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Questões do ENEM: Linguagens

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Resultados: 18.995 questões

Página 210 de 950

  • Linguagens

    Português

    Considere o texto abaixo.


    Rede de Sementes do Xingu formaliza a sua produção

    segunda-feira, 25 de Maio de 2015

    Biodiversidade


    Esta notícia está associada ao Programa:

    Xingu


    Lei de sementes e mudas é aplicada como estratégia para a gestão da qualidade e garante a adequação legal da iniciativa. Os debates e ações em torno da conservação e restauração da biodiversidade têm esbarrado em um gargalo legal. Trata-se da lei de sementes e mudas que torna obrigatória uma série de procedimentos e documentações para a venda de sementes e mudas no Brasil. Se, por um lado, a lei se propõe a aplicar um sistema nacional de controle de qualidade de sementes e mudas com fiscalização, por outro, escancara as limitações para colocar tais exigências em prática, considerando a realidade das iniciativas e comunidades rurais. Esses cenários controversos trazem uma importante questão: como conseguir sementes e mudas legalizadas para a recuperação de áreas degradadas no Brasil?

    A Rede de Sementes do Xingu incorporou a questão em sua atuação para estudar e propor um plano estratégico de adequação para que as sementes possam ser utilizadas. Para além de cumprir puramente as exigências burocráticas, a Rede partiu do princípio de que a melhor opção seria adequar-se à lei, o que traria ganhos efetivos na qualidade da produção e na gestão da iniciativa.

    A adequação legal é um trabalho que exige tempo e formação, já que os seus reflexos incidem na gestão de toda a cadeia de produção de sementes. Há alguns anos, as questões legais estavam mais distantes das atividades e do trabalho dos coletores. Com a lei de sementes e mudas o cenário se alterou.

    [...] 

    Imagem da questão de Português, PUC - Campinas 2016, Interpretação de Textos

    Hoje a Associação conquistou a sua inscrição no Registro Nacional de Sementes e Mudas (Renasem). “É inédito uma associação comunitária se credenciar para produzir sementes de acordo com a legislação vigente. Esse resultado é fruto da construção participativa, passo a passo. Espero que essa conquista possa encorajar outras iniciativas Brasil afora a seguir o mesmo caminho”, avalia Rodrigo Junqueira, coordenador do Programa Xingu.

    (Adaptado de: www.socioambiental.org/pt-br/noticias-socioambientais/rede-de-sementes-do-xingu-formaliza-a-sua-producao. Acesso em: 13/04/2016)


    O gráfico, no contexto em que está inserido, 

    Escolha uma alternativa para a questão 3955ce84-c2
  • Linguagens

    Português

    considere os textos I e II, abaixo.

    Imagem da questão de Português, PUC - Campinas 2016, Interpretação de Textos

    Análise cuidadosa dos textos evidencia:
    Escolha uma alternativa para a questão 395a956e-c2
  • Linguagens

    Português

    considere os textos I e II, abaixo.

    Imagem da questão de Português, PUC - Campinas 2016, Interpretação de Textos

    É correta a seguinte afirmação:
    Escolha uma alternativa para a questão 395f6d6f-c2
  • Linguagens

    Inglês

    Responda às questões 24, 25, 26, 27, 28, 29 e 30 de acordo com o texto abaixo.

    Figura 1 de 2 da questão de Inglês, UFRN 2006, Interpretação de texto | Reading comprehension
    Figura 2 de 2 da questão de Inglês, UFRN 2006, Interpretação de texto | Reading comprehension

    Em Malta, receia-se que um ingrediente usado na cozinha mediterrânea
    Escolha uma alternativa para a questão 39621757-4e
  • Linguagens

    Português

    considere o que está reproduzido abaixo, A, B, C e D da obra Clarice Fotobiografia. 



    Imagem da questão de Português, PUC - Campinas 2016, Interpretação de Textos

    Leia com atenção as afirmações abaixo.


    I. Por B e C, entende-se que uma biografia inclui informações sobre lugares e datas relevantes para a história do biografado, bem como sobre pessoas envolvidas em suas relações familiares e afetivas.

    II. Em D, o manuscrito exemplifica o trabalho literário de Clarice Lispector, alterando uma construção para constar de futura nova edição da obra A Hora da Estrela.

    III. B e C comprovam que, nesta específica biografia, o material fotográfico está distribuído em sequência cronológica.


    É correto o que se afirma em 

    Escolha uma alternativa para a questão 3967901b-c2
  • Linguagens

    Português

    Imagem da questão de Português, UEG 2007, Interpretação de Textos

    Da leitura do texto, é INCORRETO afirmar que
    Escolha uma alternativa para a questão 396c5e45-67
  • Linguagens

    Português

    considere o que está reproduzido abaixo, A, B, C e D da obra Clarice Fotobiografia. 



    Imagem da questão de Português, PUC - Campinas 2016, Concordância verbal, Concordância nominal

    O desejo de criar uma Fotobiografia de Clarice Lispector, como a que aqui se propõe, é projeto antigo.


    Na frase acima, 

    Escolha uma alternativa para a questão 396cb29e-c2
  • Linguagens

    Inglês

    Viva la Vida

    I used to rule the world
    Seas would rise when I gave the word
    Now in the morning and I sleep alone
    Sweep the streets I used to own

    I used to roll the dice
    Feel the fear in my enemy’s eyes
    Listen as the crowd would sing
    “Now the old king is dead! Long live the king!”

    One minute I held the key
    Next the walls were closed on me
    And I discovered that my castles stand
    Upon pillars of salt and pillars of sand
    […]

    MARTIN, C. Viva la vida, Coldplay. In: Viva la vida or Death and all his friends. Parlophone, 2008.


    Letras de músicas abordam temas que, de certa forma, podem ser reforçados pela repetição de trechos ou palavras. O fragmento da canção Viva la vida, por exemplo, permite conhecer o relato de alguém que 
    Escolha uma alternativa para a questão 397c250c-bb
  • Linguagens

    Português

    Considere o texto abaixo. 

        Os homens reunidos em sociedade (relevem-me este tom meio pedante) estão virtual e tacitamente obrigados a obedecer às leis formuladas por eles mesmos para a conveniência comum. Há, porém, leis que eles não impuseram, que acharam feitas, que precederam as sociedades, e que se hão de cumprir não por uma determinação de jurisprudência humana, mas por uma necessidade divina e eterna. Entre essas, e antes de todas, figura a da luta pela vida (...)

    (ASSIS, Machado de. Obra completa. Rio de janeiro: Nova Aguilar, 1986, p. 432) 
    O escritor Machado de Assis externa a convicção, refletida em vários momentos de sua obra, de que
    Escolha uma alternativa para a questão 39886c27-c2
  • Linguagens

    Literatura

    Considere o texto abaixo. 

        Os homens reunidos em sociedade (relevem-me este tom meio pedante) estão virtual e tacitamente obrigados a obedecer às leis formuladas por eles mesmos para a conveniência comum. Há, porém, leis que eles não impuseram, que acharam feitas, que precederam as sociedades, e que se hão de cumprir não por uma determinação de jurisprudência humana, mas por uma necessidade divina e eterna. Entre essas, e antes de todas, figura a da luta pela vida (...)

    (ASSIS, Machado de. Obra completa. Rio de janeiro: Nova Aguilar, 1986, p. 432) 
    Um dos estilos de época marcantes do século XIX é aquele pelo qual se manifesta a convicção de que todos os atos humanos são determinados pela ação direta tanto do meio social quanto por injunções biológicas. Tal determinismo está presente, como característica fundamental,
    Escolha uma alternativa para a questão 398da849-c2
  • Linguagens

    Português

    INSTRUÇÃO: Responder à questão 40 com base nos fragmentos de poemas a seguir.


    Texto 1

    “Deixando a bola e a peteca,
    Com que inda há pouco brincavam,
    Por causa de uma boneca,
    Duas meninas brigavam.
    (...)
    Tanto puxaram por ela,
    Que a pobre rasgou-se ao meio,
    Perdendo a estopa amarela
    Que lhe formava o recheio.

    E, ao fm de tanta fadiga,
    Voltando à bola e à peteca,
    Ambas, por causa da briga,
    Ficaram sem a boneca ...”
    (“A Boneca, Olavo Bilac”)


    Texto 2


    “A BELA bola
    rola:
    a bela bola do Raul.

    Bola amarela,
    a de Arabela.

    A do Raul,
    azul.

    (...)

    A bola é bela,
    é bela e pura.

    É bela, rola e pula,
    é mole, amarela, azul.
    (...)”
    (“Jogo de Bola”, Cecília Meireles)

    Sobre os fragmentos acima, afrma-se:

    1. Embora “Jogo de Bola” apresente características simbolistas e “A Boneca” alinhe-se à estética modernista, em ambos se percebe uma preocupação com a rima e com a métrica clássica.

    2. O texto 1, de Olavo Bilac, tematiza a amizade de duas meninas, que desistem de brincar depois da disputa por uma boneca.

    3. No texto 2, de Cecília Meireles, percebem-se, na forma e no conteúdo, características da linguagem infantil.

    4. No poema 2, as aliterações constroem um efeito sonoro signifcativo.


    Estão corretas apenas as afrmativas

    Escolha uma alternativa para a questão 39940655-3f
  • Linguagens

    Literatura

    Considere o texto abaixo.  

       Euclides fora um dos que deram à nossa história um “estilo”: uma forma de pensar e sentir o país (...) Não casualmente ele conferira lugar especial ao fenômeno da mestiçagem (...) Ele teria descoberto nossa “tendência” à fusão, nossa aptidão para a “domesticação da natureza” e para a religiosidade. A figura do sertanejo como “forte de espírito” por excelência era o símbolo de nossa originalidade completa.

    (GOMES, Ângela de Castro. História e historiadores. A política cultural do Estado Novo. Rio de Janeiro: Fundação Getúlio Vargas, 1996. p. 195) 
    O seguinte trecho crítico alude à obra prima de Euclides da Cunha:
    Escolha uma alternativa para a questão 3998c564-c2
  • Linguagens

    Literatura

    Considere o texto abaixo.  

       Euclides fora um dos que deram à nossa história um “estilo”: uma forma de pensar e sentir o país (...) Não casualmente ele conferira lugar especial ao fenômeno da mestiçagem (...) Ele teria descoberto nossa “tendência” à fusão, nossa aptidão para a “domesticação da natureza” e para a religiosidade. A figura do sertanejo como “forte de espírito” por excelência era o símbolo de nossa originalidade completa.

    (GOMES, Ângela de Castro. História e historiadores. A política cultural do Estado Novo. Rio de Janeiro: Fundação Getúlio Vargas, 1996. p. 195) 
    A valorização da mestiçagem, como uma das marcas características da nossa formação cultural, é indicada por Euclides da Cunha numa formulação famosa, em que comparecem estas expressões:
    Escolha uma alternativa para a questão 399c361f-c2
  • Linguagens

    Português

    Imagem da questão de Português, USP 2009, Interpretação de Textos

    A caracterização ambivalente da “coletividade democrática” (L. 20 e 21), feita com humor pelo cronista, ocorre também na seguinte frase relativa à democracia:

    Escolha uma alternativa para a questão 39a4132c-fe
  • Linguagens

    Literatura

    Considere o texto abaixo.


         Há no Romantismo nacional uma expressão evidente do culto da nacionalidade, o qual, tomado num sentido mais amplo, se manifesta também em lutas pela afirmação da liberdade política e determina a exaltação de valores e tradições. Esse sentimento é tomado também nos seus aspectos sociais, sob o apanágio dos direitos do homem livre, razão de ser do movimento abolicionista e matéria para o romance, para o teatro e para a poesia da época.


    (Adaptado de: CANDIDO, Antonio e CASTELLO, José Aderaldo. Presença da Literatura Brasileira I. Das origens ao Romantismo. São Paulo: DIFE, 1974, p. 207-208)

    A evidência do culto da nacionalidade de que fala o texto pode ser comprovada no projeto de um copioso autor romântico, investido de seu papel de escritor brasileiro. Nesse projeto,
    Escolha uma alternativa para a questão 39a8a987-c2
  • Linguagens

    Inglês

    T E X T


    Han Kang Is Awarded Nobel Prize in Literature



        Han Kang, the South Korean author best known for her surreal, subversive novel, “The Vegetarian,” was awarded the Nobel Prize in Literature [2024] — the first writer from her country to receive the award.


        Mats Malm, the permanent secretary of the Swedish Academy, which organizes the prize, said at a news conference in Stockholm that Han was receiving the honor “for her intense poetic prose that confronts historical traumas and exposes the fragility of human life.”


        “The Vegetarian,” published in Korea in 2007, won the 2016 International Booker Prize after it was translated into English. Porochista Khakpour, in a review of “The Vegetarian” for The New York Times, said that Han “has been rightfully celebrated as a visionary in South Korea.” 


        Han’s Nobel was a surprise. But the news was celebrated by authors and fans on social media, and greeted with fanfare in South Korea. “This is a great achievement for South Korean literature and an occasion for national celebration,” said President Yoon Suk Yeol in a statement, in which he noted Han’s ability to capture painful episodes from their country’s recent history. Members of the K-pop band BTS also celebrated, with one posting a crying-face emoji and a heart alongside a picture of Han. Han’s groundbreaking work has reshaped the literary landscape in South Korea, said Paige Aniyah Morris, co-translator of Han’s novel, “We Do Not Part,” which will be published by Hogarth in the United States in January.


        “Han’s work has inspired a generation of Korean writers to be more truthful and more daring in their subject matter,” Morris said. “Time and time again, she has braved a culture of censorship and saving face, and she has come out of these attempts at silencing her with stronger, more unflinching work each time.” 


        Han, 53, was born in 1970 in Gwangju, South Korea. Her father was also a novelist, but much less successful. The family struggled financially and moved frequently. In a 2016 interview with The Times, Han said her transitory upbringing “was too much for a little child, but I was all right because I was surrounded by books.” When Han was 9, her family moved to Seoul just months before the Gwangju uprising, when government troops fired on crowds of pro-democracy protesters, killing hundreds. The event shaped her views on humanity’s capacity for violence, Han said in the 2016 interview, and its specter has haunted her writing. In her 2014 novel “Human Acts,” a writer observes a police raid on a group of activists.


        She also recalled seeing images of people who lined up to donate their blood to those who were injured in the uprising. “It was like two unsolvable riddles imprinted on my mind: How can humans be so violent, and how can humans be so sublime?” she said. “When I write novels, I find myself always returning to the theme of what it means to be human.”


        Han studied literature at Yonsei University in Korea, and her first published works were poems. Her debut novel, “Black Deer,” which came out in 1998, was a mystery about a missing woman. Following her debut, Han went on to write seven more novels, as well as several novellas and collections of essays and short stories. Among her other novels are “The White Book,” which was also nominated for the International Booker Prize, and “Greek Lessons,” published in English in 2023. 


        “Han Kang is a visionary — there’s no other word for it,” said Parisa Ebrahimi, executive editor at Hogarth, Han’s North American publisher, who noted that Han’s work reflects “remarkable insight into the inner lives of women.” 


        Han’s writing is now celebrated in South Korea, but that took some time. She had been publishing fiction and poetry for more than two decades before her work was issued in English, after Deborah Smith translated “The Vegetarian” and sold it to a British publisher based on the first 10 pages. “Her work, and the translation and success of her work, has led Korean literature in translation to be edgier and more experimental and daring,” said Anton Hur, a South Korean translator and author who is based in Seoul. “She changed the conversation about Korean literature.”


        Ankhi Mukherjee, a literature professor at the University of Oxford, said that she had taught Han’s work “year in, year out” for almost two decades. “Her writing is relentlessly political — whether it’s the politics of the body, of gender, of people fighting against the state — but it never lets go of the literary imagination,” Mukherjee said, adding: “It’s never sanctimonious; it’s very playful, funny and surreal.


        The Nobel Prize is literature’s pre-eminent award, and winning it is a capstone to a writer. Along with the prestige and a huge boost in sales, the new laureate receives 11 million Swedish krona, about $1 million. In recent years, the academy has tried to increase the diversity of authors considered for the literature prize, after facing criticism over the low number of laureates who were female or came from outside Europe and North America. 


        Han is the 18th woman to receive the Nobel in literature, which has been awarded to 120 writers since 1901. Some scholars and translators said it was fitting that the first Korean writer to win a Nobel is a woman. Much of the most groundbreaking and provocative contemporary Korean literature is being written by female novelists, including some who are challenging and exposing misogyny and the burdens that are placed on women in South Korea.


    Adapted from: https://www.nytimes.com/2024/10/10/

    Among the many people who celebrated Han Kang's winning of the Nobel Prize in Literature this year, the text mentions
    Escolha uma alternativa para a questão 39acb247-03
  • Linguagens

    Inglês

    T E X T


    Han Kang Is Awarded Nobel Prize in Literature



        Han Kang, the South Korean author best known for her surreal, subversive novel, “The Vegetarian,” was awarded the Nobel Prize in Literature [2024] — the first writer from her country to receive the award.


        Mats Malm, the permanent secretary of the Swedish Academy, which organizes the prize, said at a news conference in Stockholm that Han was receiving the honor “for her intense poetic prose that confronts historical traumas and exposes the fragility of human life.”


        “The Vegetarian,” published in Korea in 2007, won the 2016 International Booker Prize after it was translated into English. Porochista Khakpour, in a review of “The Vegetarian” for The New York Times, said that Han “has been rightfully celebrated as a visionary in South Korea.” 


        Han’s Nobel was a surprise. But the news was celebrated by authors and fans on social media, and greeted with fanfare in South Korea. “This is a great achievement for South Korean literature and an occasion for national celebration,” said President Yoon Suk Yeol in a statement, in which he noted Han’s ability to capture painful episodes from their country’s recent history. Members of the K-pop band BTS also celebrated, with one posting a crying-face emoji and a heart alongside a picture of Han. Han’s groundbreaking work has reshaped the literary landscape in South Korea, said Paige Aniyah Morris, co-translator of Han’s novel, “We Do Not Part,” which will be published by Hogarth in the United States in January.


        “Han’s work has inspired a generation of Korean writers to be more truthful and more daring in their subject matter,” Morris said. “Time and time again, she has braved a culture of censorship and saving face, and she has come out of these attempts at silencing her with stronger, more unflinching work each time.” 


        Han, 53, was born in 1970 in Gwangju, South Korea. Her father was also a novelist, but much less successful. The family struggled financially and moved frequently. In a 2016 interview with The Times, Han said her transitory upbringing “was too much for a little child, but I was all right because I was surrounded by books.” When Han was 9, her family moved to Seoul just months before the Gwangju uprising, when government troops fired on crowds of pro-democracy protesters, killing hundreds. The event shaped her views on humanity’s capacity for violence, Han said in the 2016 interview, and its specter has haunted her writing. In her 2014 novel “Human Acts,” a writer observes a police raid on a group of activists.


        She also recalled seeing images of people who lined up to donate their blood to those who were injured in the uprising. “It was like two unsolvable riddles imprinted on my mind: How can humans be so violent, and how can humans be so sublime?” she said. “When I write novels, I find myself always returning to the theme of what it means to be human.”


        Han studied literature at Yonsei University in Korea, and her first published works were poems. Her debut novel, “Black Deer,” which came out in 1998, was a mystery about a missing woman. Following her debut, Han went on to write seven more novels, as well as several novellas and collections of essays and short stories. Among her other novels are “The White Book,” which was also nominated for the International Booker Prize, and “Greek Lessons,” published in English in 2023. 


        “Han Kang is a visionary — there’s no other word for it,” said Parisa Ebrahimi, executive editor at Hogarth, Han’s North American publisher, who noted that Han’s work reflects “remarkable insight into the inner lives of women.” 


        Han’s writing is now celebrated in South Korea, but that took some time. She had been publishing fiction and poetry for more than two decades before her work was issued in English, after Deborah Smith translated “The Vegetarian” and sold it to a British publisher based on the first 10 pages. “Her work, and the translation and success of her work, has led Korean literature in translation to be edgier and more experimental and daring,” said Anton Hur, a South Korean translator and author who is based in Seoul. “She changed the conversation about Korean literature.”


        Ankhi Mukherjee, a literature professor at the University of Oxford, said that she had taught Han’s work “year in, year out” for almost two decades. “Her writing is relentlessly political — whether it’s the politics of the body, of gender, of people fighting against the state — but it never lets go of the literary imagination,” Mukherjee said, adding: “It’s never sanctimonious; it’s very playful, funny and surreal.


        The Nobel Prize is literature’s pre-eminent award, and winning it is a capstone to a writer. Along with the prestige and a huge boost in sales, the new laureate receives 11 million Swedish krona, about $1 million. In recent years, the academy has tried to increase the diversity of authors considered for the literature prize, after facing criticism over the low number of laureates who were female or came from outside Europe and North America. 


        Han is the 18th woman to receive the Nobel in literature, which has been awarded to 120 writers since 1901. Some scholars and translators said it was fitting that the first Korean writer to win a Nobel is a woman. Much of the most groundbreaking and provocative contemporary Korean literature is being written by female novelists, including some who are challenging and exposing misogyny and the burdens that are placed on women in South Korea.


    Adapted from: https://www.nytimes.com/2024/10/10/

    The strong political repression during protests in Seoul in Han Kang's childhood was imprinted in her mind and greatly influenced both her understanding of the world and her writing. Such event was explored in her novel
    Escolha uma alternativa para a questão 39aff0bd-03
  • Linguagens

    Inglês

    T E X T


    Han Kang Is Awarded Nobel Prize in Literature



        Han Kang, the South Korean author best known for her surreal, subversive novel, “The Vegetarian,” was awarded the Nobel Prize in Literature [2024] — the first writer from her country to receive the award.


        Mats Malm, the permanent secretary of the Swedish Academy, which organizes the prize, said at a news conference in Stockholm that Han was receiving the honor “for her intense poetic prose that confronts historical traumas and exposes the fragility of human life.”


        “The Vegetarian,” published in Korea in 2007, won the 2016 International Booker Prize after it was translated into English. Porochista Khakpour, in a review of “The Vegetarian” for The New York Times, said that Han “has been rightfully celebrated as a visionary in South Korea.” 


        Han’s Nobel was a surprise. But the news was celebrated by authors and fans on social media, and greeted with fanfare in South Korea. “This is a great achievement for South Korean literature and an occasion for national celebration,” said President Yoon Suk Yeol in a statement, in which he noted Han’s ability to capture painful episodes from their country’s recent history. Members of the K-pop band BTS also celebrated, with one posting a crying-face emoji and a heart alongside a picture of Han. Han’s groundbreaking work has reshaped the literary landscape in South Korea, said Paige Aniyah Morris, co-translator of Han’s novel, “We Do Not Part,” which will be published by Hogarth in the United States in January.


        “Han’s work has inspired a generation of Korean writers to be more truthful and more daring in their subject matter,” Morris said. “Time and time again, she has braved a culture of censorship and saving face, and she has come out of these attempts at silencing her with stronger, more unflinching work each time.” 


        Han, 53, was born in 1970 in Gwangju, South Korea. Her father was also a novelist, but much less successful. The family struggled financially and moved frequently. In a 2016 interview with The Times, Han said her transitory upbringing “was too much for a little child, but I was all right because I was surrounded by books.” When Han was 9, her family moved to Seoul just months before the Gwangju uprising, when government troops fired on crowds of pro-democracy protesters, killing hundreds. The event shaped her views on humanity’s capacity for violence, Han said in the 2016 interview, and its specter has haunted her writing. In her 2014 novel “Human Acts,” a writer observes a police raid on a group of activists.


        She also recalled seeing images of people who lined up to donate their blood to those who were injured in the uprising. “It was like two unsolvable riddles imprinted on my mind: How can humans be so violent, and how can humans be so sublime?” she said. “When I write novels, I find myself always returning to the theme of what it means to be human.”


        Han studied literature at Yonsei University in Korea, and her first published works were poems. Her debut novel, “Black Deer,” which came out in 1998, was a mystery about a missing woman. Following her debut, Han went on to write seven more novels, as well as several novellas and collections of essays and short stories. Among her other novels are “The White Book,” which was also nominated for the International Booker Prize, and “Greek Lessons,” published in English in 2023. 


        “Han Kang is a visionary — there’s no other word for it,” said Parisa Ebrahimi, executive editor at Hogarth, Han’s North American publisher, who noted that Han’s work reflects “remarkable insight into the inner lives of women.” 


        Han’s writing is now celebrated in South Korea, but that took some time. She had been publishing fiction and poetry for more than two decades before her work was issued in English, after Deborah Smith translated “The Vegetarian” and sold it to a British publisher based on the first 10 pages. “Her work, and the translation and success of her work, has led Korean literature in translation to be edgier and more experimental and daring,” said Anton Hur, a South Korean translator and author who is based in Seoul. “She changed the conversation about Korean literature.”


        Ankhi Mukherjee, a literature professor at the University of Oxford, said that she had taught Han’s work “year in, year out” for almost two decades. “Her writing is relentlessly political — whether it’s the politics of the body, of gender, of people fighting against the state — but it never lets go of the literary imagination,” Mukherjee said, adding: “It’s never sanctimonious; it’s very playful, funny and surreal.


        The Nobel Prize is literature’s pre-eminent award, and winning it is a capstone to a writer. Along with the prestige and a huge boost in sales, the new laureate receives 11 million Swedish krona, about $1 million. In recent years, the academy has tried to increase the diversity of authors considered for the literature prize, after facing criticism over the low number of laureates who were female or came from outside Europe and North America. 


        Han is the 18th woman to receive the Nobel in literature, which has been awarded to 120 writers since 1901. Some scholars and translators said it was fitting that the first Korean writer to win a Nobel is a woman. Much of the most groundbreaking and provocative contemporary Korean literature is being written by female novelists, including some who are challenging and exposing misogyny and the burdens that are placed on women in South Korea.


    Adapted from: https://www.nytimes.com/2024/10/10/

    According to Paige Aniyah Morris, Han Kang’s undaunted works and her audacious attitude when facing censorship have been a source of inspiration to
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    Han Kang Is Awarded Nobel Prize in Literature



        Han Kang, the South Korean author best known for her surreal, subversive novel, “The Vegetarian,” was awarded the Nobel Prize in Literature [2024] — the first writer from her country to receive the award.


        Mats Malm, the permanent secretary of the Swedish Academy, which organizes the prize, said at a news conference in Stockholm that Han was receiving the honor “for her intense poetic prose that confronts historical traumas and exposes the fragility of human life.”


        “The Vegetarian,” published in Korea in 2007, won the 2016 International Booker Prize after it was translated into English. Porochista Khakpour, in a review of “The Vegetarian” for The New York Times, said that Han “has been rightfully celebrated as a visionary in South Korea.” 


        Han’s Nobel was a surprise. But the news was celebrated by authors and fans on social media, and greeted with fanfare in South Korea. “This is a great achievement for South Korean literature and an occasion for national celebration,” said President Yoon Suk Yeol in a statement, in which he noted Han’s ability to capture painful episodes from their country’s recent history. Members of the K-pop band BTS also celebrated, with one posting a crying-face emoji and a heart alongside a picture of Han. Han’s groundbreaking work has reshaped the literary landscape in South Korea, said Paige Aniyah Morris, co-translator of Han’s novel, “We Do Not Part,” which will be published by Hogarth in the United States in January.


        “Han’s work has inspired a generation of Korean writers to be more truthful and more daring in their subject matter,” Morris said. “Time and time again, she has braved a culture of censorship and saving face, and she has come out of these attempts at silencing her with stronger, more unflinching work each time.” 


        Han, 53, was born in 1970 in Gwangju, South Korea. Her father was also a novelist, but much less successful. The family struggled financially and moved frequently. In a 2016 interview with The Times, Han said her transitory upbringing “was too much for a little child, but I was all right because I was surrounded by books.” When Han was 9, her family moved to Seoul just months before the Gwangju uprising, when government troops fired on crowds of pro-democracy protesters, killing hundreds. The event shaped her views on humanity’s capacity for violence, Han said in the 2016 interview, and its specter has haunted her writing. In her 2014 novel “Human Acts,” a writer observes a police raid on a group of activists.


        She also recalled seeing images of people who lined up to donate their blood to those who were injured in the uprising. “It was like two unsolvable riddles imprinted on my mind: How can humans be so violent, and how can humans be so sublime?” she said. “When I write novels, I find myself always returning to the theme of what it means to be human.”


        Han studied literature at Yonsei University in Korea, and her first published works were poems. Her debut novel, “Black Deer,” which came out in 1998, was a mystery about a missing woman. Following her debut, Han went on to write seven more novels, as well as several novellas and collections of essays and short stories. Among her other novels are “The White Book,” which was also nominated for the International Booker Prize, and “Greek Lessons,” published in English in 2023. 


        “Han Kang is a visionary — there’s no other word for it,” said Parisa Ebrahimi, executive editor at Hogarth, Han’s North American publisher, who noted that Han’s work reflects “remarkable insight into the inner lives of women.” 


        Han’s writing is now celebrated in South Korea, but that took some time. She had been publishing fiction and poetry for more than two decades before her work was issued in English, after Deborah Smith translated “The Vegetarian” and sold it to a British publisher based on the first 10 pages. “Her work, and the translation and success of her work, has led Korean literature in translation to be edgier and more experimental and daring,” said Anton Hur, a South Korean translator and author who is based in Seoul. “She changed the conversation about Korean literature.”


        Ankhi Mukherjee, a literature professor at the University of Oxford, said that she had taught Han’s work “year in, year out” for almost two decades. “Her writing is relentlessly political — whether it’s the politics of the body, of gender, of people fighting against the state — but it never lets go of the literary imagination,” Mukherjee said, adding: “It’s never sanctimonious; it’s very playful, funny and surreal.


        The Nobel Prize is literature’s pre-eminent award, and winning it is a capstone to a writer. Along with the prestige and a huge boost in sales, the new laureate receives 11 million Swedish krona, about $1 million. In recent years, the academy has tried to increase the diversity of authors considered for the literature prize, after facing criticism over the low number of laureates who were female or came from outside Europe and North America. 


        Han is the 18th woman to receive the Nobel in literature, which has been awarded to 120 writers since 1901. Some scholars and translators said it was fitting that the first Korean writer to win a Nobel is a woman. Much of the most groundbreaking and provocative contemporary Korean literature is being written by female novelists, including some who are challenging and exposing misogyny and the burdens that are placed on women in South Korea.


    Adapted from: https://www.nytimes.com/2024/10/10/

    After more than twenty years of a writing career, Han Kang
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