Questões do ENEM: Linguagens e nível médio

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8.516 questões encontradas. Mostrando a página 13 de 426.

  • F414D129-30

    Inglês

    Interpretação de texto | Reading comprehension
    Ensino Einstein · 2024MédioEntre para guardar nos favoritos
    Read the text to answer question.

        When United States (US) Surgeon General Dr. Vivek Murthy pushed for a tobacco-style warning on social media, he called the mental health crisis in young people an emergency that demanded action without waiting for “perfect information.”
        Even among experts, questions remain about the exact role that social media plays in the mental health of children and teens. Authors of a comprehensive new review of research on the topic say there’s still key information missing to know whether prevention programs and interventions will work.
        In the study, published recently in the medical journal JAMA Pediatrics, researchers found an overall link between anxiety and depression in adolescents and the time spent on social media platforms, as well as a link between the types of activities and content they were interacting with. However, the level of impact varied enough to suggest that the findings shouldn’t be generalized to the population as a whole. “In a world increasingly saturated by digital technology, we cannot afford to design prevention programs, interventions, and regulations without knowing that they work for everyone, especially those who are most vulnerable,” wrote the study authors.
         The National Academies committee specifically recommend against a social media ban. Despite potential harms — such as unhealthy social comparisons and distracting from other important healthy behaviors such as sleep, exercise and studying — social media can also benefit young people by helping to foster connection with friends and family, and with online support communities.

    (Deidre McPhillips. https://edition.cnn.com, 24.06.2024. Adapted.)
    The study described in the third paragraph
    Escolha uma alternativa para a questão f414d129-30
  • F4095A82-30

    Inglês

    Interpretação de texto | Reading comprehension
    Ensino Einstein · 2024MédioEntre para guardar nos favoritos
    Read the text to answer question.

        When United States (US) Surgeon General Dr. Vivek Murthy pushed for a tobacco-style warning on social media, he called the mental health crisis in young people an emergency that demanded action without waiting for “perfect information.”
        Even among experts, questions remain about the exact role that social media plays in the mental health of children and teens. Authors of a comprehensive new review of research on the topic say there’s still key information missing to know whether prevention programs and interventions will work.
        In the study, published recently in the medical journal JAMA Pediatrics, researchers found an overall link between anxiety and depression in adolescents and the time spent on social media platforms, as well as a link between the types of activities and content they were interacting with. However, the level of impact varied enough to suggest that the findings shouldn’t be generalized to the population as a whole. “In a world increasingly saturated by digital technology, we cannot afford to design prevention programs, interventions, and regulations without knowing that they work for everyone, especially those who are most vulnerable,” wrote the study authors.
         The National Academies committee specifically recommend against a social media ban. Despite potential harms — such as unhealthy social comparisons and distracting from other important healthy behaviors such as sleep, exercise and studying — social media can also benefit young people by helping to foster connection with friends and family, and with online support communities.

    (Deidre McPhillips. https://edition.cnn.com, 24.06.2024. Adapted.)
    The expression “‘perfect information’”, from the first paragraph, refers to
    Escolha uma alternativa para a questão f4095a82-30
  • 8D01A9E8-0E

    Inglês

    Interpretação de texto | Reading comprehension
    UFPR · 2024MédioEntre para guardar nos favoritos
    “Dune – Part I” tells the story of Paul Atreides, a brilliant and gifted young man born into a great destiny beyond his understanding, who must travel to the most dangerous planet in the universe to ensure the future of his family and his people. As malevolent forces explode into conflict over the planet’s exclusive supply of the most precious resource in existence – a commodity capable of unlocking humanity’s greatest potential – only those who can conquer their fear will survive.

    Available in: https://www.imdb.com/video/vi3986080537. Adapted. 
    Analyze the following sentences:


    1. Paul Atreides completely understands his destiny towards the universe.
    2. The planet Paul Atreides must travel to is the supplier of a vital resource.
    3. The commodity found in the planet is the reason of conflicts.
    4. Malevolent forces in conflict exploded the planet’s exclusive supply.


    Mark the correct alternative, based on the text. 
    Escolha uma alternativa para a questão 8d01a9e8-0e
  • 8CF9DC6C-0E

    Inglês

    Interpretação de texto | Reading comprehension
    UFPR · 2024MédioEntre para guardar nos favoritos
    Tierra Grata


    About us?
    We provide access to clean energy, water and safe sanitation to rural communities through decentralized, affordable and non-polluting solutions.
    Users subscribe to our services and through an interest-free credit acquire the different solutions through monthly payments adjusted to their income.
    We accompany the services with a social intervention program that aims to generate capacities within the communities. With our Guardians program, we establish a management committee that becomes the technical team in charge of monitoring and repairing the installed solutions, guaranteeing long-term sustainability.


    Available in: https://tierragrata.org/en/about-us. Adapted.
    According to the text, it is correct to say that:
    Escolha uma alternativa para a questão 8cf9dc6c-0e
  • 8CD1217C-0E

    Literatura

    Teoria Literária
    UFPR · 2024MédioEntre para guardar nos favoritos
    Assinale a alternativa que traz a afirmação correta sobre um personagem do romance O drible, de Sérgio Rodrigues.
    Escolha uma alternativa para a questão 8cd1217c-0e
  • 8CC8826A-0E

    Literatura

    Escolas Literárias
    UFPR · 2024MédioEntre para guardar nos favoritos
    A narrativa de A Falência, publicada por Júlia Lopes de Almeida em 1904, traz à tona algumas tensões e desigualdades que caracterizam o Brasil após a Abolição e a Proclamação da República. Considere as seguintes afirmativas sobre as marcas dessas tensões nos personagens e no espaço:


    1. O embate entre o dinheiro conquistado com o trabalho e o capital alcançado por meio da especulação financeira acompanha a trajetória de Francisco Teodoro.

    2. A violência contra a mulher se inscreve no passado de D. Joana, personagem que sofreu maus-tratos do falecido marido, e no de Capitão Rino, cuja mãe foi assassinada por adultério.

    3. As condições desiguais de moradia são percebidas no contraste entre as casas luxuosas de bairros como Botafogo e a descrição da miséria dos morros.

    4. A luta por direitos trabalhistas é ilustrada pelas primeiras reivindicações dos empregados dos armazéns de café de Francisco Teodoro.



    Assinale a alternativa correta. 
    Escolha uma alternativa para a questão 8cc8826a-0e
  • 8CC5D115-0E

    Literatura

    Escolas Literárias
    UFPR · 2024MédioEntre para guardar nos favoritos

    Considere o seguinte texto:


    O homem está na cidade

    como uma coisa está em outra

    e a cidade está no homem

    que está em outra cidade

    mas variados são os modos

    como uma coisa

    está em outra coisa:

    o homem, por exemplo, não está na cidade

    como uma árvore está

    em qualquer outra

    nem como uma árvore

    está em qualquer uma de suas folhas

    (mesmo rolando longe dela)

    O homem não está na cidade

    como uma árvore está num livro

    quando um vento ali a folheia. 


    Gullar, F. Poema sujo. Rio de Janeiro: Civilização Brasileira, 1983. p. 102.



    Com base na leitura desse fragmento, extraído da parte final de Poema sujo, de Ferreira Gullar, e na leitura da integralidade do poema, assinale a alternativa correta. 

    Escolha uma alternativa para a questão 8cc5d115-0e
  • 8CBE47F4-0E

    Português

    Interpretação de Textos
    UFPR · 2024MédioEntre para guardar nos favoritos
    Todas as grandes línguas de cultura que conhecemos hoje, ao longo de sua história, passaram por um processo de estandardização. Por estandardização, entenderemos aqui o fato de que a língua assume uma mesma forma para a maioria dos usuários e passa a obedecer a modelos definidos. No processo de estandardização de uma língua entram, às vezes, fatores de natureza extralinguística. Em poucos séculos, a invenção da imprensa fez com que as mesmas obras pudessem ser lidas exatamente com o mesmo texto em lugares diferentes. Antes da imprensa, elas circulavam em versões manuscritas, produzidas a bico-de-pena em oficinas de cópia: a ignorância dos empregados a respeito do assunto da obra, suas diferenças de formação, a própria lentidão da tarefa, que obrigava a utilizar vários copistas na produção de um mesmo manuscrito, faziam com que o texto copiado se alterasse ao longo do tempo. No século XX, a estandardização da língua esteve intimamente ligada à explosão dos meios de comunicação de massa (o rádio, a televisão, o jornal, o outdoor e a internet), e a algumas grandes tendências da educação, como a generalização do ensino primário, que gerou um mercado de livros didáticos de grandes proporções e levou à criação de uma rica literatura infantil. É difícil avaliar de maneira exata a influência de todos esses fatores extralinguísticos, mas o certo é que eles contribuíram para uniformizar a língua e frear suas mudanças.


    Ilari, R.; Basso, R. O português da gente: a língua que estudamos a língua que falamos. São Paulo: Contexto, 2006. p. 197-199. Adaptado.
    De acordo com o texto, assinale a alternativa correta.
    Escolha uma alternativa para a questão 8cbe47f4-0e
  • A9290E3D-04

    Português

    Classificação dos verbos (Regulares, Irregulares, Defectivos, Abundantes, Unipessoais, Pronominais)
    UFGD · 2024MédioEntre para guardar nos favoritos

    Durante a Festa Literária Internacional de Paraty (FLIP), em entrevista concedida ao programa Metrópolis (2019), Jarid Arraes falou sobre sua estética e suas inspirações para o desenvolvimento de Redemoinho em Dia Quente (2019). Leia, a seguir, um trecho de sua fala.


    [...] Eu comecei escrevendo cordel, porque meu pai e meu avô, eles são cordelistas, então eu queria dar continuidade à tradição do cordel na família. Mas eu queria fazer isso de um jeito subversivo. [...] Escrever sobre o interior do Ceará, escrever sobre o sertão, era uma coisa que me importava muito. Até porque eu queria escrever pela minha ótica, que, com certeza, não iria ser aquela ótica do estereótipo, do chão rachado, com o esqueleto de uma vaca. [...] Acima de tudo, é uma questão política pra mim. É por isso que eu quis tanto, que eu me esforcei muito para parecer verdadeiro.


    Disponível em: https://youtu.be/t-vpleu8HmE. Acesso em: 28 jun. 2024 (adaptado).



    De acordo com a referida obra, assinale a alternativa correta. 

    Escolha uma alternativa para a questão a9290e3d-04
  • C87329FC-03

    Inglês

    Interpretação de texto | Reading comprehension
    UECE · 2024MédioEntre para guardar nos favoritos

    T E X T


    The word ‘viral’ has lost its meaning



          The nature of virality has shifted radically over the past decade as the internet has fractured into uncounted disparate algorithms, platforms, and niche communities. The volume of content being churned out every day has skyrocketed, the life cycle of each piece of media has grown shorter and social media platforms continue to inflate public metrics, devaluing previously impressive online stats.


            All of these factors have rendered the term “viral” nearly meaningless, say experts, and have led to a condition we’ll call “viralflation.” The term speaks to the diminished meaning of virality. If everything is labeled viral, then is nothing viral?


           “Back in the day, 1 million views was the thing,” said Marcus Stringer, a partner manager at Social Blade, a social media analytics platform. “That meant you’d gone viral, and you’d get picked up by news agencies around the world. Now, tens of millions of views is the norm for top YouTube channels. Soon, 20 million views will eventually become the norm.”


          “Because the concept of virality has been so watered down, truly viral pieces of content must reach hundreds of millions of people at a scale that’s increasingly unattainable for anyone but MrBeast,” said Lara Cohen, vice president of partners and business development at Linktree, a platform that allows creators to aggregate links to their social media profiles on one page. MrBeast is the internet name of Jimmy Donaldson, YouTube’s most watched creator.


            A decade and a half ago, there was a clear delineation between viral content and the vast majority of media that users would encounter every day. The internet was smaller, and most sharing was manual (people emailing and messaging links to each other) or via early internet aggregators such as sites like Digg and StumbleUpon.


             Viral content emerged slowly, so the life span of a viral video was long. Some content remained viral for up to a year, worming its way through the internet as it gained traction. When social media platforms began to switch to algorithmic feeds optimized for engagement in the mid 2010s, the viral content cycle accelerated, experts said. Brands began recognizing the power of virality and started to attempt to manufacture it. Content creators joined engagement groups where they’d reshare each other’s content in attempts to force virality.


           Platforms themselves also began to realize the power of virality and sought to generate it, or at least generate the appearance of it. This was the beginning of the era of viralflation. Facebook helped lower the industry-wide threshold for what counted as a video view, and began inflating view counts on various Facebook videos in an effort to make them appear more viral than they were.


          Then TikTok broke into the mainstream in 2020, lowering the bar even further for what counted as a “view.” While a view on Facebook counts after three seconds of watch time, a view on TikTok is simply an impression, meaning the video was served to a user for at least a fraction of a second on screen. According to the company, TikTok also counts each loop of the video as a view, allowing videos to rake in massive view counts.


           “The speed at which we cycle through trends and sort of moments of virality on the internet is faster now largely because of TikTok,” Cohen said. This has created an arms race among tech platforms to see which could inflate metrics the most. There’s been an incentive to have these numbers look bigger because they look better to advertisers, so there’s a financial incentive to cause this viral inflation.


           A new class of content creators also has raised the bar for what’s considered viral. “When MrBeast started to explode, things really started to change in the landscape,” Stringer said. “People didn’t consider [earlier metrics of virality] viral anymore, because he’s getting multi millions of views per video.”


         Coco Mocoe, a trend forecaster in Los Angeles, said that along with these shifts, users are also consuming a higher total amount of content online per day, especially members of Generation Z, those born between 1998 and 2012. They are more likely to consume all forms of media through the internet and social platforms, rather than via newspapers or TV. And, much of that content is short form and less than 60 seconds long. “The main reason there are bigger numbers now is because people are consuming so much more content in a given sitting,” she added.


         This has made virality more ephemeral. “There’s not that same… permanence,” Mocoe said. “If you’re watching 50 videos with 1 million views, you’re less likely to remember one as opposed to a decade ago, when you might only watch five videos a day, and just one would have 1 million views.” For the average consumer, viralflation has made it increasingly difficult to tell what is and isn’t actually viral. Because we no longer have any shared sense of virality, it makes it easier for people who don’t understand the mechanics of the internet to fall for fake viral trends.


    Adapted from: https://www.washingtonpost.com/ 2024/03/09/

          

    After platforms themselves started to realize the power of virality,
    Escolha uma alternativa para a questão c87329fc-03
  • C869FD85-03

    Inglês

    Interpretação de texto | Reading comprehension
    UECE · 2024MédioEntre para guardar nos favoritos

    T E X T


    The word ‘viral’ has lost its meaning



          The nature of virality has shifted radically over the past decade as the internet has fractured into uncounted disparate algorithms, platforms, and niche communities. The volume of content being churned out every day has skyrocketed, the life cycle of each piece of media has grown shorter and social media platforms continue to inflate public metrics, devaluing previously impressive online stats.


            All of these factors have rendered the term “viral” nearly meaningless, say experts, and have led to a condition we’ll call “viralflation.” The term speaks to the diminished meaning of virality. If everything is labeled viral, then is nothing viral?


           “Back in the day, 1 million views was the thing,” said Marcus Stringer, a partner manager at Social Blade, a social media analytics platform. “That meant you’d gone viral, and you’d get picked up by news agencies around the world. Now, tens of millions of views is the norm for top YouTube channels. Soon, 20 million views will eventually become the norm.”


          “Because the concept of virality has been so watered down, truly viral pieces of content must reach hundreds of millions of people at a scale that’s increasingly unattainable for anyone but MrBeast,” said Lara Cohen, vice president of partners and business development at Linktree, a platform that allows creators to aggregate links to their social media profiles on one page. MrBeast is the internet name of Jimmy Donaldson, YouTube’s most watched creator.


            A decade and a half ago, there was a clear delineation between viral content and the vast majority of media that users would encounter every day. The internet was smaller, and most sharing was manual (people emailing and messaging links to each other) or via early internet aggregators such as sites like Digg and StumbleUpon.


             Viral content emerged slowly, so the life span of a viral video was long. Some content remained viral for up to a year, worming its way through the internet as it gained traction. When social media platforms began to switch to algorithmic feeds optimized for engagement in the mid 2010s, the viral content cycle accelerated, experts said. Brands began recognizing the power of virality and started to attempt to manufacture it. Content creators joined engagement groups where they’d reshare each other’s content in attempts to force virality.


           Platforms themselves also began to realize the power of virality and sought to generate it, or at least generate the appearance of it. This was the beginning of the era of viralflation. Facebook helped lower the industry-wide threshold for what counted as a video view, and began inflating view counts on various Facebook videos in an effort to make them appear more viral than they were.


          Then TikTok broke into the mainstream in 2020, lowering the bar even further for what counted as a “view.” While a view on Facebook counts after three seconds of watch time, a view on TikTok is simply an impression, meaning the video was served to a user for at least a fraction of a second on screen. According to the company, TikTok also counts each loop of the video as a view, allowing videos to rake in massive view counts.


           “The speed at which we cycle through trends and sort of moments of virality on the internet is faster now largely because of TikTok,” Cohen said. This has created an arms race among tech platforms to see which could inflate metrics the most. There’s been an incentive to have these numbers look bigger because they look better to advertisers, so there’s a financial incentive to cause this viral inflation.


           A new class of content creators also has raised the bar for what’s considered viral. “When MrBeast started to explode, things really started to change in the landscape,” Stringer said. “People didn’t consider [earlier metrics of virality] viral anymore, because he’s getting multi millions of views per video.”


         Coco Mocoe, a trend forecaster in Los Angeles, said that along with these shifts, users are also consuming a higher total amount of content online per day, especially members of Generation Z, those born between 1998 and 2012. They are more likely to consume all forms of media through the internet and social platforms, rather than via newspapers or TV. And, much of that content is short form and less than 60 seconds long. “The main reason there are bigger numbers now is because people are consuming so much more content in a given sitting,” she added.


         This has made virality more ephemeral. “There’s not that same… permanence,” Mocoe said. “If you’re watching 50 videos with 1 million views, you’re less likely to remember one as opposed to a decade ago, when you might only watch five videos a day, and just one would have 1 million views.” For the average consumer, viralflation has made it increasingly difficult to tell what is and isn’t actually viral. Because we no longer have any shared sense of virality, it makes it easier for people who don’t understand the mechanics of the internet to fall for fake viral trends.


    Adapted from: https://www.washingtonpost.com/ 2024/03/09/

          

    According to the article, things began to change in the internet landscape when
    Escolha uma alternativa para a questão c869fd85-03
  • C7B0418C-03

    Português

    Coesão e coerência
    UECE · 2024MédioEntre para guardar nos favoritos

    TEXTO 2


    Ministério da Saúde atualiza cenário epidemiológico sobre a dengue no Brasil



    Imagem da questão de Português, da prova de 2024

    Imagem da questão de Português, da prova de 2024

    Imagem da questão de Português, da prova de 2024


    VICTOR, Nathan. Disponível em https://www.gov.br/saude/ptbr/assuntos/noticias/2024/marco/ministerio-da-saude-atualizacenario-epidemiologico-sobre-a-dengue-no-brasil


    No texto 2, alguns elementos e expressões são responsáveis por estabelecer a coesão textual para marcar a retomada ou a sequenciação de elementos, contribuindo para o sentido do texto. Assinale a opção em que a correspondência dos elementos do texto está correta.
    Escolha uma alternativa para a questão c7b0418c-03
  • 39B79196-03

    Inglês

    Interpretação de texto | Reading comprehension
    UECE · 2024MédioEntre para guardar nos favoritos

    T E X T


    Han Kang Is Awarded Nobel Prize in Literature



        Han Kang, the South Korean author best known for her surreal, subversive novel, “The Vegetarian,” was awarded the Nobel Prize in Literature [2024] — the first writer from her country to receive the award.


        Mats Malm, the permanent secretary of the Swedish Academy, which organizes the prize, said at a news conference in Stockholm that Han was receiving the honor “for her intense poetic prose that confronts historical traumas and exposes the fragility of human life.”


        “The Vegetarian,” published in Korea in 2007, won the 2016 International Booker Prize after it was translated into English. Porochista Khakpour, in a review of “The Vegetarian” for The New York Times, said that Han “has been rightfully celebrated as a visionary in South Korea.” 


        Han’s Nobel was a surprise. But the news was celebrated by authors and fans on social media, and greeted with fanfare in South Korea. “This is a great achievement for South Korean literature and an occasion for national celebration,” said President Yoon Suk Yeol in a statement, in which he noted Han’s ability to capture painful episodes from their country’s recent history. Members of the K-pop band BTS also celebrated, with one posting a crying-face emoji and a heart alongside a picture of Han. Han’s groundbreaking work has reshaped the literary landscape in South Korea, said Paige Aniyah Morris, co-translator of Han’s novel, “We Do Not Part,” which will be published by Hogarth in the United States in January.


        “Han’s work has inspired a generation of Korean writers to be more truthful and more daring in their subject matter,” Morris said. “Time and time again, she has braved a culture of censorship and saving face, and she has come out of these attempts at silencing her with stronger, more unflinching work each time.” 


        Han, 53, was born in 1970 in Gwangju, South Korea. Her father was also a novelist, but much less successful. The family struggled financially and moved frequently. In a 2016 interview with The Times, Han said her transitory upbringing “was too much for a little child, but I was all right because I was surrounded by books.” When Han was 9, her family moved to Seoul just months before the Gwangju uprising, when government troops fired on crowds of pro-democracy protesters, killing hundreds. The event shaped her views on humanity’s capacity for violence, Han said in the 2016 interview, and its specter has haunted her writing. In her 2014 novel “Human Acts,” a writer observes a police raid on a group of activists.


        She also recalled seeing images of people who lined up to donate their blood to those who were injured in the uprising. “It was like two unsolvable riddles imprinted on my mind: How can humans be so violent, and how can humans be so sublime?” she said. “When I write novels, I find myself always returning to the theme of what it means to be human.”


        Han studied literature at Yonsei University in Korea, and her first published works were poems. Her debut novel, “Black Deer,” which came out in 1998, was a mystery about a missing woman. Following her debut, Han went on to write seven more novels, as well as several novellas and collections of essays and short stories. Among her other novels are “The White Book,” which was also nominated for the International Booker Prize, and “Greek Lessons,” published in English in 2023. 


        “Han Kang is a visionary — there’s no other word for it,” said Parisa Ebrahimi, executive editor at Hogarth, Han’s North American publisher, who noted that Han’s work reflects “remarkable insight into the inner lives of women.” 


        Han’s writing is now celebrated in South Korea, but that took some time. She had been publishing fiction and poetry for more than two decades before her work was issued in English, after Deborah Smith translated “The Vegetarian” and sold it to a British publisher based on the first 10 pages. “Her work, and the translation and success of her work, has led Korean literature in translation to be edgier and more experimental and daring,” said Anton Hur, a South Korean translator and author who is based in Seoul. “She changed the conversation about Korean literature.”


        Ankhi Mukherjee, a literature professor at the University of Oxford, said that she had taught Han’s work “year in, year out” for almost two decades. “Her writing is relentlessly political — whether it’s the politics of the body, of gender, of people fighting against the state — but it never lets go of the literary imagination,” Mukherjee said, adding: “It’s never sanctimonious; it’s very playful, funny and surreal.


        The Nobel Prize is literature’s pre-eminent award, and winning it is a capstone to a writer. Along with the prestige and a huge boost in sales, the new laureate receives 11 million Swedish krona, about $1 million. In recent years, the academy has tried to increase the diversity of authors considered for the literature prize, after facing criticism over the low number of laureates who were female or came from outside Europe and North America. 


        Han is the 18th woman to receive the Nobel in literature, which has been awarded to 120 writers since 1901. Some scholars and translators said it was fitting that the first Korean writer to win a Nobel is a woman. Much of the most groundbreaking and provocative contemporary Korean literature is being written by female novelists, including some who are challenging and exposing misogyny and the burdens that are placed on women in South Korea.


    Adapted from: https://www.nytimes.com/2024/10/10/

    The observation that Han Kang’s work mirrors very distinctive perceptions of women’s innermost world was expressed by
    Escolha uma alternativa para a questão 39b79196-03
  • 3901CB81-03

    Literatura

    Escolas Literárias
    UECE · 2024MédioEntre para guardar nos favoritos
    Texto II

    Ismália


    Quando Ismália enlouqueceu,
    Pôs-se na torre a sonhar...
    Viu uma lua no céu,
    Viu outra lua no mar.


    No sonho em que se perdeu,
    Banhou-se toda em luar...
    Queria subir ao céu,
    Queria descer ao mar...


    E, no desvario seu,
    Na torre pôs-se a cantar...
    Estava perto do céu,
    Estava longe do mar...


    E como um anjo pendeu
    As asas para voar...
    Queria a lua do céu,
    Queria a lua do mar...


    As asas que Deus lhe deu
    Ruflaram de par em par...
    Sua alma subiu ao céu,
    Seu corpo desceu ao mar...


    GUIMARAENS, Alphonsus de. Ismália. In: MOISÉS, Massaud. A literatura Brasileira através dos Textos. 2.ed. São Paulo: Cultrix, 1973. p.318-324.
    Analise as seguintes assertivas sobre o texto II:


    I. A presença da lua no poema é um símbolo central, a partir do qual se desenvolvem outros aspectos, como a noite propulsora de um ambiente sombrio e o misticismo.

    II. A sugestão à morte é uma característica do Simbolismo que, no poema, não se relaciona com a loucura de Ismália, mas apenas ao desejo pela lua, que culmina em uma tragédia acidental.

    III. Ismália é tratada, no poema, de forma pejorativa, uma vez que, explicitamente, somente a partir da loucura lhe é permitido sonhar.


    É correto o que se afirma somente em
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  • 38F49F67-03

    Português

    Análise sintática
    UECE · 2024MédioEntre para guardar nos favoritos
    TEXTO 1


    81% dos adolescentes têm dois ou mais fatores de risco para saúde, aponta pesquisa da UFMG e Unifesp


    Q1_8.png (328×433)
    Q_1_8.png (325×392)
    Q__1_8.png (320×121)


    Do HOJE EM DIA - portal@hojeemdia.com.br em 18/07/2024 . Adaptado.
    Assinale com V ou F conforme seja verdadeiro ou falso o que se afirma a seguir.


    ( ) Em “81% dos adolescentes têm dois ou mais fatores de risco para saúde [...]” (título), o verbo destacado concorda com o numeral.

    ( ) Em “Há uma necessidade urgente de abordagens dinâmicas e proativas que capacitem os adolescentes a assumir a corresponsabilidade por sua saúde.” (linhas 28-31), o termo destacado se refere a toda a população.

    ( ) No trecho “É o que mostra trabalho feito por pesquisadores das universidades federais de Minas (UFMG) e de São Paulo (Unifesp).” (linhas 06-09), entende-se, pela construção sintática, que há mais de uma universidade federal em cada um dos estados mencionados, Minas e São Paulo.


    A sequência correta, de cima para baixo, é
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  • 38EFBCF7-03

    Português

    Figuras de Linguagem
    UECE · 2024MédioEntre para guardar nos favoritos
    TEXTO 1


    81% dos adolescentes têm dois ou mais fatores de risco para saúde, aponta pesquisa da UFMG e Unifesp


    Q1_8.png (328×433)
    Q_1_8.png (325×392)
    Q__1_8.png (320×121)


    Do HOJE EM DIA - portal@hojeemdia.com.br em 18/07/2024 . Adaptado.
    Elipse é uma figura de linguagem caracterizada pela omissão de um termo (palavra ou expressão) no enunciado a fim de evitar a repetição desnecessária e possibilitar maior fluidez ao texto. Assinale a opção que apresenta elipse.
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  • 07E5F63A-D9

    Português

    Interpretação de Textos
    ENEM · 2024MédioEntre para guardar nos favoritos
         O sertanejo verá o nascimento de outro Brasil, que não será o da palhoça, o das febres, o da verminose, o do analfabetismo. Para todos se abrirão as perspectivas de um Brasil integrado na unidade real da terra e no sentimento comum de que essa unidade já está viva na grande nova capital, levantada no Planalto Central: Brasília. Não há dúvida de que o presidente Juscelino Kubitschek despertou grande parte do território nacional. Quem viu quase imobilizada aquela imensa região e, hoje, a contempla palpitante de vida, poderá imaginar o que significa tudo isso para o futuro do Brasil.


    Brasília é um marco histórico no movimento de emancipação nacional.
    Correio Braziliense, 26 abr. 1960 (adaptado).



    O texto faz referência a uma mudança de perspectiva acerca da integração nacional que relaciona
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  • 07E38219-D9

    Português

    Interpretação de Textos
    ENEM · 2024MédioEntre para guardar nos favoritos

    Imagem da questão de Português, da prova de 2024




    Disponível em: https://revistareacao.com.br.

    Acesso em: 11 jan. 2024 (adaptado).




    Nesse cartaz, a articulação do texto verbal com imagens de peças de quebra-cabeça corrobora a ideia de que é preciso


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  • 07E0D78A-D9

    Português

    Interpretação de Textos
    ENEM · 2024MédioEntre para guardar nos favoritos
    XIX


            Talvez não se lembre de um Jacinto, cujo nome, então desconhecido para mim, ouvira uma vez da boca de Lúcia.

              Era um homem de 45 anos; feição comum e espírito medíocre. Encontrava-o agora todos os dias em casa de Lúcia; e desde a primeira vez antipatizara com a sua enjoativa figura.

              — Quem é este senhor? — perguntei a Lúcia. Ela perturbou-se.

              — É um sujeito que costuma tratar dos meus negócios.

             — Que importantes negócios são os teus que eu não me possa incumbir deles?

             — Compras... Não tenho outros. Para que incomodá-lo com isso?

             — Também sou ciumento: não desejo que ocupes outra pessoa além de mim.

             — Esse homem é quase um criado.

             A palavra produziu o seu efeito; desde que o Jacinto desceu ao mister de homem assalariado, não fiz mais reparo na sua assiduidade. Quase sempre o encontrava na escada interior, descendo quando eu subia; dava-lhe tanta atenção como ao carroceiro que enchia as talhas d’água, ou ao cozinheiro que saía a compras.


    ALENCAR, J. Lucíola. Disponível em: www.dominiopublico.gov.br.
    Acesso em: 25 ago. 2017.



    Ao relatar seu passado com Lúcia, cortesã de modos refinados, o narrador revela uma visão de mundo alinhada ao Romantismo, representada, nesse fragmento, pela
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  • 07BEC818-D9

    Português

    Interpretação de Textos
    ENEM · 2024MédioEntre para guardar nos favoritos
    Recado


    Se me der um beijo eu gosto
    Se me der um tapa eu brigo
    Se me der um grito não calo
    Se mandar calar, mais eu falo


    Mas se me der a mão claro aperto
    Se for franco direto e aberto
    Tô contigo amigo e não abro
    Vamos ver o diabo de perto


    Mas preste bem atenção seu moço
    Não engulo a fruta e o caroço
    Minha vida é tutano é osso
    Liberdade virou prisão


    Se é amor, deu e recebeu
    Se é suor, só o meu e o seu
    Verbo eu, pra mim já morreu
    Quem mandava em mim nem nasceu


    É viver e aprender
    Vá viver e entender, malandro
    Vá compreender,
    Vá tratar de viver


    GONZAGUINHA. Recado. Rio de Janeiro: EMI, 1978 (fragmento).


     
    Nessa letra de canção, há um tom de ameaça que é evidenciado na recorrência de
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