdica, anseio vivo da criança,

    mundo sugestivo de maravilhosas descobertas)

    - proibida às meninas do meu tempo.

    Rígidos preconceitos familiares,

    normas abusivas de educação


    - emparedavam.


    Na quietude sepulcral da casa,

    era proibida, incomodava, a fala alta,

    a risada franca, o grito espontâneo,

    a turbulência ativa das crianças.


    Contenção. motivação.Comportamento estreito,

    limitando, estreitando exuberâncias,

    pisando sensibilidades.

    A gesta* dentro de mim...

    Um mundo heroico, sublimado,

    superposto, insuspeitado,

    misturado à realidade.

    *Gesta: composição poética que narra feitos memoráveis ou heroicos.

    CORALINA, Cora.[coordenação, apresentação crítica e biografia Darcy França Denófrio].(Coleção melhores poemas). São Paulo: Global, 2004. (p. 95 a 100).


    Cora Coralina (1889-1985), doutora honoris causa pela Universidade de Goiás, membro da Academia Goiana de Letras, recebeu, como poeta e ficcionista, o troféu Jabuti e o prêmio Juca Pato como intelectual do ano em 1984. Cora cursara somente o primário, mas poetara desde os 14 anos.

    TELLES, Norma. Escritoras, escritas, escrituras. In: PRIORE, Mary Del. (org.); PINSKY, Carla Bassanezi (coord. de textos). 10.ed. 6a. reimpr. São Paulo: Contexto, 2018. p.408-409.

    Na segunda estrofe, as expressões “Na quietude sepulcral”, por um lado, e “a fala alta”, “a risada franca”, “o grito espontâneo” e “a turbulência ativa das crianças”, por outro, sublinhadas no poema, transmitem uma dualidade vivenciada pela enunciadora em sua infância. Estilisticamente, essa situação é expressa, nessa estrofe, pela figura de linguagem:
    Escolha uma alternativa para a questão 704e2ebe-8b
  • Linguagens

    Português

    TEXTO 2


    MINHA INFÂNCIA (trecho)

    (Freudiana)

    Cora Coralina


    A rua... a rua!...

    (Atração lúdica, anseio vivo da criança,

    mundo sugestivo de maravilhosas descobertas)

    - proibida às meninas do meu tempo.

    Rígidos preconceitos familiares,

    normas abusivas de educação


    - emparedavam.


    Na quietude sepulcral da casa,

    era proibida, incomodava, a fala alta,

    a risada franca, o grito espontâneo,

    a turbulência ativa das crianças.


    Contenção. motivação.Comportamento estreito,

    limitando, estreitando exuberâncias,

    pisando sensibilidades.

    A gesta* dentro de mim...

    Um mundo heroico, sublimado,

    superposto, insuspeitado,

    misturado à realidade.

    *Gesta: composição poética que narra feitos memoráveis ou heroicos.

    CORALINA, Cora.[coordenação, apresentação crítica e biografia Darcy França Denófrio].(Coleção melhores poemas). São Paulo: Global, 2004. (p. 95 a 100).


    Cora Coralina (1889-1985), doutora honoris causa pela Universidade de Goiás, membro da Academia Goiana de Letras, recebeu, como poeta e ficcionista, o troféu Jabuti e o prêmio Juca Pato como intelectual do ano em 1984. Cora cursara somente o primário, mas poetara desde os 14 anos.

    TELLES, Norma. Escritoras, escritas, escrituras. In: PRIORE, Mary Del. (org.); PINSKY, Carla Bassanezi (coord. de textos). 10.ed. 6a. reimpr. São Paulo: Contexto, 2018. p.408-409.

    “A gesta dentro de mim... / um mundo heroico, sublimado, / superposto, insuspeitado, / misturado à realidade.”


    Os vocábulos acima sublinhados foram formados, respectivamente, pelos processos de

    Escolha uma alternativa para a questão 70528098-8b
  • Linguagens

    Português

    TEXTO 3


    Imagem da questão de Português, CEDERJ 2019, Análise sintática


    A tirinha em tela foi publicada às vésperas do dia internacional da mulher deste ano de 2019. A referência à data está expressa na placa que a menina carrega: “8M” (8 de março).

    Nos enunciados “A LUTA”, “HÁ LUTA” e “À LUTA”, observam-se três

    Escolha uma alternativa para a questão 70571c79-8b
  • Linguagens

    Inglês

    Big Tech made the social media mess. It has to fix it

    Analysis by David Goldman, CNN Business


    Social media has given people a platform to spew hate speech and radical beliefs to other people, amplifying what are otherwise fringe opinions. A few have turned that hate into violence.

    Silicon Valley has built the biggest, most powerful companies in the world. Now, tech leaders have a responsibility to rein in the creations that have grown too unwieldy for them to control.

    These are businesses, and their leaders will have to And out how to do that without destroying their companies. So far, balancing Big Tech's responsibilities to society and its duties to investors has proven difficult.

    A difficult balance

    Facebook (FB) announced in July it would invest billions of dollars a year to improve safety and security on the platform. The company said the effort would come at the expense of user growth and profitability. The company's stock lost about a third of its value because investors were concerned about Facebook's growth stalling.

    Twitter has largely rid ISIS recruiters from the social network. Facebook and YouTube have labeled fake news stories as such. Yet, the work isn't close to done. Google has also made significant changes to YouTube's advertising policies after ads from 300 companies and organizations ran on channels promoting hate groups.

    "YouTube has strict policies that prohibit content which incites others to violence or promotes hatred," a YouTube spokesperson said. "We quickly remove videos violating our policies when flagged by our users."

    What seemed to cross no one's mind a decade ago was the potential downside to building a platform with billions of customers. So many posts can't possibly be monitored in real time. The networks gave the dregs of society the ability to reach like-minded people and poison the minds of others.

    Without that foresight, Silicon Valley allowed their creations to break down. They're not beyond repair, but fixing them will be costly and difficult. Whether Big Tech is up to the task will determine the fates of their platforms.

    Available: https://edition.cnn.com/2018/10/29/tech/social-media- -hate-speech/index.html. Access: 30 may 2019. Adapted. 


    Glossary: spew: lançar; fringe: periféricas; to rein in: controlar; unwieldy: desordenado; duties: deveres; profitability, lucro; stock: ação (no mercado); stalling: interrupção; flagged: sinalizados; dregs of society: pessoas inescrupulosas; like-minded: pessoas que compartilham ideias semelhantes; poison: envenenar; foresight: visão; beyond repair: sem conserto; up to the task: à altura da tarefa.

    The main issues focused in the text are
    Escolha uma alternativa para a questão 7137c205-8b
  • Linguagens

    Inglês

    Big Tech made the social media mess. It has to fix it

    Analysis by David Goldman, CNN Business


    Social media has given people a platform to spew hate speech and radical beliefs to other people, amplifying what are otherwise fringe opinions. A few have turned that hate into violence.

    Silicon Valley has built the biggest, most powerful companies in the world. Now, tech leaders have a responsibility to rein in the creations that have grown too unwieldy for them to control.

    These are businesses, and their leaders will have to And out how to do that without destroying their companies. So far, balancing Big Tech's responsibilities to society and its duties to investors has proven difficult.

    A difficult balance

    Facebook (FB) announced in July it would invest billions of dollars a year to improve safety and security on the platform. The company said the effort would come at the expense of user growth and profitability. The company's stock lost about a third of its value because investors were concerned about Facebook's growth stalling.

    Twitter has largely rid ISIS recruiters from the social network. Facebook and YouTube have labeled fake news stories as such. Yet, the work isn't close to done. Google has also made significant changes to YouTube's advertising policies after ads from 300 companies and organizations ran on channels promoting hate groups.

    "YouTube has strict policies that prohibit content which incites others to violence or promotes hatred," a YouTube spokesperson said. "We quickly remove videos violating our policies when flagged by our users."

    What seemed to cross no one's mind a decade ago was the potential downside to building a platform with billions of customers. So many posts can't possibly be monitored in real time. The networks gave the dregs of society the ability to reach like-minded people and poison the minds of others.

    Without that foresight, Silicon Valley allowed their creations to break down. They're not beyond repair, but fixing them will be costly and difficult. Whether Big Tech is up to the task will determine the fates of their platforms.

    Available: https://edition.cnn.com/2018/10/29/tech/social-media- -hate-speech/index.html. Access: 30 may 2019. Adapted. 


    Glossary: spew: lançar; fringe: periféricas; to rein in: controlar; unwieldy: desordenado; duties: deveres; profitability, lucro; stock: ação (no mercado); stalling: interrupção; flagged: sinalizados; dregs of society: pessoas inescrupulosas; like-minded: pessoas que compartilham ideias semelhantes; poison: envenenar; foresight: visão; beyond repair: sem conserto; up to the task: à altura da tarefa.

    The consequence of Facebook’s initiative to invest billions of dollars a year to improve safety and security on the platform was
    Escolha uma alternativa para a questão 713edc58-8b