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Associe as palavras da coluna da esquerda às suas respectivas traduções, na coluna da direita, de acordo com o sentido com que estão empregadas no texto.
( ) shoot-out (l. 15)
( ) chasm (l. 55)
( ) low -key (l. 60)
1. de baixo custo
2. abismo
3. tiroteio
4. discreto
5. conexão
6. explosão
A sequência correta de preenchimento dos
parênteses, de cima para baixo, é
Considere as seguintes afirmações acerca do texto.
I - O segmento took on (l. 06) poderia ser substituído por assumed.
II - A expressão ne’er-do-wells (l. 23) confere um sentido enaltecedor aos soldados.
III- A palavra wonderment (l. 44) enfatiza a dúvida por parte das pessoas que ouviam o soldado.
Quais estão corretas?
Associe as palavras da coluna da esquerda aos seus respectivos sinônimos, na coluna da direita, de acordo com o sentido com que são empregadas no texto.
( ) longing (l. 05)
( ) sharpness (l. 06)
( ) digression (l. 44)
1. yearning
2. intensity
3. lengthening
4. diversion
5. delay
6. excuse
A sequência correta de preenchimento dos parênteses, de cima para baixo, é
Had the Earth been flat, a total of three satellites would have been enough to provide this information (l. 30-31)
In relation to the rest of the statement, the underlined fragment has the objective of:
These and other flat-Earth assertions appear on the website of the FES, allegedly the world’s oldest official flat Earth organization, dating to the early 1800s. (l. 16-17)
In relation to the fragment above, the pieces of information introduced in the fifth paragraph (l. 18-20) serve the following purpose:
“If you listen to them all day long, you will prevent them”(l. 18-19)
Without changing the meaning, the words in bold may be substituted by
INSTRUÇÃO: Responder à questão com base no texto.
Rip Van Winkle is a classic American short story written by Washington Irving based on local history _____ with influences from European folklore. It tells the story of a man who lived near the Catskill Mountains in New York before the Revolutionary War and fell asleep for twenty years. Everything he knew _____ in the town was gone. _____, he learned that he had to navigate this new world as a free citizen of the United States.
Adapted from: http://www.supersummary.com/rip-van-winkle/summary/ and https://www.bookreports.info/rip-van-winkle-summary/
The alternative that brings words that fill in the blanks in text, respectively, isINSTRUÇÃO: Responder à questão com base no texto.
Adapted from: https://www.newyorker.com/science/maria-konnikova/being-a-better-online-reader
In “to look for keywords, and to read in a less linear, more selective fashion, instead of concentrating more on just following the text.” (lines 41-43) and “She has decided that, despite all her training in deep reading, she, too, needs some outside help.” (lines 51-53), the connectors instead of and despite can be replaced, without any change in form and meaning, respectively, by
INSTRUÇÃO: Responder à questão com base no texto.
Adapted from: https://www.newyorker.com/science/maria-konnikova/being-a-better-online-reader
Consider the meaning of “as” in “As the letters continued to pour in, Wolf experienced a growing realization: reading had changed profoundly.” (lines 19 and 20) and in the segments below:
I. “we don’t read the same way online as we do on paper” (lines 28 and 29)
II. “when we scroll, we tend to read faster but less deeply, as a way of coping with an overload of information” (lines 38-40)
III. “As children move more toward an immersion in digital media, we have to figure out ways to read deeply in this new environment.” (lines 49-51)
The segment(s) in which the meaning of “as” is closest to the one in lines 19 and 20 is/are only
Available at: . Retrieved on: 3 May 2018. Adapted. * Automated teller machines
Available at: <http://www.bbc.com/culture/story/20180503-our-fi ction-
-addiction-why-humans-need-stories>. Retrieved on: 3 May 2018.
Adapted.
Leia o texto para responder à questão.
There is nothing conventional about 17-year-old Michael Fuller’s relationship with music. As someone with high-functioning autism who sees the world through sound, creating melodies from the bustle of the high street or trains on the tracks feels more natural than any social interaction. This hardwired connection to sound has been with him for as long as he can remember.
By the age of 11, Michael could play Mozart by ear, having taught himself to play the piano through a mobile phone app. The app highlighted notes on a keyboard as classical music played. He describes his unusual musical talent as “downloading” music into his head. His mother, Nadine, remembers that as a child Michael would “suddenly pop up and say: ‘I’ve got a symphony’”. Michael took to the piano and found he could quickly perform complex pieces from memory.
“I liked what I was hearing, sought more music and began studying through Google and YouTube,” he remembers. “It was very organic. I would listen in great depth and the music would be implanted in my mind. I could then just play it on the piano – all without being taught.”
Growing up in a family that listened to reggae over classical music, Michael feels “very much aware” of how different his approach is to music – symbolised by the way he taught himself piano as a child. This, his mother says, came as a “surprise to the family and myself – I’d never listened to classical music in my life”.
It was not long after learning to play the piano that Michael started composing his own works. Describing this process as “making music with my mind”, Michael says composing classical symphonies “helps me to express myself through music – it makes me calm”. Michael wants to nurture his song writing to achieve his ambition of becoming a modern mainstream classical artist. He wants to control the creative process, unlike typical modern-day composers, who he says “write blobs on a page, hand it over to the musicians – then say bye-bye and stay in the background and get no recognition”. Instead, Michael is determined to take centre stage.
(Alex Taylor. www.bbc.com, 27.03.2018. Adaptado.)
Leia o texto para responder à questão.
There is nothing conventional about 17-year-old Michael Fuller’s relationship with music. As someone with high-functioning autism who sees the world through sound, creating melodies from the bustle of the high street or trains on the tracks feels more natural than any social interaction. This hardwired connection to sound has been with him for as long as he can remember.
By the age of 11, Michael could play Mozart by ear, having taught himself to play the piano through a mobile phone app. The app highlighted notes on a keyboard as classical music played. He describes his unusual musical talent as “downloading” music into his head. His mother, Nadine, remembers that as a child Michael would “suddenly pop up and say: ‘I’ve got a symphony’”. Michael took to the piano and found he could quickly perform complex pieces from memory.
“I liked what I was hearing, sought more music and began studying through Google and YouTube,” he remembers. “It was very organic. I would listen in great depth and the music would be implanted in my mind. I could then just play it on the piano – all without being taught.”
Growing up in a family that listened to reggae over classical music, Michael feels “very much aware” of how different his approach is to music – symbolised by the way he taught himself piano as a child. This, his mother says, came as a “surprise to the family and myself – I’d never listened to classical music in my life”.
It was not long after learning to play the piano that Michael started composing his own works. Describing this process as “making music with my mind”, Michael says composing classical symphonies “helps me to express myself through music – it makes me calm”. Michael wants to nurture his song writing to achieve his ambition of becoming a modern mainstream classical artist. He wants to control the creative process, unlike typical modern-day composers, who he says “write blobs on a page, hand it over to the musicians – then say bye-bye and stay in the background and get no recognition”. Instead, Michael is determined to take centre stage.
(Alex Taylor. www.bbc.com, 27.03.2018. Adaptado.)
Questão
