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Prova de 2019: Universidade do Estado de Minas Gerais (UEMG) — questões com gabarito

438 questões da prova de 2019 de Universidade do Estado de Minas Gerais (UEMG), em Biologia, Português, Química, Geografia e mais matérias. Cada uma tem página própria, com enunciado completo, alternativas e gabarito — e dá para responder na própria página.

  • 438 questões
  • 11 matérias

Resultados: 75 questões

Página 3 de 4

  • Linguagens

    Português

    Leia este poema.


    DIALÉTICA


    É claro que a vida é boa

    E a alegria, a única indizível emoção

    É claro que te acho linda

    Em ti bendigo o amor das coisas simples

    É claro que te amo

    E tenho tudo para ser feliz


    Mas acontece que eu sou triste...

    ORAES, Vinícius. Disponível em: http://www.viniciusdemoraes.com.br/pt-br/poesia/poesias-avulsas/dialetica. Acesso: 11 dez. 2018.


    Em relação a esse texto, escrito pelo poeta e compositor Vinícius de Moraes, é CORRETO afirmar que:

    Escolha uma alternativa para a questão 7f56a349-3e
  • Linguagens

    Literatura

    INSTRUÇÃO: A questão refere-se à obra “O Triste fim de Policarpo Quaresma” de Lima Barreto.


    Leia estes fragmentos da adaptação em quadrinhos do livro “Triste fim de Policarpo Quaresma”.


                        Figura 1 de 2 da questão de Literatura, UEMG 2019, Escolas Literárias


    As * reproduzem os textos das imagens dos quadrinhos:


    * “A INDIGNAÇÃO, A CONVICÇÃO PATRIÓTICA E O AMOR AO IDIOMA NATIVO SE MISTURAM EM SUA FEBRE, E ELE NEM PERCEBEU QUE SE PÔS A REDIGIR O RELATÓRIO NAQUELA LÍNGUA.”

    ** “ANTES QUE PERCEBESSE O QUE TINHA FEITO, CHAMARAM-NO PARA RESOLVER UM PROBLEMA EM OUTRA SALA, E O OFÍCIO SE JUNTOU A OUTROS, SEGUINDO O CURSO NORMAL DA BUROCRACIA...”

    *** “...PASSOU PELO DIRETOR QUE, COMO SEMPRE, NÃO REPAROU NO QUE ASSINAVA...”

    **** “...E FOI PARAR NO MINISTÉRIO, ONDE CAUSOU PERPLEXIDADE...”


                   Figura 2 de 2 da questão de Literatura, UEMG 2019, Escolas Literárias


    As * reproduzem os textos das imagens dos quadrinhos:


    * “QUARESMA FOI AO ENTERRO, ANTES DE PARTIR EM SUA MISSÃO. COMTEMPLANDO AQUELES TRISTES RESTOS, PENSAVA QUE A MOÇA IA PARA O BURACO ESCURO SEM DEIXAR TRAÇO MAIS FUNDO DE SUA PESSOA, DE SEUS SENTIMENTOS, DE SUA ALMA...”

    ** “OS HOMENS DENTRO EM POUCO ESTÃO AQUI... O GOVERNO ESTÁ EXAUSTO!”

    *** “SE EU FOSSE VOCÊ, COMPRAVA TUDO NO BONHEUR DES DAMES, TEM ÓTIMAS PECHINCHAS.”

    Nesses trechos, há referência a missões que Policarpo Quaresma desejava realizar. Considerando o enredo da obra “Triste fim de Policarpo Quaresma”, são projetos malogrados do protagonista:


    I- Defender o tupi-guarani como língua oficial do país, por ser esse o idioma que expressa a brasilidade em contraposição ao europeísmo representado pela língua portuguesa.

    II- Propor uma reforma da agricultura, pedindo suporte governamental aos pequenos produtores agrícolas, por reconhecer que lhes faltava mais de dedicação e organização.

    III- Apoiar o governo na defesa da ordem republicana ameaçada e entregar a Floriano Peixoto um documento com as medidas a serem tomadas para resolver os problemas do país.


    Estão CORRETAS as afirmativas:

    Escolha uma alternativa para a questão 7f5a48d2-3e
  • Linguagens

    Literatura

    INSTRUÇÃO: A questão refere-se à obra “O Triste fim de Policarpo Quaresma” de Lima Barreto.


    Leia estes fragmentos da adaptação em quadrinhos do livro “Triste fim de Policarpo Quaresma”.


                        Figura 1 de 2 da questão de Literatura, UEMG 2019, Escolas Literárias


    As * reproduzem os textos das imagens dos quadrinhos:


    * “A INDIGNAÇÃO, A CONVICÇÃO PATRIÓTICA E O AMOR AO IDIOMA NATIVO SE MISTURAM EM SUA FEBRE, E ELE NEM PERCEBEU QUE SE PÔS A REDIGIR O RELATÓRIO NAQUELA LÍNGUA.”

    ** “ANTES QUE PERCEBESSE O QUE TINHA FEITO, CHAMARAM-NO PARA RESOLVER UM PROBLEMA EM OUTRA SALA, E O OFÍCIO SE JUNTOU A OUTROS, SEGUINDO O CURSO NORMAL DA BUROCRACIA...”

    *** “...PASSOU PELO DIRETOR QUE, COMO SEMPRE, NÃO REPAROU NO QUE ASSINAVA...”

    **** “...E FOI PARAR NO MINISTÉRIO, ONDE CAUSOU PERPLEXIDADE...”


                   Figura 2 de 2 da questão de Literatura, UEMG 2019, Escolas Literárias


    As * reproduzem os textos das imagens dos quadrinhos:


    * “QUARESMA FOI AO ENTERRO, ANTES DE PARTIR EM SUA MISSÃO. COMTEMPLANDO AQUELES TRISTES RESTOS, PENSAVA QUE A MOÇA IA PARA O BURACO ESCURO SEM DEIXAR TRAÇO MAIS FUNDO DE SUA PESSOA, DE SEUS SENTIMENTOS, DE SUA ALMA...”

    ** “OS HOMENS DENTRO EM POUCO ESTÃO AQUI... O GOVERNO ESTÁ EXAUSTO!”

    *** “SE EU FOSSE VOCÊ, COMPRAVA TUDO NO BONHEUR DES DAMES, TEM ÓTIMAS PECHINCHAS.”

    O enredo do romance “Triste fim de Policarpo Quaresma” gira em torno do personagem-título, funcionário público que:
    Escolha uma alternativa para a questão 7f5d7f31-3e
  • Linguagens

    Português

    Gênero literário é a categoria à qual pertence uma obra com base em suas características predominantes que possibilitam o agrupamento por semelhanças.


    Considerando a classificação dos gêneros literários, assinale V para as afirmativas verdadeiras e F para as falsas.


    ( ) Gênero lírico caracteriza-se pela manifestação do eu-interior do poeta e pela exposição de sua subjetividade de sentimentos e emoções vivenciados em seu mundo íntimo.

    ( ) Gênero dramático caracteriza-se pela narração (em versos) de grandes feitos históricos em textos em que a presença de um herói representa a força do coletivo.

    ( ) Gênero épico caracteriza-se por textos escritos para serem encenados em que o autor utiliza o discurso direto e dá voz a seus personagens sem a intermediação de um narrador.


    Assinale a alternativa que apresenta a sequência CORRETA:

    Escolha uma alternativa para a questão 7f610f12-3e
  • Linguagens

    Inglês

                   Fire Devastates Brazil's Oldest Science Museum

    The overnight inferno likely claimed fossils, cultural artifacts, and more irreplaceable collections amassed over 200 years.

                                                                                        By Michael Greshko                                                   ______________________________________

                                                                       PUBLISHED September 6, 2018


    Major pieces of Brazil's scientific and cultural heritage went up in smoke on September 2, as a devastating fire ripped through much of Rio de Janeiro's Museu Nacional, or National Museum. Founded in 1818, the museum is Brazil's oldest scientific institution and one of the largest and most renowned museums in Latin America, amassing a collection of some 20 million scientifically and culturally invaluable artifacts.

    The Museu Nacional's holdings include Luzia, an 11,500-year-old skull considered one of South America's oldest human fossils, as well as the bones of uniquely Brazilian creatures such as the long-necked dinosaur Maxakalisaurus. Because of the auction tastes of Brazil's 19th-century emperors, the Museu Nacional also ended up with Latin America's oldest collection of Egyptian mummies and artifacts.

    Even the building holds historical importance: It housed the exiled Portuguese royal family from 1808 to 1821, after they fled to Rio de Janeiro in 1807 to escape Napoleon. The complex also served as the palace for Brazil's post-independence emperors until 1889, before the museum collections were transferred there in 1902. In an September 5 email, Museu Nacional curator Débora Pires wrote that the entomology and arachnology collections were completely destroyed, as was most of the mollusk collection. However, technicians had braved the fire to save 80 percent of the mollusk holotypes—the specimens that formally serve as the global references for a given species. The museum's vertebrate specimens, herbarium, and library were housed separately and survived the fire.

    (…)

    An Irreplaceable Loss

    It's not yet clear how the fire started, but it did begin after the museum was closed to the public, and no injuries have yet been reported. Firefighters worked through the night to douse the burnt-out shell of the main building, but it seems the blaze has already seared a gaping hole in many scientists' careers.

    “The importance of the collections that were lost couldn't be overstated,” says Luiz Rocha, a Brazilian ichthyologist now at the California Academy of Sciences who has visited the Museu Nacional several times to study its collections. “They were unique as it gets: Many of them were irreplaceable, there's no way to put a monetary value on it.”

    “In terms of [my] life-long research agenda, I'm pretty much lost,” says Marcus Guidoti, a Brazilian entomologist finishing up his Ph.D. in a program co-run by Brazil's Federal University of Rio Grande do Sul.

    Guidoti studies lace bugs, an insect family with more than 2,000 species worldwide. The Museu Nacional held one of the world's largest lace bug collections, but the fire likely destroyed it and the rest of the museum's five million arthropod specimens. “Those type specimens can't be replaced, and they are crucial to understand the species,” he says by text message. “If I was willing to keep working on this family in this region of the globe, this was definitely a big hit.”

    Paleontologist Dimila Mothé, a postdoctoral researcher at the Federal University of the State of Rio de Janeiro, adds that the blows to science extend beyond the collections themselves. “It's not only the cultural history, the natural history, but all the theses and research developed there,” she says. “Most of the laboratories there were lost, too, and the research of several professors. I'm not sure you can say the impact of what was lost.”

    Brazil’s indigenous knowledge also has suffered. The Museu Nacional housed world-renowned collections of indigenous objects, as well as many audio recordings of indigenous languages from all over Brazil. Some of these recordings, now lost, were of languages that are no longer spoken.

    “I have no words to say how horrible this is,” says Brazilian anthropologist Mariana Françozo, an expert on South American indigenous objects at Leiden University. “The indigenous collections are a tremendous loss … we can no longer study them, we can no longer understand what our ancestors did. It’s heartbreaking.” 

    On Monday, The Brazilian publication G1 Rio reported that ashes of burned documents—some still flecked in notes or illustrations—have rained down from the sky more than a mile away from the Museu Nacional, thrown aloft by the inferno.

    (…)

    Editor's Note: This story was updated on September 6, 2018, with new details about which artifacts survived the fire. 

    Taken from: https://www.nationalgeographic.com/science/2018/09/news-museu-nacional-fire-rio-de-janeiro-natural-history/. Access: 11 dez. 2018.

    In the excerpt “Founded in 1818, the museum is Brazil's oldest scientific institution and one of the largest and most renowned museums in Latin America” we have 3 (three) occurrences of:
    Escolha uma alternativa para a questão 7fdb627a-3e
  • Linguagens

    Inglês

                   Fire Devastates Brazil's Oldest Science Museum

    The overnight inferno likely claimed fossils, cultural artifacts, and more irreplaceable collections amassed over 200 years.

                                                                                        By Michael Greshko                                                   ______________________________________

                                                                       PUBLISHED September 6, 2018


    Major pieces of Brazil's scientific and cultural heritage went up in smoke on September 2, as a devastating fire ripped through much of Rio de Janeiro's Museu Nacional, or National Museum. Founded in 1818, the museum is Brazil's oldest scientific institution and one of the largest and most renowned museums in Latin America, amassing a collection of some 20 million scientifically and culturally invaluable artifacts.

    The Museu Nacional's holdings include Luzia, an 11,500-year-old skull considered one of South America's oldest human fossils, as well as the bones of uniquely Brazilian creatures such as the long-necked dinosaur Maxakalisaurus. Because of the auction tastes of Brazil's 19th-century emperors, the Museu Nacional also ended up with Latin America's oldest collection of Egyptian mummies and artifacts.

    Even the building holds historical importance: It housed the exiled Portuguese royal family from 1808 to 1821, after they fled to Rio de Janeiro in 1807 to escape Napoleon. The complex also served as the palace for Brazil's post-independence emperors until 1889, before the museum collections were transferred there in 1902. In an September 5 email, Museu Nacional curator Débora Pires wrote that the entomology and arachnology collections were completely destroyed, as was most of the mollusk collection. However, technicians had braved the fire to save 80 percent of the mollusk holotypes—the specimens that formally serve as the global references for a given species. The museum's vertebrate specimens, herbarium, and library were housed separately and survived the fire.

    (…)

    An Irreplaceable Loss

    It's not yet clear how the fire started, but it did begin after the museum was closed to the public, and no injuries have yet been reported. Firefighters worked through the night to douse the burnt-out shell of the main building, but it seems the blaze has already seared a gaping hole in many scientists' careers.

    “The importance of the collections that were lost couldn't be overstated,” says Luiz Rocha, a Brazilian ichthyologist now at the California Academy of Sciences who has visited the Museu Nacional several times to study its collections. “They were unique as it gets: Many of them were irreplaceable, there's no way to put a monetary value on it.”

    “In terms of [my] life-long research agenda, I'm pretty much lost,” says Marcus Guidoti, a Brazilian entomologist finishing up his Ph.D. in a program co-run by Brazil's Federal University of Rio Grande do Sul.

    Guidoti studies lace bugs, an insect family with more than 2,000 species worldwide. The Museu Nacional held one of the world's largest lace bug collections, but the fire likely destroyed it and the rest of the museum's five million arthropod specimens. “Those type specimens can't be replaced, and they are crucial to understand the species,” he says by text message. “If I was willing to keep working on this family in this region of the globe, this was definitely a big hit.”

    Paleontologist Dimila Mothé, a postdoctoral researcher at the Federal University of the State of Rio de Janeiro, adds that the blows to science extend beyond the collections themselves. “It's not only the cultural history, the natural history, but all the theses and research developed there,” she says. “Most of the laboratories there were lost, too, and the research of several professors. I'm not sure you can say the impact of what was lost.”

    Brazil’s indigenous knowledge also has suffered. The Museu Nacional housed world-renowned collections of indigenous objects, as well as many audio recordings of indigenous languages from all over Brazil. Some of these recordings, now lost, were of languages that are no longer spoken.

    “I have no words to say how horrible this is,” says Brazilian anthropologist Mariana Françozo, an expert on South American indigenous objects at Leiden University. “The indigenous collections are a tremendous loss … we can no longer study them, we can no longer understand what our ancestors did. It’s heartbreaking.” 

    On Monday, The Brazilian publication G1 Rio reported that ashes of burned documents—some still flecked in notes or illustrations—have rained down from the sky more than a mile away from the Museu Nacional, thrown aloft by the inferno.

    (…)

    Editor's Note: This story was updated on September 6, 2018, with new details about which artifacts survived the fire. 

    Taken from: https://www.nationalgeographic.com/science/2018/09/news-museu-nacional-fire-rio-de-janeiro-natural-history/. Access: 11 dez. 2018.

    In the excerpt “Even the building holds historical importance: It housed the exiled Portuguese royal family from 1808 to 1821, after they fled to Rio de Janeiro in 1807 to escape Napoleon”, the word IT refers to:
    Escolha uma alternativa para a questão 7fde72a2-3e
  • Linguagens

    Inglês

                   Fire Devastates Brazil's Oldest Science Museum

    The overnight inferno likely claimed fossils, cultural artifacts, and more irreplaceable collections amassed over 200 years.

                                                                                        By Michael Greshko                                                   ______________________________________

                                                                       PUBLISHED September 6, 2018


    Major pieces of Brazil's scientific and cultural heritage went up in smoke on September 2, as a devastating fire ripped through much of Rio de Janeiro's Museu Nacional, or National Museum. Founded in 1818, the museum is Brazil's oldest scientific institution and one of the largest and most renowned museums in Latin America, amassing a collection of some 20 million scientifically and culturally invaluable artifacts.

    The Museu Nacional's holdings include Luzia, an 11,500-year-old skull considered one of South America's oldest human fossils, as well as the bones of uniquely Brazilian creatures such as the long-necked dinosaur Maxakalisaurus. Because of the auction tastes of Brazil's 19th-century emperors, the Museu Nacional also ended up with Latin America's oldest collection of Egyptian mummies and artifacts.

    Even the building holds historical importance: It housed the exiled Portuguese royal family from 1808 to 1821, after they fled to Rio de Janeiro in 1807 to escape Napoleon. The complex also served as the palace for Brazil's post-independence emperors until 1889, before the museum collections were transferred there in 1902. In an September 5 email, Museu Nacional curator Débora Pires wrote that the entomology and arachnology collections were completely destroyed, as was most of the mollusk collection. However, technicians had braved the fire to save 80 percent of the mollusk holotypes—the specimens that formally serve as the global references for a given species. The museum's vertebrate specimens, herbarium, and library were housed separately and survived the fire.

    (…)

    An Irreplaceable Loss

    It's not yet clear how the fire started, but it did begin after the museum was closed to the public, and no injuries have yet been reported. Firefighters worked through the night to douse the burnt-out shell of the main building, but it seems the blaze has already seared a gaping hole in many scientists' careers.

    “The importance of the collections that were lost couldn't be overstated,” says Luiz Rocha, a Brazilian ichthyologist now at the California Academy of Sciences who has visited the Museu Nacional several times to study its collections. “They were unique as it gets: Many of them were irreplaceable, there's no way to put a monetary value on it.”

    “In terms of [my] life-long research agenda, I'm pretty much lost,” says Marcus Guidoti, a Brazilian entomologist finishing up his Ph.D. in a program co-run by Brazil's Federal University of Rio Grande do Sul.

    Guidoti studies lace bugs, an insect family with more than 2,000 species worldwide. The Museu Nacional held one of the world's largest lace bug collections, but the fire likely destroyed it and the rest of the museum's five million arthropod specimens. “Those type specimens can't be replaced, and they are crucial to understand the species,” he says by text message. “If I was willing to keep working on this family in this region of the globe, this was definitely a big hit.”

    Paleontologist Dimila Mothé, a postdoctoral researcher at the Federal University of the State of Rio de Janeiro, adds that the blows to science extend beyond the collections themselves. “It's not only the cultural history, the natural history, but all the theses and research developed there,” she says. “Most of the laboratories there were lost, too, and the research of several professors. I'm not sure you can say the impact of what was lost.”

    Brazil’s indigenous knowledge also has suffered. The Museu Nacional housed world-renowned collections of indigenous objects, as well as many audio recordings of indigenous languages from all over Brazil. Some of these recordings, now lost, were of languages that are no longer spoken.

    “I have no words to say how horrible this is,” says Brazilian anthropologist Mariana Françozo, an expert on South American indigenous objects at Leiden University. “The indigenous collections are a tremendous loss … we can no longer study them, we can no longer understand what our ancestors did. It’s heartbreaking.” 

    On Monday, The Brazilian publication G1 Rio reported that ashes of burned documents—some still flecked in notes or illustrations—have rained down from the sky more than a mile away from the Museu Nacional, thrown aloft by the inferno.

    (…)

    Editor's Note: This story was updated on September 6, 2018, with new details about which artifacts survived the fire. 

    Taken from: https://www.nationalgeographic.com/science/2018/09/news-museu-nacional-fire-rio-de-janeiro-natural-history/. Access: 11 dez. 2018.

    According to the text about the Brazilian National Museum, the fire
    Escolha uma alternativa para a questão 7fe1f6c4-3e
  • Linguagens

    Inglês

                   Fire Devastates Brazil's Oldest Science Museum

    The overnight inferno likely claimed fossils, cultural artifacts, and more irreplaceable collections amassed over 200 years.

                                                                                        By Michael Greshko                                                   ______________________________________

                                                                       PUBLISHED September 6, 2018


    Major pieces of Brazil's scientific and cultural heritage went up in smoke on September 2, as a devastating fire ripped through much of Rio de Janeiro's Museu Nacional, or National Museum. Founded in 1818, the museum is Brazil's oldest scientific institution and one of the largest and most renowned museums in Latin America, amassing a collection of some 20 million scientifically and culturally invaluable artifacts.

    The Museu Nacional's holdings include Luzia, an 11,500-year-old skull considered one of South America's oldest human fossils, as well as the bones of uniquely Brazilian creatures such as the long-necked dinosaur Maxakalisaurus. Because of the auction tastes of Brazil's 19th-century emperors, the Museu Nacional also ended up with Latin America's oldest collection of Egyptian mummies and artifacts.

    Even the building holds historical importance: It housed the exiled Portuguese royal family from 1808 to 1821, after they fled to Rio de Janeiro in 1807 to escape Napoleon. The complex also served as the palace for Brazil's post-independence emperors until 1889, before the museum collections were transferred there in 1902. In an September 5 email, Museu Nacional curator Débora Pires wrote that the entomology and arachnology collections were completely destroyed, as was most of the mollusk collection. However, technicians had braved the fire to save 80 percent of the mollusk holotypes—the specimens that formally serve as the global references for a given species. The museum's vertebrate specimens, herbarium, and library were housed separately and survived the fire.

    (…)

    An Irreplaceable Loss

    It's not yet clear how the fire started, but it did begin after the museum was closed to the public, and no injuries have yet been reported. Firefighters worked through the night to douse the burnt-out shell of the main building, but it seems the blaze has already seared a gaping hole in many scientists' careers.

    “The importance of the collections that were lost couldn't be overstated,” says Luiz Rocha, a Brazilian ichthyologist now at the California Academy of Sciences who has visited the Museu Nacional several times to study its collections. “They were unique as it gets: Many of them were irreplaceable, there's no way to put a monetary value on it.”

    “In terms of [my] life-long research agenda, I'm pretty much lost,” says Marcus Guidoti, a Brazilian entomologist finishing up his Ph.D. in a program co-run by Brazil's Federal University of Rio Grande do Sul.

    Guidoti studies lace bugs, an insect family with more than 2,000 species worldwide. The Museu Nacional held one of the world's largest lace bug collections, but the fire likely destroyed it and the rest of the museum's five million arthropod specimens. “Those type specimens can't be replaced, and they are crucial to understand the species,” he says by text message. “If I was willing to keep working on this family in this region of the globe, this was definitely a big hit.”

    Paleontologist Dimila Mothé, a postdoctoral researcher at the Federal University of the State of Rio de Janeiro, adds that the blows to science extend beyond the collections themselves. “It's not only the cultural history, the natural history, but all the theses and research developed there,” she says. “Most of the laboratories there were lost, too, and the research of several professors. I'm not sure you can say the impact of what was lost.”

    Brazil’s indigenous knowledge also has suffered. The Museu Nacional housed world-renowned collections of indigenous objects, as well as many audio recordings of indigenous languages from all over Brazil. Some of these recordings, now lost, were of languages that are no longer spoken.

    “I have no words to say how horrible this is,” says Brazilian anthropologist Mariana Françozo, an expert on South American indigenous objects at Leiden University. “The indigenous collections are a tremendous loss … we can no longer study them, we can no longer understand what our ancestors did. It’s heartbreaking.” 

    On Monday, The Brazilian publication G1 Rio reported that ashes of burned documents—some still flecked in notes or illustrations—have rained down from the sky more than a mile away from the Museu Nacional, thrown aloft by the inferno.

    (…)

    Editor's Note: This story was updated on September 6, 2018, with new details about which artifacts survived the fire. 

    Taken from: https://www.nationalgeographic.com/science/2018/09/news-museu-nacional-fire-rio-de-janeiro-natural-history/. Access: 11 dez. 2018.

    The fire caused damages and losses in different areas of the National Museum, EXCEPT in:
    Escolha uma alternativa para a questão 7fe5d26e-3e
  • Linguagens

    Inglês

                   Fire Devastates Brazil's Oldest Science Museum

    The overnight inferno likely claimed fossils, cultural artifacts, and more irreplaceable collections amassed over 200 years.

                                                                                        By Michael Greshko                                                   ______________________________________

                                                                       PUBLISHED September 6, 2018


    Major pieces of Brazil's scientific and cultural heritage went up in smoke on September 2, as a devastating fire ripped through much of Rio de Janeiro's Museu Nacional, or National Museum. Founded in 1818, the museum is Brazil's oldest scientific institution and one of the largest and most renowned museums in Latin America, amassing a collection of some 20 million scientifically and culturally invaluable artifacts.

    The Museu Nacional's holdings include Luzia, an 11,500-year-old skull considered one of South America's oldest human fossils, as well as the bones of uniquely Brazilian creatures such as the long-necked dinosaur Maxakalisaurus. Because of the auction tastes of Brazil's 19th-century emperors, the Museu Nacional also ended up with Latin America's oldest collection of Egyptian mummies and artifacts.

    Even the building holds historical importance: It housed the exiled Portuguese royal family from 1808 to 1821, after they fled to Rio de Janeiro in 1807 to escape Napoleon. The complex also served as the palace for Brazil's post-independence emperors until 1889, before the museum collections were transferred there in 1902. In an September 5 email, Museu Nacional curator Débora Pires wrote that the entomology and arachnology collections were completely destroyed, as was most of the mollusk collection. However, technicians had braved the fire to save 80 percent of the mollusk holotypes—the specimens that formally serve as the global references for a given species. The museum's vertebrate specimens, herbarium, and library were housed separately and survived the fire.

    (…)

    An Irreplaceable Loss

    It's not yet clear how the fire started, but it did begin after the museum was closed to the public, and no injuries have yet been reported. Firefighters worked through the night to douse the burnt-out shell of the main building, but it seems the blaze has already seared a gaping hole in many scientists' careers.

    “The importance of the collections that were lost couldn't be overstated,” says Luiz Rocha, a Brazilian ichthyologist now at the California Academy of Sciences who has visited the Museu Nacional several times to study its collections. “They were unique as it gets: Many of them were irreplaceable, there's no way to put a monetary value on it.”

    “In terms of [my] life-long research agenda, I'm pretty much lost,” says Marcus Guidoti, a Brazilian entomologist finishing up his Ph.D. in a program co-run by Brazil's Federal University of Rio Grande do Sul.

    Guidoti studies lace bugs, an insect family with more than 2,000 species worldwide. The Museu Nacional held one of the world's largest lace bug collections, but the fire likely destroyed it and the rest of the museum's five million arthropod specimens. “Those type specimens can't be replaced, and they are crucial to understand the species,” he says by text message. “If I was willing to keep working on this family in this region of the globe, this was definitely a big hit.”

    Paleontologist Dimila Mothé, a postdoctoral researcher at the Federal University of the State of Rio de Janeiro, adds that the blows to science extend beyond the collections themselves. “It's not only the cultural history, the natural history, but all the theses and research developed there,” she says. “Most of the laboratories there were lost, too, and the research of several professors. I'm not sure you can say the impact of what was lost.”

    Brazil’s indigenous knowledge also has suffered. The Museu Nacional housed world-renowned collections of indigenous objects, as well as many audio recordings of indigenous languages from all over Brazil. Some of these recordings, now lost, were of languages that are no longer spoken.

    “I have no words to say how horrible this is,” says Brazilian anthropologist Mariana Françozo, an expert on South American indigenous objects at Leiden University. “The indigenous collections are a tremendous loss … we can no longer study them, we can no longer understand what our ancestors did. It’s heartbreaking.” 

    On Monday, The Brazilian publication G1 Rio reported that ashes of burned documents—some still flecked in notes or illustrations—have rained down from the sky more than a mile away from the Museu Nacional, thrown aloft by the inferno.

    (…)

    Editor's Note: This story was updated on September 6, 2018, with new details about which artifacts survived the fire. 

    Taken from: https://www.nationalgeographic.com/science/2018/09/news-museu-nacional-fire-rio-de-janeiro-natural-history/. Access: 11 dez. 2018.

    The correct reported speech form for the sentence “Most of the laboratories there were lost, too, and the research of several professors. I'm not sure you can say the impact of what was lost”, said by Dimila Mothé, is:
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  • Linguagens

    Inglês

    Lima Barreto’s work (Sad End of Policarpo Quaresma) describes a man who acted in some areas along his life. Check the alternative that shows the area that it was NOT active.
    Escolha uma alternativa para a questão 7fec6ef3-3e
  • Linguagens

    Português

    "Responda rápido. O maior índice de crescimento de novos universitários foi registrado em que faixa etária, de acordo com o último Censo do Ensino Superior?


    A – 18 a 24 anos C – 40 a 49 anos

    B – 24 a 39 anos D – Acima dos 50 anos


    Não sabe? Quer a ajuda dos universitários? Cuidado, a maioria talvez não saiba. São os cinqüentões, sessentões e setentões que estão brilhando nos vestibulares. Entraram na vida acadêmica, em 2001, 23% a mais de alunos nessa faixa etária em comparação ao ano anterior. São quase 11 mil contra 8.700 em 2000. A tendência é de crescimento maior em 2002, mas os números só serão divulgados no final deste ano. Essa ocupação da “terceira idade”, nas universidades não se deve por acaso. Basta se ater à explicações do sociólogo Ruda Ricci, professor da PUCMinas, para ver sentido nessa mudança. Ele levanta dois fatores: a cobrança de qualificação pelo mercado de trabalho na década de 90 e a dispensa de pessoas com mais de 45 anos. “O ideal para as empresas eram funcionários na faixa dos 35 anos. Abaixo disso eram consideradas inexperientes e acima não teriam agilidade, já estariam burocratizadas.” Para as empresas, era mais fácil dar treinamento aos jovens. Aos quase cinqüentões só restava uma saída: voltar a estudar ou abrir negócio próprio. Some-se a isso a mudança na previdência, que retardou a aposentadoria, e o aumento na expectativa de vida. “O mercado percebeu que eles são experientes e buscam qualificação. Têm a receita ideal para um bom profissional”, afirma Ruda Ricci, que acredita na multiplicação das oportunidades de trabalho, nos próximos anos, para os cinqüentões. E não está só. Robert Critcheley, autor do livro Reavaliando sua carreira, também vê boas perspectivas. “Hoje convivemos com a primeira geração que chega a essa idade em perfeitas condições físicas e intelectuais.” É só encarar o desafio e saber que a idade mental é mais importante que a cronológica."

    (ARRIEL, Silvânia - Revista Encontro. Abril/2003, p. 43)


    “É só encarar o desafio e saber que a idade mental é mais importante que a cronológica.”

    O termo assinalado tem função semelhante em:

    Escolha uma alternativa para a questão 97163365-00
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    Português

    Para ter um texto bem organizado, devemos utilizar atentamente os aspectos ligados à coesão e coerência.

    A opção em que apresenta alguns desses elementos é:

    Escolha uma alternativa para a questão 9719ddce-00
  • Linguagens

    Português

    Imagem da questão de Português, UEMG 2019, Interpretação de Textos


    Ao comparar a linguagem utilizada nessa publicidade com a linguagem contemporânea, nota-se que houve variação e mudança no português escrito. Considerando que esse anúncio é de 1929, infere-se que as mudanças ocorridas em algumas palavras desse texto foram causadas por

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    Português

    Imagem da questão de Português, UEMG 2019, Interpretação de Textos


    Nessa campanha publicitária, há o conselho de preservar o livro, porque

    Escolha uma alternativa para a questão 9720417d-00
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    Português

    As pessoas com deficiência estão conquistando seu espaço. Venha conquistar o seu.

    Para o Sistema Fiemg e todas as suas entidades, empregar trabalhadores com deficiência é mais do que um exigência legal. É uma forma de valorizar as oportunidades oferecidas pela diversidade da nossa sociedade. Se você é deficiente e procura espaço no mercado de trabalho, o SESI e o SENAI estão contratando. Cadastre seu currículo no site www.fiemg.com.br, ou envie para a caixa postal 2006, ou procure uma unidade do SESI ou do SENAI mais próxima de você.

    Faça parte da nossa equipe

    (Estado de Minas,domingo, 25 mar. 2007. Caderno Classificados. p.8 )


    A respeito do contexto de produção e circulação desse texto são feitas as afirmativas abaixo.

    I. Dirige-se a um público específico.

    II. Poderia ser veiculado em outros suportes.

    III. Tem intenção de persuadir o interlocutor.


    São corretas as afirmativas:

    Escolha uma alternativa para a questão 97242844-00
  • Linguagens

    Português

    "Responda rápido. O maior índice de crescimento de novos universitários foi registrado em que faixa etária, de acordo com o último Censo do Ensino Superior?


    A – 18 a 24 anos C – 40 a 49 anos

    B – 24 a 39 anos D – Acima dos 50 anos


    Não sabe? Quer a ajuda dos universitários? Cuidado, a maioria talvez não saiba. São os cinqüentões, sessentões e setentões que estão brilhando nos vestibulares. Entraram na vida acadêmica, em 2001, 23% a mais de alunos nessa faixa etária em comparação ao ano anterior. São quase 11 mil contra 8.700 em 2000. A tendência é de crescimento maior em 2002, mas os números só serão divulgados no final deste ano. Essa ocupação da “terceira idade”, nas universidades não se deve por acaso. Basta se ater à explicações do sociólogo Ruda Ricci, professor da PUCMinas, para ver sentido nessa mudança. Ele levanta dois fatores: a cobrança de qualificação pelo mercado de trabalho na década de 90 e a dispensa de pessoas com mais de 45 anos. “O ideal para as empresas eram funcionários na faixa dos 35 anos. Abaixo disso eram consideradas inexperientes e acima não teriam agilidade, já estariam burocratizadas.” Para as empresas, era mais fácil dar treinamento aos jovens. Aos quase cinqüentões só restava uma saída: voltar a estudar ou abrir negócio próprio. Some-se a isso a mudança na previdência, que retardou a aposentadoria, e o aumento na expectativa de vida. “O mercado percebeu que eles são experientes e buscam qualificação. Têm a receita ideal para um bom profissional”, afirma Ruda Ricci, que acredita na multiplicação das oportunidades de trabalho, nos próximos anos, para os cinqüentões. E não está só. Robert Critcheley, autor do livro Reavaliando sua carreira, também vê boas perspectivas. “Hoje convivemos com a primeira geração que chega a essa idade em perfeitas condições físicas e intelectuais.” É só encarar o desafio e saber que a idade mental é mais importante que a cronológica."

    (ARRIEL, Silvânia - Revista Encontro. Abril/2003, p. 43)


    O texto transcreveu um fragmento em que se pode inferir uma relação intertextual em

    Escolha uma alternativa para a questão a56d247b-00
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    Português

    Leia o fragmento do conto “A confissão de Leontina”


    “Já contei esta história tantas vezes e ninguém quis me acreditar. Vou agora contar tudo especialmente pra senhora que se não pode ajudar pelo menos não fica me atormentando como fazem os outros. É que eu não sou mesmo essa uma que toda gente diz . O jornal me chama de assassina ladrona e tem um que até deu o meu retrato dizendo que eu era a Messalina da boca do lixo. Perguntei pro Armando o que era Messalina e ele respondeu que essa foi uma mulher muito à-toa. E meus olhos que já não tem lágrimas de tanto que tenho ainda choraram mais...”

    (TELLES, Lygia Fagundes. Literatura Comentada. São Paulo: Abril Educação.1980, p. 44)


    Em todas as afirmativas, as palavras destacadas retomam um termo já apresentado, exceto

    Escolha uma alternativa para a questão a572577d-00
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    Português

    13 de maio

    (Caetano Veloso)


    Dia 13 de maio em Santo Amaro

    Na Praça do Mercado

    Os pretos celebravam

    (Talvez hoje inda o façam)

    O fim da escravidão

    Da escravidão

    O fim da escravidão

    Tanta pindoba!

    Lembro do aluá

    Lembro da maniçoba

    Foguetes no ar

    Pra saudar Isabel

    Ô Isabé

    Pra saudar Isabé

    (http://letras.terra.com.br/caetano-veloso/44736//. Acesso: 04/04/2010.)


    Nesse texto, a palavra que mostra uma aproximação da fala com a escrita é

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    Português

    Imagem da questão de Português, UEMG 2019, Interpretação de Textos


    Essa campanha foi criada com o principal intuito de

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  • Linguagens

    Português

    Nossas universidades precisam falar inglês

    Nosso ensino superior está se internacionalizando. Há um certo fluxo de estudantes estrangeiros de pós-graduação que passam alguns anos em nossas melhores universidades devido a programas de duplo diploma. Entretanto, o número de alunos estrangeiros no Brasil ainda é bastante reduzido. Por exemplo, há mais estudantes norte-americanos na Argentina do que no Brasil. Isso se deve à preferência por um país que fala espanhol e à disponibilidade de programas de graduação em inglês. As universidades brasileiras deveriam considerar a possibilidade de oferecer cursos superiores em inglês juntamente com o português. Atualmente, não existe nenhuma conferência internacional importante que não adote o inglês.

    (http://goo.gl/12hak. Acesso: 25/11/2012. Adaptado.)


    O principal objetivo desse texto é

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