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Questões: Faculdade Cásper Líbero — com gabarito

462 questões de Faculdade Cásper Líbero, de 2009 a 2019. Cada uma tem página própria, com enunciado completo, alternativas e gabarito — e dá para responder na própria página.

  • 462 questões
  • 11 provas

Resultados: 462 questões

Página 4 de 24

  • Ciências Humanas

    História

    O bandido da luz vermelha, de Rogério Sganzerla, satiriza a atuação da grande mídia no período da ditadura militar no Brasil, indicando seu alinhamento ao regime. A respeito da atividade da imprensa no período em questão, é correto afirmar que:
    Escolha uma alternativa para a questão 12fe5c49-ec
  • Ciências Humanas

    História

    O documentário Arquitetura da destruição, de Peter Cohen, mostra um dos programas criados pelo governo de Adolf Hitler (1933-1945) para os trabalhadores, denominado “beleza no trabalho”. No filme, o médico-chefe do programa declara: “Se a luta de classes morrer, ao menos o trabalho e a criatividade devem perder o estigma de sujeira. Se mostrarmos ao trabalhador como deve se lavar e o elevarmos ao nível da burguesia, ele entenderá que não há por que lutar”.
    A preocupação do governo de Hitler estava relacionada:
    Escolha uma alternativa para a questão 13023a49-ec
  • Em 31 de maio de 2010, tropas especiais israelenses atacaram uma frota de ajuda humanitária internacional que se dirigia à Faixa de Gaza, com 700 ativistas e um carregamento de alimentos e remédios. A operação resultou na morte de nove ativistas e impediu a chegada da frota ao território. Sobre a operação militar israelense, é correto afirmar que:
    Escolha uma alternativa para a questão 13056fa2-ec
  • O presidente dos Estados Unidos, Barack Obama, foi premiado com o Nobel da Paz em 2009. Entre os motivos alegados para a escolha de Obama pelo comitê responsável pelo prêmio, estavam:
    Escolha uma alternativa para a questão 13084b0b-ec
  • Linguagens

    Literatura

    Sobre Auto da barca do inferno, de Gil Vicente, é correto afirmar que:
    Escolha uma alternativa para a questão 130b2dc3-ec
  • Linguagens

    Literatura

    Sobre Memórias de um sargento de milícias, de Manuel Antonio de Almeida, é correto afirmar que:
    Escolha uma alternativa para a questão 130e455d-ec
  • Linguagens

    Literatura

    Sobre Os da minha rua, de Ondjaki, é correto afirmar que:
    Escolha uma alternativa para a questão 131161e2-ec
  • Linguagens

    Literatura

    Sobre a presença das telenovelas brasileiras e das canções de Roberto Carlos no dia a dia das personagens de Os da minha rua, de Ondjaki, é correto afirmar que:
    Escolha uma alternativa para a questão 1314ac87-ec
  • Linguagens

    Literatura

    Sobre Rede de intrigas, de Sidney Lumet, é correto afirmar que:
    Escolha uma alternativa para a questão 1318490e-ec
  • Linguagens

    Literatura

    Sobre Santiago, de João Moreira Salles, é correto afirmar:
    Escolha uma alternativa para a questão 131c5464-ec
  • Matemática

    Matemática

    Em uma pesquisa feita com 110 pessoas de um município, 90 afirmaram possuir TV, 70 afirmaram possuir rádio e 60 afirmaram possuir ambos os aparelhos. Se sortearmos ao acaso uma dessas pessoas, a probabilidade de ela não possuir nem TV nem rádio é de:
    Escolha uma alternativa para a questão 131ff7d6-ec
  • Matemática

    Matemática

    Imagem da questão de Matemática, Faculdade Cásper Líbero 2010, Análise de Tabelas e Gráficos


    O Instituto de Pesquisas Espaciais (INPE) realiza estudo sobre o desmatamento da floresta amazônica por meio de dois programas que analisam fotos de satélites: o Prodes e o Deter. Esses sistemas apresentam algumas limitações como o fato de imagens não serem captadas em dias nublados (dependendo da época do ano), ficando assim parte do território amazônico sem ser verificado. O gráfico acima mostra dados da área total de desmatamento por ano, baseado nas análises desses sistemas.

    A partir do gráfico, podemos concluir que:
    Escolha uma alternativa para a questão 13236a17-ec
  • Linguagens

    Inglês

    Read the following passage of “The Dinner”, by Clarice Lispector, and answer question.


    “I leaned over my meal, lost. When I finally managed to confront him from the depths of my pallid face, I observed that he, too, was leaning forward, his elbows resting on the table, his head between his hands. And obviously he could bear it no longer. His bushy eyebrows were touching. His food must have lodged just below his throat under the stress of his emotion, for when he was able to continue, he made a visible effort to swallow, dabbing his forehead with his napkin. I could bear it no longer, the meat on my plate was raw… and I really could not bear it another minute. But he – he was eating.

    The waiter brought a bottle in a bucket of ice. I noted every detail without being capable of discrimination. The bottle was different, the waiter in tails, and the light haloed the robust head of Pluto which was now moving with curiosity, greedy and attentive. For a second the waiter obliterated my view of the elderly gentleman and I could only see his black coattails hovering over the table as he poured red wine into the glass and waited with ardent eyes – because here was a surely man who would tip generously, one of those elderly gentlemen who still command attention… and power. The elderly gentleman, who now seemed larger, confidently took a sip, lowered his glass, and sourly considered the taste in his mouth. He compressed his lips and smacked them with distaste, as if the good were also intolerable. I waited, the waiter waited, and we both leaned forward in suspense. Finally he made a grimace of approval. The waiter curved his shiny head in submission to the man’s words of thanks and went off with lowered head, while I sighed with relief.

    He now mingled gulps of wine with the meat in his great mouth and his false teeth ponderously chewed while I observed him… in vain. Nothing more happened. The restaurant appeared to radiate with renewed intensity under the tinkling of glass and cutlery; in the brightly lit dome of the room the whispered conversation rose and fell in gentle waves; the woman in the large hat smiled with half closed eyes, looking slender and beautiful as the waiter carefully poured the wine into her glass. But now he was making another gesture.”


    “He compressed his lips and smacked them with distaste, as if the good were also intolerable” means that:
    Escolha uma alternativa para a questão 1326401b-ec
  • Linguagens

    Inglês

    Read the following passage of “The Dinner”, by Clarice Lispector, and answer question.


    “I leaned over my meal, lost. When I finally managed to confront him from the depths of my pallid face, I observed that he, too, was leaning forward, his elbows resting on the table, his head between his hands. And obviously he could bear it no longer. His bushy eyebrows were touching. His food must have lodged just below his throat under the stress of his emotion, for when he was able to continue, he made a visible effort to swallow, dabbing his forehead with his napkin. I could bear it no longer, the meat on my plate was raw… and I really could not bear it another minute. But he – he was eating.

    The waiter brought a bottle in a bucket of ice. I noted every detail without being capable of discrimination. The bottle was different, the waiter in tails, and the light haloed the robust head of Pluto which was now moving with curiosity, greedy and attentive. For a second the waiter obliterated my view of the elderly gentleman and I could only see his black coattails hovering over the table as he poured red wine into the glass and waited with ardent eyes – because here was a surely man who would tip generously, one of those elderly gentlemen who still command attention… and power. The elderly gentleman, who now seemed larger, confidently took a sip, lowered his glass, and sourly considered the taste in his mouth. He compressed his lips and smacked them with distaste, as if the good were also intolerable. I waited, the waiter waited, and we both leaned forward in suspense. Finally he made a grimace of approval. The waiter curved his shiny head in submission to the man’s words of thanks and went off with lowered head, while I sighed with relief.

    He now mingled gulps of wine with the meat in his great mouth and his false teeth ponderously chewed while I observed him… in vain. Nothing more happened. The restaurant appeared to radiate with renewed intensity under the tinkling of glass and cutlery; in the brightly lit dome of the room the whispered conversation rose and fell in gentle waves; the woman in the large hat smiled with half closed eyes, looking slender and beautiful as the waiter carefully poured the wine into her glass. But now he was making another gesture.”


    Consider the two following passages: “For a second the waiter obliterated my view of the elderly gentleman” and “But now he was making another gesture”. They lead to the conclusion that the narrator:
    Escolha uma alternativa para a questão 13298e31-ec
  • Linguagens

    Inglês

    Read the following passage of “The Dinner”, by Clarice Lispector, and answer question.


    “I leaned over my meal, lost. When I finally managed to confront him from the depths of my pallid face, I observed that he, too, was leaning forward, his elbows resting on the table, his head between his hands. And obviously he could bear it no longer. His bushy eyebrows were touching. His food must have lodged just below his throat under the stress of his emotion, for when he was able to continue, he made a visible effort to swallow, dabbing his forehead with his napkin. I could bear it no longer, the meat on my plate was raw… and I really could not bear it another minute. But he – he was eating.

    The waiter brought a bottle in a bucket of ice. I noted every detail without being capable of discrimination. The bottle was different, the waiter in tails, and the light haloed the robust head of Pluto which was now moving with curiosity, greedy and attentive. For a second the waiter obliterated my view of the elderly gentleman and I could only see his black coattails hovering over the table as he poured red wine into the glass and waited with ardent eyes – because here was a surely man who would tip generously, one of those elderly gentlemen who still command attention… and power. The elderly gentleman, who now seemed larger, confidently took a sip, lowered his glass, and sourly considered the taste in his mouth. He compressed his lips and smacked them with distaste, as if the good were also intolerable. I waited, the waiter waited, and we both leaned forward in suspense. Finally he made a grimace of approval. The waiter curved his shiny head in submission to the man’s words of thanks and went off with lowered head, while I sighed with relief.

    He now mingled gulps of wine with the meat in his great mouth and his false teeth ponderously chewed while I observed him… in vain. Nothing more happened. The restaurant appeared to radiate with renewed intensity under the tinkling of glass and cutlery; in the brightly lit dome of the room the whispered conversation rose and fell in gentle waves; the woman in the large hat smiled with half closed eyes, looking slender and beautiful as the waiter carefully poured the wine into her glass. But now he was making another gesture.”


    “And obviously he could bear it no longer”. In this sentence, the pronoun “it” refers to:
    Escolha uma alternativa para a questão 132ca97c-ec
  • Linguagens

    Inglês

    Read the following passage of “The Dinner”, by Clarice Lispector, and answer question.


    “I leaned over my meal, lost. When I finally managed to confront him from the depths of my pallid face, I observed that he, too, was leaning forward, his elbows resting on the table, his head between his hands. And obviously he could bear it no longer. His bushy eyebrows were touching. His food must have lodged just below his throat under the stress of his emotion, for when he was able to continue, he made a visible effort to swallow, dabbing his forehead with his napkin. I could bear it no longer, the meat on my plate was raw… and I really could not bear it another minute. But he – he was eating.

    The waiter brought a bottle in a bucket of ice. I noted every detail without being capable of discrimination. The bottle was different, the waiter in tails, and the light haloed the robust head of Pluto which was now moving with curiosity, greedy and attentive. For a second the waiter obliterated my view of the elderly gentleman and I could only see his black coattails hovering over the table as he poured red wine into the glass and waited with ardent eyes – because here was a surely man who would tip generously, one of those elderly gentlemen who still command attention… and power. The elderly gentleman, who now seemed larger, confidently took a sip, lowered his glass, and sourly considered the taste in his mouth. He compressed his lips and smacked them with distaste, as if the good were also intolerable. I waited, the waiter waited, and we both leaned forward in suspense. Finally he made a grimace of approval. The waiter curved his shiny head in submission to the man’s words of thanks and went off with lowered head, while I sighed with relief.

    He now mingled gulps of wine with the meat in his great mouth and his false teeth ponderously chewed while I observed him… in vain. Nothing more happened. The restaurant appeared to radiate with renewed intensity under the tinkling of glass and cutlery; in the brightly lit dome of the room the whispered conversation rose and fell in gentle waves; the woman in the large hat smiled with half closed eyes, looking slender and beautiful as the waiter carefully poured the wine into her glass. But now he was making another gesture.”


    The sentence “while I observed him… in vain” suggests that the narrator:
    Escolha uma alternativa para a questão 132fe351-ec
  • Ciências Humanas

    História

    Em Auto da barca do inferno (1516), de Gil Vicente, o “Judeu” é o único personagem que solicita entrar no batel infernal, mas mesmo assim sua alma é preterida pelo “Diabo”. Este se recusa a embarcar o bode que o “Judeu” traz consigo e indica-lhe o batel do “Anjo”. O “Judeu”, contudo, não consegue dirigir a palavra ao “Anjo”, e acaba indo a reboque no barco do “Diabo”, que, com estas palavras, aceita-o: “Vós, Judeu, ireis à toa, que sois mui ruim pessoa”. O mau juízo que a obra faz dos judeus tem origem em uma conjuntura histórica particular, vigente no final do século XV e início do século XVI. Assinale a alternativa que explicita essa conjuntura:
    Escolha uma alternativa para a questão 133960b0-ec
  • Ciências Humanas

    História

    Na época em que Manuel Antonio de Almeida publicou Memórias de um sargento de milícias, havia acirrada disputa entre os Partidos Conservador e Liberal. O livro saiu, primeiramente, em folhetim na seção humorística denominada “Pacotilha”, do Correio Mercantil, principal jornal ligado ao Partido Liberal, entre 1852 e 1853. Nesse período, cunhou-se uma célebre frase atribuída ao político pernambucano Antônio Francisco de Paula e Holanda Cavalcanti de Albuquerque: “Nada se assemelha mais a um ‘saquarema’ do que um ‘luzia’ no poder.” Sobre a vida econômica e política do período em questão, é correto afirmar que:
    Escolha uma alternativa para a questão 133dfd3c-ec
  • Ciências Humanas

    História

    A seguinte passagem foi extraída do texto “O último carnaval da vitória”, que integra o livro Os da minha rua, do escritor angolano Ondjaki:


    “Ficamos todos a ver o desfile e era um mês de março. O locutor deu alguma informação errada sobre o carnaval, e um dos primos disse que não era assim, que aquele era o Carnaval da Vitória porque a 27 de março se comemorava o dia em que as forças armadas tinham expulsado o último sul-africano de solo angolano”.


    O trecho aborda a infância do personagem Ndalu, em Luanda, Angola, na década de 1980. No texto, o personagem principal lembra-se da festa que ganhou o nome de Carnaval da Vitória, após a independência do país, em 1975. Sobre a dominação portuguesa na África, é correto afirmar que:
    Escolha uma alternativa para a questão 134187e4-ec
  • Ciências Humanas

    História

    A passagem seguinte foi extraída do texto “Os quedes vermelhos da Tchi”, que integra o livro Os da minha rua, de Ondjaki:


    “Chegou a nossa vez. Um camarada também aí num microfone tipo escondido aquecia a multidão:
    ‘Pioneiros de Agostinho Neto, na construção do socialismo...’
    e nós gritávamos, suados, contentes, meio a rir meio a berrar:
    ‘Tudo pelo Povo!’”


    O trecho acima narra a participação do personagem principal, Ndalu, em um desfile de Primeiro de Maio, em Luanda, na década de 1980, durante a vigência do regime socialista em Angola. Esse regime, implantado logo após a independência pelo Movimento Popular de Libertação de Angola (MPLA), com o apoio de Cuba e da antiga União Soviética, enfrentou uma guerra civil promovida por dois outros grupos armados: a União Nacional pela Libertação Total de Angola (UNITA) e a Frente Nacional de Libertação Angolana (FNLA). Os três grupos atuaram nas lutas pela independência do país, em 1975. Pode-se afirmar que um dos motivos da guerra civil em Angola foi:
    Escolha uma alternativa para a questão 13452644-ec