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Questões: Universidade do Estado de Minas Gerais (UEMG) — com gabarito

716 questões de Universidade do Estado de Minas Gerais (UEMG), de 2010 a 2025. Cada uma tem página própria, com enunciado completo, alternativas e gabarito — e dá para responder na própria página.

  • 716 questões
  • 7 provas

Resultados: 171 questões

Página 5 de 9

  • Linguagens

    Português

    Leia este poema.


    DIALÉTICA


    É claro que a vida é boa

    E a alegria, a única indizível emoção

    É claro que te acho linda

    Em ti bendigo o amor das coisas simples

    É claro que te amo

    E tenho tudo para ser feliz


    Mas acontece que eu sou triste...

    ORAES, Vinícius. Disponível em: http://www.viniciusdemoraes.com.br/pt-br/poesia/poesias-avulsas/dialetica. Acesso: 11 dez. 2018.


    Em relação a esse texto, escrito pelo poeta e compositor Vinícius de Moraes, é CORRETO afirmar que:

    Escolha uma alternativa para a questão 7f56a349-3e
  • Linguagens

    Literatura

    INSTRUÇÃO: A questão refere-se à obra “O Triste fim de Policarpo Quaresma” de Lima Barreto.


    Leia estes fragmentos da adaptação em quadrinhos do livro “Triste fim de Policarpo Quaresma”.


                        Figura 1 de 2 da questão de Literatura, UEMG 2019, Escolas Literárias


    As * reproduzem os textos das imagens dos quadrinhos:


    * “A INDIGNAÇÃO, A CONVICÇÃO PATRIÓTICA E O AMOR AO IDIOMA NATIVO SE MISTURAM EM SUA FEBRE, E ELE NEM PERCEBEU QUE SE PÔS A REDIGIR O RELATÓRIO NAQUELA LÍNGUA.”

    ** “ANTES QUE PERCEBESSE O QUE TINHA FEITO, CHAMARAM-NO PARA RESOLVER UM PROBLEMA EM OUTRA SALA, E O OFÍCIO SE JUNTOU A OUTROS, SEGUINDO O CURSO NORMAL DA BUROCRACIA...”

    *** “...PASSOU PELO DIRETOR QUE, COMO SEMPRE, NÃO REPAROU NO QUE ASSINAVA...”

    **** “...E FOI PARAR NO MINISTÉRIO, ONDE CAUSOU PERPLEXIDADE...”


                   Figura 2 de 2 da questão de Literatura, UEMG 2019, Escolas Literárias


    As * reproduzem os textos das imagens dos quadrinhos:


    * “QUARESMA FOI AO ENTERRO, ANTES DE PARTIR EM SUA MISSÃO. COMTEMPLANDO AQUELES TRISTES RESTOS, PENSAVA QUE A MOÇA IA PARA O BURACO ESCURO SEM DEIXAR TRAÇO MAIS FUNDO DE SUA PESSOA, DE SEUS SENTIMENTOS, DE SUA ALMA...”

    ** “OS HOMENS DENTRO EM POUCO ESTÃO AQUI... O GOVERNO ESTÁ EXAUSTO!”

    *** “SE EU FOSSE VOCÊ, COMPRAVA TUDO NO BONHEUR DES DAMES, TEM ÓTIMAS PECHINCHAS.”

    Nesses trechos, há referência a missões que Policarpo Quaresma desejava realizar. Considerando o enredo da obra “Triste fim de Policarpo Quaresma”, são projetos malogrados do protagonista:


    I- Defender o tupi-guarani como língua oficial do país, por ser esse o idioma que expressa a brasilidade em contraposição ao europeísmo representado pela língua portuguesa.

    II- Propor uma reforma da agricultura, pedindo suporte governamental aos pequenos produtores agrícolas, por reconhecer que lhes faltava mais de dedicação e organização.

    III- Apoiar o governo na defesa da ordem republicana ameaçada e entregar a Floriano Peixoto um documento com as medidas a serem tomadas para resolver os problemas do país.


    Estão CORRETAS as afirmativas:

    Escolha uma alternativa para a questão 7f5a48d2-3e
  • Linguagens

    Literatura

    INSTRUÇÃO: A questão refere-se à obra “O Triste fim de Policarpo Quaresma” de Lima Barreto.


    Leia estes fragmentos da adaptação em quadrinhos do livro “Triste fim de Policarpo Quaresma”.


                        Figura 1 de 2 da questão de Literatura, UEMG 2019, Escolas Literárias


    As * reproduzem os textos das imagens dos quadrinhos:


    * “A INDIGNAÇÃO, A CONVICÇÃO PATRIÓTICA E O AMOR AO IDIOMA NATIVO SE MISTURAM EM SUA FEBRE, E ELE NEM PERCEBEU QUE SE PÔS A REDIGIR O RELATÓRIO NAQUELA LÍNGUA.”

    ** “ANTES QUE PERCEBESSE O QUE TINHA FEITO, CHAMARAM-NO PARA RESOLVER UM PROBLEMA EM OUTRA SALA, E O OFÍCIO SE JUNTOU A OUTROS, SEGUINDO O CURSO NORMAL DA BUROCRACIA...”

    *** “...PASSOU PELO DIRETOR QUE, COMO SEMPRE, NÃO REPAROU NO QUE ASSINAVA...”

    **** “...E FOI PARAR NO MINISTÉRIO, ONDE CAUSOU PERPLEXIDADE...”


                   Figura 2 de 2 da questão de Literatura, UEMG 2019, Escolas Literárias


    As * reproduzem os textos das imagens dos quadrinhos:


    * “QUARESMA FOI AO ENTERRO, ANTES DE PARTIR EM SUA MISSÃO. COMTEMPLANDO AQUELES TRISTES RESTOS, PENSAVA QUE A MOÇA IA PARA O BURACO ESCURO SEM DEIXAR TRAÇO MAIS FUNDO DE SUA PESSOA, DE SEUS SENTIMENTOS, DE SUA ALMA...”

    ** “OS HOMENS DENTRO EM POUCO ESTÃO AQUI... O GOVERNO ESTÁ EXAUSTO!”

    *** “SE EU FOSSE VOCÊ, COMPRAVA TUDO NO BONHEUR DES DAMES, TEM ÓTIMAS PECHINCHAS.”

    O enredo do romance “Triste fim de Policarpo Quaresma” gira em torno do personagem-título, funcionário público que:
    Escolha uma alternativa para a questão 7f5d7f31-3e
  • Linguagens

    Português

    Gênero literário é a categoria à qual pertence uma obra com base em suas características predominantes que possibilitam o agrupamento por semelhanças.


    Considerando a classificação dos gêneros literários, assinale V para as afirmativas verdadeiras e F para as falsas.


    ( ) Gênero lírico caracteriza-se pela manifestação do eu-interior do poeta e pela exposição de sua subjetividade de sentimentos e emoções vivenciados em seu mundo íntimo.

    ( ) Gênero dramático caracteriza-se pela narração (em versos) de grandes feitos históricos em textos em que a presença de um herói representa a força do coletivo.

    ( ) Gênero épico caracteriza-se por textos escritos para serem encenados em que o autor utiliza o discurso direto e dá voz a seus personagens sem a intermediação de um narrador.


    Assinale a alternativa que apresenta a sequência CORRETA:

    Escolha uma alternativa para a questão 7f610f12-3e
  • Linguagens

    Inglês

                   Fire Devastates Brazil's Oldest Science Museum

    The overnight inferno likely claimed fossils, cultural artifacts, and more irreplaceable collections amassed over 200 years.

                                                                                        By Michael Greshko                                                   ______________________________________

                                                                       PUBLISHED September 6, 2018


    Major pieces of Brazil's scientific and cultural heritage went up in smoke on September 2, as a devastating fire ripped through much of Rio de Janeiro's Museu Nacional, or National Museum. Founded in 1818, the museum is Brazil's oldest scientific institution and one of the largest and most renowned museums in Latin America, amassing a collection of some 20 million scientifically and culturally invaluable artifacts.

    The Museu Nacional's holdings include Luzia, an 11,500-year-old skull considered one of South America's oldest human fossils, as well as the bones of uniquely Brazilian creatures such as the long-necked dinosaur Maxakalisaurus. Because of the auction tastes of Brazil's 19th-century emperors, the Museu Nacional also ended up with Latin America's oldest collection of Egyptian mummies and artifacts.

    Even the building holds historical importance: It housed the exiled Portuguese royal family from 1808 to 1821, after they fled to Rio de Janeiro in 1807 to escape Napoleon. The complex also served as the palace for Brazil's post-independence emperors until 1889, before the museum collections were transferred there in 1902. In an September 5 email, Museu Nacional curator Débora Pires wrote that the entomology and arachnology collections were completely destroyed, as was most of the mollusk collection. However, technicians had braved the fire to save 80 percent of the mollusk holotypes—the specimens that formally serve as the global references for a given species. The museum's vertebrate specimens, herbarium, and library were housed separately and survived the fire.

    (…)

    An Irreplaceable Loss

    It's not yet clear how the fire started, but it did begin after the museum was closed to the public, and no injuries have yet been reported. Firefighters worked through the night to douse the burnt-out shell of the main building, but it seems the blaze has already seared a gaping hole in many scientists' careers.

    “The importance of the collections that were lost couldn't be overstated,” says Luiz Rocha, a Brazilian ichthyologist now at the California Academy of Sciences who has visited the Museu Nacional several times to study its collections. “They were unique as it gets: Many of them were irreplaceable, there's no way to put a monetary value on it.”

    “In terms of [my] life-long research agenda, I'm pretty much lost,” says Marcus Guidoti, a Brazilian entomologist finishing up his Ph.D. in a program co-run by Brazil's Federal University of Rio Grande do Sul.

    Guidoti studies lace bugs, an insect family with more than 2,000 species worldwide. The Museu Nacional held one of the world's largest lace bug collections, but the fire likely destroyed it and the rest of the museum's five million arthropod specimens. “Those type specimens can't be replaced, and they are crucial to understand the species,” he says by text message. “If I was willing to keep working on this family in this region of the globe, this was definitely a big hit.”

    Paleontologist Dimila Mothé, a postdoctoral researcher at the Federal University of the State of Rio de Janeiro, adds that the blows to science extend beyond the collections themselves. “It's not only the cultural history, the natural history, but all the theses and research developed there,” she says. “Most of the laboratories there were lost, too, and the research of several professors. I'm not sure you can say the impact of what was lost.”

    Brazil’s indigenous knowledge also has suffered. The Museu Nacional housed world-renowned collections of indigenous objects, as well as many audio recordings of indigenous languages from all over Brazil. Some of these recordings, now lost, were of languages that are no longer spoken.

    “I have no words to say how horrible this is,” says Brazilian anthropologist Mariana Françozo, an expert on South American indigenous objects at Leiden University. “The indigenous collections are a tremendous loss … we can no longer study them, we can no longer understand what our ancestors did. It’s heartbreaking.” 

    On Monday, The Brazilian publication G1 Rio reported that ashes of burned documents—some still flecked in notes or illustrations—have rained down from the sky more than a mile away from the Museu Nacional, thrown aloft by the inferno.

    (…)

    Editor's Note: This story was updated on September 6, 2018, with new details about which artifacts survived the fire. 

    Taken from: https://www.nationalgeographic.com/science/2018/09/news-museu-nacional-fire-rio-de-janeiro-natural-history/. Access: 11 dez. 2018.

    In the excerpt “Founded in 1818, the museum is Brazil's oldest scientific institution and one of the largest and most renowned museums in Latin America” we have 3 (three) occurrences of:
    Escolha uma alternativa para a questão 7fdb627a-3e
  • Linguagens

    Inglês

                   Fire Devastates Brazil's Oldest Science Museum

    The overnight inferno likely claimed fossils, cultural artifacts, and more irreplaceable collections amassed over 200 years.

                                                                                        By Michael Greshko                                                   ______________________________________

                                                                       PUBLISHED September 6, 2018


    Major pieces of Brazil's scientific and cultural heritage went up in smoke on September 2, as a devastating fire ripped through much of Rio de Janeiro's Museu Nacional, or National Museum. Founded in 1818, the museum is Brazil's oldest scientific institution and one of the largest and most renowned museums in Latin America, amassing a collection of some 20 million scientifically and culturally invaluable artifacts.

    The Museu Nacional's holdings include Luzia, an 11,500-year-old skull considered one of South America's oldest human fossils, as well as the bones of uniquely Brazilian creatures such as the long-necked dinosaur Maxakalisaurus. Because of the auction tastes of Brazil's 19th-century emperors, the Museu Nacional also ended up with Latin America's oldest collection of Egyptian mummies and artifacts.

    Even the building holds historical importance: It housed the exiled Portuguese royal family from 1808 to 1821, after they fled to Rio de Janeiro in 1807 to escape Napoleon. The complex also served as the palace for Brazil's post-independence emperors until 1889, before the museum collections were transferred there in 1902. In an September 5 email, Museu Nacional curator Débora Pires wrote that the entomology and arachnology collections were completely destroyed, as was most of the mollusk collection. However, technicians had braved the fire to save 80 percent of the mollusk holotypes—the specimens that formally serve as the global references for a given species. The museum's vertebrate specimens, herbarium, and library were housed separately and survived the fire.

    (…)

    An Irreplaceable Loss

    It's not yet clear how the fire started, but it did begin after the museum was closed to the public, and no injuries have yet been reported. Firefighters worked through the night to douse the burnt-out shell of the main building, but it seems the blaze has already seared a gaping hole in many scientists' careers.

    “The importance of the collections that were lost couldn't be overstated,” says Luiz Rocha, a Brazilian ichthyologist now at the California Academy of Sciences who has visited the Museu Nacional several times to study its collections. “They were unique as it gets: Many of them were irreplaceable, there's no way to put a monetary value on it.”

    “In terms of [my] life-long research agenda, I'm pretty much lost,” says Marcus Guidoti, a Brazilian entomologist finishing up his Ph.D. in a program co-run by Brazil's Federal University of Rio Grande do Sul.

    Guidoti studies lace bugs, an insect family with more than 2,000 species worldwide. The Museu Nacional held one of the world's largest lace bug collections, but the fire likely destroyed it and the rest of the museum's five million arthropod specimens. “Those type specimens can't be replaced, and they are crucial to understand the species,” he says by text message. “If I was willing to keep working on this family in this region of the globe, this was definitely a big hit.”

    Paleontologist Dimila Mothé, a postdoctoral researcher at the Federal University of the State of Rio de Janeiro, adds that the blows to science extend beyond the collections themselves. “It's not only the cultural history, the natural history, but all the theses and research developed there,” she says. “Most of the laboratories there were lost, too, and the research of several professors. I'm not sure you can say the impact of what was lost.”

    Brazil’s indigenous knowledge also has suffered. The Museu Nacional housed world-renowned collections of indigenous objects, as well as many audio recordings of indigenous languages from all over Brazil. Some of these recordings, now lost, were of languages that are no longer spoken.

    “I have no words to say how horrible this is,” says Brazilian anthropologist Mariana Françozo, an expert on South American indigenous objects at Leiden University. “The indigenous collections are a tremendous loss … we can no longer study them, we can no longer understand what our ancestors did. It’s heartbreaking.” 

    On Monday, The Brazilian publication G1 Rio reported that ashes of burned documents—some still flecked in notes or illustrations—have rained down from the sky more than a mile away from the Museu Nacional, thrown aloft by the inferno.

    (…)

    Editor's Note: This story was updated on September 6, 2018, with new details about which artifacts survived the fire. 

    Taken from: https://www.nationalgeographic.com/science/2018/09/news-museu-nacional-fire-rio-de-janeiro-natural-history/. Access: 11 dez. 2018.

    In the excerpt “Even the building holds historical importance: It housed the exiled Portuguese royal family from 1808 to 1821, after they fled to Rio de Janeiro in 1807 to escape Napoleon”, the word IT refers to:
    Escolha uma alternativa para a questão 7fde72a2-3e
  • Linguagens

    Inglês

                   Fire Devastates Brazil's Oldest Science Museum

    The overnight inferno likely claimed fossils, cultural artifacts, and more irreplaceable collections amassed over 200 years.

                                                                                        By Michael Greshko                                                   ______________________________________

                                                                       PUBLISHED September 6, 2018


    Major pieces of Brazil's scientific and cultural heritage went up in smoke on September 2, as a devastating fire ripped through much of Rio de Janeiro's Museu Nacional, or National Museum. Founded in 1818, the museum is Brazil's oldest scientific institution and one of the largest and most renowned museums in Latin America, amassing a collection of some 20 million scientifically and culturally invaluable artifacts.

    The Museu Nacional's holdings include Luzia, an 11,500-year-old skull considered one of South America's oldest human fossils, as well as the bones of uniquely Brazilian creatures such as the long-necked dinosaur Maxakalisaurus. Because of the auction tastes of Brazil's 19th-century emperors, the Museu Nacional also ended up with Latin America's oldest collection of Egyptian mummies and artifacts.

    Even the building holds historical importance: It housed the exiled Portuguese royal family from 1808 to 1821, after they fled to Rio de Janeiro in 1807 to escape Napoleon. The complex also served as the palace for Brazil's post-independence emperors until 1889, before the museum collections were transferred there in 1902. In an September 5 email, Museu Nacional curator Débora Pires wrote that the entomology and arachnology collections were completely destroyed, as was most of the mollusk collection. However, technicians had braved the fire to save 80 percent of the mollusk holotypes—the specimens that formally serve as the global references for a given species. The museum's vertebrate specimens, herbarium, and library were housed separately and survived the fire.

    (…)

    An Irreplaceable Loss

    It's not yet clear how the fire started, but it did begin after the museum was closed to the public, and no injuries have yet been reported. Firefighters worked through the night to douse the burnt-out shell of the main building, but it seems the blaze has already seared a gaping hole in many scientists' careers.

    “The importance of the collections that were lost couldn't be overstated,” says Luiz Rocha, a Brazilian ichthyologist now at the California Academy of Sciences who has visited the Museu Nacional several times to study its collections. “They were unique as it gets: Many of them were irreplaceable, there's no way to put a monetary value on it.”

    “In terms of [my] life-long research agenda, I'm pretty much lost,” says Marcus Guidoti, a Brazilian entomologist finishing up his Ph.D. in a program co-run by Brazil's Federal University of Rio Grande do Sul.

    Guidoti studies lace bugs, an insect family with more than 2,000 species worldwide. The Museu Nacional held one of the world's largest lace bug collections, but the fire likely destroyed it and the rest of the museum's five million arthropod specimens. “Those type specimens can't be replaced, and they are crucial to understand the species,” he says by text message. “If I was willing to keep working on this family in this region of the globe, this was definitely a big hit.”

    Paleontologist Dimila Mothé, a postdoctoral researcher at the Federal University of the State of Rio de Janeiro, adds that the blows to science extend beyond the collections themselves. “It's not only the cultural history, the natural history, but all the theses and research developed there,” she says. “Most of the laboratories there were lost, too, and the research of several professors. I'm not sure you can say the impact of what was lost.”

    Brazil’s indigenous knowledge also has suffered. The Museu Nacional housed world-renowned collections of indigenous objects, as well as many audio recordings of indigenous languages from all over Brazil. Some of these recordings, now lost, were of languages that are no longer spoken.

    “I have no words to say how horrible this is,” says Brazilian anthropologist Mariana Françozo, an expert on South American indigenous objects at Leiden University. “The indigenous collections are a tremendous loss … we can no longer study them, we can no longer understand what our ancestors did. It’s heartbreaking.” 

    On Monday, The Brazilian publication G1 Rio reported that ashes of burned documents—some still flecked in notes or illustrations—have rained down from the sky more than a mile away from the Museu Nacional, thrown aloft by the inferno.

    (…)

    Editor's Note: This story was updated on September 6, 2018, with new details about which artifacts survived the fire. 

    Taken from: https://www.nationalgeographic.com/science/2018/09/news-museu-nacional-fire-rio-de-janeiro-natural-history/. Access: 11 dez. 2018.

    According to the text about the Brazilian National Museum, the fire
    Escolha uma alternativa para a questão 7fe1f6c4-3e
  • Linguagens

    Inglês

                   Fire Devastates Brazil's Oldest Science Museum

    The overnight inferno likely claimed fossils, cultural artifacts, and more irreplaceable collections amassed over 200 years.

                                                                                        By Michael Greshko                                                   ______________________________________

                                                                       PUBLISHED September 6, 2018


    Major pieces of Brazil's scientific and cultural heritage went up in smoke on September 2, as a devastating fire ripped through much of Rio de Janeiro's Museu Nacional, or National Museum. Founded in 1818, the museum is Brazil's oldest scientific institution and one of the largest and most renowned museums in Latin America, amassing a collection of some 20 million scientifically and culturally invaluable artifacts.

    The Museu Nacional's holdings include Luzia, an 11,500-year-old skull considered one of South America's oldest human fossils, as well as the bones of uniquely Brazilian creatures such as the long-necked dinosaur Maxakalisaurus. Because of the auction tastes of Brazil's 19th-century emperors, the Museu Nacional also ended up with Latin America's oldest collection of Egyptian mummies and artifacts.

    Even the building holds historical importance: It housed the exiled Portuguese royal family from 1808 to 1821, after they fled to Rio de Janeiro in 1807 to escape Napoleon. The complex also served as the palace for Brazil's post-independence emperors until 1889, before the museum collections were transferred there in 1902. In an September 5 email, Museu Nacional curator Débora Pires wrote that the entomology and arachnology collections were completely destroyed, as was most of the mollusk collection. However, technicians had braved the fire to save 80 percent of the mollusk holotypes—the specimens that formally serve as the global references for a given species. The museum's vertebrate specimens, herbarium, and library were housed separately and survived the fire.

    (…)

    An Irreplaceable Loss

    It's not yet clear how the fire started, but it did begin after the museum was closed to the public, and no injuries have yet been reported. Firefighters worked through the night to douse the burnt-out shell of the main building, but it seems the blaze has already seared a gaping hole in many scientists' careers.

    “The importance of the collections that were lost couldn't be overstated,” says Luiz Rocha, a Brazilian ichthyologist now at the California Academy of Sciences who has visited the Museu Nacional several times to study its collections. “They were unique as it gets: Many of them were irreplaceable, there's no way to put a monetary value on it.”

    “In terms of [my] life-long research agenda, I'm pretty much lost,” says Marcus Guidoti, a Brazilian entomologist finishing up his Ph.D. in a program co-run by Brazil's Federal University of Rio Grande do Sul.

    Guidoti studies lace bugs, an insect family with more than 2,000 species worldwide. The Museu Nacional held one of the world's largest lace bug collections, but the fire likely destroyed it and the rest of the museum's five million arthropod specimens. “Those type specimens can't be replaced, and they are crucial to understand the species,” he says by text message. “If I was willing to keep working on this family in this region of the globe, this was definitely a big hit.”

    Paleontologist Dimila Mothé, a postdoctoral researcher at the Federal University of the State of Rio de Janeiro, adds that the blows to science extend beyond the collections themselves. “It's not only the cultural history, the natural history, but all the theses and research developed there,” she says. “Most of the laboratories there were lost, too, and the research of several professors. I'm not sure you can say the impact of what was lost.”

    Brazil’s indigenous knowledge also has suffered. The Museu Nacional housed world-renowned collections of indigenous objects, as well as many audio recordings of indigenous languages from all over Brazil. Some of these recordings, now lost, were of languages that are no longer spoken.

    “I have no words to say how horrible this is,” says Brazilian anthropologist Mariana Françozo, an expert on South American indigenous objects at Leiden University. “The indigenous collections are a tremendous loss … we can no longer study them, we can no longer understand what our ancestors did. It’s heartbreaking.” 

    On Monday, The Brazilian publication G1 Rio reported that ashes of burned documents—some still flecked in notes or illustrations—have rained down from the sky more than a mile away from the Museu Nacional, thrown aloft by the inferno.

    (…)

    Editor's Note: This story was updated on September 6, 2018, with new details about which artifacts survived the fire. 

    Taken from: https://www.nationalgeographic.com/science/2018/09/news-museu-nacional-fire-rio-de-janeiro-natural-history/. Access: 11 dez. 2018.

    The fire caused damages and losses in different areas of the National Museum, EXCEPT in:
    Escolha uma alternativa para a questão 7fe5d26e-3e
  • Linguagens

    Inglês

                   Fire Devastates Brazil's Oldest Science Museum

    The overnight inferno likely claimed fossils, cultural artifacts, and more irreplaceable collections amassed over 200 years.

                                                                                        By Michael Greshko                                                   ______________________________________

                                                                       PUBLISHED September 6, 2018


    Major pieces of Brazil's scientific and cultural heritage went up in smoke on September 2, as a devastating fire ripped through much of Rio de Janeiro's Museu Nacional, or National Museum. Founded in 1818, the museum is Brazil's oldest scientific institution and one of the largest and most renowned museums in Latin America, amassing a collection of some 20 million scientifically and culturally invaluable artifacts.

    The Museu Nacional's holdings include Luzia, an 11,500-year-old skull considered one of South America's oldest human fossils, as well as the bones of uniquely Brazilian creatures such as the long-necked dinosaur Maxakalisaurus. Because of the auction tastes of Brazil's 19th-century emperors, the Museu Nacional also ended up with Latin America's oldest collection of Egyptian mummies and artifacts.

    Even the building holds historical importance: It housed the exiled Portuguese royal family from 1808 to 1821, after they fled to Rio de Janeiro in 1807 to escape Napoleon. The complex also served as the palace for Brazil's post-independence emperors until 1889, before the museum collections were transferred there in 1902. In an September 5 email, Museu Nacional curator Débora Pires wrote that the entomology and arachnology collections were completely destroyed, as was most of the mollusk collection. However, technicians had braved the fire to save 80 percent of the mollusk holotypes—the specimens that formally serve as the global references for a given species. The museum's vertebrate specimens, herbarium, and library were housed separately and survived the fire.

    (…)

    An Irreplaceable Loss

    It's not yet clear how the fire started, but it did begin after the museum was closed to the public, and no injuries have yet been reported. Firefighters worked through the night to douse the burnt-out shell of the main building, but it seems the blaze has already seared a gaping hole in many scientists' careers.

    “The importance of the collections that were lost couldn't be overstated,” says Luiz Rocha, a Brazilian ichthyologist now at the California Academy of Sciences who has visited the Museu Nacional several times to study its collections. “They were unique as it gets: Many of them were irreplaceable, there's no way to put a monetary value on it.”

    “In terms of [my] life-long research agenda, I'm pretty much lost,” says Marcus Guidoti, a Brazilian entomologist finishing up his Ph.D. in a program co-run by Brazil's Federal University of Rio Grande do Sul.

    Guidoti studies lace bugs, an insect family with more than 2,000 species worldwide. The Museu Nacional held one of the world's largest lace bug collections, but the fire likely destroyed it and the rest of the museum's five million arthropod specimens. “Those type specimens can't be replaced, and they are crucial to understand the species,” he says by text message. “If I was willing to keep working on this family in this region of the globe, this was definitely a big hit.”

    Paleontologist Dimila Mothé, a postdoctoral researcher at the Federal University of the State of Rio de Janeiro, adds that the blows to science extend beyond the collections themselves. “It's not only the cultural history, the natural history, but all the theses and research developed there,” she says. “Most of the laboratories there were lost, too, and the research of several professors. I'm not sure you can say the impact of what was lost.”

    Brazil’s indigenous knowledge also has suffered. The Museu Nacional housed world-renowned collections of indigenous objects, as well as many audio recordings of indigenous languages from all over Brazil. Some of these recordings, now lost, were of languages that are no longer spoken.

    “I have no words to say how horrible this is,” says Brazilian anthropologist Mariana Françozo, an expert on South American indigenous objects at Leiden University. “The indigenous collections are a tremendous loss … we can no longer study them, we can no longer understand what our ancestors did. It’s heartbreaking.” 

    On Monday, The Brazilian publication G1 Rio reported that ashes of burned documents—some still flecked in notes or illustrations—have rained down from the sky more than a mile away from the Museu Nacional, thrown aloft by the inferno.

    (…)

    Editor's Note: This story was updated on September 6, 2018, with new details about which artifacts survived the fire. 

    Taken from: https://www.nationalgeographic.com/science/2018/09/news-museu-nacional-fire-rio-de-janeiro-natural-history/. Access: 11 dez. 2018.

    The correct reported speech form for the sentence “Most of the laboratories there were lost, too, and the research of several professors. I'm not sure you can say the impact of what was lost”, said by Dimila Mothé, is:
    Escolha uma alternativa para a questão 7fe92f2f-3e
  • Linguagens

    Inglês

    Lima Barreto’s work (Sad End of Policarpo Quaresma) describes a man who acted in some areas along his life. Check the alternative that shows the area that it was NOT active.
    Escolha uma alternativa para a questão 7fec6ef3-3e
  • Linguagens

    Português

    Leia o texto:


    Desolado com a possibilidade de extinção da língua portuguesa, deputado apresenta projeto de lei com o objetivo de proibir o uso de palavras de outros idiomas em meios de comunicação, nomes comerciais, documentos oficiais, etc. [...] A identidade das línguas não se esconde nos vocabulários, mas na maneira como eles se articulam. Seus segredos estão em palavras que a maioria dos mortais relega a segundo plano como artigos, preposições, conjunções, ou em processos relacionais como regências, concordâncias, flexões, declinações, sintaxes. Enquanto os fanáticos por computadores conjugarem o anglicismo “escanear” como se fosse “escaneio, escaneias, escaneia...” tudo está bem: estão apenas repetindo processos que nos deram palavras preciosas como “desolado” ou “parlamento”... – a última , um caso particularmente interessante, por nos fornecer uma palavra latina por tabela, sua raiz é latina, mas sua existência se deve aos ingleses. No dia em que começarmos a lidar com respeitáveis palavras de ascendência diretamente romana como “falar” em termos de “eu fala, tu fala, ele fala, nós fala”, aí talvez seja o momento de profetizar a agonia da “última flor de Lácio” [...] O simples fato de determinada comunidade usar ou não determinada expressão contém significado que jamais poderá ser traduzido por outra palavra. Voltando ao nosso apaixonado por computadores, se ele começar a disparar verbos como “escanear”, “printar”, deletar ou congêneres, saberemos de sua condição de info-fanático. Ninguém precisará nos dizer isso. Além de nos informar que vai imprimir ou apagar algo, ele está nos dizendo, também, que se quiser pode estourar o disco rígido de nosso computador sem que notemos. Quando um executivo fala em personal banking, ele não se refere apenas à relação personalizada que a informática permite entre ele e seu banco, informa-nos, também, sobre a tribo à qual pertence [...] A lei contém, portanto, elemento limitador da expressão. Quando pretende se impor a meios de comunicação, o problema torna-se mais grave. Além da redução quantitativa de informações que permite à comunidade, realiza, também, uma redução qualitativa: estabelece que certas categorias de informações simplesmente não podem ser transmitidas. Antigamente isso se chamava censura. (Texto adaptado de: AVELAR, Marcelo Castilho. O idioma está acima do controle das leis. Estado de Minas, Belo Horizonte, 17 set. 2000. Espetáculo/Opinião, p.4.)


    O dois-pontos usado no fragmento “[...] tudo está bem: estão apenas repetindo processos que nos deram palavras preciosas [...]” dá idéia de ________ e pode ser substituído por ________.

    Completa corretamente as lacunas:

    Escolha uma alternativa para a questão bca48b26-ff
  • Linguagens

    Português

    ETC

    Estou sozinho, estou triste, etc.

    Quem virá com a nova brisa que penetra

    Pelas frestas do meu ninho

    Quem insiste em anunciar-se no desejo

    Quem tanto não vejo ainda

    Quem pessoa secreta

    Vem, te chamo

    Vem, etc.

    (Caetano Veloso)


    Sobre o uso do “etc” nesse texto, por tratar-se de uma expressão bastante corriqueira, é correto dizer que

    Escolha uma alternativa para a questão bca73a25-ff
  • Linguagens

    Português

    Imagem da questão de Português, UEMG 2019, Interpretação de Textos

    (http://eduardoabril.blogspot.com. Acesso: 28/03/2010.)


    O fato de as palavras “imtulho” e “aria” estarem escritas de forma diferente da padrão indica a

    Escolha uma alternativa para a questão bcaa2d5b-ff
  • Linguagens

    Português

    Seja Feliz

    (Marisa Monte)


    Tão longa a estrada

    Tão longa a sina

    Tão curta a vida

    Tão largo o céu

    Tão largo o mar

    Tão curta a vida

    Curta a vida

    (http://letras.mus.br/marisa-monte/1982242/. Acesso: 07/02/2013. Adaptado.)


    No último verso, a palavra “curta” tem um sentido diferente do ocorrido no terceiro e sexto versos, pois esse novo sentido expressa que a vida

    Escolha uma alternativa para a questão bcad00ba-ff
  • Linguagens

    Português

    Esta música é um samba de Adoniran Barbosa e menciona o Brás, um bairro situado na cidade de São Paulo.


    O Arnesto nos convidou pra um samba, ele mora no Brás

    Nós fumos não encontremos ninguém

    Nós voltermos com uma baita de uma reiva

    Da outra vez nós num vai mais

    No outro dia encontremo com o Arnesto

    Que pediu desculpas mais nós não aceitemos

    Isso não se faz, Arnesto, nós não se importa

    Mas você devia ter ponhado um recado na porta

    Um recado assim ói: “Ói, turma, num deu pra esperá

    A duvido que isso, num faz mar, num tem importância,

    Assinado em cruz porque não sei escrever”.

    (http://goo.gl/QXibH. Acesso: 01/11/2012. Adaptado.)


    Considerando que a nossa forma de falar, além de ser determinada pela situação comunicativa em que estamos inseridos, pode representar nossa origem sociocultural, o locutor do texto é representado por um

    Escolha uma alternativa para a questão bcb0bda3-ff
  • Linguagens

    Português

    Considere as seguintes frases:


    1. Saímos de casa ................................ amanheceu.

    2. Compraremos o apartamento ............................. vendermos o carro.

    3. Prefiro não me envolver ................................. concorde com a decisão tomada.

    4. Não assinamos o contrato .............................. discordávamos de algumas cláusulas.


    As lacunas das frases devem ser preenchidas, respectivamente, pelas palavras

    Escolha uma alternativa para a questão 373cb0ac-ff
  • Linguagens

    Português

    Um samba no Bixiga

    (Adoniran Barbosa)


    Domingo nós fumo num samba no Bixiga

    Na rua major, na casa do Nicola

    À mezza notte o'clock

    Saiu uma baita duma briga

    Era só pizza que avuava junto com as brachola


    Na hora "h" se enfiemo debaixo da mesa

    Fiquemo ali, que beleza, vendo o Nicola brigá

    Dali a pouco escutemo a patrulha chegá

    E o sargento Oliveira falá:

    “Num tem importância.

    Foi chamada as ambulância.

    Carma, pessoal.

    A situação aqui está muito cínica.

    Os mais pior vai pras Clínica”.

    (http://goo.gl/na7dJ. Acesso: 24/12/2012. Adaptado.)


    Para que a fala do sargento Oliveira seja apropriada à sua imagem social e ao seu papel na situação em questão, ela deve ser formulada do seguinte modo:

    Escolha uma alternativa para a questão 373fa1c0-ff
  • Linguagens

    Português

    Não deixe sua cachorrinha entrar na minha casa de novo. Ela está cheia de pulgas.

    (http://goo.gl/5QjHy. Acesso: 08/11/2012. Adaptado.)

    Há ambiguidade nessa frase porque

    Escolha uma alternativa para a questão 3742bb4e-ff
  • Linguagens

    Português

    O BEIJO – TEXTO I


    Imagem da questão de Português, UEMG 2019, Interpretação de Textos

    (LAERTE. O Beijo. Folha de S. Paulo, São Paulo, 3 nov. 2007. Folha Ilustrada, E11)


    O BEIJO – TEXTO II

    Quem é que não gosta de um beijo, daqueles de tirar o fôlego e que faz o coração bater mais forte? Com certeza, esses segundinhos (ou minutinhos) arrebatadores já fizeram você esquecer o resto do mundo. O beijo, que aparenta ser um ato simples, é responsável por uma avalanche de sentimentos e reações no organismo humano. E sem essa manifestação de carinho é impossível namorar ou amar alguém de verdade.

    (O Beijo. Disponível em:<http://boasaude.uol.com.br/lib/ShowDoc.cfm?LibDocID=4591& ReturnCatID=763> . Acesso em: 05/11/2007.)


    Comparando-se os dois textos, pode-se afirmar que

    Escolha uma alternativa para a questão 3745c80f-ff
  • Linguagens

    Português

    Doar vida

    Doar sangue não engorda, não emagrece, não purifica o sangue nem altera o desempenho sexual. É apenas um ato de boa vontade e uma demonstração de cidadania, que infelizmente no Brasil ainda esquecida. Por aqui, apenas 2% da população doa sangue, enquanto em países da Europa, como França e Inglaterra, 30% da população é doadora de carteirinha. Segundo a Organização Mundial da Saúde, para que não falte sangue nos bancos é fundamental que 5% da população de cada país tenha esse hábito. Também é importante ressaltar que nenhuma doença é transmitida durante a doação, que é feita com material descartável e dura 10 minutos. Por isso, todas as pessoas que têm mais de 18 anos, mais de 50 quilos e boa saúde podem ser voluntárias. Vamos arregaçar as mangas. (Revista Criativa – dez/2002 p. 32)


    A frase transcrita do texto que pode provocar dupla interpretação é:

    Escolha uma alternativa para a questão 1cde72c8-ff