Dicas do ENEMEntrar

Questões do ENEM 2022

Questões aplicadas na prova de 2022, cada uma em página própria com enunciado, alternativas e gabarito.

Resultados

1.694 questões encontradas. Mostrando a página 58 de 85.

  • 37DF6B5E-9C

    Química

    Interações Atômicas: Geometria Molecular, Polaridade da ligação e da Molécula, Forças Intermoleculares e Número de Oxidação.    UEMG · 2022MédioEntre para guardar nos favoritos
    Assinale a alternativa que apresenta corretamente a geometria molecular dos compostos tetrafluoreto de silício, pentacloreto de fósforo, hidreto de fósforo e íon nitrito, respectivamente. 
    Escolha uma alternativa para a questão 37df6b5e-9c
  • 37DD5CF1-9C

    Química

    Grandezas: massa, volume, mol, massa molar, constante de Avogadro e Estequiometria.    UEMG · 2022MédioEntre para guardar nos favoritos
    Preparou-se uma solução adicionando 0,040 mol de ácido fórmico em água, perfazendo um volume total de 2 litros. Com base no exposto, o grau de ionização dessa solução é, aproximadamente,
    Dados: Ka (HCOOH) = 1,8x10-4 ;
    √7,2 = 2, 68;√3, 6 = 1, 90; √14, 4 = 3, 79.
    Escolha uma alternativa para a questão 37dd5cf1-9c
  • 37DB642D-9C

    Física

    Física Térmica - Termologia    UEMG · 2022MédioEntre para guardar nos favoritos
    No desenvolvimento das máquinas térmicas, especialmente durante a Revolução Industrial, surgiram equipamentos para retirar água das minas de carvão, como a “máquina de Savery” (ver ilustração), e, mais tarde, a máquina de Newcomen. Nesse sentido, James Watt introduziu, anos depois, um dispositivo que melhorou muito a eficiência mecânica da máquina termodinâmica. Que dispositivo era esse?

    Imagem da questão de Física, da prova de 2022
    Escolha uma alternativa para a questão 37db642d-9c
  • 37D942B1-9C

    Física

    Cinemática    UEMG · 2022MédioEntre para guardar nos favoritos
    Em um poço imaginário que atravessasse toda a Terra, o que ocorreria com uma pedra deixada cair desde uma de suas extremidades?
    Obs.: Desconsidere os efeitos da resistência do ar, da temperatura, da pressão e da rotação do planeta.
    Escolha uma alternativa para a questão 37d942b1-9c
  • 37D044A1-9C

    Física

    Gravitação Universal    UEMG · 2022MédioEntre para guardar nos favoritos
    Considere os seguintes instrumentos de observação e registro astronômico, identifique-os de acordo com a sequência apresentada e assinale a alternativa correta. 

    Imagem da questão de Física, da prova de 2022
    Escolha uma alternativa para a questão 37d044a1-9c
  • 37CE32D8-9C

    Inglês

    Interpretação de texto | Reading comprehension    UEMG · 2022MédioEntre para guardar nos favoritos
    Don’t Look Up: four climate experts on the polarising disaster film

         Critics haven’t been kind to Adam McKay’s eco-satire, but many climate experts are lauding it. Here four give their views
         Rarely has a film been as divisive as Adam McKay’s climate satire Don’t Look Up. Although it has been watched by millions, and is already Netflix’s third most watched film ever, the response from critics was largely negative. Many found its story of scientists who discover an asteroid heading for Earth a clumsy allegory for the climate crisis, while others just found it boring. But many in the climate movement have praised the film, and audience reviews have been generally positive.
         We asked four climate experts to give their views on the film. Warning: spoilers ahead.

          Ketan Joshi: ‘The main character of the climate crisis is absent’
          […]
        Fiona Harvey: ‘The role of the technoloon, played by Mark Rylance, struck a chord’
           […]
          After 17 years of reporting on the climate crisis, I doubted at first that the film had much to tell me about the frustrations of communicating a hypothetical catastrophe. As the film’s scientists first struggled to clothe their data in sober, measured terms, then broke into swearing, armwaving shrieks about provable imminent apocalypse, I nodded along. Yes, that’s what it feels like, and no, no one listens, not until it is too late.
          Yet it was illuminating in unexpected ways – something I’ve always struggled with is how rational people can fail to grasp the scale of climate breakdown, how we could leave it so late. As the film shows, it’s partly because vested interests keep it that way, but it’s also just because we’re human. Believing in disaster before it strikes is fundamentally not how we work. 
         The role of the techno-loon, played by Mark Rylance, struck another chord. Cop26 was not a failure, though on the surface that was the obvious conclusion – it was more nuanced than that. Soon after the Cop26 circus left Glasgow, the danger of painting the outcome in such blackand-white terms became apparent, as wellmeaning experts concluded – in all seriousness – as talking didn’t work, our best hope would be for billionaires to bypass the UN and geoengineer the climate from space. Because obviously the answer to a vast uncontrolled experiment on the atmosphere is to conduct a vast uncontrolled experiment on the atmosphere.
           […]
        Nina Lakhani: ‘Jennifer Lawrence’s character will resonate with many female climate scientists’
           […]
        How Kate Dibiasky, the postgraduate student played by Jennifer Lawrence who discovered the comet, is portrayed as an unhinged hysterical woman, will resonate with many female climate scientists and activists whose crucial knowledge has been sidelined. The scene where her parents declare that they’re in favour of the jobs the comet will provide will resonate with millions of people, including me, trying to deal with relatives who have bought into political lies.
            […]
         Damian Carrington: ‘It highlights the absurdity of staring disaster in the face, then looking away’
          I loved Don’t Look Up, both as an entertainment and as a climate crisis parable. But the movie has been panned by many critics, with the main charge being that it is heavy-handed, blunt and too obvious. But that is exactly the point.
          Scientists have been issuing blunt warnings about obvious dangers of global heating for years and have been ignored – carbon emissions are still rising. The film perfectly skewers the key ways in which they have been ignored: for short-term political expediency and short-term corporate profit.
        In particular, the movie beautifully portrays the incredulity of scientists that their carefully constructed evidence can be dismissed with bluster such as “we’ll sit tight and assess” by leaders more concerned about today’s political weather and a media more interested in the minutiae of celebrities’ lives.
            […] 
    The point of the film is savagely highlighting the absurdity of staring disaster in the face, then looking away rather than acting. In that respect, it is a triumph.

    Source: https://www.theguardian.com/film/2022/jan/08/dont-look-upfour-climate-experts-on-the-polarising-disaster-film. Access: 08/01/2022.
    Considering Damian Carrington’s opinion on the movie Don’t look up, mark the INCORRECT option.
    Escolha uma alternativa para a questão 37ce32d8-9c
  • 37CC671D-9C

    Inglês

    Interpretação de texto | Reading comprehension    UEMG · 2022MédioEntre para guardar nos favoritos
    Don’t Look Up: four climate experts on the polarising disaster film

         Critics haven’t been kind to Adam McKay’s eco-satire, but many climate experts are lauding it. Here four give their views
         Rarely has a film been as divisive as Adam McKay’s climate satire Don’t Look Up. Although it has been watched by millions, and is already Netflix’s third most watched film ever, the response from critics was largely negative. Many found its story of scientists who discover an asteroid heading for Earth a clumsy allegory for the climate crisis, while others just found it boring. But many in the climate movement have praised the film, and audience reviews have been generally positive.
         We asked four climate experts to give their views on the film. Warning: spoilers ahead.

          Ketan Joshi: ‘The main character of the climate crisis is absent’
          […]
        Fiona Harvey: ‘The role of the technoloon, played by Mark Rylance, struck a chord’
           […]
          After 17 years of reporting on the climate crisis, I doubted at first that the film had much to tell me about the frustrations of communicating a hypothetical catastrophe. As the film’s scientists first struggled to clothe their data in sober, measured terms, then broke into swearing, armwaving shrieks about provable imminent apocalypse, I nodded along. Yes, that’s what it feels like, and no, no one listens, not until it is too late.
          Yet it was illuminating in unexpected ways – something I’ve always struggled with is how rational people can fail to grasp the scale of climate breakdown, how we could leave it so late. As the film shows, it’s partly because vested interests keep it that way, but it’s also just because we’re human. Believing in disaster before it strikes is fundamentally not how we work. 
         The role of the techno-loon, played by Mark Rylance, struck another chord. Cop26 was not a failure, though on the surface that was the obvious conclusion – it was more nuanced than that. Soon after the Cop26 circus left Glasgow, the danger of painting the outcome in such blackand-white terms became apparent, as wellmeaning experts concluded – in all seriousness – as talking didn’t work, our best hope would be for billionaires to bypass the UN and geoengineer the climate from space. Because obviously the answer to a vast uncontrolled experiment on the atmosphere is to conduct a vast uncontrolled experiment on the atmosphere.
           […]
        Nina Lakhani: ‘Jennifer Lawrence’s character will resonate with many female climate scientists’
           […]
        How Kate Dibiasky, the postgraduate student played by Jennifer Lawrence who discovered the comet, is portrayed as an unhinged hysterical woman, will resonate with many female climate scientists and activists whose crucial knowledge has been sidelined. The scene where her parents declare that they’re in favour of the jobs the comet will provide will resonate with millions of people, including me, trying to deal with relatives who have bought into political lies.
            […]
         Damian Carrington: ‘It highlights the absurdity of staring disaster in the face, then looking away’
          I loved Don’t Look Up, both as an entertainment and as a climate crisis parable. But the movie has been panned by many critics, with the main charge being that it is heavy-handed, blunt and too obvious. But that is exactly the point.
          Scientists have been issuing blunt warnings about obvious dangers of global heating for years and have been ignored – carbon emissions are still rising. The film perfectly skewers the key ways in which they have been ignored: for short-term political expediency and short-term corporate profit.
        In particular, the movie beautifully portrays the incredulity of scientists that their carefully constructed evidence can be dismissed with bluster such as “we’ll sit tight and assess” by leaders more concerned about today’s political weather and a media more interested in the minutiae of celebrities’ lives.
            […] 
    The point of the film is savagely highlighting the absurdity of staring disaster in the face, then looking away rather than acting. In that respect, it is a triumph.

    Source: https://www.theguardian.com/film/2022/jan/08/dont-look-upfour-climate-experts-on-the-polarising-disaster-film. Access: 08/01/2022.
    The climate expert Nina Lakhani thinks that “Jennifer Lawrence’s character will resonate with many female climate scientists”. Mark the option which best describes the meaning of Nina’s statement.
    Escolha uma alternativa para a questão 37cc671d-9c
  • 37CA4B7B-9C

    Inglês

    Interpretação de texto | Reading comprehension    UEMG · 2022MédioEntre para guardar nos favoritos
    Don’t Look Up: four climate experts on the polarising disaster film

         Critics haven’t been kind to Adam McKay’s eco-satire, but many climate experts are lauding it. Here four give their views
         Rarely has a film been as divisive as Adam McKay’s climate satire Don’t Look Up. Although it has been watched by millions, and is already Netflix’s third most watched film ever, the response from critics was largely negative. Many found its story of scientists who discover an asteroid heading for Earth a clumsy allegory for the climate crisis, while others just found it boring. But many in the climate movement have praised the film, and audience reviews have been generally positive.
         We asked four climate experts to give their views on the film. Warning: spoilers ahead.

          Ketan Joshi: ‘The main character of the climate crisis is absent’
          […]
        Fiona Harvey: ‘The role of the technoloon, played by Mark Rylance, struck a chord’
           […]
          After 17 years of reporting on the climate crisis, I doubted at first that the film had much to tell me about the frustrations of communicating a hypothetical catastrophe. As the film’s scientists first struggled to clothe their data in sober, measured terms, then broke into swearing, armwaving shrieks about provable imminent apocalypse, I nodded along. Yes, that’s what it feels like, and no, no one listens, not until it is too late.
          Yet it was illuminating in unexpected ways – something I’ve always struggled with is how rational people can fail to grasp the scale of climate breakdown, how we could leave it so late. As the film shows, it’s partly because vested interests keep it that way, but it’s also just because we’re human. Believing in disaster before it strikes is fundamentally not how we work. 
         The role of the techno-loon, played by Mark Rylance, struck another chord. Cop26 was not a failure, though on the surface that was the obvious conclusion – it was more nuanced than that. Soon after the Cop26 circus left Glasgow, the danger of painting the outcome in such blackand-white terms became apparent, as wellmeaning experts concluded – in all seriousness – as talking didn’t work, our best hope would be for billionaires to bypass the UN and geoengineer the climate from space. Because obviously the answer to a vast uncontrolled experiment on the atmosphere is to conduct a vast uncontrolled experiment on the atmosphere.
           […]
        Nina Lakhani: ‘Jennifer Lawrence’s character will resonate with many female climate scientists’
           […]
        How Kate Dibiasky, the postgraduate student played by Jennifer Lawrence who discovered the comet, is portrayed as an unhinged hysterical woman, will resonate with many female climate scientists and activists whose crucial knowledge has been sidelined. The scene where her parents declare that they’re in favour of the jobs the comet will provide will resonate with millions of people, including me, trying to deal with relatives who have bought into political lies.
            […]
         Damian Carrington: ‘It highlights the absurdity of staring disaster in the face, then looking away’
          I loved Don’t Look Up, both as an entertainment and as a climate crisis parable. But the movie has been panned by many critics, with the main charge being that it is heavy-handed, blunt and too obvious. But that is exactly the point.
          Scientists have been issuing blunt warnings about obvious dangers of global heating for years and have been ignored – carbon emissions are still rising. The film perfectly skewers the key ways in which they have been ignored: for short-term political expediency and short-term corporate profit.
        In particular, the movie beautifully portrays the incredulity of scientists that their carefully constructed evidence can be dismissed with bluster such as “we’ll sit tight and assess” by leaders more concerned about today’s political weather and a media more interested in the minutiae of celebrities’ lives.
            […] 
    The point of the film is savagely highlighting the absurdity of staring disaster in the face, then looking away rather than acting. In that respect, it is a triumph.

    Source: https://www.theguardian.com/film/2022/jan/08/dont-look-upfour-climate-experts-on-the-polarising-disaster-film. Access: 08/01/2022.
    Consider the following excerpt: “The role of the techno-loon, played by Mark Rylance, struck another chord”. Taking into account the context the excerpt was taken from, mark the option which best defines the expression “to strike a chord”. 
    Escolha uma alternativa para a questão 37ca4b7b-9c
  • 37C83904-9C

    Inglês

    Voz Ativa e Passiva | Passive and Active Voice    UEMG · 2022FácilEntre para guardar nos favoritos
    Don’t Look Up: four climate experts on the polarising disaster film

         Critics haven’t been kind to Adam McKay’s eco-satire, but many climate experts are lauding it. Here four give their views
         Rarely has a film been as divisive as Adam McKay’s climate satire Don’t Look Up. Although it has been watched by millions, and is already Netflix’s third most watched film ever, the response from critics was largely negative. Many found its story of scientists who discover an asteroid heading for Earth a clumsy allegory for the climate crisis, while others just found it boring. But many in the climate movement have praised the film, and audience reviews have been generally positive.
         We asked four climate experts to give their views on the film. Warning: spoilers ahead.

          Ketan Joshi: ‘The main character of the climate crisis is absent’
          […]
        Fiona Harvey: ‘The role of the technoloon, played by Mark Rylance, struck a chord’
           […]
          After 17 years of reporting on the climate crisis, I doubted at first that the film had much to tell me about the frustrations of communicating a hypothetical catastrophe. As the film’s scientists first struggled to clothe their data in sober, measured terms, then broke into swearing, armwaving shrieks about provable imminent apocalypse, I nodded along. Yes, that’s what it feels like, and no, no one listens, not until it is too late.
          Yet it was illuminating in unexpected ways – something I’ve always struggled with is how rational people can fail to grasp the scale of climate breakdown, how we could leave it so late. As the film shows, it’s partly because vested interests keep it that way, but it’s also just because we’re human. Believing in disaster before it strikes is fundamentally not how we work. 
         The role of the techno-loon, played by Mark Rylance, struck another chord. Cop26 was not a failure, though on the surface that was the obvious conclusion – it was more nuanced than that. Soon after the Cop26 circus left Glasgow, the danger of painting the outcome in such blackand-white terms became apparent, as wellmeaning experts concluded – in all seriousness – as talking didn’t work, our best hope would be for billionaires to bypass the UN and geoengineer the climate from space. Because obviously the answer to a vast uncontrolled experiment on the atmosphere is to conduct a vast uncontrolled experiment on the atmosphere.
           […]
        Nina Lakhani: ‘Jennifer Lawrence’s character will resonate with many female climate scientists’
           […]
        How Kate Dibiasky, the postgraduate student played by Jennifer Lawrence who discovered the comet, is portrayed as an unhinged hysterical woman, will resonate with many female climate scientists and activists whose crucial knowledge has been sidelined. The scene where her parents declare that they’re in favour of the jobs the comet will provide will resonate with millions of people, including me, trying to deal with relatives who have bought into political lies.
            […]
         Damian Carrington: ‘It highlights the absurdity of staring disaster in the face, then looking away’
          I loved Don’t Look Up, both as an entertainment and as a climate crisis parable. But the movie has been panned by many critics, with the main charge being that it is heavy-handed, blunt and too obvious. But that is exactly the point.
          Scientists have been issuing blunt warnings about obvious dangers of global heating for years and have been ignored – carbon emissions are still rising. The film perfectly skewers the key ways in which they have been ignored: for short-term political expediency and short-term corporate profit.
        In particular, the movie beautifully portrays the incredulity of scientists that their carefully constructed evidence can be dismissed with bluster such as “we’ll sit tight and assess” by leaders more concerned about today’s political weather and a media more interested in the minutiae of celebrities’ lives.
            […] 
    The point of the film is savagely highlighting the absurdity of staring disaster in the face, then looking away rather than acting. In that respect, it is a triumph.

    Source: https://www.theguardian.com/film/2022/jan/08/dont-look-upfour-climate-experts-on-the-polarising-disaster-film. Access: 08/01/2022.
    Consider the following excerpts taken from the text and mark the option which presents a verb form in the passive voice. 
    Escolha uma alternativa para a questão 37c83904-9c
  • 37C61C44-9C

    Inglês

    Interpretação de texto | Reading comprehension    UEMG · 2022MédioEntre para guardar nos favoritos
    Don’t Look Up: four climate experts on the polarising disaster film

         Critics haven’t been kind to Adam McKay’s eco-satire, but many climate experts are lauding it. Here four give their views
         Rarely has a film been as divisive as Adam McKay’s climate satire Don’t Look Up. Although it has been watched by millions, and is already Netflix’s third most watched film ever, the response from critics was largely negative. Many found its story of scientists who discover an asteroid heading for Earth a clumsy allegory for the climate crisis, while others just found it boring. But many in the climate movement have praised the film, and audience reviews have been generally positive.
         We asked four climate experts to give their views on the film. Warning: spoilers ahead.

          Ketan Joshi: ‘The main character of the climate crisis is absent’
          […]
        Fiona Harvey: ‘The role of the technoloon, played by Mark Rylance, struck a chord’
           […]
          After 17 years of reporting on the climate crisis, I doubted at first that the film had much to tell me about the frustrations of communicating a hypothetical catastrophe. As the film’s scientists first struggled to clothe their data in sober, measured terms, then broke into swearing, armwaving shrieks about provable imminent apocalypse, I nodded along. Yes, that’s what it feels like, and no, no one listens, not until it is too late.
          Yet it was illuminating in unexpected ways – something I’ve always struggled with is how rational people can fail to grasp the scale of climate breakdown, how we could leave it so late. As the film shows, it’s partly because vested interests keep it that way, but it’s also just because we’re human. Believing in disaster before it strikes is fundamentally not how we work. 
         The role of the techno-loon, played by Mark Rylance, struck another chord. Cop26 was not a failure, though on the surface that was the obvious conclusion – it was more nuanced than that. Soon after the Cop26 circus left Glasgow, the danger of painting the outcome in such blackand-white terms became apparent, as wellmeaning experts concluded – in all seriousness – as talking didn’t work, our best hope would be for billionaires to bypass the UN and geoengineer the climate from space. Because obviously the answer to a vast uncontrolled experiment on the atmosphere is to conduct a vast uncontrolled experiment on the atmosphere.
           […]
        Nina Lakhani: ‘Jennifer Lawrence’s character will resonate with many female climate scientists’
           […]
        How Kate Dibiasky, the postgraduate student played by Jennifer Lawrence who discovered the comet, is portrayed as an unhinged hysterical woman, will resonate with many female climate scientists and activists whose crucial knowledge has been sidelined. The scene where her parents declare that they’re in favour of the jobs the comet will provide will resonate with millions of people, including me, trying to deal with relatives who have bought into political lies.
            […]
         Damian Carrington: ‘It highlights the absurdity of staring disaster in the face, then looking away’
          I loved Don’t Look Up, both as an entertainment and as a climate crisis parable. But the movie has been panned by many critics, with the main charge being that it is heavy-handed, blunt and too obvious. But that is exactly the point.
          Scientists have been issuing blunt warnings about obvious dangers of global heating for years and have been ignored – carbon emissions are still rising. The film perfectly skewers the key ways in which they have been ignored: for short-term political expediency and short-term corporate profit.
        In particular, the movie beautifully portrays the incredulity of scientists that their carefully constructed evidence can be dismissed with bluster such as “we’ll sit tight and assess” by leaders more concerned about today’s political weather and a media more interested in the minutiae of celebrities’ lives.
            […] 
    The point of the film is savagely highlighting the absurdity of staring disaster in the face, then looking away rather than acting. In that respect, it is a triumph.

    Source: https://www.theguardian.com/film/2022/jan/08/dont-look-upfour-climate-experts-on-the-polarising-disaster-film. Access: 08/01/2022.
    Concerning the excerpt: “Critics haven’t been kind to Adam McKay’s eco-satire, but many climate experts are lauding it”, and the context it was taken from, mark the correct option regarding the usage of the pronoun “it”.
    Escolha uma alternativa para a questão 37c61c44-9c
  • 37C3FEA8-9C

    Inglês

    Interpretação de texto | Reading comprehension    UEMG · 2022MédioEntre para guardar nos favoritos
    Don’t Look Up: four climate experts on the polarising disaster film

         Critics haven’t been kind to Adam McKay’s eco-satire, but many climate experts are lauding it. Here four give their views
         Rarely has a film been as divisive as Adam McKay’s climate satire Don’t Look Up. Although it has been watched by millions, and is already Netflix’s third most watched film ever, the response from critics was largely negative. Many found its story of scientists who discover an asteroid heading for Earth a clumsy allegory for the climate crisis, while others just found it boring. But many in the climate movement have praised the film, and audience reviews have been generally positive.
         We asked four climate experts to give their views on the film. Warning: spoilers ahead.

          Ketan Joshi: ‘The main character of the climate crisis is absent’
          […]
        Fiona Harvey: ‘The role of the technoloon, played by Mark Rylance, struck a chord’
           […]
          After 17 years of reporting on the climate crisis, I doubted at first that the film had much to tell me about the frustrations of communicating a hypothetical catastrophe. As the film’s scientists first struggled to clothe their data in sober, measured terms, then broke into swearing, armwaving shrieks about provable imminent apocalypse, I nodded along. Yes, that’s what it feels like, and no, no one listens, not until it is too late.
          Yet it was illuminating in unexpected ways – something I’ve always struggled with is how rational people can fail to grasp the scale of climate breakdown, how we could leave it so late. As the film shows, it’s partly because vested interests keep it that way, but it’s also just because we’re human. Believing in disaster before it strikes is fundamentally not how we work. 
         The role of the techno-loon, played by Mark Rylance, struck another chord. Cop26 was not a failure, though on the surface that was the obvious conclusion – it was more nuanced than that. Soon after the Cop26 circus left Glasgow, the danger of painting the outcome in such blackand-white terms became apparent, as wellmeaning experts concluded – in all seriousness – as talking didn’t work, our best hope would be for billionaires to bypass the UN and geoengineer the climate from space. Because obviously the answer to a vast uncontrolled experiment on the atmosphere is to conduct a vast uncontrolled experiment on the atmosphere.
           […]
        Nina Lakhani: ‘Jennifer Lawrence’s character will resonate with many female climate scientists’
           […]
        How Kate Dibiasky, the postgraduate student played by Jennifer Lawrence who discovered the comet, is portrayed as an unhinged hysterical woman, will resonate with many female climate scientists and activists whose crucial knowledge has been sidelined. The scene where her parents declare that they’re in favour of the jobs the comet will provide will resonate with millions of people, including me, trying to deal with relatives who have bought into political lies.
            […]
         Damian Carrington: ‘It highlights the absurdity of staring disaster in the face, then looking away’
          I loved Don’t Look Up, both as an entertainment and as a climate crisis parable. But the movie has been panned by many critics, with the main charge being that it is heavy-handed, blunt and too obvious. But that is exactly the point.
          Scientists have been issuing blunt warnings about obvious dangers of global heating for years and have been ignored – carbon emissions are still rising. The film perfectly skewers the key ways in which they have been ignored: for short-term political expediency and short-term corporate profit.
        In particular, the movie beautifully portrays the incredulity of scientists that their carefully constructed evidence can be dismissed with bluster such as “we’ll sit tight and assess” by leaders more concerned about today’s political weather and a media more interested in the minutiae of celebrities’ lives.
            […] 
    The point of the film is savagely highlighting the absurdity of staring disaster in the face, then looking away rather than acting. In that respect, it is a triumph.

    Source: https://www.theguardian.com/film/2022/jan/08/dont-look-upfour-climate-experts-on-the-polarising-disaster-film. Access: 08/01/2022.
    The text talks about Netflix climate satire Don’t look up. Mark the correct option concerning how the movie was received by critics.
    Escolha uma alternativa para a questão 37c3fea8-9c
  • 37C1CF21-9C

    Literatura

    Escolas Literárias    UEMG · 2022MédioEntre para guardar nos favoritos
    O texto a seguir é um excerto da obra Iracema, do escritor do Romantismo brasileiro José de Alencar.

    [...]
    Iracema saiu do banho: o aljôfar d’água ainda a roreja, como à doce mangaba que corou em manhã de chuva. Enquanto repousa, empluma das penas do gará as flechas de seu arco, e concerta com o sabiá da mata, pousado no galho próximo, o canto agreste.
    A graciosa ará, sua companheira e amiga, brinca junto dela. Às vezes sobe aos ramos da árvore e de lá chama a virgem pelo nome; outras remexe o uru de palha matizada, onde traz a selvagem seus perfumes, os alvos fios do crautá, as agulhas da juçara com que tece a renda, e as tintas de que matiza o algodão.
    Rumor suspeito quebra a doce harmonia da sesta. Ergue a virgem os olhos, que o sol não deslumbra; sua vista perturba-se.
    Diante dela e todo a contemplá-la está um guerreiro estranho, se é guerreiro e não algum mau espírito da floresta. Tem nas faces o branco das areias que bordam o mar; nos olhos o azul triste das águas profundas. Ignotas armas e tecidos ignotos cobrem-lhe o corpo.
    [...]

    ALENCAR, José de. Iracema. São Paulo: Ática, 2004.

    Considerando esse excerto da obra e o contexto de toda a narrativa, assim como as características do Romantismo, analise as assertivas e assinale a alternativa correta.

    I. Iracema é uma obra romântica, exercendo, portanto, a função de literatura crítica, denunciando a desumanidade e o apagamento cultural dos nativos implicados no processo de colonização.

    II. A representação da natureza no contexto do Romantismo ocorre de maneira idealizada, ressaltando as belezas do Brasil, o que indica a presença de um nacionalismo ufanista na obra.

    III. O protagonismo feminino verificado em Iracema visa à representação da mulher como figura emancipada, dona de seu destino, surgindo heroínas independentes do poder masculino.

    IV. A linguagem é um aspecto fundamental no Romantismo, de modo que, embora o texto de Iracema seja em prosa, observam-se marcas líricas, com aguçado tom poético, na construção da narrativa.

    V. Em Iracema, o colono surge como herói da narrativa, sendo o par romântico da nativa, reforçando o discurso de harmonia entre os colonos e os indígenas.

    Escolha uma alternativa para a questão 37c1cf21-9c
  • 37BF6771-9C

    Literatura

    Escolas Literárias    UEMG · 2022FácilEntre para guardar nos favoritos

    Com base no seguinte excerto de Vidas Secas, assinale a alternativa correta.


    [...]

    Na planície avermelhada os juazeiros alargavam duas manchas verdes. Os infelizes tinham caminhado o dia inteiro, estavam cansados e famintos. Ordinariamente andavam pouco, mas como haviam repousado bastante na areia do rio seco, a viagem progredira bem três léguas. Fazia horas que procuravam uma sombra. A folhagem dos juazeiros apareceu longe, através dos galhos pelados da catinga rala.

    Arrastaram-se para lá, devagar, sinha Vitória com o filho mais novo escanchado no quarto e o baú de folha na cabeça, Fabiano sombrio, cambaio, o aió a tiracolo, a cuia pendurada numa correia presa ao cinturão, a espingarda de pederneira no ombro. O menino mais velho e a cachorra Baleia iam atrás.

    Os juazeiros aproximaram-se, recuaram, sumiram-se. O menino mais velho pôs-se a chorar, sentou-se no chão.

    [...]

    RAMOS, Graciliano. Vidas Secas. 144ª ed. Rio de Janeiro: Record, 2020.

    Escolha uma alternativa para a questão 37bf6771-9c
  • 37BD3BDA-9C

    Português

    Interpretação de Textos    UEMG · 2022MédioEntre para guardar nos favoritos

    Texto I


    Imagem da questão de Português, da prova de 2022


    Laerte.

    Disponível em: https://www.instagram.com/p/CWtk14SFixR/. Acesso em 19 jan. 2022.


    Texto II

    Mudam-se os tempos, mudam-se as vontades

    Luiz Vaz de Camões

    Mudam-se os tempos, mudam-se as vontades,

    Muda-se o ser, muda-se a confiança;

    Todo o mundo é composto de mudança,

    Tomando sempre novas qualidades.


    Continuamente vemos novidades,

    Diferentes em tudo da esperança;

    Do mal ficam as mágoas na lembrança,

    E do bem, se algum houve, as saudades.


    O tempo cobre o chão de verde manto,

    Que já coberto foi de neve fria,

    E em mim converte em choro o doce canto.


    E, afora este mudar-se cada dia,

    Outra mudança faz de mor espanto:

    Que não se muda já como soía.


    Disponível em: https://www.escritas.org/pt/t/2513/mudam-se-ostempos-mudam-se-as-vontades. Acesso em 17 jan. 2022.


    Glossário:

    Soía: costumava

    Com base no conteúdo e nos aspectos textuais dos Textos I e II, assinale a alternativa correta. 
    Escolha uma alternativa para a questão 37bd3bda-9c
  • 37BB1839-9C

    Português

    Análise sintática    UEMG · 2022MédioEntre para guardar nos favoritos

    Texto I


    Imagem da questão de Português, da prova de 2022


    Laerte.

    Disponível em: https://www.instagram.com/p/CWtk14SFixR/. Acesso em 19 jan. 2022.


    Texto II

    Mudam-se os tempos, mudam-se as vontades

    Luiz Vaz de Camões

    Mudam-se os tempos, mudam-se as vontades,

    Muda-se o ser, muda-se a confiança;

    Todo o mundo é composto de mudança,

    Tomando sempre novas qualidades.


    Continuamente vemos novidades,

    Diferentes em tudo da esperança;

    Do mal ficam as mágoas na lembrança,

    E do bem, se algum houve, as saudades.


    O tempo cobre o chão de verde manto,

    Que já coberto foi de neve fria,

    E em mim converte em choro o doce canto.


    E, afora este mudar-se cada dia,

    Outra mudança faz de mor espanto:

    Que não se muda já como soía.


    Disponível em: https://www.escritas.org/pt/t/2513/mudam-se-ostempos-mudam-se-as-vontades. Acesso em 17 jan. 2022.


    Glossário:

    Soía: costumava

    Analise o excerto a seguir, extraído do Texto II, e assinale a alternativa INCORRETA.

    “Mudam-se os tempos, mudam-se as vontades

    Muda-se o ser, muda-se a confiança;”.

    Escolha uma alternativa para a questão 37bb1839-9c
  • 37B90248-9C

    Português

    Advérbios    UEMG · 2022DifícilEntre para guardar nos favoritos

    Texto I


    Imagem da questão de Português, da prova de 2022


    Laerte.

    Disponível em: https://www.instagram.com/p/CWtk14SFixR/. Acesso em 19 jan. 2022.


    Texto II

    Mudam-se os tempos, mudam-se as vontades

    Luiz Vaz de Camões

    Mudam-se os tempos, mudam-se as vontades,

    Muda-se o ser, muda-se a confiança;

    Todo o mundo é composto de mudança,

    Tomando sempre novas qualidades.


    Continuamente vemos novidades,

    Diferentes em tudo da esperança;

    Do mal ficam as mágoas na lembrança,

    E do bem, se algum houve, as saudades.


    O tempo cobre o chão de verde manto,

    Que já coberto foi de neve fria,

    E em mim converte em choro o doce canto.


    E, afora este mudar-se cada dia,

    Outra mudança faz de mor espanto:

    Que não se muda já como soía.


    Disponível em: https://www.escritas.org/pt/t/2513/mudam-se-ostempos-mudam-se-as-vontades. Acesso em 17 jan. 2022.


    Glossário:

    Soía: costumava

    Assinale a alternativa correta a respeito de elementos linguísticos presentes no Texto II.
    Escolha uma alternativa para a questão 37b90248-9c
  • 37B28EA6-9C

    Português

    Interpretação de Textos    UEMG · 2022DifícilEntre para guardar nos favoritos

    Texto I


    Imagem da questão de Português, da prova de 2022


    Laerte.

    Disponível em: https://www.instagram.com/p/CWtk14SFixR/. Acesso em 19 jan. 2022.


    Texto II

    Mudam-se os tempos, mudam-se as vontades

    Luiz Vaz de Camões

    Mudam-se os tempos, mudam-se as vontades,

    Muda-se o ser, muda-se a confiança;

    Todo o mundo é composto de mudança,

    Tomando sempre novas qualidades.


    Continuamente vemos novidades,

    Diferentes em tudo da esperança;

    Do mal ficam as mágoas na lembrança,

    E do bem, se algum houve, as saudades.


    O tempo cobre o chão de verde manto,

    Que já coberto foi de neve fria,

    E em mim converte em choro o doce canto.


    E, afora este mudar-se cada dia,

    Outra mudança faz de mor espanto:

    Que não se muda já como soía.


    Disponível em: https://www.escritas.org/pt/t/2513/mudam-se-ostempos-mudam-se-as-vontades. Acesso em 17 jan. 2022.


    Glossário:

    Soía: costumava

    Considerando a forma e o conteúdo dos Textos I e II, analise as assertivas e assinale a alternativa que aponta a(s) correta(s).

    I. A charge da cartunista Laerte e o poema de estrutura não fixa de Camões relacionam-se de modo intertextual, uma vez que abordam uma mesma temática: mudanças.

    II. O poema de Camões apresenta um eu lírico que se centra nas mudanças ocorridas na natureza, conforme se observa nos versos “O tempo cobre o chão de verde manto/ Que já coberto foi de neve fria”.

    III. Na charge, apesar desta retratar um contexto positivo para a personagem ao evidenciar que todo fim (primeiro quadrinho) traz com ele um recomeço (terceiro quadrinho), Laerte convoca o leitor a refletir sobre a temática da solidão, já que apresenta a personagem solitária nos dois ambientes ilustrados.

    IV. Com foco no indivíduo, a charge sugere que a mudança está em cada um, independente do local onde se estiver; já o poema propõe uma reflexão mais coletiva sobre o tema, como se pode confirmar no verso “Todo o mundo é composto de mudança”.
    Escolha uma alternativa para a questão 37b28ea6-9c
  • 7BBECB38-7A

    História

    História do Brasil    UERJ · 2022FácilEntre para guardar nos favoritos
    Imagem da questão de História, da prova de 2022


    Quando Carlos Lacerda assumiu a função de primeiro governador do estado da Guanabara, em 1960, as favelas estavam em expansão na cidade. Durante seu governo, iniciou-se a política de remoção, ou seja, o processo de transferência de algumas favelas para lugares distantes, o que gerou muito descontentamento e protestos. Surgiram conjuntos habitacionais como Cidade de Deus, em Jacarepaguá, Vila Kennedy, em Senador Camará, Vila Aliança, em Bangu, e Vila Esperança, em Vigário Geral, compostos por pequenas unidades padronizadas, servidas por transportes públicos insuficientes e distantes dos empregos da maioria. Hoje, quem passa pelo Parque da Catacumba, na Lagoa, pelos prédios da chamada Selva de Pedra, no Leblon, ou pelo campus da Universidade do Estado do Rio de Janeiro (Uerj), no Maracanã, nem imagina que esses espaços abrigaram as três maiores favelas da cidade nos anos 1960: Catacumba, Praia do Pinto e Esqueleto, respectivamente.

    A favela do Esqueleto tinha esse nome pois, em seu terreno, havia o esqueleto da construção inacabada de um hospital. Grande parte de seus moradores foi assentada na Vila Kennedy.

    Adaptado de multirio.rio.rj.gov.br.

    Iniciada ainda no antigo estado da Guanabara, durante o governo de Carlos Lacerda, as remoções de favelas inseriam-se no projeto de intervenção estatal para expansão da cidade.

    Um objetivo e um efeito das remoções então efetivadas foram, respectivamente:
    Escolha uma alternativa para a questão 7bbecb38-7a