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  • 39BA029F-03

    Inglês

    Interpretação de texto | Reading comprehension
    UECE · 2024FácilEntre para guardar nos favoritos

    T E X T


    Han Kang Is Awarded Nobel Prize in Literature



        Han Kang, the South Korean author best known for her surreal, subversive novel, “The Vegetarian,” was awarded the Nobel Prize in Literature [2024] — the first writer from her country to receive the award.


        Mats Malm, the permanent secretary of the Swedish Academy, which organizes the prize, said at a news conference in Stockholm that Han was receiving the honor “for her intense poetic prose that confronts historical traumas and exposes the fragility of human life.”


        “The Vegetarian,” published in Korea in 2007, won the 2016 International Booker Prize after it was translated into English. Porochista Khakpour, in a review of “The Vegetarian” for The New York Times, said that Han “has been rightfully celebrated as a visionary in South Korea.” 


        Han’s Nobel was a surprise. But the news was celebrated by authors and fans on social media, and greeted with fanfare in South Korea. “This is a great achievement for South Korean literature and an occasion for national celebration,” said President Yoon Suk Yeol in a statement, in which he noted Han’s ability to capture painful episodes from their country’s recent history. Members of the K-pop band BTS also celebrated, with one posting a crying-face emoji and a heart alongside a picture of Han. Han’s groundbreaking work has reshaped the literary landscape in South Korea, said Paige Aniyah Morris, co-translator of Han’s novel, “We Do Not Part,” which will be published by Hogarth in the United States in January.


        “Han’s work has inspired a generation of Korean writers to be more truthful and more daring in their subject matter,” Morris said. “Time and time again, she has braved a culture of censorship and saving face, and she has come out of these attempts at silencing her with stronger, more unflinching work each time.” 


        Han, 53, was born in 1970 in Gwangju, South Korea. Her father was also a novelist, but much less successful. The family struggled financially and moved frequently. In a 2016 interview with The Times, Han said her transitory upbringing “was too much for a little child, but I was all right because I was surrounded by books.” When Han was 9, her family moved to Seoul just months before the Gwangju uprising, when government troops fired on crowds of pro-democracy protesters, killing hundreds. The event shaped her views on humanity’s capacity for violence, Han said in the 2016 interview, and its specter has haunted her writing. In her 2014 novel “Human Acts,” a writer observes a police raid on a group of activists.


        She also recalled seeing images of people who lined up to donate their blood to those who were injured in the uprising. “It was like two unsolvable riddles imprinted on my mind: How can humans be so violent, and how can humans be so sublime?” she said. “When I write novels, I find myself always returning to the theme of what it means to be human.”


        Han studied literature at Yonsei University in Korea, and her first published works were poems. Her debut novel, “Black Deer,” which came out in 1998, was a mystery about a missing woman. Following her debut, Han went on to write seven more novels, as well as several novellas and collections of essays and short stories. Among her other novels are “The White Book,” which was also nominated for the International Booker Prize, and “Greek Lessons,” published in English in 2023. 


        “Han Kang is a visionary — there’s no other word for it,” said Parisa Ebrahimi, executive editor at Hogarth, Han’s North American publisher, who noted that Han’s work reflects “remarkable insight into the inner lives of women.” 


        Han’s writing is now celebrated in South Korea, but that took some time. She had been publishing fiction and poetry for more than two decades before her work was issued in English, after Deborah Smith translated “The Vegetarian” and sold it to a British publisher based on the first 10 pages. “Her work, and the translation and success of her work, has led Korean literature in translation to be edgier and more experimental and daring,” said Anton Hur, a South Korean translator and author who is based in Seoul. “She changed the conversation about Korean literature.”


        Ankhi Mukherjee, a literature professor at the University of Oxford, said that she had taught Han’s work “year in, year out” for almost two decades. “Her writing is relentlessly political — whether it’s the politics of the body, of gender, of people fighting against the state — but it never lets go of the literary imagination,” Mukherjee said, adding: “It’s never sanctimonious; it’s very playful, funny and surreal.


        The Nobel Prize is literature’s pre-eminent award, and winning it is a capstone to a writer. Along with the prestige and a huge boost in sales, the new laureate receives 11 million Swedish krona, about $1 million. In recent years, the academy has tried to increase the diversity of authors considered for the literature prize, after facing criticism over the low number of laureates who were female or came from outside Europe and North America. 


        Han is the 18th woman to receive the Nobel in literature, which has been awarded to 120 writers since 1901. Some scholars and translators said it was fitting that the first Korean writer to win a Nobel is a woman. Much of the most groundbreaking and provocative contemporary Korean literature is being written by female novelists, including some who are challenging and exposing misogyny and the burdens that are placed on women in South Korea.


    Adapted from: https://www.nytimes.com/2024/10/10/

    South Korean translator and author, Anton Hur, stated that Han Kang’s work contributed to make South Korean literature in translation
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  • 39B50A5E-03

    Inglês

    Interpretação de texto | Reading comprehension
    UECE · 2024FácilEntre para guardar nos favoritos

    T E X T


    Han Kang Is Awarded Nobel Prize in Literature



        Han Kang, the South Korean author best known for her surreal, subversive novel, “The Vegetarian,” was awarded the Nobel Prize in Literature [2024] — the first writer from her country to receive the award.


        Mats Malm, the permanent secretary of the Swedish Academy, which organizes the prize, said at a news conference in Stockholm that Han was receiving the honor “for her intense poetic prose that confronts historical traumas and exposes the fragility of human life.”


        “The Vegetarian,” published in Korea in 2007, won the 2016 International Booker Prize after it was translated into English. Porochista Khakpour, in a review of “The Vegetarian” for The New York Times, said that Han “has been rightfully celebrated as a visionary in South Korea.” 


        Han’s Nobel was a surprise. But the news was celebrated by authors and fans on social media, and greeted with fanfare in South Korea. “This is a great achievement for South Korean literature and an occasion for national celebration,” said President Yoon Suk Yeol in a statement, in which he noted Han’s ability to capture painful episodes from their country’s recent history. Members of the K-pop band BTS also celebrated, with one posting a crying-face emoji and a heart alongside a picture of Han. Han’s groundbreaking work has reshaped the literary landscape in South Korea, said Paige Aniyah Morris, co-translator of Han’s novel, “We Do Not Part,” which will be published by Hogarth in the United States in January.


        “Han’s work has inspired a generation of Korean writers to be more truthful and more daring in their subject matter,” Morris said. “Time and time again, she has braved a culture of censorship and saving face, and she has come out of these attempts at silencing her with stronger, more unflinching work each time.” 


        Han, 53, was born in 1970 in Gwangju, South Korea. Her father was also a novelist, but much less successful. The family struggled financially and moved frequently. In a 2016 interview with The Times, Han said her transitory upbringing “was too much for a little child, but I was all right because I was surrounded by books.” When Han was 9, her family moved to Seoul just months before the Gwangju uprising, when government troops fired on crowds of pro-democracy protesters, killing hundreds. The event shaped her views on humanity’s capacity for violence, Han said in the 2016 interview, and its specter has haunted her writing. In her 2014 novel “Human Acts,” a writer observes a police raid on a group of activists.


        She also recalled seeing images of people who lined up to donate their blood to those who were injured in the uprising. “It was like two unsolvable riddles imprinted on my mind: How can humans be so violent, and how can humans be so sublime?” she said. “When I write novels, I find myself always returning to the theme of what it means to be human.”


        Han studied literature at Yonsei University in Korea, and her first published works were poems. Her debut novel, “Black Deer,” which came out in 1998, was a mystery about a missing woman. Following her debut, Han went on to write seven more novels, as well as several novellas and collections of essays and short stories. Among her other novels are “The White Book,” which was also nominated for the International Booker Prize, and “Greek Lessons,” published in English in 2023. 


        “Han Kang is a visionary — there’s no other word for it,” said Parisa Ebrahimi, executive editor at Hogarth, Han’s North American publisher, who noted that Han’s work reflects “remarkable insight into the inner lives of women.” 


        Han’s writing is now celebrated in South Korea, but that took some time. She had been publishing fiction and poetry for more than two decades before her work was issued in English, after Deborah Smith translated “The Vegetarian” and sold it to a British publisher based on the first 10 pages. “Her work, and the translation and success of her work, has led Korean literature in translation to be edgier and more experimental and daring,” said Anton Hur, a South Korean translator and author who is based in Seoul. “She changed the conversation about Korean literature.”


        Ankhi Mukherjee, a literature professor at the University of Oxford, said that she had taught Han’s work “year in, year out” for almost two decades. “Her writing is relentlessly political — whether it’s the politics of the body, of gender, of people fighting against the state — but it never lets go of the literary imagination,” Mukherjee said, adding: “It’s never sanctimonious; it’s very playful, funny and surreal.


        The Nobel Prize is literature’s pre-eminent award, and winning it is a capstone to a writer. Along with the prestige and a huge boost in sales, the new laureate receives 11 million Swedish krona, about $1 million. In recent years, the academy has tried to increase the diversity of authors considered for the literature prize, after facing criticism over the low number of laureates who were female or came from outside Europe and North America. 


        Han is the 18th woman to receive the Nobel in literature, which has been awarded to 120 writers since 1901. Some scholars and translators said it was fitting that the first Korean writer to win a Nobel is a woman. Much of the most groundbreaking and provocative contemporary Korean literature is being written by female novelists, including some who are challenging and exposing misogyny and the burdens that are placed on women in South Korea.


    Adapted from: https://www.nytimes.com/2024/10/10/

    After more than twenty years of a writing career, Han Kang
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  • 39B27366-03

    Inglês

    Interpretação de texto | Reading comprehension
    UECE · 2024FácilEntre para guardar nos favoritos

    T E X T


    Han Kang Is Awarded Nobel Prize in Literature



        Han Kang, the South Korean author best known for her surreal, subversive novel, “The Vegetarian,” was awarded the Nobel Prize in Literature [2024] — the first writer from her country to receive the award.


        Mats Malm, the permanent secretary of the Swedish Academy, which organizes the prize, said at a news conference in Stockholm that Han was receiving the honor “for her intense poetic prose that confronts historical traumas and exposes the fragility of human life.”


        “The Vegetarian,” published in Korea in 2007, won the 2016 International Booker Prize after it was translated into English. Porochista Khakpour, in a review of “The Vegetarian” for The New York Times, said that Han “has been rightfully celebrated as a visionary in South Korea.” 


        Han’s Nobel was a surprise. But the news was celebrated by authors and fans on social media, and greeted with fanfare in South Korea. “This is a great achievement for South Korean literature and an occasion for national celebration,” said President Yoon Suk Yeol in a statement, in which he noted Han’s ability to capture painful episodes from their country’s recent history. Members of the K-pop band BTS also celebrated, with one posting a crying-face emoji and a heart alongside a picture of Han. Han’s groundbreaking work has reshaped the literary landscape in South Korea, said Paige Aniyah Morris, co-translator of Han’s novel, “We Do Not Part,” which will be published by Hogarth in the United States in January.


        “Han’s work has inspired a generation of Korean writers to be more truthful and more daring in their subject matter,” Morris said. “Time and time again, she has braved a culture of censorship and saving face, and she has come out of these attempts at silencing her with stronger, more unflinching work each time.” 


        Han, 53, was born in 1970 in Gwangju, South Korea. Her father was also a novelist, but much less successful. The family struggled financially and moved frequently. In a 2016 interview with The Times, Han said her transitory upbringing “was too much for a little child, but I was all right because I was surrounded by books.” When Han was 9, her family moved to Seoul just months before the Gwangju uprising, when government troops fired on crowds of pro-democracy protesters, killing hundreds. The event shaped her views on humanity’s capacity for violence, Han said in the 2016 interview, and its specter has haunted her writing. In her 2014 novel “Human Acts,” a writer observes a police raid on a group of activists.


        She also recalled seeing images of people who lined up to donate their blood to those who were injured in the uprising. “It was like two unsolvable riddles imprinted on my mind: How can humans be so violent, and how can humans be so sublime?” she said. “When I write novels, I find myself always returning to the theme of what it means to be human.”


        Han studied literature at Yonsei University in Korea, and her first published works were poems. Her debut novel, “Black Deer,” which came out in 1998, was a mystery about a missing woman. Following her debut, Han went on to write seven more novels, as well as several novellas and collections of essays and short stories. Among her other novels are “The White Book,” which was also nominated for the International Booker Prize, and “Greek Lessons,” published in English in 2023. 


        “Han Kang is a visionary — there’s no other word for it,” said Parisa Ebrahimi, executive editor at Hogarth, Han’s North American publisher, who noted that Han’s work reflects “remarkable insight into the inner lives of women.” 


        Han’s writing is now celebrated in South Korea, but that took some time. She had been publishing fiction and poetry for more than two decades before her work was issued in English, after Deborah Smith translated “The Vegetarian” and sold it to a British publisher based on the first 10 pages. “Her work, and the translation and success of her work, has led Korean literature in translation to be edgier and more experimental and daring,” said Anton Hur, a South Korean translator and author who is based in Seoul. “She changed the conversation about Korean literature.”


        Ankhi Mukherjee, a literature professor at the University of Oxford, said that she had taught Han’s work “year in, year out” for almost two decades. “Her writing is relentlessly political — whether it’s the politics of the body, of gender, of people fighting against the state — but it never lets go of the literary imagination,” Mukherjee said, adding: “It’s never sanctimonious; it’s very playful, funny and surreal.


        The Nobel Prize is literature’s pre-eminent award, and winning it is a capstone to a writer. Along with the prestige and a huge boost in sales, the new laureate receives 11 million Swedish krona, about $1 million. In recent years, the academy has tried to increase the diversity of authors considered for the literature prize, after facing criticism over the low number of laureates who were female or came from outside Europe and North America. 


        Han is the 18th woman to receive the Nobel in literature, which has been awarded to 120 writers since 1901. Some scholars and translators said it was fitting that the first Korean writer to win a Nobel is a woman. Much of the most groundbreaking and provocative contemporary Korean literature is being written by female novelists, including some who are challenging and exposing misogyny and the burdens that are placed on women in South Korea.


    Adapted from: https://www.nytimes.com/2024/10/10/

    According to Paige Aniyah Morris, Han Kang’s undaunted works and her audacious attitude when facing censorship have been a source of inspiration to
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  • 39AFF0BD-03

    Inglês

    Interpretação de texto | Reading comprehension
    UECE · 2024FácilEntre para guardar nos favoritos

    T E X T


    Han Kang Is Awarded Nobel Prize in Literature



        Han Kang, the South Korean author best known for her surreal, subversive novel, “The Vegetarian,” was awarded the Nobel Prize in Literature [2024] — the first writer from her country to receive the award.


        Mats Malm, the permanent secretary of the Swedish Academy, which organizes the prize, said at a news conference in Stockholm that Han was receiving the honor “for her intense poetic prose that confronts historical traumas and exposes the fragility of human life.”


        “The Vegetarian,” published in Korea in 2007, won the 2016 International Booker Prize after it was translated into English. Porochista Khakpour, in a review of “The Vegetarian” for The New York Times, said that Han “has been rightfully celebrated as a visionary in South Korea.” 


        Han’s Nobel was a surprise. But the news was celebrated by authors and fans on social media, and greeted with fanfare in South Korea. “This is a great achievement for South Korean literature and an occasion for national celebration,” said President Yoon Suk Yeol in a statement, in which he noted Han’s ability to capture painful episodes from their country’s recent history. Members of the K-pop band BTS also celebrated, with one posting a crying-face emoji and a heart alongside a picture of Han. Han’s groundbreaking work has reshaped the literary landscape in South Korea, said Paige Aniyah Morris, co-translator of Han’s novel, “We Do Not Part,” which will be published by Hogarth in the United States in January.


        “Han’s work has inspired a generation of Korean writers to be more truthful and more daring in their subject matter,” Morris said. “Time and time again, she has braved a culture of censorship and saving face, and she has come out of these attempts at silencing her with stronger, more unflinching work each time.” 


        Han, 53, was born in 1970 in Gwangju, South Korea. Her father was also a novelist, but much less successful. The family struggled financially and moved frequently. In a 2016 interview with The Times, Han said her transitory upbringing “was too much for a little child, but I was all right because I was surrounded by books.” When Han was 9, her family moved to Seoul just months before the Gwangju uprising, when government troops fired on crowds of pro-democracy protesters, killing hundreds. The event shaped her views on humanity’s capacity for violence, Han said in the 2016 interview, and its specter has haunted her writing. In her 2014 novel “Human Acts,” a writer observes a police raid on a group of activists.


        She also recalled seeing images of people who lined up to donate their blood to those who were injured in the uprising. “It was like two unsolvable riddles imprinted on my mind: How can humans be so violent, and how can humans be so sublime?” she said. “When I write novels, I find myself always returning to the theme of what it means to be human.”


        Han studied literature at Yonsei University in Korea, and her first published works were poems. Her debut novel, “Black Deer,” which came out in 1998, was a mystery about a missing woman. Following her debut, Han went on to write seven more novels, as well as several novellas and collections of essays and short stories. Among her other novels are “The White Book,” which was also nominated for the International Booker Prize, and “Greek Lessons,” published in English in 2023. 


        “Han Kang is a visionary — there’s no other word for it,” said Parisa Ebrahimi, executive editor at Hogarth, Han’s North American publisher, who noted that Han’s work reflects “remarkable insight into the inner lives of women.” 


        Han’s writing is now celebrated in South Korea, but that took some time. She had been publishing fiction and poetry for more than two decades before her work was issued in English, after Deborah Smith translated “The Vegetarian” and sold it to a British publisher based on the first 10 pages. “Her work, and the translation and success of her work, has led Korean literature in translation to be edgier and more experimental and daring,” said Anton Hur, a South Korean translator and author who is based in Seoul. “She changed the conversation about Korean literature.”


        Ankhi Mukherjee, a literature professor at the University of Oxford, said that she had taught Han’s work “year in, year out” for almost two decades. “Her writing is relentlessly political — whether it’s the politics of the body, of gender, of people fighting against the state — but it never lets go of the literary imagination,” Mukherjee said, adding: “It’s never sanctimonious; it’s very playful, funny and surreal.


        The Nobel Prize is literature’s pre-eminent award, and winning it is a capstone to a writer. Along with the prestige and a huge boost in sales, the new laureate receives 11 million Swedish krona, about $1 million. In recent years, the academy has tried to increase the diversity of authors considered for the literature prize, after facing criticism over the low number of laureates who were female or came from outside Europe and North America. 


        Han is the 18th woman to receive the Nobel in literature, which has been awarded to 120 writers since 1901. Some scholars and translators said it was fitting that the first Korean writer to win a Nobel is a woman. Much of the most groundbreaking and provocative contemporary Korean literature is being written by female novelists, including some who are challenging and exposing misogyny and the burdens that are placed on women in South Korea.


    Adapted from: https://www.nytimes.com/2024/10/10/

    The strong political repression during protests in Seoul in Han Kang's childhood was imprinted in her mind and greatly influenced both her understanding of the world and her writing. Such event was explored in her novel
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  • 39ACB247-03

    Inglês

    Interpretação de texto | Reading comprehension
    UECE · 2024FácilEntre para guardar nos favoritos

    T E X T


    Han Kang Is Awarded Nobel Prize in Literature



        Han Kang, the South Korean author best known for her surreal, subversive novel, “The Vegetarian,” was awarded the Nobel Prize in Literature [2024] — the first writer from her country to receive the award.


        Mats Malm, the permanent secretary of the Swedish Academy, which organizes the prize, said at a news conference in Stockholm that Han was receiving the honor “for her intense poetic prose that confronts historical traumas and exposes the fragility of human life.”


        “The Vegetarian,” published in Korea in 2007, won the 2016 International Booker Prize after it was translated into English. Porochista Khakpour, in a review of “The Vegetarian” for The New York Times, said that Han “has been rightfully celebrated as a visionary in South Korea.” 


        Han’s Nobel was a surprise. But the news was celebrated by authors and fans on social media, and greeted with fanfare in South Korea. “This is a great achievement for South Korean literature and an occasion for national celebration,” said President Yoon Suk Yeol in a statement, in which he noted Han’s ability to capture painful episodes from their country’s recent history. Members of the K-pop band BTS also celebrated, with one posting a crying-face emoji and a heart alongside a picture of Han. Han’s groundbreaking work has reshaped the literary landscape in South Korea, said Paige Aniyah Morris, co-translator of Han’s novel, “We Do Not Part,” which will be published by Hogarth in the United States in January.


        “Han’s work has inspired a generation of Korean writers to be more truthful and more daring in their subject matter,” Morris said. “Time and time again, she has braved a culture of censorship and saving face, and she has come out of these attempts at silencing her with stronger, more unflinching work each time.” 


        Han, 53, was born in 1970 in Gwangju, South Korea. Her father was also a novelist, but much less successful. The family struggled financially and moved frequently. In a 2016 interview with The Times, Han said her transitory upbringing “was too much for a little child, but I was all right because I was surrounded by books.” When Han was 9, her family moved to Seoul just months before the Gwangju uprising, when government troops fired on crowds of pro-democracy protesters, killing hundreds. The event shaped her views on humanity’s capacity for violence, Han said in the 2016 interview, and its specter has haunted her writing. In her 2014 novel “Human Acts,” a writer observes a police raid on a group of activists.


        She also recalled seeing images of people who lined up to donate their blood to those who were injured in the uprising. “It was like two unsolvable riddles imprinted on my mind: How can humans be so violent, and how can humans be so sublime?” she said. “When I write novels, I find myself always returning to the theme of what it means to be human.”


        Han studied literature at Yonsei University in Korea, and her first published works were poems. Her debut novel, “Black Deer,” which came out in 1998, was a mystery about a missing woman. Following her debut, Han went on to write seven more novels, as well as several novellas and collections of essays and short stories. Among her other novels are “The White Book,” which was also nominated for the International Booker Prize, and “Greek Lessons,” published in English in 2023. 


        “Han Kang is a visionary — there’s no other word for it,” said Parisa Ebrahimi, executive editor at Hogarth, Han’s North American publisher, who noted that Han’s work reflects “remarkable insight into the inner lives of women.” 


        Han’s writing is now celebrated in South Korea, but that took some time. She had been publishing fiction and poetry for more than two decades before her work was issued in English, after Deborah Smith translated “The Vegetarian” and sold it to a British publisher based on the first 10 pages. “Her work, and the translation and success of her work, has led Korean literature in translation to be edgier and more experimental and daring,” said Anton Hur, a South Korean translator and author who is based in Seoul. “She changed the conversation about Korean literature.”


        Ankhi Mukherjee, a literature professor at the University of Oxford, said that she had taught Han’s work “year in, year out” for almost two decades. “Her writing is relentlessly political — whether it’s the politics of the body, of gender, of people fighting against the state — but it never lets go of the literary imagination,” Mukherjee said, adding: “It’s never sanctimonious; it’s very playful, funny and surreal.


        The Nobel Prize is literature’s pre-eminent award, and winning it is a capstone to a writer. Along with the prestige and a huge boost in sales, the new laureate receives 11 million Swedish krona, about $1 million. In recent years, the academy has tried to increase the diversity of authors considered for the literature prize, after facing criticism over the low number of laureates who were female or came from outside Europe and North America. 


        Han is the 18th woman to receive the Nobel in literature, which has been awarded to 120 writers since 1901. Some scholars and translators said it was fitting that the first Korean writer to win a Nobel is a woman. Much of the most groundbreaking and provocative contemporary Korean literature is being written by female novelists, including some who are challenging and exposing misogyny and the burdens that are placed on women in South Korea.


    Adapted from: https://www.nytimes.com/2024/10/10/

    Among the many people who celebrated Han Kang's winning of the Nobel Prize in Literature this year, the text mentions
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  • 39044921-03

    Português

    Interpretação de Textos
    UECE · 2024FácilEntre para guardar nos favoritos
    Texto II

    Ismália


    Quando Ismália enlouqueceu,
    Pôs-se na torre a sonhar...
    Viu uma lua no céu,
    Viu outra lua no mar.


    No sonho em que se perdeu,
    Banhou-se toda em luar...
    Queria subir ao céu,
    Queria descer ao mar...


    E, no desvario seu,
    Na torre pôs-se a cantar...
    Estava perto do céu,
    Estava longe do mar...


    E como um anjo pendeu
    As asas para voar...
    Queria a lua do céu,
    Queria a lua do mar...


    As asas que Deus lhe deu
    Ruflaram de par em par...
    Sua alma subiu ao céu,
    Seu corpo desceu ao mar...


    GUIMARAENS, Alphonsus de. Ismália. In: MOISÉS, Massaud. A literatura Brasileira através dos Textos. 2.ed. São Paulo: Cultrix, 1973. p.318-324.
    Considerando a pontuação do texto II, assinale a afirmação verdadeira.
    Escolha uma alternativa para a questão 39044921-03
  • 38FF343C-03

    Literatura

    Escolas Literárias
    UECE · 2024FácilEntre para guardar nos favoritos
    Texto II

    Ismália


    Quando Ismália enlouqueceu,
    Pôs-se na torre a sonhar...
    Viu uma lua no céu,
    Viu outra lua no mar.


    No sonho em que se perdeu,
    Banhou-se toda em luar...
    Queria subir ao céu,
    Queria descer ao mar...


    E, no desvario seu,
    Na torre pôs-se a cantar...
    Estava perto do céu,
    Estava longe do mar...


    E como um anjo pendeu
    As asas para voar...
    Queria a lua do céu,
    Queria a lua do mar...


    As asas que Deus lhe deu
    Ruflaram de par em par...
    Sua alma subiu ao céu,
    Seu corpo desceu ao mar...


    GUIMARAENS, Alphonsus de. Ismália. In: MOISÉS, Massaud. A literatura Brasileira através dos Textos. 2.ed. São Paulo: Cultrix, 1973. p.318-324.
    É correto afirmar que, no poema,
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  • 38FC52EB-03

    Literatura

    Escolas Literárias
    UECE · 2024FácilEntre para guardar nos favoritos
    Texto II

    Ismália


    Quando Ismália enlouqueceu,
    Pôs-se na torre a sonhar...
    Viu uma lua no céu,
    Viu outra lua no mar.


    No sonho em que se perdeu,
    Banhou-se toda em luar...
    Queria subir ao céu,
    Queria descer ao mar...


    E, no desvario seu,
    Na torre pôs-se a cantar...
    Estava perto do céu,
    Estava longe do mar...


    E como um anjo pendeu
    As asas para voar...
    Queria a lua do céu,
    Queria a lua do mar...


    As asas que Deus lhe deu
    Ruflaram de par em par...
    Sua alma subiu ao céu,
    Seu corpo desceu ao mar...


    GUIMARAENS, Alphonsus de. Ismália. In: MOISÉS, Massaud. A literatura Brasileira através dos Textos. 2.ed. São Paulo: Cultrix, 1973. p.318-324.
    Atente para o que se diz a seguir sobre o poema Ismália e assinale a afirmação verdadeira.
    Escolha uma alternativa para a questão 38fc52eb-03
  • 38F9E564-03

    Português

    Pontuação
    UECE · 2024FácilEntre para guardar nos favoritos
    TEXTO 1


    81% dos adolescentes têm dois ou mais fatores de risco para saúde, aponta pesquisa da UFMG e Unifesp


    Q1_8.png (328×433)
    Q_1_8.png (325×392)
    Q__1_8.png (320×121)


    Do HOJE EM DIA - portal@hojeemdia.com.br em 18/07/2024 . Adaptado.
    A vírgula em “Segundo os pesquisadores, o comportamento que mais preocupa é a falta de atividade física [...].” é empregada pelo mesmo motivo da utilizada no trecho
    Escolha uma alternativa para a questão 38f9e564-03
  • 38F72C9E-03

    Português

    Coesão e coerência
    UECE · 2024FácilEntre para guardar nos favoritos
    TEXTO 1


    81% dos adolescentes têm dois ou mais fatores de risco para saúde, aponta pesquisa da UFMG e Unifesp


    Q1_8.png (328×433)
    Q_1_8.png (325×392)
    Q__1_8.png (320×121)


    Do HOJE EM DIA - portal@hojeemdia.com.br em 18/07/2024 . Adaptado.
    Assinale a opção cuja correspondência está correta entre o conectivo destacado no enunciado e o sentido denotado.
    Escolha uma alternativa para a questão 38f72c9e-03
  • 38F20B70-03

    Português

    Funções morfossintáticas da palavra QUE
    UECE · 2024FácilEntre para guardar nos favoritos
    TEXTO 1


    81% dos adolescentes têm dois ou mais fatores de risco para saúde, aponta pesquisa da UFMG e Unifesp


    Q1_8.png (328×433)
    Q_1_8.png (325×392)
    Q__1_8.png (320×121)


    Do HOJE EM DIA - portal@hojeemdia.com.br em 18/07/2024 . Adaptado.
    Assinale a opção em que o termo destacado funciona como conjunção integrante.
    Escolha uma alternativa para a questão 38f20b70-03
  • 38EABD3A-03

    Português

    Interpretação de Textos
    UECE · 2024FácilEntre para guardar nos favoritos
    TEXTO 1


    81% dos adolescentes têm dois ou mais fatores de risco para saúde, aponta pesquisa da UFMG e Unifesp


    Q1_8.png (328×433)
    Q_1_8.png (325×392)
    Q__1_8.png (320×121)


    Do HOJE EM DIA - portal@hojeemdia.com.br em 18/07/2024 . Adaptado.
    É objetivo central do texto 1
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  • 07DDF42F-D9

    Português

    Interpretação de Textos
    ENEM · 2024FácilEntre para guardar nos favoritos
          O compartilhamento de fake news nas redes sociais é um fenômeno que vem crescendo nos últimos anos. Com a velocidade proporcionada pela internet, a informação — verdadeira ou não — circula com mais facilidade e, em muitos casos, gera grande impacto, mesmo o fato não sendo verídico. Além de sites especializados em propagar notícias falsas, as correntes de WhatsApp contendo informações falsas ou distorcidas têm se tornado cada vez mais comuns.

          Preocupado com isso, o Conselho Nacional de Justiça publicou em sua página no Facebook uma série de dicas para evitar que boatos se espalhem. São elas:

    • sempre ler a notícia inteira;
    • checar quem publicou a matéria;
    • conferir a data da publicação;
    • pesquisar a mesma informação em outras fontes;
    • não acreditar em tudo o que está nas redes;
    • desconfiar de notícias que tenham muitos adjetivos.

        É fundamental checar a veracidade das informações para não correr o risco de contribuir com a propagação de mentiras e boatos.


    FERNANDES, D. Disponível em: https://claudia.abril.com.br.
    Acesso em: 15 out. 2021 (adaptado).


    As informações dessa reportagem auxiliam no combate a um problema social por orientarem quanto

    Escolha uma alternativa para a questão 07ddf42f-d9
  • 07DB50FB-D9

    Português

    Interpretação de Textos
    ENEM · 2024FácilEntre para guardar nos favoritos

    Dois países, três cidades, uma só comunidade 


         Cidades separadas por fronteira seca reúnem paranaenses, catarinenses e argentinos em uma integração. Essa irmandade entre os municípios é perceptível não apenas pela relação geográfica. Nas ruas ou no comércio, é fácil encontrar quem trabalhe em uma cidade e viva na outra. É comum perceber um sotaque quase indefinido, misturando português e espanhol, resultado da convivência entre brasileiros e argentinos. Palavras como camiáu (caminhão) não são encontradas nem no espanhol nem no português vernáculos, apenas no portunhol. Tal situação, de contato linguístico, é muito comum nas fronteiras de países ou até mesmo dentro de um país em que duas línguas coexistem, em regiões próximas a países fronteiriços ou em comunidades bilíngues. 


    Disponível em: www.gazetadopovo.com.br.

    Acesso em: 12 dez. 2023 (adaptado).



    De acordo com esse texto, a palavra “camiáu” é um exemplo de fenômeno que revela a



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  • 07D338FD-D9

    Português

    Interpretação de Textos
    ENEM · 2024FácilEntre para guardar nos favoritos
    Imagem da questão de Português, da prova de 2024


    Disponível em: http://observatoriodoesporte.mg.gov.br. Acesso em: 22 jun. 2019 (adaptado).


    Os dados desse infográfico sobre a prática corporal do skate indicam que 

    Escolha uma alternativa para a questão 07d338fd-d9
  • 07D07D78-D9

    Português

    Interpretação de Textos
    ENEM · 2024FácilEntre para guardar nos favoritos
    Um ano depois de ter sido criado, o ChatGPT,
    ferramenta capaz de produzir textos em
    qualquer área, generalizou-se, gerando
    dúvidas sobre autoria de teses e trabalhos


             Um professor da Faculdade de Letras de uma universidade em Portugal pediu um trabalho acadêmico a uma turma de 50 alunos do 1º ano. Quando começou a corrigi-los, notou algo estranho: nenhum dos trabalhos continha um único erro ortográfico ou gramatical, coisa nunca antes vista. E as frases eram curtas e diretas, sem orações intercalares, um estilo típico do inglês, mas pouco frequente na escrita portuguesa. Independentemente do conteúdo e do tema, que variava, a estrutura era praticamente igual em todos. Especialista em linguística forense, o docente rapidamente concluiu: “esses textos não foram escritos por humanos”.

             O professor tinha conversado com os alunos sobre o ChatGPT e tinha deixado claro que a ferramenta poderia ser utilizada, mas não para a execução integral dos textos.

             A utilização do ChatGPT abriu um debate em todo o mundo por apresentar riscos e possibilidades de uso indevido. Foram várias as escolas e outros estabelecimentos de ensino que adotaram ferramentas que permitem detectar as tendências do programa.


    Disponível em: https://expresso.pt.
    Acesso em: 24 jan. 2024 (adaptado).


    De acordo com esse texto, o uso de uma ferramenta da inteligência artificial em contexto acadêmico revela um impacto de natureza
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  • 07CE1C21-D9

    Português

    Funções da Linguagem: emotiva, apelativa, referencial, metalinguística, fática e poética.
    ENEM · 2024FácilEntre para guardar nos favoritos
    panela

    [Do lat. *pannella, dim. do lat. vulg. panna, ‘frigideira’.] Substantivo feminino.

    1. Vasilha de barro ou de metal destinada à cocção de alimentos.

    2. O conteúdo desse recipiente: Comeu uma panela de feijão.

    3. Fig. V. panelinha (1 a 4).

    4. Gír. Nádegas, traseiro.

    5. Bras. Cavidade subterrânea onde as formigas depositam suas larvas.



    PANELA. In: Novo Dicionário Eletrônico Aurélio, versão 5.0.


    Os verbetes constituem um conjunto de acepções, isto é, pequenas notas e apontamentos que compõem as entradas de um dicionário. Com base na leitura do verbete “panela”, vê-se que a função da linguagem predominante é a metalinguística, pois nele se
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  • 07CB8E19-D9

    Português

    Gêneros Textuais
    ENEM · 2024FácilEntre para guardar nos favoritos
           Há quem ache difícil a leitura das bulas de remédios por causa das letras reduzidas e dos termos técnicos que deixam a compreensão das informações mais complicada. Mas as indústrias já oferecem alternativas para ajudar na leitura e no entendimento da bula.

         Consultar a bula sem orientação médica pode ser perigoso e causar ainda mais problemas para o paciente, segundo um médico endocrinologista. “Ele pode ler alguns termos técnicos e fazer má interpretação da bula, levando a prejuízos no tratamento. Qualquer dúvida, é mais interessante tirá-la com o médico que prescreveu o medicamento.”, explica.

          Para facilitar o entendimento das informações que constam das bulas, a Agência Nacional de Vigilância Sanitária regulamentou algumas características com relação ao formato e à linguagem usada. “A bula obrigatória vem com perguntas e respostas, em termos simples e compreensíveis, e ficou de mais fácil leitura. A indústria é obrigada a oferecer bula em áudio, ou pode vir em tamanho maior ou em braile. O paciente, entrando em contato com a indústria, tem até dez dias para receber esse material.”, afirma o presidente do Conselho Regional de Farmácia.


    Disponível em: https://g1.globo.com.
    Acesso em: 15 jan. 2024 (adaptado).


    Considerando a função social do gênero reportagem, a estratégia empregada nesse texto para dar credibilidade às informações apresentadas é a
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  • 07C6AE6A-D9

    Português

    Interpretação de Textos
    ENEM · 2024FácilEntre para guardar nos favoritos
         Foi instaurada a Comissão Temporária de Inteligência Artificial (CTIA) no Senado Federal. O objetivo: discutir diferentes projetos de lei sobre o uso da tecnologia.

         A Inteligência Artificial (IA) vem se mostrando uma ferramenta para otimização de demandas no setor público e, ao mesmo tempo, uma preocupação para o processo democrático. Por um lado, ela já é usada em tribunais para a aceleração de procedimentos burocráticos e decisões sobre aposentadoria. Por outro lado, a tecnologia também vem sendo utilizada para a desinformação, como na criação de imagens de fatos que não aconteceram na realidade.

           A comissão, que já discutiu os impactos da IA na agricultura, no meio acadêmico e na indústria, debateu os efeitos da tecnologia no jornalismo e no processo eleitoral.

         Uma advogada e professora do Instituto Brasileiro de Ensino, Desenvolvimento e Pesquisa (IDP) falou sobre os desafios da implementação segura da tecnologia: “Não existe nenhum mecanismo hoje, nenhum software, que vá identificar se um conteúdo é produzido por Inteligência Artificial”.



    Disponível em: www.cartacapital.com.br.
    Acesso em: 2 fev. 2024 (adaptado).



    Ao abordar a questão da segurança na implementação da IA em diferentes esferas da sociedade, esse texto evidencia a
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  • 07C431C4-D9

    Português

    Interpretação de Textos
    ENEM · 2024FácilEntre para guardar nos favoritos
            Num mundo ideal, o cronista funcionaria como o paciente de Lacan. Ficaria por aí, tocando sua vida, indo ao banco, almoçando no quilo, olhando vitrines atrás de um presente de Dia das Mães, até que surgisse uma ideia. Imediatamente, ele encontraria uma praça, se acomodaria num banco — se possível fosse, até alugaria um quartinho de hotel —, tiraria o laptop da mochila e escreveria seu texto, com todos os ingredientes colhidos na hora.

         Um romancista não precisa levar o laptop na mochila. Suas ideias podem amadurecer antes de ir pro papel. Ele está contando uma longa história, é bom que tenha algumas pistas de para onde está indo. Já o cronista, quanto mais cego ao iniciar seu passeio, maiores as chances de conhecer lugares novos no caminho.


    PRATA, A. Trinta e poucos. São Paulo: Cia. das Letras, 2016.


    Nesse texto, a reflexão acerca dos processos de elaboração que resultam em crônica ou em romance baseia-se na 
    Escolha uma alternativa para a questão 07c431c4-d9